Sunday, October 27, 2013

Tiny Bradshaw - Breakin' Up The House

Bitrate: 320K/s
Time: 42:18
Size: 96.9 MB
Styles: R&B, Jump blues
Year: 2010
Art: Front

[2:37] 1. Breaking Up The House
[2:38] 2. Walk That Mess
[2:40] 3. The Train Kept A-Rollin'
[2:54] 4. T-99
[2:24] 5. Bradshaw Boogie
[2:36] 6. Walkin' The Chalk Line
[2:11] 7. Mailman's Sack
[2:58] 8. Snaggle Tooth Ruth
[2:36] 9. Rippin' And Runnin'
[2:31] 10. The Blues Came Pouring Down
[2:33] 11. Two Dry Bones On The Pantry Shelf
[2:53] 12. Brad's Blues
[2:37] 13. Boodie Green
[2:37] 14. Well Oh Well
[2:41] 15. Newspaper Boy Blues
[2:45] 16. One, Two, Three, Kick Blues

Sixteen of Tiny Bradshaw's biggest and hardest-swinging King label waxings from 1950-1952, notably "The Train Kept a-Rollin'," "Well, Oh Well," "Two Dry Bones on the Pantry Shelf," "Walkin' the Chalk Line," and the jiving title item. Unfortunately, the torrid big band-styled instrumental arrangements that also defined Bradshaw's output are nowhere to be found on this collection. ~Bill Dahl

Tiny Bradshaw, bandleader, vocalist, arranger, and producer of many talented R & B musicians was born in Youngstown, Ohio in 1905. Deciding to make music as his life's profession he organized his first small band in Ohio in 1933. Along the way his band has been the incubator for such accomplished sax men in the jazz and R & B field as Sonny Stitt, Red Prysock, and Sil Austin. Vocalists along the way for Bradshaw have included Arthur Prysock, Tiny Kennedy, Lonnie Johnson, and Roy Brown. By the late 1940s Bradshaw shifted his musical direction away from jazz tinged tunes to the more rhythmic sound of Rhythm & Blues. By late 1949 he was attracting attention to the music of his small group and they were signed to the well known R & B independent label King Records of Cincinnati.

Tiny Bradshaw was an original performer during the great days of Rhythm & Blues. He will always be remembered for the monster hits "Well Oh Well" and "Soft" as well as the wealth of talent that was a part of his small band for so many years. Seek out his recordings saved for posterity and you will hear the origins of rock 'n roll.

Breakin' Up The House

Roberta Donnay - Soul Reverse

Bitrate: 320K/s
Time: 44:10
Size: 101.1 MB
Styles: Jazz/Blues/Alt-pop vocals
Year: 2006
Art: Front

[3:58] 1. Walkin' The Line
[4:01] 2. Keywest Boogie
[3:13] 3. Where Did The World Go
[3:50] 4. Chinese Samba
[3:14] 5. Catch A Falling Angel
[3:50] 6. Love Is Knockin'
[3:54] 7. Night Flight
[4:53] 8. Wishing On The Moon
[4:22] 9. Desperate Soul
[4:32] 10. Trees
[4:18] 11. 3,000 Choices

Fun, gutsy, original, and a powerful performer, Roberta Donnay is an award winning songwriter and vocalist. Her new release, "soul reverse" features bluesy, alternative pop songs. Heartfelt lyrics make songs such as "Walkin' the Line" and "Catch a Falling Angel" come alive while her passion for the environment resonates in "Trees". New songs "Jody", "This Train", and "I Will Not Be Blind" exemplify this artist's statements on social injustice and relationships, inspiring listeners to shatter illusions about the world we live in with a very 90's edge.

Donnay was born in Washington D.C. and knew from the start what she wanted to do with her life. "I knew I was a singer when I was five," she said. "I must have done it in a past life, 'cause I knew how to do it when I was born." She would seek out music at every opportunity and taught herself to sing by singing along with the radio. "I thought musicians were gods," she said.

"Whatever you visualize in your life ... it can happen," said Donnay. Her positive attitude and unpretentious demeanor are immediately obvious when speaking with her. This electric redhead gives her all at a performance and, amidst the catchy rhythms and bluesy riffs, tries to send a message as weIl.

Donnay uses her platform as a performer to promote world peace, preservation of the environment and the fair treatment of indigenous people. She said we should "honor the people who were originally here," and calls for "respect for all human beings. It's a real waste to get attention for your art and do nothing with it. People need to have a voice. All people need that. I'm fortunate 'cause I have a singing voice."

