Sherrie Maricle & The Diva Jazz Orchestra - TNT: A Tommy Newsom Tribute

Styles: Big Band

Year: 2005

File: MP3@320K/s

Time: 64:14

Size: 147,5 MB

Art: Front

(4:22)  1. Titter Pipes

(6:43)  2. Pensativa

(7:55)  3. Three Shades Of Blue

(4:56)  4. Moonlight (What A Little Moonlight Can Do)

(9:03) 5. Nat Cole Medley (Mona Lisa/Nature Boy/Straighten Up & Fly Right/Route 66)

(5:31)  6. Too Late Now

(6:20)  7. Trail Mix (On The Trail/Surrey With The Fringe On Top)

(6:32)  8. Remember Medley (Remember/I Remember You)

(7:19)  9. Come Sunday

(5:27) 10. Red Door

TNT is the fifth album by the explosive New York-based all-female DIVA Jazz Orchestra, blending a contemporary mainstream big band sound with a progressive flavor. Founded by a former relief drummer for the Buddy Rich Big Band, Stanley Kay, the fifteen piece big band has been under the direction of bandleader/drummer Dr. Sherrie Maricle for the last several years. Whether in the studio or in concert, the group has drawn critical acclaim for its play. This record is a tribute to composer/arranger Tommy Newsom, who provided all of the arrangements and two original charts. "Titter Pipes," the opening swinging number, highlights a chase between Scheila Gonzalez on tenor sax and Karolina Strassmayer on alto. The other Newsom chart is "Three Shades of Blue," a slow and bluesy piece. Of the other pieces on the album, Claire Fischer's "Pensativa" is one of the most delicious. Strassmayer shows her range with a flute solo, followed by a moving run on the piano by Chihiro Yamanaka, backed up by bassist Noriko Ueda. Anat Cohen takes center stage on clarinet with the Billie Holiday favorite "Moonlight," played in a New Orleans/Dixieland style.

The "Nat Cole Medley" is a cleverly crafted musical collage of melodies and harmonies with a playful version of "Straighten Up and Fly Right" that finds the band on vocals. Barbara Larangona provides one memorable performance with her emotional flugelhorn solo on the slow and mellow "Too Late Now." I did not particularly care for the heavy trombone statements in the beginning of "Trail Mix," which is mostly a matter of taste. Scheila Gonzalez delivers a passion-filled baritone sax solo on "Remember Medley." The finale, "Red Door," is another swinging number that simmers with a torrid pace and features Maricle's powerful drumming. In appraising the album I would give an "F" for the color selection in the liner notes, whose lack of contrast makes for difficult reading. Musically, this is an exciting, entertaining, and thoroughly enjoyable CD that warrants a grade of "F" for many things: (F)ine arrangements by Newsom, superbly interpreted by the (F)abulous musicianship of a (F)irst-class all-(F)emale extraordinary big band that plays with (F)inesse, (F)reshness, and (F)ire.By Edward Blanco https://www.allaboutjazz.com/tnt-a-tommy-newsom-tribute-sherrie-maricle-lightyear-entertainment-review-by-edward-blanco.php

Personnel: Sherrie Maricle: drums; Chihiro Yamanaka: piano; Noriko Ueda: bass; Karolina Srassmayer, Leigh Pilzer, Anat Cohen, Scheila Gonzalez, Lisa Parrot: saxophone; Leisi Whitaker, Barbara Larangona, Tanya Darby, Jamie Dauber: trumpet; Deborah Weisz, Jen Krupa, Leslie Havens: trombone.

TNT: A Tommy Newsom Tribute

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The Diva Jazz Orchestra - The Diva Jazz Orchestra Swings Broadway

Styles: Jazz, Big Band
Year: 2022
File: MP3@320K/s
Time: 61:32
Size: 143,1 MB
Art: Front

(7:48) 1. Heart
(6:38) 2. Pure Imagination
(5:44) 3. The Man I Love
(7:12) 4. With Every Breath I Take
(6:06) 5. The Sound of Music
(6:29) 6. Oh, What a Beautiful Morning
(5:17) 7. Seventy-Six Trombones
(7:18) 8. Love Who You Love
(8:55) 9. Get Me to the Church On Time

At the ripe old age of thirty (closer to a hundred in big-band years), the superlative New York-based, all-female DIVA Jazz Orchestra remains as frisky as a newborn colt, swinging up, down and around Broadway with abandon on its thirteenth album, a brisk and colorful tribute to the Great White Way that shines brightly from start to finish.

