Showing posts with label Gill Manly. Show all posts
Showing posts with label Gill Manly. Show all posts

Thursday, February 26, 2015

Gill Manly - The Lies Of Handsome Men

Bitrate: MP3@320K/s
Time: 54:39
Size: 125.1 MB
Styles: Vocal jazz
Year: 2012
Art: Front

[4:27] 1. The Lies Of Handsome Men
[3:34] 2. Peel Me A Grape
[4:07] 3. Before Love Went Out Of Style
[3:08] 4. Witchcraft
[3:25] 5. Windmills Of Your Mind
[3:11] 6. Stolen Moments
[4:11] 7. Mad World
[3:38] 8. Woman Talk
[3:17] 9. Charade
[3:23] 10. A Single Woman
[3:32] 11. Second Time Around
[3:38] 12. Wild Is The Wind
[4:17] 13. Go Away Little Boy
[4:12] 14. How Insensitive
[2:31] 15. Not Like This

It's been 30 years since Gill Manly began singing jazz standards around the clubs and bars of London, after a few years honing her skills in West End musicals and fringe theatre. She has garnered much praise during that time, working with fellow singers Mark Murphy and Ian Shaw, among others. The Lies Of Handsome Men is only her third album—a decade-long absence from the music business between her debut, Detour Ahead (Parrott Records, 1995), and With A Song In My Heart (Linn Records, 2009) may go some way to explaining the scarcity. The beauty of Manly's voice and the relationship between that voice and Simon Wallace's piano across these 15 songs leads to a fervent hope that such scarcity is at an end.

Wallace, who was lyricist Fran Landesman's long-term songwriting collaborator, is a sensitive and unselfish accompanist who also produced this album. All of these songs are Manly's personal favorites, selected from her "personal treasure trove." Manly delivers the lyrics with such emotion and honesty that it's easy to believe that these songs are autobiographical, even with the knowledge that someone else wrote them all. Of course, some of these narratives may well touch on Manly's personal experiences—she describes Francesca Blumenthal's title track as "a tongue-in-cheek biographical nod to my past"—but even when she sings standards like "Witchcraft" or "Charade," she brings an individuality to each song.

Guest singer/pianist Buddy Greco joins Manly for Sammy Cahn and Jimmy Van Heusen's "Second Time Around." It's not really a duet—Manly sings the first half of the song, Greco the second—but Greco's piano playing is stylish and, while his voice lacks the strength of past years, his phrasing remains strong.

In such sterling musical company a couple of songs—Tears For Fears' rather portentous "Mad World" and Rod McKuen's "A Single Woman"—are less impressive, despite the quality of Manly's vocals. But never fear, for the highlights are many: Oliver Nelson and Mark Murphy's soulful "Stolen Moments," Landesman's lovely "Before Love Went Out Of Style" (with music by Dudley Moore) and the world-weary grace of John Scott and Caryl Brahms' "Woman Talk" are all standout performances.

The finest performance of all is Manly's interpretation of Dmitri Tiomkin and Ned Washington's "Wild Is The Wind." Wallace's accompaniment is spacious and considered; a perfect foundation for Manly's restrained yet heartfelt vocal. It's a striking example of "less is more," and it just might be the benchmark interpretation of this great song. ~Bruce Lindsay

Gill Manly: vocals; Simon Wallace: piano; Buddy Greco: piano and vocals (11).

The Lies Of Handsome Men

Tuesday, March 18, 2014

Gill Manly - With A Song In My Heart

Styles: Vocal Jazz
Year: 2009
File: MP3@320K/s
Time: 57:28
Size: 131,6 MB
Art: Front + Back

(3:41)  1. Midnight Sun
(3:08)  2. Robbin's Nest
(6:04)  3. With A Song In My Heart
(3:51)  4. A Night In Tunisia
(4:29)  5. Daydream
(7:24)  6. Taxi Driver - Love For Sale
(3:55)  7. Take Love Easy
(5:57)  8. September Song
(3:00)  9. Sittin And a-Rockin'
(5:02) 10. Spring Can Really Hang You Up The Most
(3:18) 11. Where Or When
(3:22) 12. Lush Life
(4:10) 13. I Keep Going Back To Joe's

Gill who? Until a decade or so ago, Gill Manly was a familiar face, a versatile singer who - like her friends Barb Jungr and Ian Shaw - could skip between blues, jazz and pop and who had built an impressive reputation as a teacher and all-round ideas machine. Serious illness then interrupted her career, and her devotion to Buddhism carried her off on a different path all together. Now she is back with an album that is easily one of the best vocal efforts of the past 12 months. 'With a Song in my Heart' is a desperately old-hat title, to be honest, and the bland cover photograph of the artist, microphone in hand, is not likely to stop many punters in their tracks. It is only when you delve deeper that you truly sense the level of sophistication. It is, perhaps, the sort of record that can only have been made by someone who has done her share of living. 'Lush Life' is the ultimate test, and Manly passes it in style. Her Soho date was a slightly more easy-going affair, the singer - who now walks with a cane - remaining seated for the most part as her band, directed by that understated pianist Simon Wallace, blew an unpretentious path through songs from the album. Guy Barker stepped up to add peppery trumpet obbligatos. It was not all torch songs. Manly let rip on 'I Ain't Got Nothing But the Blues' and swung gently on 'Sittin' and a Rockin', the drummer Ralph Salmins and bassist Mark Hodgson setting up a nonchalant pulse. If the choice of material was conceived as a homage to Ella Fitzgerald, the finished product bears the stamp of Manly's own personality. Her performance, particularly on 'Midnight Sun' and 'Spring Can Really Hang You Up the Most', had an intensity that made the work of many of her younger rivals seem callow by comparison. ~ The Times

