Showing posts with label Romain Collin. Show all posts
Showing posts with label Romain Collin. Show all posts

Wednesday, January 24, 2024

Sachal Vasandani, Romain Collin - Midnight Shelter

Styles: Vocal
Year: 2021
File: MP3@320K/s
Time: 42:24
Size: 97,2 MB
Art: Front

(4:17) 1. Summer No School
(4:41) 2. Before You Go
(3:29) 3. Adore You
(3:31) 4. River Man
(4:07) 5. Great Ocean Road
(4:41) 6. Throw It Away
(3:19) 7. Don't think Twice, It's All Right
(3:08) 8. Love Away
(2:46) 9. Blackbird
(4:55) 10. Dance Cadaverous
(3:25) 11. One Last Try

"I'll leave you to your crowds," Sachal Vasandani murmurs to start off an album that couldn't be less suited to being with a crowd. The touch of irony is apt. The sound of Midnight Shelter is a lonely and thoughtful one (a reflection of the music's origin in a season of isolation), yet as with its title, there's a vital comforting angle too. This duality makes a gorgeous and mostly soothing listen for pandemic times. The players don't shy away from the sadness and uncertainty of their circumstances, which makes the underlying warmth resonate that much more in the end.

Comprising only Vasandani's butterscotch croon and Romain Collin's subtly eloquent piano, the recording is the exact personification of beautiful late-night quiet if anything, midnight almost feels on the early side for this wee-hours mood. The musicians are friends and neighbors who began playing together partly to deal with the Covid-imposed shutdown during the strange summer of 2020, and so the melancholy is always warmed by the fact that it's about connection rather than solitude.

More than anything, the overall effect is therapeutic. Vasandani's baritone hits just the right pitches: slow-flowing for a haunting take on Nick Drake's "River Man," plaintive for soft ballads like "Love Away," humbly understated in the quasi-folky "Adore You" and so on. It's a fascinating left-field decision to pen new words for a Wayne Shorter piece, which he and Collin turn into a wistful meditation without losing the trace of classic bop at the center. Selections from Bob Dylan and the Beatles make the warmest refreshing moments, pitch-perfectly familiar and heartwarming amidst the chilly spots.

The two have a smooth and cozy chemistry that keeps them in step even when playing loose with rubato timing. Selections from all eras feel of a piece in this timelessly simple format, from '60s classics to new originals to 2019's minor indie hit "Before You Go," whose sparse rendition makes it downright sublime. This Shelter is a spare yet reassuring one; Vasandani and Collin prefer to remind us that the loneliest hours of the night still have a little glow somewhere if you know where to look.By Geno Thackara https://www.allaboutjazz.com/midnight-shelter-sachal-vasandani-edition-records

Personnel: Sachal Vasandani: voice / vocals; Romain Collin: piano.

Midnight Shelter

Saturday, November 13, 2021

Gregoire Maret, Romain Collin & Bill Frisell - Americana

Styles: Harmonica, Piano And Guitar Jazz
Year: 2020
File: MP3@320K/s
Time: 54:31
Size: 125,4 MB
Art: Front

(3:08) 1. Brothers in Arms
(3:57) 2. Small Town
(6:16) 3. Rain Rain
(4:02) 4. San Luis Obispo
(5:15) 5. Back Home
(5:27) 6. Wichita Lineman
(7:07) 7. The Sail
(8:14) 8. Re: Stacks
(6:11) 9. Still

Harmonica player and composer Gregoire Maret is not a familiar name in the U.S. but he should be. The New York-based artist has recorded with Jimmy Scott, Jacky Terrasson, Steve Coleman and Five Elements, Charlie Hunter, Terri Lyne Carrington, Pat Metheny and many others. The very bankable musician has appeared on over seventy-five releases as a sideman and has recorded as a leader on three albums. Americana unites Maret with pianist, composer and label-mate Romain Collin, along with legendary guitarist Bill Frisell, and drummer Clarence Penn on one track.

The music on Americana comes from the perspective of two immigrants to the U.S.; the Swiss-native Maret, and Frenchman Collin. On many tracks Frisell adds the authenticity he brought to his own Nonesuch Records projects such as Nashville (1997), Good Dog, Happy Man (1999) and Disfarmer (2009). Maret and Collin often perform as a duo and open the album with the unexpected; Scottish-born Mark Knopfler's Dire Straits song "Brothers in Arms" feels like a natural here. Frisell then joins in on two of his own compositions, "Small Town" and "Rain, Rain" given a fresh feel with Maret's contributions.

Collin's "San Luis Obispo" appeared on the pianist's Press Enter (ACT Music, 2015); a beautiful Appalachian-tinged lullaby, sparse and haunting in its original piano form, Frisell and Maret give it a down-to-earth reading. Maret's "Back Home" is the only appearance of Penn who adds some light brushwork. The trio takes on the Jimmy Webb classic "Wichita Lineman" and the Justin Vernon composition "Re: Stacks" from the Dirty Bourbon River Show debut For Emma, Forever Ago (Self-produced, 2007). In Collin, Maret and Frisell we have artists of three origins, entangled together in the early influences of U.S. music; they urge the listener to hear common threads. Americana is a journey guided by distant lights, and the musicians lead each other in an alliance that is both conversant and spiritual. Highly recommended.~KARL ACKERMANN https://www.allaboutjazz.com/americana-gregoire-maret-romain-collin-bill-frisell-act-music

Personnel: Gregoire Maret: harmonica; Romain Collin: piano; Bill Frisell: guitar, electric; Clarence Penn: drums.

Additional Instrumentation: Romain Collin: piano, Moog Taurus, pump organ, effects; Bill Frisell: electric guitar, acoustic guitar, banjo; Clarence Penn: drums.

Americana