The album opens and closes in a mid-1950s vein, raising the curtain with Steven Feifke's breezy, well-grooved arrangement of "Heart" from Damn Yankees (1955) and ringing it down with a spirited battle of alto saxophones (Mercedes Beckman, Alexa Tarantino) on Scott Whitfield's full-throttle treatment of Get Me to the Church on Time from Lerner and Loewe's classic My Fair Lady (1956). Drummer and music director Sherrie Maricle has the last word on that flag-waver, taking her only extended solo before brass and reeds append a boisterous exclamation point.

Whitfield, a trombonist himself, deftly arranged "Seventy-Six Trombones" from Meredith Willson's The Music Man as a showcase for DIVA's admirable 'bone section (Jennifer Krupa, Sara Jacovino, bass Leslie Havens), squeezing in a quick "trad" section that summons forth clarinetist Roxy Coss and trumpeter Barbara Laronga before adding a brief line from the venerable "Lassus Trombone" as a coda. Coss delivers a forceful tenor solo on "Heart," as do Krupa and trumpeter Jami Dauber. Bassist Noriko Ueda takes a solo bow on the Gershwin brothers' "The Man I Love," as does Jacovino (who also arranged) on Cy Coleman's seductive ballad, "With Every Breath I Take," from City of Angels.

Coss, Dauber and Maricle share blowing space on baritone saxophonist Leigh Pilzer's buoyant samba version of "Pure Imagination" from Leslie Bricusse/Anthony Newley's delightful score for Charlie and the Chocolate Factory, the first of two splendid charts by Pilzer who spreads a Basie-style canopy over Rodgers and Hammerstein's "The Sound of Music," on which she solos with Ueda and pianist Tomoko Ohno. Ueda arranged a second R&H masterpiece, "Oh, What a Beautiful Mornin,'" from Oklahoma! (sturdy solos courtesy of Ohno, flugel Rachel Therrien and tenor Laura Dreyer), while Scott Silbert uses his impressive orchestral talents to score the enchanting "Love Who You Love" from A Man of No Importance (spotlighting Ohno, Laronga on flugelhorn and Tarantino on soprano sax).

DIVA has a proud history of swinging, on Broadway and everywhere else, and this latest example of its mastery warrants a gold star, blue ribbon, laurel wreath, feather in the cap, or any other commendation a superlative ensemble deserves. To put it another way, Swings Broadway is emphatically recommended.

Personnel: Sherrie Maricle: Music Director, drum set; Tomoko Ohno: piano; Noriko Ueda: bass; Alexa Tarantino: soprano/alto saxophones, flute; Mercedes Beckman: soprano/alto saxophones, flute; Roxy Coss: tenor saxophone, clarinet; Laura Dreyer: soprano/tenor saxophones, clarinet; Leigh Pilzer: baritone saxophone, bass clarinet, clarinet, flute; Liesl Whitaker: lead trumpet, flugelhorn; Jami Dauber: trumpet, flugelhorn; Rachel Therrien: trumpet, flugelhorn; Barbara Laronga: trumpet, flugelhorn; Jennifer Krupa: trombone; Sara Jacovino: trombone; Leslie Havens: bass trombone; Annette Aguilar: guest percussionist on tracks 2 & 6

The Diva Jazz Orchestra Swings Broadway

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The Diva Jazz Orchestra - Diva + the Boys

Styles: Jazz, Big Band 
Year: 2019
File: MP3@320K/s
Time: 51:42
Size: 119,3 MB
Art: Front

