Sunday, October 22, 2017

Jimmy Witherspoon - Nobody's Business

Bitrate: MP3@320K/s
Time: 42:48
Size: 98.0 MB
Styles: Urban blues, Jazz/blues vocals
Year: 1997
Art: Front

[2:52] 1. Wandering Gal Blues
[2:45] 2. Hey Mr. Landlord
[2:55] 3. Money's Getting Cheaper
[2:47] 4. Skidrow Blues
[3:04] 5. How Long Blues
[3:05] 6. Ain't Nobody's Business
[3:07] 7. Backwater Blueas
[2:47] 8. Froggiemoore
[2:58] 9. In The Evening
[2:25] 10. McShann Bounce
[2:58] 11. Jumpin With Louis
[3:04] 12. Early Mornings
[2:40] 13. Six Foot Two Blues
[2:42] 14. Spoon Calls Hootie
[2:33] 15. Destruction Blues

One of the great blues singers of the post-World War II period, Jimmy Witherspoon was also versatile enough to fit comfortably into the jazz world. Witherspoon was born on August 8, 1920, in Gurdon, AR. As a child, he sang in a church choir, and made his debut recordings with Jay McShann for Philo and Mercury in 1945 and 1946. His own first recordings, using McShann's band, resulted in a number one R&B hit in 1949 with "Ain't Nobody's Business, Pts. 1 & 2" on Supreme Records. Live performances of "No Rollin' Blues" and "Big Fine Girl" provided 'Spoon with two more hits in 1950.

The mid-'50s were a lean time, with his style of shouting blues temporarily out of fashion; singles were tried for Federal, Chess, Atco, Vee Jay, and others, with little success. Jimmy Witherspoon at the Monterey Jazz Festival (HiFi Jazz) from 1959 lifted him back into the limelight. Partnerships with Ben Webster or Groove Holmes were recorded, and he toured Europe in 1961 with Buck Clayton, performing overseas many more times in the decades to follow; some memorable music resulted, but Witherspoon's best 1960s album is Evening Blues (Prestige), which features T-Bone Walker on guitar and Clifford Scott on saxophone. As the '70s began, Witherspoon decided to take a short break from live performances, settled in Los Angeles, took a job as a disc jockey, and continued making records. In 1971 Witherspoon teamed up with former Animals vocalist Eric Burdon for the album Guilty. Unfortunately it sold poorly. By 1973 his short retirement from live performances was over. Witherspoon was ready to get back on the road and assembled an amazing band featuring a young Robben Ford on lead guitar. Those live shows had received positive reviews, rejuvenating Witherspoon's move toward a definite rock/soul sound. He traveled to London in 1974 to record Love Is a Five Letter Word with British blues producer Mike Vernon. Vernon had produced critically acclaimed British blues albums by John Mayall, Fleetwood Mac, and Ten Years After. By the early '80s, Witherspoon was diagnosed with throat cancer. Although he remained active and was a popular concert attraction, the effect of the disease on his vocals was obvious. Witherspoon passed away on September 18, 1997, at the age of 77. ~bio by Bob Porter

Nobody's Business

Peter Cherches - Mercerized!: Songs Of Johnny Mercer

Bitrate: MP3@320K/s
Time: 45:22
Size: 103.9 MB
Styles: Vocal jazz
Year: 2016
Art: Front

[2:44] 1. Moon River
[2:58] 2. Too Marvelous For Words
[4:12] 3. Midnight Sun
[2:38] 4. Laura
[2:23] 5. This Time The Dream's On Me
[3:05] 6. I Wanna Be Around
[3:39] 7. Autumn Leaves
[2:12] 8. Early Autumn
[3:29] 9. I'm Old Fashioned
[2:37] 10. Days Of Wine And Roses
[3:18] 11. Peter Cherches - I Thought About You
[3:47] 12. That Old Black Magic
[2:27] 13. Goody Goody
[2:23] 14. Satin Doll
[3:23] 15. Skylark

Peter Cherches, voice; Lee Feldman, piano.

A jazz-oriented tribute to lyricist Johnny Mercer, featuring songs written from the 1930s to 1960s, including “Moon River,” “Skylark” and “Satin Doll.” Cherches has written additional lyrics and vocalese for a number of the songs.

