Garrison Fewell - Are You Afraid Of The Dark?

Styles: Guitar Jazz

Year: 1995

File: MP3@320K/s

Time: 52:11

Size: 122,3 MB

Art: Front

(6:02)  1. Are You Afraid Of The Dark

(6:27)  2. X-Ray Vision

(4:32)  3. Song Of Her

(8:58  4. Journey To The East 1. The Silk Road 2. Statue

(1:51)  5. The 34 Suite Homage À Ravel

(5:12)  6. The 34 Suite Crossing The Border

(5:43)  7. Ten Directions

(7:17)  8. Alto Blues

(6:06)  9. The Tower Of Kazimierz

One of guitarist Garrison Fewell's main teachers was Pat Martino and one can certainly hear a bit of Martino's searching style on this release, Fewell's second for Accurate. In addition, Fewell's world travels (including lengthy trips to the Middle East and Asia) and his interest in folk music from other countries is sometimes hinted at but in general the program (all but two of the nine selections are his originals) is straightahead modern jazz. Joined by the talented pianist Laslo Gardony, the great veteran bassist Cecil McBee and drummer Matt Wilson, Garrison Fewell performs a well-rounded set of high-quality and consistently swinging music, alternating romps with ballads.By Scott Yanow http://www.allmusic.com/album/are-you-afraid-of-the-dark-mw0000174493

Personnel: Garrison Fewell (guitar); Laszlo Gardony (piano); Cecil McBee (bass); Matt Wilson (drums).

Are You Afraid Of The Dark?

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John Tchicai's Five Points - One Long Minute

Styles: Saxophone And Clarinet Jazz
Year: 2008
File: MP3@320K/s
Time: 39:31
Size: 91,6 MB
Art: Front

(9:47)  1. Venus
(7:02)  2. Anxiety Disorder
(1:35)  3. Yojimbo
(7:05)  4. Glass Houses and Gift Horses
(5:37)  5. One Long Minute
(3:13)  6. Spectronomous
(5:08)  7. Parole Ambulante

Saxophonist John Tchicai was best known for his time in New York during the height of the '60s free jazz explosion, but he actually spent the majority of his career advancing the cause of avant-garde jazz in Northern Europe. Tchicai was born April 28, 1936, in Copenhagen to a Danish mother and Congolese father; he began playing violin at age ten, switched to both clarinet and alto sax at 16, and focused on the latter at Denmark's Conservatory of Music. In the late '50s, Tchicai began making the rounds of the North European jazz scene, which was quick to pick up on the early innovations of the American avant-garde. In 1963, he moved to New York City to immerse himself in the epicenter of free jazz. He hooked up with Archie Shepp and Don Cherry, eventually co-founding the New York Contemporary Five with them; he was also a founding member of the New York Art Quartet with Roswell Rudd and Milford Graves. Tchicai also recorded with Albert Ayler (on New York Eye and Ear Control), the Jazz Composers Guild, and John Lennon (Life with the Lions), and most importantly appeared on John Coltrane's legendary free jazz landmark Ascension. After a whirlwind three years, Tchicai returned to Denmark in 1966 and founded a large workshop ensemble called Cadentia Nova Danica, which he led until 1971. Shortly thereafter, he cut back on performing to concentrate on teaching full-time. In 1977, he returned to the studio, leading a fairly steady series of recording dates into the '80s, when he switched to tenor sax and joined Pierre Dorge's New Jungle Orchestra. 

In 1990, Tchicai received a lifetime grant for jazz performance from the Danish Ministry of Culture; and the following year he relocated to California's Bay Area, where he and his keyboardist wife Margriet founded John Tchicai & the Archetypes and the John Tchicai Unit, which both recorded during the '90s. After the turn of the millennium he returned to Europe and moved to Southern France; in June 2012 Tchicai suffered a brain hemorrhage, and although he reportedly began physiotherapy, he died in Perpignan, France in October of that year. John Tchicai was 76 years old. ~ Steve Huey http://www.allmusic.com/artist/john-tchicai-mn0000814077/biography

Personnel:  John Tchicai (tenor saxophone, bass clarinet);  Alex Weiss (tenor saxophone; alto saxophone; percussion);  Garrison Fewell (guitar, percussion, bow);  Dmitry Ishenko (bass);  Ches Smith (drums)

One Long Minute

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Garrison Fewell Quartet - Red Door Number 11

Bitrate: MP3@320K/s
Time: 65:02
Size: 148.9 MB
Styles: Guitar jazz
Year: 2003/2015
Art: Front

[6:04] 1. Hearing Things
[5:31] 2. Johnny Come Lately
[4:27] 3. Spookarella
[9:01] 4. A Reason To Believe
[6:07] 5. Yoùre My Everything
[7:16] 6. 'round Midnight
[5:38] 7. Red Door Number 11
[6:07] 8. Lotus Blossom
[6:49] 9. How Deep Is The Ocean
[7:57] 10. My One And Only Love

Bass – Attilio Zanchi; Drums – Gianni Cazzola; Guitar – Garrison Fewell; Piano – George Cables.

