Sunday, January 12, 2014

Bellevue Cadillac - Once In A Blue Moon

Bitrate: 320K/s
Time: 72:52
Size: 166.8 MB
Styles: Swing, Jump blues
Year: 2010
Art: Front

[ 6:27] 1. 2 Suit Strut
[ 4:17] 2. Snake Charmer
[ 4:42] 3. 1 Girl 2 Pretty
[ 4:02] 4. Guilty
[ 3:31] 5. Cruisin'
[ 5:45] 6. Jaja Opobo
[ 3:05] 7. Perfect Crime
[ 3:07] 8. Monkey Tune
[ 8:38] 9. Ships
[ 6:27] 10. Summerset
[ 5:42] 11. Blow Wind Blow
[10:42] 12. Lay Your Money Down
[ 6:20] 13. Under Your Spell

This blues band, headed by Professor Doug Bell on guitar and vocals, recorded this 13 track disc at the Half Note Jazz Club in Athens, Greece. Boston area fans of Bellevue will not be surprised to hear the Athens audience receive the band as enthusiastically as they are back here on their home turf.The best way to describe Bellevue Cadillac’s sound is blues that flows with the fluid, free, largeness of jazz. The horn section is responsible for much this group’s swinging, swaying mounds of sound. Yet, the others also play their instruments with a mastery that allows them to stretch the frameworks of blues song structures. Throughout the disc, these players express the sheer joy of music with an inspiring sense of fun.

On this live outing Bell and his boys jump, swing, rattle, and roll with juicy instrumental portions, and winsome vocal lines. Bell applies his handsome vocal in a warm embrace of his street wise yet romantic lyrics. On “Snake Charmer” Keyboardist Tim “Miles” Long turns up the bluesy organ charm with rich, thick notes and swirls. Bell, with his mellifluous mid range croon, takes it around the block with much vocal power. ~Bill Copeland

Once In A Blue Moon

Stacey Kent - Collection I, II & III

New York native Stacey Kent never anticipated a career in jazz music: she was a Sarah Lawrence graduate with a degree in comparative literature. But her childhood days spent listening to the traditional beauty of Frank Sinatra and Nat King Cole undoubtedly influenced her. While on holiday in Europe after graduating from college, she took up singing without much formal training and never looked back.

Kent became acquainted with several musicians at Oxford in 1991, and through them she found herself participating in a jazz course at the famed Guildhall School of Music and Drama. There she also met her future husband, tenor saxophonist Jim Tomlinson, and landed a spot in the class. Her next spot was singing with the Vile Bodies Swing Orchestra at the Ritz Hotel in London, quickly landing a role in Ian McKellen's Richard III film, playing a big-band singer. The mid-'90s were more focused on recording and in 1996, Kent inked a deal with Candid Records. A year later, the critically acclaimed Close Your Eyes was issued; Tender Trap followed in 1999. Her third LP, Let Yourself Go: Celebrating Fred Astaire, which showcased popular standards, appeared in spring 2000. The ballad-oriented Dreamsville appeared the next spring. She also recorded an album with Tomlinson titled Lyric, and appeared on Blue Note for several albums during the 2000s. In 2010 Kent released the all-French album Raconte-Moi, which went on to achieve gold status in both France and Germany. The live album, Dreamer in Concert -- recorded at the La Cigale in Paris -- appeared a year later in 2011. Two years later, Kent return with The Changing Lights; inspired by her love of Brazillian music, the album saw her working with Portuguese poet Antonio Ladeira and French lyricist Bernie Beaupère. ~bio by MacKenzie Wilson

Album: Collection
Bitrate: 320K/s
Time: 58:46
Size: 134.5 MB
Styles: Standards, Jazz vocals
Year: 2004
Art: Front

