Sunday, March 28, 2021

Mark Colby - Serpentine Fire

Styles: Saxophone Jazz
Year: 1978
File: MP3@320K/s
Time: 38:28
Size: 88,7 MB
Art: Front

(6:41) 1. Serpentine Fire
(6:34) 2. Daydreamer
(6:15) 3. On And On
(5:55) 4. King Tut
(6:32) 5. Renegade
(6:30) 6. Rainbow Wings

Born in Brooklyn, New York in 1949, Mark comes from a musical background, as his father was a professional musician (drummer) who played with Benny Goodman for a time in the ‘40’s. At the age of eight, Mark was given a clarinet and lessons with a wonderful teacher by the name of Bill Schlagel, who emphasized the importance of proper technique and sound. At age eleven, Mark took the next step in his evolution, saxophone, and thus began his life-long love affair. Immersed in the sounds of the big bands enjoyed by his father, intrigued by the more modern sounds of bebop, cool and hard-bop records his sister played around the house, his dedication to pursuing a life in music was cemented.

In 1962, his family moved to Miami, Florida, where he began playing professionally at age 14. On Miami Beach, he had the opportunity to play shows with popular acts, including Tony Bennett, Sonny and Cher, Bill Cosby, Ann-Margret and Sammy Davis, Jr., with seasoned musicians. He was for many years the youngest guy on the bandstand, all the while pursuing his desire to play all styles of jazz. As a high school student, he studied with James Casale (co-author of Patterns for Jazz with Jerry Coker.) After high school, Mark attended the University of Miami, enrolling in Jerry Coker’s Jazz Studies program. Studying with Jerry and pianist Vince Maggio had a profound effect on him, as did sitting in with Ira Sullivan since the age of 16. These master musicians provided him inspiration and encouragement, as well as invaluable education in the jazz idiom.

Mark was fortunate to have had the incredible experience of working with legendary baritone sax player Gerry Mulligan while he was artist in residence. While in college, he recorded with the likes of Dr. John, Wilson Pickett, Bill Wyman of the Rolling Stones, and the Bee Gees. After graduating with a Master’s Degree in Jazz Studies, he received a call from Maynard Ferguson inviting him to join his band in New York. After three albums and three years touring as featured soloist and musical director with Maynard, Bob James beckoned, and he became of member of the “James gang.” Bob signed Mark to Columbia Records, beginning his solo recording career. “Serpentine Fire” and “One Good Turn” both sold very well, while he toured for the next six years as a featured member of Bob James’ band. Mark’s tours with Maynard and Bob found him playing jazz festivals and concert halls around the world.

In 1980, Mark moved to Chicago, with its very active music scene. Mark was immediately participating in a recording market that was exploding. Jingles, record dates, and jazz gigs were plentiful. In 1983, he was approached by DePaul University to assume a teaching position as jazz saxophone instructor. He’s still there, and in 1998 joined the faculty at Elmhurst College. In the ensuing years, he has played and in some cases toured with such varied luminaries as Frank Sinatra, Jaco Pastorius, Mose Allison, Joe Williams and Charlie Haden. Currently he is performing as a guest soloist and clinician/adjudicator at middle schools, high schools and colleges throughout the United States and Europe, representing Selmer Paris Saxophones and Vandoren reeds. In 2001, he performed Duke Ellington’s version of “The Nutcracker Suite” with the Chicago Symphony Orchestra, and in 2008 performed Leonard Bernstein’s “Prelude, Fugue and Riffs.” In 1999, Hallway Records released “Reunion” (with Vince Maggio) followed by “Tenor Reference” in 2002, to glowing reviews and appreciative audiences. His last release on Hallway Records was a tribute to Stan Getz entitled Speaking of Stan, which was released in 2006 and went to #3 on the jazz radio charts. During 2007-2010, he appeared at the Chicago, Paradise Valley Arizona Jazz Festival, Evanston, Naperville and Glen Ellyn Jazz Festivals. In 2010 Mark was the artist in residence at the Three Rivers Saxaphone Symposium in PA. Mark appeared in a cameo with Diana Krall in the Johnny Depp movie “Public Enemies,” released in July 2009. His CD on Origin Records, “Reflections” was released in November 2008. In 2010 Mark was one of the people interviewed with his own chapter in Cicily Janus’s new book entitled “The New Faces of Jazz” published by Billboard Press. Currently he has completed a new recording, All or Nothing at All, to be released on his own RCI label in 2016. http://www.markcolby.com/about/

Personnel: Saxophone – Mark Colby; Bass – Gary King; Cello – Alan Shulman, Charles McCracken; Drums – Steve Gadd; Electric Piano – Bob James; Guitar – Eric Gale, Steve Khan; Trombone – David Taylor, Paul Faulise, Wayne Andre; Trumpet – Alan Rubin, Jon Faddis, Lew Soloff, Marvin Stamm, Mike Lawrence; Viola – Al Brown, LaMar Alsop; Violin – Barry Finclair, Charles Libove, Diana Halprin, Harry Cykman, Herbert Sorkin, John Pintavalle, Marvin Morgenstern, Max Ellen, Paul Gershman

