Tuesday, January 11, 2022

Frank Foster & SDR Big Band - A Fresh Taste Of The Blues

Styles: Big Band, Swing
Year: 1996
File: MP3@320K/s
Time: 66:36
Size: 153,3 MB
Art: Front

(6:38) 1. Victorious Blues
(7:51) 2. Easin' It
(5:00) 3. Love Handles
(8:11) 4. Mirror Lake
(6:16) 5. Brotherly Shove
(8:02) 6. Lady In Lace
(5:22) 7. Didn' You
(5:18) 8. Ode To Joe Newman
(5:10) 9. Winners
(8:45) 10. A Fresh Taste Of The Blues

Frank Foster (b. 21 September 1928) is an American tenor and soprano saxophonist, arranger, and composer, who is best known for his work in different periods with the Count Basie orchestra, as well as under his own name. His playing style has been influenced by that of John Coltrane, but has remained very much his own.

Foster was born in Cincinnati, Ohio, and educated at Wilberforce University. In 1949 he played in Detroit with local musicians such as Wardell Gray, and on finishing his military service in 1953 he joined Basie's big band. Aside from his tenor playing, Foster contributed both arrangements and originals to the band's book (his best-known composition being "Shiny Stockings"), and when he left Basie in 1964, he worked as a freelance composer, providing material for such stars as Sarah Vaughan and Frank Sinatra. His time with Basie had also seen him work outside the band, most significantly a session with Thelonious Monk in 1954.

From 1970 to 1972 (and on occasional later dates) he played with Elvin Jones, and in 1972 and 1975 with the Thad Jones Mel Lewis big band. He has also led small groups, as well as the Living Color and The Loud Minority big bands, with which he toured Europe and Japan. He co-led a quintet with Frank Wess in 1983, and toured Europe as a member of Jimmy Smith's quintet in 1985. In 1986, Foster succeeded Thad Jones as leader of the Basie band, with which he stayed until 1995, since which he has led various small groups and revived The Loud Minority. User-contributed text is available under the Creative Commons By-SA License and may also be available under the GNU FDL. https://www.jazzmusicarchives.com/artist/frank-foster

Personnel: Frank Foster (sax, cond, arr); Thomas Vogel (tp); Don Rader (tp); Karl Farrent (tp); Lubomir Rezanina (tp); Rudolf Reindl (tp); Marc Godfroid (tb); Ludwig Nub (tb); Ian Cumming (tb); Georg Maus (tb); Bernd Rabe (sax); Axel Kuhn (sax); Peter Weniger (sax); Andreas Maile (sax); Rainer Heute (sax); Klaus Wagenleiter (p, el-p); Henning Sieverts (b ); Klaus-Peter Schopfer (g); Keith Copeland (ds)

A Fresh Taste Of The Blues

Miles Davis - Blue Period

Styles: Trumpet Jazz
Year: 1953
File: MP3@128K/s
Time: 19:04
Size: 17,9 MB
Art: Front

(9:56) 1. Bluing
(2:51) 2. Blue Room
(6:16) 3. Out Of The Blue

Blue Period is the third studio album by jazz musician Miles Davis. It was released in 1953 as a 10" LP, his second released by Prestige Records, recorded over the course of two 1951 recording sessions at New York's Apex Studio.

Bluing" and "Out of the Blue", two Davis compositions, were recorded on October 5, 1951, at the same session as the material for his first album The New Sounds (PRLP 124). "Blue Room", composed by Rodgers and Hart, was recorded earlier that year, at the same January 17 recording session as the three tracks used on the various artists LP Modern Jazz Trumpets (PRLP 113). This earlier session was Davis' first for Prestige.

The tracks on Blue Period were split when Prestige reconfigured its recordings for 12-inch LP. "Bluing" and "Out of the Blue" are featured on Dig (PRLP 7012), and two versions of "Blue Room" (including an alternate take) are on the CD of Miles Davis and Horns (originally PRLP 7025). https://en.wikipedia.org/wiki/Blue_Period_(album)

Personnel: Miles Davis – trumpet; Jackie McLean – alto saxophone; Sonny Rollins – tenor saxophone; Walter Bishop, Jr. – piano; Tommy Potter – double bass; Art Blakey – drums

On "Blue Room": Miles Davis – trumpet; Sonny Rollins – tenor saxophone; John Lewis – piano; Percy Heath – double bass; Roy Haynes – drums

Blue Period

Jim Hall - Jazz Impressions of Japan

Styles: Guitar Jazz
Year: 1976
File: MP3@320K/s
Time: 42:43
Size: 120,5 MB
Art: Front

(6:56) 1. Light
(6:20) 2. Careful
(8:36) 3. Kyoto Bells
(2:29) 4. Without Words
(6:44) 5. Echo
(5:59) 6. Young One, For Debra
(3:02) 7. Two Special People
(2:34) 8. Something for Now

A harmonically advanced cool-toned and subtle guitarist, Jim Hall was an inspiration to many guitarists, including some (such as Bill Frisell) who sound nothing like him. Hall attended the Cleveland Institute of Music and studied classical guitar in Los Angeles with Vicente Gómez. He was an original member of the Chico Hamilton Quintet (1955-1956), and during 1956-1959 was with the Jimmy Giuffre Three. After touring with Ella Fitzgerald (1960-1961) and sometimes forming duos with Lee Konitz, Hall was with Sonny Rollins' dynamic quartet in 1961-1962, recording The Bridge. He co-led a quartet with Art Farmer (1962-1964), recorded on an occasional basis with Paul Desmond during 1959-1965 (all of their quartet performances are collected on a Mosaic box set), and then became a New York studio musician. He was mostly a leader during the following years and, in addition to his own projects for World Pacific/Pacific Jazz, MPS, Milestone, CTI, Horizon, Artist House, Concord, MusicMasters, and Telarc, Jim Hall recorded two classic duet albums with Bill Evans. A self-titled collaboration with Pat Metheny followed in 1999. A flurry of studio albums, reissues, and compilations followed throughout the next few years, with the exceptional Jim Hall & Basses standing out for its bass/guitar duet format. Jim Hall died at his apartment in Manhattan on December 10, 2013; he was 83 years old.~Scott Yanowhttps://www.allmusic.com/artist/jim-hall-mn0000286483/biography

Personnel: Guitar – Jim Hall; Bass, Piano – Don Thompson ; Drums – Terry Clarke

Jazz Impressions of Japan