(5:41)  1. Slipped Disc
(6:43)  2. A Felicidade
(6:17)  3. Deference to Diz
(5:54)  4. Noturna
(5:53)  5. The One I Love Belongs To Somebody Else
(7:02)  6. Piccolo Blues
(8:30)  7. Estate
(5:40)  8. Bucket O’ Blues

Hard-charging. Powerful. Immersed in the history of their craft and in total command of their instruments. That’s DIVA an ensemble of 15 extremely talented and versatile musicians who just happen to be women. They can’t help it they were born that way. Headed by swinging drummer Sherrie Maricle, DIVA exudes the excitement and force found in the tradition of the historic big bands but with an eye towards today’s progressive sound of originality and verve. With New York as their home base, DIVA performs all over the world playing contemporary, mainstream big band jazz composed and arranged to fit the individual personalities and styles of the musicians themselves. Audiences can expect to hear high-energy performances packed with unique improvisation, spontaneity, and fun. The inspiration for DIVA came from Stanley Kay, one-time manager and relief drummer for Buddy Rich. In 1990, Kay was conducting a band in which Sherrie Maricle was playing the drums. Stanley immediately picked up on her extraordinary talent and began to wonder if there were other women players who could perform at the same level. In 1992 the search was on, and through nationwide auditions the foundation for DIVA was poured. What emerged is the dynamic musical force that holds forth to the present day. https://divajazz.com/about/diva/

Diva + the Boys

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Diva Jazz - A Swingin' Life

Styles: Jazz, Post Bop
Year: 2014
File: MP3@320K/s
Time: 54:46
Size: 127,7 MB
Art: Front

(4:53)  1. What The World Needs Now Is Love Sweet Love
(6:32)  2. Nothin'
(5:03)  3. All My Tommorrows
(2:45)  4. All Of Me
(6:09)  5. The Very Thought Of You
(4:38)  6. Pennies From Heaven
(4:17)  7. Blues Medley [Goin' To Chicago Blues; Kansas City; Every Day I Have The Blues]
(5:15)  8. Blackberry Winter
(2:58)  9. Wonder Why
(6:38) 10. Nocturne #6 Opus 9, Number 2
(5:34) 11. Blues For Hamp

What do you get when you have fifteen talented and swinging female jazz musicians in an orchestral setting? The answer, drummer Sherrie Maricle and the DIVA Jazz Orchestra offering A Swingin' Life as proof that hard-charging big band music is not the exclusivity of the male gender. Building upon the work of more than a dozen previous albums, DIVA presents music from the Great American Songbook and more, capturing eleven audacious tracks recorded live by Jazz at Lincoln Center at Dizzy's Club Coca Cola in New York and, at the renowned Manchester Craftsman's Guild in Pittsburgh.  Adding to the experience of these live performances are two very special guests, two giants of the business, two vocalists who have left their mark on the jazz world. Legendary singers Marlena Shaw and Nancy Wilson lend their vocal charm on five beautiful charts and while some are certainly swinging tracks for sure, there are a couple of ballads that take your breath away. Wilson takes the Van Heusen/Sammy Cahn standard "All My Tomorrows," to another level expressing heart-felt emotion as the band plays humbly. Vocalist Shaw lays down a warm and gentle performance delivering a fantastic interpretation of Alec Wilder's "Blackberry Winter" for the two soft spots of the album.  However, the limited tender material here is the exception and not the rule as the swinging times obviously carry the date. Opening up with a rousing rendition of Burt Bacharach's "What The World Need Now Is Love," the DIVA's announce their intentions with a full blast of the brass and reeds capped off by a solo from tenor saxophonist Janelle Reichman. 

Appearing once again as one of the main soloist, Reichman, this time on the clarinet, joins trumpeter Jami Dauber on the Stanley Kay piece "Nothin,'" another perky burner showcasing the band. On another of the few light tunes, Nadje Noordhuis on the flugelhorn is simply enchanting on the time-honored Ray Noble classic "The Very Thought of You" as Maricle is heard on the soft brushes making this number, one to remember. The group gets back to some hard-driving sounds on the swinging version of "Pennies from Heaven." Maricle and the girls get real bluesy on "Blues Medley," a fusion of "Going to Chicago Blues," "Kansas City," and "Every Day I have the Blues," featuring singer Shaw. 