Serpentine Fire

Isabella Lundgren - Look for the Silver Lining

Styles: Vocal
File: MP3@320K/s
Time: 41:34
Size: 96,2 MB
Art: Front

(3:48) 1. Look for the Silver Lining
(3:33) 2. Pick Yourself Up
(3:59) 3. Climb Ev'ry Mountain
(3:32) 4. Fly Me to the Moon
(2:20) 5. It's a Good Day
(3:27) 6. The Sound of Music
(4:12) 7. Dream
(2:47) 8. Singin' in the Rain
(5:35) 9. The Folks Who Live on the Hill
(5:13) 10. Smile
(3:03) 11. What a Wonderful World

She is one of Sweden’s foremost jazz singers, with a unique ability to enthrall an audience. Isabella Lundgren debuted in 2012 with the album It Had to Be You, and she has since then received numerous awards, scholarships and been nominated for a Swedish Grammy, twice. As a Swedish music journalist once said: “If the 20th century belonged to Monica Zetterlund, the 21th century belongs to Isabella Lundgren. “

2014 she released Somehow life got in the way, it was named one of the 100 most influential albums in Swedish jazz history. In 2016 Where is home, containing her original songs was released and also Grammy nominated. The Swedish Daily news then called her “one of the greatest things to ever happen to the Swedish jazz scene”.?Isabella Lundgren has a great love for the American Songbook and American folk & blues tradition. This showed in Out of the Bell Jar, her 2019 album where she interpreted the works of Bob Dylan, and this year she continues on the theme with a bunch of timeless classics. Her new album, Look for the silver lining is out spring 2021 on Ladybird/NAXOS. https://www.isabellalundgren.com/biografi/?lang=en

Look for the Silver Lining

Amina Claudine Myers - Sama Rou

Size: 142,2 MB
Time: 61:18
File: MP3 @ 320K/s
Released: 2016
Styles: Jazz/Gospel
Art: Front

01. Steal Away/Athan (Call To Prayer)/Fatiha (Sura Prayer) ( 7:55)
02. Down On Me ( 3:51)
03. Intro (Crossings, Pt. I, II & III) (19:33)
04. Ain't Nobody Ever Gonna Hear Us ( 5:48)
05. Nobody Knows 'de Trouble I See ( 5:19)
06. My Soul's Been Anchored By The Lord ( 3:53)
07. Sometimes I Feel Like A Motherless Child ( 5:05)
08. Go Down Moses ( 5:56)
09. Thank You ( 3:55)

There are very few musicians who make the blood scorch the heart and the pulse roar quite like Amina Claudine Myers. She does that with infallible regularity, performance after performance, recording after recording. What a splendid recording Amina Claudine Myers Salutes Bessie Smith was, the same year she recorded Song For Mother E with Pheeroan akLaff. Thirty-six years after those iconic recordings, Myers has continued to advance her illustrious career with Sama Rou – Songs From My Soul. Here, it pays to raise a famous ghost; that of the great Ludwig van Beethoven who once encouraged the living artist of his day with the following words: ‘Don’t only practice your art. But force your way into its secrets, for it and knowledge can raise men to the Divine’. Amina Claudine Myers is the very quintessence of that exhortation. And Sama Rou is that record that makes it so.

Amina Claudine Myers Sama RouIt is no coincidence also that Amina Claudine Myers channels the spirits of the ancestors who dwell in the rarefied realm. In her music Paul Robeson and Marion nestle cheek-by-jowl with Igor Stravinsky; even Anton Webern. But Myers is a singular artist and her work who – certainly in Jazz – has created dramatic pianistic innovation in the schematic organization of pitch, rhythm, register, timbre, dynamics, articulation, and melodic contour, further enhancing the sonic splendour of her music with the depth of her glorious contralto. Myers’ setting for the ‘Songs From My Soul’ emphasises her sense of wonderment, humility and devotion. The highly derivative idiom (The Great Negro Spiritual that is) is thoroughly tonal, the tone luxurious and the work cast at a predominantly prayerful slow pace.

The opening medley, ‘Steal Away/Athan (Call to Prayer)/Fatiha (Sura Prayer)’ is especially haunting, with its unhurried and repetitive, whispered echoes of ‘Steal Away’ melting into the adhan called out as if by a muezzin from a minaret. The somber introverted orchestration of Christian and Muslim tradition, far from being contrasting, enters somberly into a lovely, hushed unified spiritual. There is a magnificent glow to every Negro Spiritual in this repertoire and one can only gasp in wonder at the spacious dedication with which Myers brings them to life. Their flashes of drama carry over from one spiritual into the other as she adorns each with a lyrical radiance. ‘My Soul’s Been Anchored In The Lord’ and ‘Sometimes I Feel Like A Motherless Child’ are followed by ‘Go Down Moses’, a seraphically rendered Spiritual that crowns the sequence of truly great music.

I would be remiss if I did not pay homage to the three compositions on this disc by Amina Claudine Myers. Each is an example of majestic melody and dissonant harmony with strong plagal cadence. ‘Crossings’, and ‘Ain’t Nobody Ever Gonna Hear Us?’ are classics of their kind: anthemic pieces fulfilling their declared brief to be an aspiration towards recognition and happiness. ‘Thank You’ to the Lord speaks to the magisterial beauty of another vivid performance by an artist not only emboldened by the Association for the Advancement of Creative Musicians (AACM) – New York chapter, but by a singular genius of Black Music. ~Raul da Gama

Personnel: Amina Claudine Myers: piano and voice; Rene McLean: recitation.

Sama Rou