It's been said a thousand times, but restraint is a mark of maturity. When it comes to jazz, understatement is a particular risky maneuver because it can sputter and die right on the tracks. Red Door Number 11 bypasses this pitfall by combining a rich harmonic field with an insistent—in fact, unrelenting, if that word can be used in this context—emphasis on melody.

Guitarist Garrison Fewell has led groups on wax for about ten years, starting with a series on Accurate Records. Technically he's a Bostonian—and professor at Berklee—but he seems to spend most of his time traveling around Europe and the world. His last record on the Italian Splasc(h) label, City of Dreams, was a quintet date featuring saxophonist Tino Tracanna. The brand new Red Door pares things down to a quartet with pianist George Cables reappearing, joined by Italian bassist Attilo Zanchi and drummer Gianni Cazzola.

Fewell completely avoids the usual difficulties guitarists experience when playing alongside pianists, keeping his melody lines clean and never muddling up the harmony. In fact, despite the unobtrusive and propulsive presence of the rhythm section, the hub of the action lies in the counterpoint and interaction between Cables and Fewell. They bounce back and forth, trading roles, reinforcing each other's lines and surprising each other in unpredictable ways. Red Door is a lot like the timeless '60s duet recordings Bill Evans made with Jim Hall in more than a few ways. In the best ways, really.

Four originals by Fewell and his mates balance out a generous handful of standards, though these pieces are nearly indistinguishable in tone. "'Round Midnight" turns the energy down about eight notches, taking the melancholy piece deeper into the grey zone, though the pace belies Fewell's effectiveness as a player and especially an improviser. His solo playing brings a candle into the dark room and renders it a sensitive, romantic experience. The light bopping energy of "How Deep Is the Ocean" builds upon collective strengths and features some of the greatest clarity found on this record.

Provided you have the maturity to appreciate understatement, Red Door Number 11 is an unqualified success. Like his bandmates, Garrison Fewell really has nothing to prove, which in this context is a good thing. But if you're looking for sparks and drama, tune into another channel. That's not what this record is all about. ~AAJ Staff

Red Door Number 11

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Garrison Fewell - City Of Dreams

Styles: Guitar Jazz
Year: 2001
File: MP3@320K/s
Time: 55:16
Size: 128,2 MB
Art: Front

(6:23)  1. City Of Dreams
(4:56)  2. Girl With The Groovy Hips
(7:15)  3. Naima
(5:40)  4. Blues For No Reason
(7:05)  5. Afternoon At The Souk
(8:18)  6. Soul Eyes
(7:19)  7. Waltz For The Lonely One
(8:15)  8. Theme For Doris

"Smooth" is not a word most people like to associate with "jazz." Call it a failure of overzealous marketing. (They've changed terms by now anyway, so we're safe to use it as a compliment.) Guitarist Garrison Fewell has the maturity to appreciate the importance of connecting the dots: fitting ideas together and making them work. His smooth, easygoing style on City of Dreams masks a sophisticated understanding of the jazz vocabulary and ensemble sound. While he mostly steers clear of technical demonstrations, it's clear that he has the skills to get around on the guitar. And when he plays a note, even slurred with three others, you have the sense that he chose it carefully. Fewell's quintet, assembled pretty much on-the-spot for this recording, have a remarkably intuitive sense of cohesion. They take these tunes five Fewell originals and three standards and glide effortlessly from heads to solos and back. The moods vary from the tender lyricism of "Soul Eyes," to the off-kilter Eastern sway of "Afternoon at the Souk," to the cocky strut of "Blues for No Reason." In every situation, pianist George Cables works with the guitarist to help define the group's harmony without crowding out the middle ground. Saxophonist Tino Tracanna delivers solos which craftily embody themes within a shifting cascade of sound. Drummer Jeff Williams can lay back and swing, maintain a delicate simmering bossa nova, or leap in and spur the group onward with a few well-placed hits. But this quintet recording is all about the group sound, connecting the dots, and allowing intuition to guide the flow. Smooth indeed. And that's a good thing. ~ AAJ Staff https://www.allaboutjazz.com/city-of-dreams-garrison-fewell-splasch-records-review-by-aaj-staff.php
 

Personnel: Garrison Fewell: guitar;  Tino Tracanna: soprano and tenor saxophone;  George Cables: piano;  Steve LaSpina: bass;  Jeff Williams: drums.

City Of Dreams

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