The DIVAs show their powerful instrumental voices on the last three tunes showcasing their reach on "Wonder Why," "Nocturne #6 Opus 9, Number 2," and the Terry Gibbs arranged finale "Blues For Harp," demonstrating quite ably why this orchestra is regarded as one of the best jazz bands in the business. Kudos to Sherrie Maricle and the DIVA Jazz Orchestra as they roar through a splendid repertoire of big band jazz on A Swingin' Life, combining instrumental muscle with the elegant vocals in a live setting that is thankfully, documented well here. ~ Edward Blanco https://www.allaboutjazz.com/a-swingin-life-diva-jazz-mcg-review-by-edward-blanco.php

Personnel: Sherrie Maricle: drums; Sharel Cassity: alto saxophone, flute; Karoline Strassmayer: alto saxophone (3, 4); Leigh Pilzer: alto saxophone, flute, baritone saxophone (3, 4); Kristy Norter: alto saxophone (3, 4); Janelle Reichman: clarinet, tenor saxophone (3, 4); Anat Cohen: clarinet, tenor saxophone (3, 4); Roxy Coss: tenor saxophone; Scheila Gonzalez: tenor saxophone (3, 4); Lisa Parrott: baritone saxophone; Tanya Darby: lead trumpet, Flugelhorn; Liesl Whitaker: lead trumpet (3, 4); Jami Dauber: trumpet , Flugelhorn; Barbara Laronga: trumpet (3, 4); Carol Morgan: trumpet, Flugelhorn; Nadje Noordhuis: trumpet, Flugelhorn; Deborah Weisz: trombone; Jennifer Krupa: trombone; Lori Stuntz: trombone (3, 4); Leslie Havens: bass trombone; Tomoko Ohno: piano; Chihiro Yamanaka: piano (3, 4); Noriko Ueda: bass; Nancy Wilson: vocals (3, 4); Marlena Shaw: vocals (7, 8, 9).

Swingin' Life

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The Diva Jazz Trio - Never Never Land

Styles: Jazz, Post Bop

Year: 2009
File: MP3@256K/s
Time: 56:31
Size: 104,0 MB
Art: Front

(7:09)  1. If I Only Had A Brain
(6:17) 2. Piano Nocturne #6 Op. 09 No. 2 - Frédéric Chopin
(3:49)  3. Virgo
(6:42)  4. I've Grown Accustomed To Her Face
(6:13)  5. My Favorite Things
(4:33)  6. I Could Have Danced All Night / I Won't Dance
(4:22)  7. Oh, What A Beautiful Mornin'
(4:36)  8. I'm Walkin'
(6:00)  9. Never Never Land
(6:45) 10. Love For Sale

About the nicest compliment one can pay the DIVA Jazz Trio's debut recording, Never Never Land, is that the threesome's irrepressible enthusiasm and energy (not to mention their consonance and artistry) are reminiscent of the great Oscar Peterson's classic trio with bassist Ray Brown and drummer Ed Thigpen. Pianist Tomoko Ohno isn't Peterson, nor does she try to be, but she dwells in the same exalted realm, while bassist Noriko Ueda and drummer Sherrie Maricle offer stalwart impressions of Brown and Thigpen. If the trio's accord seems remarkable, a part of the reason lies in the fact that it doubles as the rhythm section for the superb all-women's big band, DIVA. The group's choice of music is as inclusive as it is entertaining. After opening with a happy-go-lucky version of Harold Arlen/Yip Harburg's "If I Only Had a Brain" from The Wizard of Oz, the trio puts a sunny Latin spin on Chopin's graceful "Piano Nocturne No. 6" before addressing exemplary compositions by Horace Silver (the high-octane "Virgo"), Lerner and Loewe, Rodgers and Hammerstein, Fats Domino (yes, Fats Domino) and Cole Porter, plus Betty Comden/Adolph Green's wistful title selection from Peter Pan. Lerner and Loewe contribute "I've Grown Accustomed to Her Face" and "I Could Have Danced All Night," Rodgers and Hammerstein "My Favorite Things" and "Oh, What a Beautiful Morning," and Porter the venerable "Love for Sale." If Domino/Dave Bartholomew's "I'm Walkin'" seems somewhat out of place among those celebrated standards, the trio makes it hum like a high-grade Swiss watch. 