It's been a decade since the last album from singer Gill Manly, and it's good to have her back. She's a wonderful interpreter of top-drawer songs and this new CD oozes class. The programme is designed as a tribute to Ella Fitzgerald, so the programme is packed with timeless standards, as well as a few less familiar choices. Manly is superb, her rich voice bringing the best out of the lyrics, and her interpretations are coloured by a sense of improvisation, not least on a duet with the super-hip Mark Murphy on 'I Keep Going Back to Joe's'. ~ Yorkshire Post

Jazz singing is so much more difficult than many of the new jazz singers believe. It's so exposing, for a start - there is no external instrument to hide behind, no place to hide. One note hit not quite in the centre, one shaky rhythmic moment, one verse which doesn't quite convince the listener... it's just so easy to fall. Have you ever heard of Gill Manly? Nope, neither had I. I think we might be excused our ignorance as this is her first recording in over a decade and even before then she was working mostly locally in London. For a while she turned to a spiritual quest, convinced her singing career was behind her. She picked up the mic again two years ago and this is very much the work of an artist given a much valued and strongly embraced second chance. 

It's inspired by Ella and there are moments when an individual sample, subjected to a voice pattern test, might throw up an uncanny similarity in phrasing and timbre. To be able to approach the vocal near-perfection of the great Ms Fitzgerald is an achievement in itself. But this is certainly not to suggest that Gill Manly is an imitator for nothing could be further from the truth. It's truly remarkable and truly inspiring to hear a 'new' singer who is this good. The songs are mostly familiar ones  'September Song', 'Spring Can Really Hang You Up The Most', 'Midnight Sun', 'Lush Life' but the insights Gill gives, both to their melodic and harmonic content, and to their lyrical meaning are fresh and original. She is just as comfortable at quicker, swinging paces as in slow ballads, and her vocal technique is both impeccable and apparently effortlessly delivered. She has a strong trio behind her, led on piano by Simon Wallace, Guy Barker adds some tasty trumpet and Mark Murphy pops in for a duet. I've searched this disc for some failure, some fall from grace, but I have searched in vain. It's as near perfection as we humans can manage. ~ The Jazz Breakfast  (Editorial Reviews)   http://www.amazon.com/With-Song-Heart-Gill-Manly/dp/B001PA7O4O

Thursday, December 12, 2013

Gill Manly - The Lies of Handsome Men

Styles: Vocal Jazz
Year: 2013
File: MP3@320K/s
Time: 55:27
Size: 127,9 MB
Art: Front

(4:31)  1. The Lies of Handsome Men
(3:37)  2. Peel Me a Grape
(4:10)  3. Before Love Went Out of Style
(3:11)  4. Witchcraft
(3:28)  5. Windmills of Your Mind
(3:14)  6. Stolen Moments
(4:15)  7. Mad World
(3:42)  8. Woman Talk
(3:20)  9. Charade
(3:26) 10. A Single Woman
(3:35) 11. Second Time Around (feat. Buddy Greco)
(3:42) 12. Wild is the Wind
(4:21) 13. Go Away Little Boy
(4:15) 14. How Insensitive
(2:32) 15. Not Like This

It's been 30 years since Gill Manly began singing jazz standards around the clubs and bars of London, after a few years honing her skills in West End musicals and fringe theatre. She has garnered much praise during that time, working with fellow singers Mark Murphy and Ian Shaw, among others. The Lies Of Handsome Men is only her third album a decade-long absence from the music business between her debut, Detour Ahead (Parrott Records, 1995), and With A Song In My Heart (Linn Records, 2009) may go some way to explaining the scarcity. The beauty of Manly's voice and the relationship between that voice and Simon Wallace's piano across these 15 songs leads to a fervent hope that such scarcity is at an end.

Wallace, who was lyricist Fran Landesman's long-term songwriting collaborator, is a sensitive and unselfish accompanist who also produced this album. All of these songs are Manly's personal favorites, selected from her "personal treasure trove." Manly delivers the lyrics with such emotion and honesty that it's easy to believe that these songs are autobiographical, even with the knowledge that someone else wrote them all. Of course, some of these narratives may well touch on Manly's personal experiences she describes Francesca Blumenthal's title track as "a tongue-in-cheek biographical nod to my past" but even when she sings standards like "Witchcraft" or "Charade," she brings an individuality to each song.

Guest singer/pianist Buddy Greco joins Manly for Sammy Cahn and Jimmy Van Heusen's "Second Time Around." It's not really a duet Manly sings the first half of the song, Greco the second but Greco's piano playing is stylish and, while his voice lacks the strength of past years, his phrasing remains strong.

In such sterling musical company a couple of songs Tears For Fears' rather portentous "Mad World" and Rod McKuen's "A Single Woman" are less impressive, despite the quality of Manly's vocals. But never fear, for the highlights are many: Oliver Nelson and Mark Murphy's soulful "Stolen Moments," Landesman's lovely "Before Love Went Out Of Style" (with music by Dudley Moore) and the world-weary grace of John Scott and Caryl Brahms' "Woman Talk" are all standout performances.

The finest performance of all is Manly's interpretation of Dmitri Tiomkin and Ned Washington's "Wild Is The Wind." Wallace's accompaniment is spacious and considered; a perfect foundation for Manly's restrained yet heartfelt vocal. It's a striking example of "less is more," and it just might be the benchmark interpretation of this great song. ~ Bruce Lindsay  
http://www.allaboutjazz.com/php/article.php?id=42971#.UqdvIeIufkc

Personnel: Gill Manly: vocals; Simon Wallace: piano; Buddy Greco: piano and vocals (11).