Tuesday, November 24, 2020

Toni Harper - Lady Lonely (1959) [Original Jazz Sound]

Styles: Vocal
Year: 2011
File: MP3@320K/s
Time: 47:23
Size: 109,5 MB
Art: Front

(3:20) 1. Lady Lonely
(3:02) 2. In The Dark of The Night
(4:05) 3. He Was a Man
(3:13) 4. My Hearth Is Lonely Hunter
(3:10) 5. The Lack of Love
(3:23) 6. Blue It Grows
(3:14) 7. I Love The Blues
(3:25) 8. You Taught Me How To Cry
(3:13) 9. The Velvet Hammer
(4:15) 10. The Other Woman
(3:45) 11. Nobody Home But The Blues
(2:58) 12. Busy Blues
(3:08) 13. Love Has Come, Love As Gone
(3:05) 14. River Weep

Toni Harper's childhood was made of the magic any aspiring adult artist would kill for: a platinum record, a performance at Carnegie Hall, evenings spent sharing a stage with such performers as Cab Calloway, and invitations to appear on television with Frank Sinatra, Perry Como, Milton Berle, and Ed Sullivan. And all of the magic unfolded before she'd turned 12 years old. The jazz vocalist, who now goes by the name Toni Dunlap, got her big break in 1945 when she went up against a couple hundred other kids at an audition held by choreographer Nick Castle. Harper, who had been a dance student of Maceo Anderson, passed muster as far as her dancing, but when she sang "Waitin' for the Train to Come In," she had the audition sewn up on the spot. Castle cast her in his production of Christmas Follies, which was staged at Los Angeles' Wilshire Ebell Theatre. Harper drew enthusiastic reviews and went on to earn a platinum record when she was eight years old with "Candy Store Blues." Harper paired with Herb Jeffries for "You're Too Tall 'n' I'm Too Small," the number for which she later paired live with Calloway at Los Angeles' Million Dollar Theatre. Television beckoned the young singer and she was a guest on numerous programs, among them Sullivan's weekly variety show. When she wasn't appearing on television, she was singing at numerous New York hot spots that included the Apollo, the Strand, and the Paramount. At the age of 11, Harper topped it all off by singing at Carnegie Hall.

Like many child stars, Harper's career slowed down as she began to mature. As a teenager, she was too old for the childhood image that had given her a great start, but too young to effectively take on a more adult image. She attended high school in Los Angeles, involving herself in such extracurricular activities as drama, choir, and the glee club. She continued to take professional singing jobs during the school's summer break. Having completed high school in the mid-'50s, and still hampered by her youth, she sang for the teenaged record-buying public. For a young woman of her age, "One Hamburger to Go" was more acceptable in the public eye than any of the more sophisticated songs that she would record in later years, such as "Love for Sale." The vocalist got her chance to sing the more adult songs when she recorded for Verve. In addition to "Love for Sale," Harper recorded such songs as "I Could Write a Book" and "Bewitched, Bothered, and Bewildered." Backing Harper on her self-titled first recording for Verve were pianist Oscar Peterson, drummer Alvin Stoller, guitarist Herb Ellis, and bassist Ray Brown. The vocalist later signed with RCA Victor, recording for the label for about four years and ending in 1963. Harper quit the business in 1966 after devoting more than 20 years to her singing career.~ Linda Seida https://www.allmusic.com/artist/toni-harper-mn0000616072

Lady Lonely (1959) [Original Jazz Sound]

Papo Vazquez - Mighty Pirates Troubadours, Chapter 10: Breaking Cover

Styles: Trombone Jazz, Post Bop
Year: 2020
File: MP3@320K/s
Time: 49:04
Size: 113,1 MB
Art: Front

(5:11) 1. Mr. Babu
(5:06) 2. NY Latin Jazz Mambo
(6:21) 3. El Cuco / The Boogeyman
(5:11) 4. Saludo Campesino
(6:08) 5. Fiesta en la Sanse
(4:55) 6. Fairmount Park
(5:53) 7. Shadows
(4:24) 8. No Te Rindas
(5:50) 9. Broke Blues

It’s a rare occurrence when I put on a record and I’m instantly hooked. An album usually has to grow on me but from the first note I knew this was special. Papo Vázquez fuses jazz and Puerto Rican folkloric music in a way only he can. Out this Friday, November 13th, Vázquez releases his newest album, Chapter 10: Breaking Cover with his Mighty Pirates Troubadours. An iconic career that spans 40 years, GRAMMY-nominated Latin music artist Papo Vázquez, proves on this album why he is one of the leading artist of the contemporary Latin jazz scene. His love of jazz ignited by John Coltrane and J. J. Johnson, added to his knowledge of indigenous music of the Caribbean peoples, gives us a rhythm and tempo that is sure to make you listen again and again.

The album right from the start gives me hints of Jackie McLean and Chick Corea in the compositions and arrangements. It takes us on a journey through the celebration of life, our oneness in it, and when it’s all over the party we will have. We open with an introduction to "Mr. Babu." He’s from Africa and likes to dance. The dance he likes most is the second song off the album, "NY Latin Jazz Mambo." Then enters the Boogeyman and perhaps my favorite track off the album.“El Cuco/The Boogeyman.” Ben Ratliff says in his liner notes: “El Cuco/The Boogeyman is built on a piano riff Papo wrote a few years ago; he realized that it could stand for the knock on our psychic doors we all started hearing in March.” Other notable and stand out songs are the rumba “No Te Rindas” (“don’t give up”) which features vocalist Jose Mangual Jr., who worked with Papo in Hector Lavoe’s band back in the ‘70s. "Fiesta En La Sanse,” named after the carnival in Old San Juan, evokes a feeling of celebrating and party when everything is over. The last track “Broke Blues,” is probably the best track on the album. This is composition at its finest and the perfect way to end the album. It is a not to be missed track.

Chapter 10: Breaking Cover is an album made truly in the time of COVID 19. Vázquez had plans to record this past April when lockdown regulations came into effect. Finally in June, when gatherings of 25 people or less were approved in the tri-state area, Vázquez and his Mighty Pirate Troubadours were able to rehearse and eventually record, all while safely social distancing. The current iteration of the septet includes Vázquez at the helm, with saxophonist Ivan Renta, pianist Rick Germanson, bassist Ariel Robles, drummer Alvester Garnett and percussionists Carlos Maldonado and Reinaldo DeJesus. Augmenting the group are invited guests: vocalist and percussionist Jose Mangual Jr., saxophonist Sherman Irby, bassist Dezron Douglas, guitarist Antonio Caraballo and trumpeter Antoine Drye. https://www.bleubop.com/post/listen-to-this-papo-v%C3%A1zquez-chapter-10-breaking-cover

Mighty Pirates Troubadours, Chapter 10: Breaking Cover