Besides working extremely well together, each member of the group is a first-class soloist, an appraisal that is borne out whenever one of them has the floor, while Maricle excels with brushes or sticks, providing taut and tasteful support in every circumstance. Ohno has impeccable technique, swings in every context, and shows she's not only able but eager to roll up her sleeves and get down and dirty on "I'm Walkin.'" As for Ueda, she does far more than simply orchestrate the tempo even though she's a steady and invaluable time-keeper. She and her teammates make Never Never Land a delightful introductory cruise by three remarkably talented young women. ~ Jack Bowers https://www.allaboutjazz.com/never-never-land-diva-jazz-arbors-records-review-by-jack-bowers.php

Personnel: Sherrie Maricle: drums; Tomoko Ohno: piano; Noriko Ueda: bass.

Never Never Land

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Sherrie Maricle & The Diva Jazz Orchestra - Live from Jazz at Lincoln Center's Dizzy's Club Coca-Cola

Styles: Jazz, Big Band
Year: 2008
File: MP3@256K/s
Time: 65:22
Size: 120,8 MB
Art: Front

(5:12)  1. I Love Being Here With You
(6:25)  2. Andalucia
(6:36)  3. Stars Fell On Alabama
(2:31)4. Sweet Georgia Brown (feat. Carmen Bradford)
(2:21)  5. This Can't be Love (feat. Carmen Bradford)
(3:02)  6. I'd Rather Drink Muddy Water (feat. Carmen Bradford)
(5:58)  7. Rachel's Dream
(5:16)  8. Put a Little Love In Your Heart
(6:19)  9. Happy Talk
(5:22) 10. How Do You Keep The Music Playing (feat. Carmen Bradford)
(2:38) 11. All of Me (feat. Carmen Bradford)
(7:05) 12. TPN Blues
(6:31) 13. America

Diva's latest Cd was recorded over two nights last September at Dizzy's Club in Lincoln Center. The band devours John McNeil's swinging chart of Peggy Lee's "I Love Being Here With You," featuring Janelle Reichman's powerful tenor sax and Dauber's delicious muted trumpet. Tenorist Leigh Pilzer and flugelhornist Nadje Noordhuis share the spotlight in Scott Whitfield's lush setting of "Stars Fell on Alabama." The band adds some punch in their swaggering rendition of the pop song "Put a Little Love in Your Heart," hardly a standard, but it fits in just fine. Vocalist Carmen Bradford is added for four selections, highlighted by her soulful takes of "Sweet Georgia Brown" and "This Can't Be Love." 

The disc wraps with Ellen Rowe's imaginative scoring of Leonard Bernstein's "America," featuring Tomoko Ohno's driving piano, Lisa Parrott's gutsy baritone sax and Tanya Darby's sizzling trumpet. ~ Ken Dryden https://www.allaboutjazz.com/sherrie-maricle-live-from-jazz-at-lincoln-center-and-what-the-world-needs-now-by-ken-dryden.php

Personnel: Sherrie Maricle: drums; Tomoko Ohno: piano; Noriko Ueda: bass; Sharel Cassity: alto sax; Erica Von Kleist: alto sax, soprano sax; Janelle Reichman: tenor sax, clarinet; Leigh Pilzer: tenor sax; Lisa Parrott: baritone sax; Tanya Darby: trumpet; Jami Dauber: trumpet, flugelhorn; Carol Morgan: trumept; Nadje Noordhuis: trumpet, flugelhorn; Deborah Weisz: trombone; Robynn Amy: trombone; Leslie Havens: bass trombone; Carmen Bradford: vocals.

Live from Jazz at Lincoln Center's Dizzy's Club Coca-Cola

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The Diva Jazz Orchestra - Special Kay!