Peter Cherches Best known as a fiction writer, Cherches has had parallel careers as performance artist and singer. His first music-performance group, Sonorexia, was a collaboration with experimental mutli-instrumentalist Elliott Sharp. He worked with Lee Feldman on songs and performance pieces from 1984-90, and they re-established their collaboration over the past decade. In 2014 he presented a new jazz repertoire featuring his lyrics along with Lee Feldman and baritone sax player Claire Daly. Publishers Weekly has called Cherches “one of the innovators of the short short story.”

Lee Feldman “Lee Feldman uses a Tin Pan Alley bounce to make twisted or troubled situations sound like parlor songs.” – New York Times. Feldman is a New York based songwriter, pianist, singer and composer. He has released four critically acclaimed albums, most recently Album No. 4: Trying to Put the Things Together that Never Been Together Before. His new trio, The Night Owls, specializes in jazz versions of TV themes of the sixties.

Mercerized!: Songs Of Johnny Mercer

Jo Ann Daugherty - Bring Joy

Bitrate: MP3@320K/s
Time: 43:59
Size: 100.7 MB
Styles: Piano jazz
Year: 2016
Art: Front

[4:52] 1. Water From An Ancient Well
[2:40] 2. The Way You Know Me
[4:56] 3. Unconditionally
[6:12] 4. The Secret Life Of Plants
[4:31] 5. Alive
[4:37] 6. Elsewhen
[4:39] 7. Bj's Tune
[4:18] 8. Hope For Love
[4:44] 9. Dolphin Dance
[2:25] 10. The Wedding

Jo Ann Daugherty: piano; Lorin Cohen: bass; Ryan Bennett: drums; Neal Alger: guitar (4, 5); Geraldo de Oliviera: percussion (4); Felton Offard: guitar (7).

On her third release as a leader Bring Joy, lyrical pianist Jo Ann Daugherty showcases her uniquely fluid style on the ten enchanting interpretations that comprise the album. Overall, as the title suggests, a jubilant ambience prevails. This is not to say that the music is monotonously celebratory, on the contrary it is vibrant and quite multifaceted with various motifs subtly and intricately woven within it.

On pianist Abdullah Ibrahim's classic "Water From An Ancient Well" Daugherty takes a lilting solo that she fashions out of thick resonant chords and cascade of chiming notes. Her elegant and sinuous pianism percolates with understated virtuosity over her band mates' relaxed, swinging beats. The ensemble play maintains the original's folkish elements and emotive warmth. Daugherty's own effervescent "Alive" features the leader creating sophisticated and exuberant phrases with deceptive facility. Drummer Ryan Bennett and percussionist Geraldo de Oliviera's rumble and bassist Lorin Cohen's reverberating strings built delightfully hypnotic and alluring refrains. Guitarist Neal Alger improvises with gusto and fiery tones as he takes his turn in the spotlight adding a passionate dimension to the charming composition.

Daugherty also penned the uplifting and gospellish "BJ's Tune." The rhythmic framework brims with bluesy flourishes. Daugherty lets loose complex spontaneous lines laced with melancholy over guitarist Felton Offard's muscular strums. Daugherty's imaginative approach to the keys and agility on them thrills and stimulates while remaining quite accessible. Cohen's "Hope For Love" shimmies with a tango-esque sensuality. Daugherty embellishes the gorgeous melody with graceful ease. Cohen takes center stage with a yearning ardent soliloquy that evolves with a lithe suavity and supple finesse. Meanwhile on one of his other contributions, the cinematic and expansive "Unconditionally," he coaxes out of his instrument a darkly dulcet song. The tune also demonstrates the trio's seamless camaraderie as they overlap their individual voices for an exquisitely multilayered and harmonious performance. With Bring Joy Daugherty has recorded a thematically cohesive work that is a testament to her immense talent and superb musicianship. It is intelligently constructed and reservedly sentimental, thus it should have a wide appeal. It is a bright spot in Daugherty's relatively short career and, hopefully, harbinger for a bright road ahead. ~HRAYR ATTARIAN

Bring Joy

Robert Mosci - One By One

Bitrate: MP3@320K/s
Time: 49:50
Size: 114.1 MB
Styles: Vocal jazz
Year: 1999
Art: Front