[4:00] 1. Comes Love
[4:57] 2. They Can't Take That Away From Me
[4:25] 3. They All Laughed
[4:06] 4. All Too Soon
[5:18] 5. I'm Just A Lucky So And So
[6:33] 6. East Of The Sun
[5:04] 7. In The Still Of The Night
[4:20] 8. He Loves And She Loves
[3:55] 9. Isn't This A Lovely Day
[3:21] 10. It's De-Lovely
[6:56] 11. You Go To My Head
[5:44] 12. Day In - Day Out

Collection

Album: Collection II
Bitrate: 320K/s
Time: 54:54
Size: 125.7 MB
Styles: Standards, Jazz vocals
Year: 2007
Art: Front

[4:21] 1. The Gentle Rain
[2:58] 2. Shall We Dance
[5:31] 3. Little Girl Blue
[2:33] 4. I Guess I'll Have To Change My Plan
[5:31] 5. Dreamsville
[6:30] 6. I Concentrate on You
[2:23] 7. You Are There
[3:43] 8. Let Yourself Go
[4:39] 9. I've Got a Crush on You
[4:08] 10. Zing! Went the Strings of My Heart
[5:50] 11. One For My Baby (and One More For the Road)
[4:10] 12. Little White Lies
[2:32] 13. Hushabye Mountain

Collection II

Album: Collection III
Bitrate: 320K/s
Time: 51:31
Size: 117.9 MB
Styles: Standards, Jazz vocals
Year: 2009
Art: Front

[4:17] 1. You've Got a Friend
[4:09] 2. What the World Needs Now Is Love
[3:44] 3. Nobody's Heart
[4:02] 4. The Trolley Song
[4:35] 5. It Never Entered My Mind
[4:52] 6. I Got It Bad (And That Ain't Good)
[3:03] 7. This Can't Be Love
[3:44] 8. People Will Say We're In Love
[3:38] 9. Shall We Dance
[4:59] 10. Bewitched, Bothered and Bewildered
[4:01] 11. I Wish I Were in Love Again
[3:24] 12. The Best Is Yet to Come
[2:58] 13. Bali Ha'i

Collection III

Stan Getz - O Pato

Bitrate: 320K/s
Time: 32:57
Size: 75.5 MB
Styles: Bossa Nova
Year: 1961/2012
Art: Front

[6:38] 1. Baia
[2:28] 2. O Pato
[3:31] 3. Samba Dees Days
[5:48] 4. Desafinado
[6:08] 5. Samba De Uma Nota So
[3:38] 6. E Luxo So
[4:42] 7. Samba Triste

Combine the words "jazz" and "samba" together and what you get is bossa nova. This 1961 watershed album introduced bossa nova to America and was a sensation, becoming the rare pure jazz album to hit No. 1 on the album charts ("Desafinado," one of three Jobim tunes on the set, was also a hit single). Guitarist Charlie Byrd hand-picked Stan Getz to collaborate with him on the album, and its success revived both their careers and helped kick-off the Mod-era bossa nova craze. ~ Nick Dedina

new link O Pato

Ilse Huizinga - Beyond Broadway

Styles: Vocal Jazz
Year: 2005
File: MP3@320K/s
Time: 44:29
Size: 102,0 MB
Art: Front

(3:59)  1. I Loves You, Porgy
(3:31)  2. Wouldn't It Be Loverly
(3:21)  3. Someone To Watch Over Me
(4:33)  4. I Got Plenty Of Nuttin'
(2:51)  5. Goodbye
(4:19)  6. Mad About The Boy
(3:32)  7. On The Street Where You Live
(3:51)  8. I Could Have Danced All Night
(3:01)  9. I'll Close My Eyes
(3:59) 10. You And The Night And The Music
(3:27) 11. Ev'rytime We Say Goodbye
(3:59) 12. Manhattan