Styles: Jazz, Big Band
Year: 2016
File: MP3@256K/s
Time: 56:31
Size: 103,9 MB
Art: Front

(6:16)  1. Did You do That?
(6:52)  2. Nothin'
(6:58)  3. To Sweets with Love
(4:36)  4. Where's the Food
(6:25)  5. Give Me Your Love
(5:24)  6. How Ya Doin'?
(6:25)  7. You Made a Mistake
(4:41)  8. The Brush Off
(4:45)  9. Special Kay
(4:04) 10. Three Sisters and a Cousin

No, it is definitely not advisable to open a review with an unequivocal superlative (for one thing, it sort of gives the game away, doesn't it?). But on Special Kay!, its ninth impressive album in twenty-four years, DIVA the gold standard among all-female big bands since its inception really gives a commentator no reasonable choice. Simply put, this is a mind-blowing live performance at the Tannery Pond Community Center in North Creek, NY, that electrifies and satisfies from start to finish. Perhaps one reason for the inspired endeavor is that the "Kay" in Special Kay! symbolizes Stanley Kay, a drummer-turned-talent manager (and entertainment director for the New York Yankees) who in 1990 approached another drummer, Sherrie Maricle, with the idea of forming an all-woman band. Two years later, DIVA made its widely-praised debut, and the rest, as they say, is history. Kay remained a driving force behind the orchestra until his passing in June 2010. Now, some six years later, DIVA pays tribute to its fallen leader by performing ten of his admirable compositions, several of which had never before been recorded. To underscore its import, Special Kay! marks the first time DIVA has ever produced an album of all-original themes. Among Kay's clients was the renowned tap-dancing trio Hines, Hines & Dad, and he wrote the flamboyant opener, "Did You Do That?" for Maurice and Gregory Hines' mother, Alma, who often asked that question after an especially intricate dance routine. The irrepressible barn-burner features a blistering duel between tenors Roxy Coss and Janelle Reichman who moves to clarinet to solo with trumpeter Tanya Darby on the strapping yet melodious "Nothin,'" trimly arranged by bassist Noriko Ueda. All trumpets are muted (and all solo) on "To Sweets with Love," Kay's loping homage to trumpeter Harry "Sweets" Edison, which precedes another brisk flag-waver, "Where's the Food?," a question Kay always insisted was the first one asked by band members at every gig. 

Emphatic solos courtesy of baritone Lisa Parrott, trombonist Deborah Weisz and pianist Tomoko Ohno. So far, an avalanche of exhilarating big-band jazz, and we haven't even reached the halfway mark. Ohno and trombonist Jennifer Krupa are front and center on the seductive "Give Me Your Love," altos Leigh Pilzer and Sharel Cassity on Scott Whitfield's snappy arrangement of the fast-moving "How Ya Doin'?" Reichman (clarinet), Krupa (muted) and trumpeter Jami Dauber (also muted) brighten John J. DiMartino's swinging arrangement of "You Made a Mistake," after which Maricle assumes command on "The Brush Off," written especially for her by Kay to showcase her remarkable dexterity with brushes. "Special Kay," a charming bossa arranged by Ueda on which Cassity (flute) and trumpeter Barbara Laronga shine, leads to the roaring finale, "Three Sisters and a Cousin," Kay's answer to Jimmy Giuffre's "Four Brothers" and the first chart ever written by him for DIVA. As one would surmise, the saxophones are ascendant, with volcanic solos by all hands. Maricle closes the concert, appropriately, by exclaiming "We love you, Stanley Kay!" It's a love that is self-evident in almost every measure of this sensational album, arguably the pinnacle in a long line of splendid recordings by this prodigious orchestra, and one that is indeed Special in every way. Five stars all around: for concept, arrangements, execution, aerial balancing without a net, and especially for an abundance of ardor and esprit de corps.~ Jack Bowers https://www.allaboutjazz.com/special-kay-sherrie-maricle-diva-records-review-by-jack-bowers.php

Personnel: Sherrie Maricle: music director, drums; Tanya Darby: trumpet; Jami Dauber: trumpet; Carol Morgan: trumpet; Barbara Laronga: trumpet; Sharel Cassity: alto sax, flute; Leigh Pilzer: alto sax, flute; Janelle Reichman: tenor sax, clarinet; Roxy Coss: tenor sax, clarinet; Lisa Parrott: baritone sax; Deborah Weisz: trombone; Jennifer Krupa: trombone; Leslie Havens: bass trombone; Tomoko Ohno: piano; Noriko Ueda: bass.