[3:08] 1. Straighten Up And Fly Right
[4:30] 2. Beautiful Maria Of My Soul
[5:03] 3. When I Fall In Love
[4:29] 4. I Say A Little Prayer For You
[4:15] 5. Daddy (Don't You Treat Me So Mean)
[4:33] 6. Nature Boy
[4:43] 7. The Blessings Of My Day
[3:25] 8. I Wish I Were In Love Again
[4:31] 9. Learnin' The Blues
[4:27] 10. Waltz For Debbie
[2:47] 11. There Will Never Be Another You
[3:53] 12. You Come Along

Singer, pianist, songwriter, arranger, producer: Robert Mosci is a musician with an exceptional range of skill and experience. Born in New York City, he grew up in a family of musicians, and had mastered an eclectic array of instruments and musical styles by the time he reached his teens. Robert played classical bassoon with several orchestras (including performances with Stokowski and Ormandy), and performed as a keyboard player, blues harpist, and singer with local NYC bands.

Studying all aspects of jazz and popular music at Boston’s Berklee College of Music, his skills were honed as a pianist while he added saxophone to his impressive instrumental credits. In Boston, Robert performed with several popular area groups and also developed a solo act, incorporating original music into his performances. Robert has also composed and recorded several sports music themes, including a jingle used for a NYC sports radio talk show host, and a theme eventually purchased by a major New York baseball franchise.

He is married and lives in cozy Staten Island, where he and his wife are raising their two children. Robert’s work has been unmistakably marked by this breadth of influences-from the classic, to the best of contemporary sounds-as well as by his innate musical sensibility. His artistry as composer and lyricist is more than matched by his dynamic performance talents.

One By One

The Gene Harris Quartet - Brotherhood

Bitrate: MP3@320K/s
Time: 57:58
Size: 132.7 MB
Styles: Mainstream jazz, Piano jazz
Year: 1995
Art: Front

[7:04] 1. I Remember You
[7:47] 2. For Once In My Life
[6:51] 3. The Brotherhood Of Man
[5:23] 4. When You Wish Upon A Star
[5:56] 5. Sidewinder
[5:18] 6. I Told You So
[5:26] 7. September Song
[5:24] 8. This Little Light Of Mine
[8:45] 9. A Beautiful Friendship

Bass – Luther Hughes; Drums – Paul Humphrey; Guitar – Ron Escheté; Piano – Gene Harris.

The Gene Harris Quartet was quite consistent in its many Concord recordings of the 1990s. The group on this disc (pianist Harris, guitarist Ron Eschete, bassist Luther Hughes, and drummer Paul Humphrey) performs soulful and bluesy versions of such songs as "I Remember You," "The Brotherhood of Man," Lee Morgan's "The Sidewinder," and even "September Song." All of Harris' records from this era are easily recommended to fans of soul-jazz, soulful hard bop, and blues-oriented jazz. ~Scott Yanow

Brotherhood

Kool & The Gang - 1s

Bitrate: MP3@320K/s
Time: 57:09
Size: 130.8 MB
Styles: R&B, Funk, Pop
Year: 2007
Art: Front

[3:31] 1. Ladies Night
[3:29] 2. Hollywood Swinging
[3:42] 3. Celebration
[3:38] 4. Take It To The Top
[3:58] 5. Take My Heart (You Can Have It If You Want It)
[3:32] 6. Get Down On It
[3:59] 7. Joanna
[3:58] 8. Cherish
[3:49] 9. Fresh
[4:58] 10. Higher Plane
[3:30] 11. Spirit Of The Boogie
[3:03] 12. Jungle Boogie
[4:06] 13. Misled
[3:48] 14. Too Hot
[4:02] 15. Victory

It's yet another Kool & the Gang compilation, this time an installment in Universal's cheaply packaged (but ecologically conscious) Number 1's series. Not all of the selections went to number one on the R&B singles chart. Some reached number two or three -- which means that they are designated as bonus tracks -- while one ("Get Down on It") comes from an album that went to number one. For the most part, this is a decent way to become more familiar with the band's more pop-oriented material, while other sets place more focus upon the years when it played straight-up funk (as highlighted with "Jungle Boogie," one of the bonus tracks). Do keep in mind that much of the band's best material came nowhere near the top of any chart. ~Andy Kellman

1s

Josh Evans - Hope And Despair

Styles: Trumpet Jazz
Year: 2015
File: MP3@320K/s
Time: 72:25
Size: 166,6 MB
Art: Front