Soul Reverse

Paul Meyers & Santi Debriano - Spirit & Samba

Bitrate: 320K/s
Time: 56:48
Size: 130.0 MB
Styles: Samba, Swing, Guitar jazz
Year: 2005
Art: Front

[4:17] 1. Amazing Grace
[4:02] 2. Woody 'n' You
[9:23] 3. Lament
[7:11] 4. Circle Chant
[4:42] 5. For Heaven's Sake
[5:46] 6. Lazy Afternoon
[5:21] 7. Blues For Mel
[7:06] 8. Some Other Spring
[5:23] 9. Passarim
[3:33] 10. My Lord, What A Morning

Playing the New York jazz scene together for over a decade, Paul and Santi have grown into one of jazz’s great duos. Paul’s flawlessly warm guitar sound blends Wes Montgomery’s bluesy soulfulness with Jobim’s Brazilian sensuality. That quiet excitement is doubled by Santi’s big, rich-sounding bass. Bowed or plucked, Santi adds subtly swinging groove. Striking, melodic arrangements ranging from centuries-old spirituals to modern sambas and classic jazz ballads.

Paul Meyers (guitar); Paul Meyers (acoustic guitar); Santi Debriano (double bass). Recording information: Mapleshade studio (04/02/2002/04/03/2002).

Spirit & Samba

Dee Daniels - Feels So Good

Styles: Vocal Jazz
Year: 2002
File: MP3@320K/s
Time: 50:45
Size: 117,6 MB
Art: Front

(6:58)  1. Honeysuckle Rose
(5:50)  2. Song For My Father
(5:29)  3. April In Paris
(5:04)  4. Midlife Crisis
(5:17)  5. Who Can I Turn To
(4:53)  6. Love Is Here
(6:44)  7. The Look Of Love
(7:05)  8. Love Ain't Love Without You
(3:21)  9. That's All

The story goes that Dee Daniels sang her first church solo at age 9, honed her style in the era of R&B and then came to fruition during a five-year stay in Europe.  This might explain her new CD. There’s a little something for everyone."Feels so Good!" offers a satisfying blend of jazz, blues and soul. Daniels wraps her hearty voice around familiar songs written by Fats Waller, Horace Silver, Anthony Newley and Burt Bacharach. She even throws a couple of original tunes into the mix. Her "Midlife Crisis" is a real hoot. "Midlife crisis/One of life’s little vices/ Midlife crisis/I never thought it would happen to me." Recorded in a six-hour session, "Feels so Good!" has a bit of a live-performance energy and spontaneity. At the end of "Midlife Crisis," Daniels playfully sneaks in the names of her musicians. She should. The band, led by pianist Norman Simmons, injects tasteful solos throughout the album. The recording, however, is Daniels’ show. A real journeywoman, she can take charge of a song whether it’s the bluesy "Honeysuckle Rose" or the grandiose "Who Can I Turn To." Daniels combines a bold R&B voice with a jazz singer’s sensibilities. Check out her work on Silver’s "Song For My Father." Daniels handles each number with confidence and skill. ~ Donna Kimura   
http://www.jazzreview.com/cd-reviews/jazz-vocals-cd-reviews/feel-so-good-by-dee-daniels.html

Dianne Reeves - Beautiful Life

Styles: Vocal Jazz
Year: 2013
File: MP3@320K/s
Time: 68:48
Size: 157,7 MB
Art: Front

(4:57)  1. I Want You
(4:25)  2. Feels So Good (Lifted)
(5:18)  3. Dreams
(5:38)  4. Satiated (Been Waiting)
(6:34)  5. Waiting In Vain
(5:26)  6. 32 Flavors
(6:14)  7. Cold
(5:50)  8. Wild Rose
(8:02)  9. Stormy Weather
(6:36) 10. Tango
(5:43) 11. Unconditional Love (For You)
(3:59) 12. Long Road Ahead

There should be no overlooking Beautiful Life, a journey of 12 songs which includes singularly memorable covers of Bob Marley's "Waiting in Vain," Fleetwood Mac's "Dreams," Marvin Gaye's "I Want You" and Ani DiFranco's self-empowering "32 Flavors." Included in the rest of the tracks, which cover the spectrum from jazz to soul, are two new songs "Cold" and "Satiated" which are emotionally volcanic. Produced by Terri Lyne Carrington, Beautiful Life features an all-star cast that includes bassists Esperanza Spalding and Richard Bona, vocalists Gregory Porter and Lalah Hathaway, pianists Robert Glasper and Gerald Clayton and Reeves cousin and frequent longtime collaborator George Duke. ~ Editorial Reviews  
http://www.amazon.com/Beautiful-Life-Diane-Reeves/dp/B00EP2NYZ2/ref=ntt_mus_ep_dpi_1

Kristin Callahan - One Magic Day

Styles: Vocal Jazz, Bossa Nova
Year: 2013
File: MP3@320K/s
Time: 52:58
Size: 121,3 MB
Art: Front

(5:59)  1. Fly Me To The Moon
(3:03)  2. Sway
(5:00)  3. My Funny Valentine
(3:50)  4. Honeysuckle Rose
(3:27)  5. That Old Feeling
(3:40)  6. Nature Boy
(3:38)  7. East Of The Sun
(4:09)  8. Quiet Nights
(2:23)  9. Bye Bye Blackbird
(3:57) 10. In The Wee Small Hours Of The Morning
(4:21) 11. All Of Me
(3:33) 12. So Nice
(4:07) 13. The Look Of Love
(1:45) 14. Smile