Special Kay!

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The Diva Jazz Orchestra - The Diva Jazz Orchestra 25th Anniversary Project

Styles: Jazz, Big Band
Year: 2018
File: MP3@320K/s
Time: 64:24
Size: 147,9 MB
Art: Front

(6:04)  1. East Coast Andy
(6:39)  2. Middleground
(6:58)  3. Seesaw
(6:37)  4. Jami's Tune
(6:18)  5. Square One
(7:40)  6. Darkness of the Matter
(5:31)  7. La Americana
(5:47)  8. A Quarter Past the Last Minute
(7:12)  9. Forever In My Heart
(5:33) 10. The Rhythm Changes

The Diva Orchestra, with its vibrant sound and stellar soloists, is one of the premier large ensembles in jazz today. It also happens to be one of the few made up entirely of women. Therefore, it is both a creative hot bed for talented musicians and a forum for female instrumentalists, who remain sorely underexposed, to express themselves. The 25th Anniversary Project is an intriguing set of ten originals by various members of band that highlights their inventive and imaginative artistry. For instance, alto saxophonist Alexa Tarantino's cinematic "Square One" opens with fascinating dramatic tension. Trumpeter Rachel Therrien embellishes the melody with suave agility as she blows her Flugelhorn with warmth and slow, simmering passion. A delightfully riotous collective performance follows, setting the stage for Tarantino and her fluid and muscular improvisation. Elsewhere baritone saxophonist Leigh Pilzer's whimsical and energetic "East Coast Andy" features lively exchanges among various instruments. These form an exciting and colorful backdrop for the trumpeter Jami Dauber's lyrical and emotive spontaneous lines. Pilzer takes her turn in the spotlight with expressive phrases and vivid tones. Drummer Sherrie Maricle propels the tune with fervor and sophistication. Maricle's own "The Rhythm Changes" closes this superb album with exuberance. Hard swinging and fiery refrains overlap to create the piece's framework. Trumpeter Barbara Laronga solos with high notes and lithe lines. Saxophonist Mercedes Beckman follows with flittering acrobatics that stimulate and satisfy. The horns punctuate bassist Noriko Ueda's eloquent soliloquy and Maricle engages the various sections of the orchestra with her thunderous polyrhythms and ushers in the moving and riotous conclusion. Other noteworthy moments include woodwind player Janelle Reichman 's bittersweet clarinet monologue on her own, eastern flavored "Middleground." The composition also showcases pianist Tomoko Ohno's cascading and resonant chords. This recording is the result of a quarter century of artistic maturation that has crystalized in an exquisite display of high caliber musicianship. Thanks to Maricle's dynamic leadership the group continues to captivate and thrill. ~ Hrayr Attarian https://www.allaboutjazz.com/25th-anniversary-project-sherrie-maricle-artistshare-review-by-hrayr-attarian.php

Personnel: Sherrie Maricle: drums; Noriko Ueda: bass; Tomoko Ohno: piano; Leslie Havens: bass trombone; Sara Jacovino: trombone; Jennifer Krupa: trombone; Rachel Therrien: trumpet, flugelhorn; Barbara Laronga: trumpet, flugelhorn; Jami Dauber: trumpet, flugelhorn; Liesl Whitaker: trumpet, flugelhorn; Leigh Pilzer: baritone saxophone, bass clarinet; Erica von Kleist: tenor saxophone; Janelle Reichman: tenor saxophone, clarinet; Mercedes Beckman: alto saxophone, flute, clarinet; Alexa Tarantino: alto saxophone, soprano saxophone; Marcia Gallas: congas (7).

The Diva Jazz Orchestra 25th Anniversary Project

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