(5:36)  1. Steps
(3:42)  2. Lake Superior
(8:48)  3. Bad Dream
(7:32)  4. Prayer For The Innocent
(8:55)  5. Good Morning
(2:00)  6. So Long Sterling
(3:09)  7. Hope And Despair
(8:27)  8. Clark Street
(8:14)  9. Chronic Mistakes
(2:03) 10. Gone But Not Forgotten
(7:41) 11. 1984
(6:14) 12. Nji Lule

As on his debut release, Portrait, Hope and Despair showcases Evans'considerable compositional capabilities. 'I'm definitely trying to play more of my own music. I wanted to have a complete range of songs and feelings,' he says. 'Everything here is something about my life. They're all originals except for the last one (the beautiful 'NjiLule', a traditional Albanian folksong arranged for quintet by the trumpeter). ~ Editorial Reviews https://www.amazon.com/Hope-Despair-Josh-Evans/dp/B010U4V93W

Personnel:  Josh Evans - trumpet. Abrahan Burton - saxophone, Rashaan Carter - bass, David Bryant - piano, Eric McPherson -drums, Lummie Span - alto sax.

Hope And Despair

Della Reese - The Jubilee Years Disc 1 And Disc 2

Album: The Jubilee Years   Disc 1

The many talents of Della Reese has meant she has enjoyed a long and successful career as top drawer performer of Jazz, Blues, R&B, Gospel and stylish pop music. Here the spotlight is on her two complete albums and a collection of her singles from Jubilee Records including the classics hit "And That Remind Me". 

This is a great introduction to the work of Della Reese ans shows exactly why she was considered one of the foremost interpreters of The American Songbook. ~ Editorial Reviews https://www.amazon.com/Jubilee-Years-

Styles: Vocal Jazz, Swing
Year: 2010
File: MP3@320K/s
Time: 77:06
Size: 142,1 MB
Art: Front

(3:03)  1. In the Still of the Night
(2:45)  2. Time After Time
(2:10)  3. Fine Sugar
(2:51)  4. Years from Now
(2:19)  5. I've Got My Love to Keep Me Warm
(2:20)  6. Headin' Home
(2:51)  7. Daybreak Serenade
(3:34)  8. My Melancholy Baby
(4:02)  9. One for My Baby
(2:41) 10. In the Meantime
(2:41) 11. The More I See You
(2:56) 12. How Can You Not Believe Me?
(2:26) 13. How About You?
(2:30) 14. And That Reminds Me
(2:38) 15. I Cried for You
(2:21) 16. By Love Possessed
(2:58) 17. I Only Want to Love You
(2:18) 18. How Can You Lose (Whatcha' Never Had?)
(2:25) 19. If Not for You
(2:19) 20. I've Got a Feelin' You're Foolin'
(2:19) 21. C'mon C'mon'
(2:31) 22. Wishing (I Wish)
(2:06) 23. You Gotta Love Everybody
(2:23) 24. Sermonette
(2:43) 25. My Dreams End at Dawn
(2:32) 26. When I Grow Too Old to Dream
(2:49) 27. You're Just in Love
(2:44) 28. Time Was
(2:37) 29. Once Upon a Dream

Album: The Jubilee Years   Disc 2

Styles: Vocal Jazz, Swing
Year: 2010
File: MP3@320K/s
Time: 69:12
Size: 127,4 MB
Art: Front

(2:02)  1. Sometime's I'm Happy
(4:09)  2. Happiness Is a Thing Called Joe
(2:05)  3. Almost Like Being in Love
(3:58)  4. Someone to Watch over Me
(2:45)  5. The Birth of the Blues
(1:50)  6. Pennies from Heaven
(2:14)  7. Getting to Know You
(3:12)  8. If I Forget You
(1:53)  9. All of Me
(3:10) 10. The Nearness of You
(3:57) 11. Just One of Those Things
(1:48) 12. The Party's Over
(1:26) 13. The Story of the Blues
(3:50) 14. Good Morning Blues
(3:37) 15. Empty Bed Blues
(3:13) 16. Squeeze Me
(3:33) 17. You've Been a Good Old Wagon
(2:28) 18. Sent for You Yesterday
(3:56) 19. St. James Infirmary
(3:42) 20. Lover Man
(2:45) 21. Things Ain't What They Used to Be
(4:09) 22. Stormy Weather
(3:19) 23. There's Always the Blues