A talented jazz singer from the Netherlands, Ilse Huizinga has recorded consistently excellent recordings throughout her career, mostly emphasizing standards. She took piano lessons starting when she was at six and at 17 took lessons in classical singing, but jazz interested her much more. She remembers taking tapes of such favorite singers as Ella Fitzgerald, Sarah Vaughan, Abbey Lincoln, and Billie Holiday wherever she went. Huizinga spent a year living in Australia and earned a degree in public administration at the University of Amsterdam. But after graduating, she switched permanently to music and attended the Conservatory of Amsterdam during 1993-1996. Ilse Huizinga performs regularly all over Europe, usually with a group that includes her husband, pianist/arranger Erik Van Der Luijt. Her first two CDs, Out of a Dream and Voices Within (the latter has her voice overdubbed five times), were self-produced releases. Her next two CDs, The Sweetest Sounds and Easy to Idolize, were released by the Daybreak label; Beyond Broadway is on Maxanter; there is a Japanese-only CD (The Club Sessions); and a set of duets with Erik Van Der Luijt, Intimate Jazz Sessions, was issued on the Foreign Media label. ~ Scott Yanow  http://www.allmusic.com/artist/ilse-huizinga-mn0002072839

Heather Lauren - Mosaic

Styles: Vocal Jazz
Year: 2007
File: MP3@320K/s
Time: 36:42
Size: 85,4 MB
Art: Front

(3:05)  1. Summertime
(2:21)  2. Sabor A Mi
(4:22)  3. Why Should I Cry For You
(3:06)  4. What Is This Thing Called Love
(2:31)  5. For All We Know
(4:23)  6. Sense Of Me
(4:54)  7. The Look Of Love
(4:52)  8. Besame Mucho
(3:45)  9. Jezebel
(3:17) 10. Al Otro Lado Del Rio

"Heather's voice has the delicacy of an angel, thepower of a soul diva, the swing of a jazzer and theplayfulness of a popstress." - Panos Panay, Founder,Sonicbids
Hailing from Atlanta, Georgia, Heather was raised inDallas, Texas by her New York City native mother andOhio native father. Heather left her Southern roots tohead west toward California in the summer of 2000,after a year long post-graduation European backpackingadventure. Heather worked for a San Francisco based Advertisingfirm during the Dot-com boom and fall. At which time,she chose to leave her cushy salary, cubicle, and401K, to roll the sparkling dice toward her teenagedream of becoming a legendary singer and performer. Since then, she has never looked back.  Heather has been performing consistently in the SanFrancisco Bay Area for the last five years withspecial appearances in New York, Los Angeles,Washington DC, Austin, TX and Milan, Italy.

*Performance Highlights*
Heather was awarded "2006 Song of The Year" for theWest Coast Songwriter's International SongCompetition. Her original composition entitled "Senseof Me", won first place and was produced andco-written with legendary songwriter Bonnie Hayes(Bonnie Raitt) and cellist and songwriter, MatthewSchoening. In the summer of 2006, Heather had the incredibleopportunity of opening up for Fiona Apple at TheChronicle Pavilion Side Stage in Concord, California. In addition, Heather was accepted to perform atAustin's world-renowned South By Southwest MusicFestival for the 2006 Go Girls Music Showcase.  In December 2005, Heather was showcased as one of SanFrancisco's up and coming new artists at the SanFrancisco Recording Academy Grammy Event. In the fall of 2005, The Heather Lauren Band had thehonor of opening for Tori Amos at The ChroniclePavilion Side Stage in Concord, California. Heather has co-written with Bonnie Hayes (BonnieRaitt) and Narada Michael Walden (Jeff Beck, MariahCarey, Whitney Houston). She has opened for TheSalvador Santana Band, Ledisi, Maria Muldaur, DanHicks and performed alongside Jorge Santana. Heather had the extreme privilege of performing one ofher original songs, "Live on Through Me", for the NewYork Fire Department at Ground Zero in New York onSeptember 11, 2004. For two years, Heather performed with theWorld-Renowned, San Francisco Glide Ensemble GospelChoir, home to Cecil William's Glide Church. Heather holds a Bachelor of Arts degree inCommunications with an emphasis in Business andSpanish from The University of Texas at Austin. 
http://www.cduniverse.com/productinfo.asp?pid=7458931&style=music&fulldesc=T