Anyone who has heard Kristin Callahan sing would agree that her voice is absolutely mesmerizing. Kristin has that rare ability to coax listeners into the anticipation of each note, enticing people into the very soul of the music. Quiet and unassuming, Callahan has a stage presence that is both sweet and sexy, one that catches everyone off guard and then keeps them there until the very last note. From her shy smiles between songs to her flawless execution of some of the most demanding pieces, Kristin exudes the perfect combination of country charm and urbane hipness.  http://www.cdbaby.com/cd/kristincallahan3

Tim Weston & Shelby Flint - Providence

Styles: Jazz
Year: 1993
File: MP3@VBR ~317K/s
Time: 56:15
Size: 127,9 MB
Art: Front

(5:30)  1. Providence
(5:22)  2. Skyline
(6:12)  3. Levitation
(3:56)  4. Love And Consequence
(5:14)  5. This Ancient City
(7:23)  6. Can't Move Me
(4:33)  7. The Hidden Treasure
(6:35)  8. The Lady Weeps
(5:55)  9. Alone Together
(5:30) 10. Single Girl

"Providence teams guitarist Tim Weston and vocalist Shelby Flint for an intimate, emotionally resonant song cycle." ~ Jazz Times.

"I started off copying a girl named Shelby Flint." ~ Joni Mitchell, Mirabella Interview.

Shelby Flint and Tim Weston began writing the songs for "Providence" in January of 1992. By the time Spring rolled around, they had finished the material, fallen in love, and, by means of their previous individual track records, mutual friendships, not to mention a lot of luck; managed to assemble some of the finest musicians involved in contemporary and mainstream jazz (e.g. Peter Erskine, John Patitucci, Mitch Forman, John Beasley, Vinnie Colaiuta & others...) to help support them in the recording of their debut album.

There were (intentionally) no rehearsals, just trust in the right combination of creative instinct and musical communication on the part of all who were involved.

The result of all the above-mentioned ingredients is an extremely personal work, blending serious 'songs' with lengthy improvisations, offering the listener an atmospheric excursion through many moods and emotions.

In addition to the eight original compositions, there is a jazz standard ("Alone Together") and a unique rendition of a traditional American folk song ("Single Girl").

Vocalist/Composer Shelby Flint is originally from Arkansas. Renowned jazz critic Leonard Feather described her as "a technically flawless performer, with a pure sound, and wide range." Her earliest recording; "Angel On My Shoulder" found her at the top of the pop charts, as a young girl.

After years of studio work in L.A., recording and touring with her own band through most of the '80's, she most recently has been featured as a guest writer and vocalist on several contemporary jazz recordings, including her well-known song "I Keep It To Myself" as featured on keyboardist Gregg Karukas' "Sound Of Emotion" CD.

Her partner; Producer/Guitarist Tim Weston is a native of Southern California. In addition to his work as a studio musician, he originally came to be known as a member of the Motown house recording group "Dr. Strut", and from 1984 through 1990 led the well-known contemporary jazz group "Wishful Thinking". He is also the creative director of his own West Coast based production company; Soul Coast.

The album begins with the title cut's ethereal introduction. In commenting on the sequence in which the songs unfold, Tim says: "I chose to start the record with "Providence" not because it's the "title" cut, but rather because to my ears, it represents, in and of itself, the total concept for the album, as Shelby and I had imagined it to be. In that first track, the listener will hear the intent of the entire album and hopefully, it will encourage the person to continue listening."

Another significant track for both Tim and Shelby is "The Lady Weeps"; an allegorical tale surrounding the inner pain of a 'woman' who is in fact meant to represent the city of Los Angeles. Although the song was written months in advance of the '92 civil unrest, Shelby still recalls performing the vocal during one of the nights when the city was under curfew and "we weren't even supposed to be at the studio." The musicians responded to Shelby's performance, and helped to capture an extraordinary mood on this recording.

No self-respecting jazz record would be without at least one "standard" from the great American songbook. For Weston/Flint, the challenge was to choose a song that would blend with the originals they had written, and compliment the overall tone of the album. The lyrics of "Alone Together" are very intriguing, and the trio setting (Weston w/ Peter Erskine & John Patitucci) provides a spatial backing for Shelby's sensual interpretation.

"PROVIDENCE" also includes two instrumental tracks; "Levitation and "The Hidden Treasure", both of which allow the players more freedom to improvise and "stretch-out" their solos.

When asked to express their anticipation for the release of "Providence" Weston and Flint comment: "It's our hope that through our words and music, the listener will be drawn towards their own inner thoughts and feelings, and as a result, find themselves emotionally involved with the spirit of our album."   http://www.cdbaby.com/cd/westonflint

Personnel: Tim Weston (guitar), Shelby Flint (vocals), Bob Sheppard (soprano & tenor saxophones), Mitch Forman, John Beasley (piano, keyboards), John Patitucci (acoustic bass), Gary Willis (fretless electric bass), Jerry Watts, Jr. (electric bass), Vinnie Colaiuta, Peter Erskine (drums), Luis Conte (percussion).