The Jubilee Years Disc 1 And Disc 2

Coleman Hawkins - Soul

Styles: Saxophone Jazz 
Year: 1958
File: MP3@320K/s
Time: 41:49
Size: 104,7 MB
Art: Front

(9:56)  1. Soul Blues
(4:38)  2. I Hadn't Anyone Till You
(5:47)  3. Groovin'
(3:16)  4. Greensleeves
(6:33)  5. Sunday Mornin'
(4:46)  6. Until The Real Thing Comes Along
(6:50)  7. Sweetnin'

This is a decent but not very exciting outing. Then 52, Hawkins uses a typically young rhythm section (including guitarist Kenny Burrell and pianist Ray Bryant) and plays melodically on a variety of originals and standards. This insipid version of "Greensleeves" is difficult to sit through but the rest of this CD is enjoyable if not overly inspiring. ~ Scott Yanow https://www.allmusic.com/album/soul-mw0000203528

Personnel: Coleman Hawkins (tenor saxophone); Kenny Burrell (guitar); Ray Bryant (piano); Osie Johnson (drums).

Soul

Yuji Ohno - My Little Angel

Styles: Piano Jazz
Year: 1971
File: MP3@320K/s
Time: 45:22
Size: 104,0 MB
Art: Front

(4:23)  1. Mr. Happy-Gon
(6:59)  2. My Foolish Heart
(8:29)  3. Alone Together
(2:56)  4. A Boy on a Dolphin
(5:15)  5. My Little Angel
(5:23)  6. By the Time I Get to Phoenix
(8:30)  7. On Green Dolphin Street
(3:23)  8. My One and Only Love

Yuji Ohno ( born 30 May 1941 in Atami, Shizuoka, Japan), also known as MahouP, is a Japanese jazz musician. Ohno is known for his musical scoring of Japanese anime television series, particularly Lupin III, and most famously the 1977 series Lupin III Part II and the feature film The Castle of Cagliostro. Later anime series scored by Ohno include Shingu: Secret of the Stellar Wars, the 1979 Toei series Captain Future (known as Capitaine Flam in France) and the 1982 series Space Adventure Cobra. He has composed scores for live-action films, namely Toei's tokusatsu series Seiun Kamen Machineman, his only work on this genre to date. Ohno is also a member of a jazz trio with Czech bassist Miroslav Vitous and American drummer Lenny White. https://en.wikipedia.org/wiki/Yuji_Ohno

Personnel:  Piano – Yuji Ohno;  Bass – Yoshio Ikeda;  Drums – Kazuyoshi Okayama

My Little Angel

Tim Miller - Trio Vol. 3

Styles: Guitar Jazz
Year: 2017
File: MP3@320K/s
Time: 37:25
Size: 107,6 MB
Art: Front

(5:00)  1. Lift
(3:49)  2. Stowed
(6:06)  3. New York
(3:01)  4. Roller Coaster
(5:41)  5. Breathe
(6:48)  6. Rb
(3:21)  7. Up the Steps
(3:34)  8. Three Sides

I purchased this on itunes and have listened to many times over the last several days. This is a slight departure from his other trio recordings which were  for lack of a better word more jazzy whereas this album seems to be more in the fusion camp. I hate to use labels because labels are for Mayonaise, not music but this new recording is more ethereal and the influence of Allan Holdsworth comes through quite clearly. Tim is one of the seminal players of this generation. There is nobody out there doing what he does. Sure, he's got the Holdsworthian, legato feel going but so do a thousand other guys. What separates Tim Miller's playing is that his time feel and groove are so locked in. And harmonically, he is a jazz musician, despite what genre he is playing in. His command of the harmonic structures and superimposition of tonalities over the written structures of the tunes make him stand out in a way that places him at the pinnicle of creative guitar playing. Yet, at times he just rocks out and is not purely an intellectual player. He has it all, groove, feel, note choices and emotion and YES, intellect. Whether you love great guitar or want to capture what I feel is a pedologically important milestone in the guitar evolution. http://www.timmillermusic.com/trio-vol-3/

Personnel:  Tim Miller – guitar; Sam Mineaie – bass; Nate Wood - drums

Trio Vol.3