Personnel:  Heather Lauren: Vocals Guitar: Matthew Charles HeulittPiano: Gianluca Di IennoBass: Sam Bevan and Dan Feiszli


Oscar Peterson & Nelson Riddle - St

Styles: Piano Jazz
Year: 2009
File: MP3@320K/s
Time: 41:00
Size: 94,2 MB
Art: Front

(4:57)  1. My Foolish Heart
(3:37)  2. Judy
(4:07)  3. 'Round Midnight
(2:51)  4. Someday My Prince Will Come
(3:21)  5. Come Sunday
(4:12)  6. Nightingale
(5:40)  7. My Ship
(3:41)  8. A Sleepin' Bee
(4:25)  9. Portrait of Jenny
(4:05) 10. Goodbye

The Nelson Riddle Orchestra was always great enough to play music for film and television soundtracks, and accompany the greatest of stars, including Louis Jordan, Frank Sinatra, Ella Fitzgerald, Peggy Lee, and Antonio Carlos Jobim, among many others. For the band to back up the 1963 version of the Oscar Peterson trio with bassist Ray Brown and drummer Ed Thigpen might have created some tension, with Peterson always wanting to cut loose and go over the top as opposed to the silky smooth sound Riddle favored. Fortunately, Peterson strikes a balance between playing it cool and lettin' 'er rip on this collection of standards with the dinner hour in mind. Though not exclusively subtle and romantic, Riddle and Peterson strike a golden bipartisan compromise in rendering these well-known American popular songs into quietly burning embers of pure delight. It's a predictable mix, but so warm and heartfelt that one has to commend the participants for allowing each other their own personal ideas without selling out. 

Riddle's contribution was to form a unique group, unfortunately all unattributed, of ten cellos (no violins or violas), five horns, three flutes, a harp, and a percussion section. No one section dominates, which is the beauty of the famed arranger/composer/bandleader's concept. Summarily, Peterson chooses to not clash with the instruments as he trades phrases while generally not playing along with them. This non-interruptive dialogue makes for communication that creates the best chemistry from a dynamic standpoint. In the case of "Come Sunday," Riddle's unadulterated chart of Duke Ellington's immortal composition finds Peterson in perfect sway, while separate and equal bluesy proportions of Count Basie-like melody earmark the easy swinging "Judy." There's more Basie included in the concise, three-minute "Someday My Prince Will Come" with good new lines from Peterson, while a great rendition of "A Sleeping Bee" recalls the Frank Foster years with Basie with lots of counterpoint as the cello tentet adds considerable depth to the proceedings. 

A pastoral mood hovers over "My Foolish Heart" with the your turn-my turn piano-orchestra's respectful trading of melody in full regalia, while the flute section takes the serene beauty image further during the Peterson-Gene Lees composition "Nightingale" and the always lovely "Portrait of Jenny." The version of "'Round Midnight" is an example of Peterson going off a bit on the arpeggiated side amongst a fairly stock horn chart, but utterly lovely, and not too creamy. Again this is not a soft and fuzzy overstrung effort dominated by cheese or cotton candy, but instead a quietly strong, rich, fully evocative set of great tracks that emphasize the undercurrent rather than the overflow of emotions. It is unusual in a starkly emotional sense of being, but the way all projects of this size and nature should be approached with taste, class, and a healthy portion of restraint. ~ Michael G.Nastos  http://www.allmusic.com/album/the-oscar-peterson-nelson-riddle-mw0000809157

Judy Blair - Colors Of Black And White

Styles:  Vocal, Piano Jazz
Year: 2010
File: MP3@320K/s
Time: 44:46
Size: 102,9 MB
Art: Front

(3:58)  1. Fine and Mellow
(5:33)  2. Gentle Night
(3:13)  3. Les Couleurs du Noir et Blanc
(3:37)  4. Good Morning Heartache
(5:04)  5. Caravan
(4:41)  6. You've Changed
(4:42)  7. Les Grelots
(4:14)  8. Laneville Blues
(3:51)  9. All of Me
(5:49) 10. Amazing Grace

Judy Blair at her finest, on this CD she offers beautiful interpretations of such classics as "Fine and Mellow", "All of Me" and "Amazing Grace". Her piano virtuosity on the original blues tune "Laneville Blues" is, quite simply, breath-taking.   http://www.cdbaby.com/cd/blairjudy

Ben Webster & 'Sweets' Edison - Ben and 'Sweets' (Digital Remaster)

Recorded: 1962
Released: 1987,2012 (2 LP set)
Source: Lossless
Size: 91,5 MB
Time: 39:59
File: MP3 @ 320K/s
Styles: Swing Jazz,Saxophone,Trumpet
Art: Full

01. Better Go [9:01]
02. How Long Has This Been Going On [5:33]
03. Kitty [8:02]
04. My Romance [4:17]
05. Did You Call her Today [8:57]
06. Embraceable You [4:07]

The two jazz giants Ben Webster and Harry "Sweets" Edison had long wanted to record an album together, and in 1962, they did. Although associated with two different orchestras (Edison was with Basie and Webster was with Ellington), these two swing kings found that they had a lot in common.
This album features both horn men on three medium tempo blues, "Better Go," "Kitty," and "Did You Call Her Today." Other than this, Webster gets two tenor features, contributing absolutely luscious solos on both "How Long Has This Been Going On," and "My Romance." After listening to these songs, there can be no doubt that Webster is one of the best balladeers jazz has ever produced. Edison gets his moment in the sun too. On the album closer, Sweets plays a wonderful, even fairly modern sounding, rendition of "Embraceable You" using a Harmon mute. The ballads, enhanced by the wonderful harmonic sense of pianist Hank Jones, are the highlight of this release, and show both Webster and Sweets' unbeatable melodic sense.
Ben Webster was considered to be on of the three most important 'swing tenors' along with Coleman Hawkins and Lester Young. Known by some as "The Brute", he had a tough, raspy and brutal tone on stomps but could deliver warmth and sentiment on softer ballads. Trumpeter Harry "Sweets" Edison spent his early childhood in Kentucky where he was introduced to music by his uncle. After moving back to his hometown of Columbus, Ohio at the age of 12, he began playing the trumpet with local bands, eventually landing a spot with the Count Basie Orchestra.

"Tenor-saxophonist Ben Webster and trumpeter Harry "Sweets" Edison, both veterans of the swing era (although associated with different orchestras), had long wanted to record a full album together. The results, a swinging quintet set with pianist Hank Jones, bassist George Duvivier and drummer Clarence Johnston, are quite rewarding. There are two ballad features for the tenor ("How Long Has This Been Going on" and a beautiful version of "My Romance") and one for Edison ("Embraceable You") along with three medium-tempo collaborations. Nothing unexpected occurs but the melodic music is quite enjoyable." (~~Scott Yanow,AMG)

NOTE: A 2 LP set was brought out by Original label in 2012.Luscious Sound, High Quality Audiophile Pressing. A Must-Have for Jazz Saxophone & Trumpet Lovers! 2,500 limited edition and numbered copies. Remastered 180 Gram vinyl, 45RPM set.(Out Of stock)

Line-Up:
Ben webster - Saxophone
Harry 'Sweets' Edison - Trumpet
Hank Jones - Piano
George Duvivier - Bass
Clarence Johnston - Drums

Recorded on June 6 & 7,1962 at the Columbia 30th Street Studio in New York City
Produced by Mike Bemiker
Digital Remix Producer: Michael Brooks
Digital Remix Engineer: Larry Keyes
All digital engineering and mastering at CBS Studio, New York
Jazz Masterpieces Series Coordination: Mike Bemiker and Amy Herot
Historical Research: Nathaniel Brewster
Cover Design: Allen Weinberg Cover Photo: CBS Records Photo File

Ben and 'Sweets'