Monday, May 27, 2024

David Kikoski, Eric Alexander - Phoenix Rising

Styles: Piano And Saxophone Jazz
Year: 2019
File: MP3@320K/s
Time: 59:17
Size: 136,4 MB
Art: Front

(6:01)  1. Phoenix Rising
(5:21)  2. Kik It
(5:48)  3. Wichita Lineman
(7:57)  4. If I Were a Bell
(6:01)  5. Emily
(6:41)  6. Love for Sale
(6:33)  7. My One and Only Love
(7:26)  8. Lazy Bird
(7:25)  9. Willow Weep for Me

Pianist David Kikoski and tenor saxophonist Eric Alexander, among the brightest lights on New York City's jazz scene for more than two decades, have known each other for almost as many years but Phoenix Rising marks the first time they have recorded together. After listening, one observation springs immediately to mind: it's about time. A second premise is that the album swings and dazzles from start to finish but one would expect no less from such masters of the idiom, especially when the session benefits as well from the imposing presence of two more paragons, bassist Peter Washington and drummer Joe Farnsworth. That the level of musicianship is high throughout is also no surprise, as Kikoski and his colleagues have been honing their respective skills for many years as members of New York's elite and are unfazed and self-assured in the face of anything that threatens to impede their progress or disrupt their purpose. In their capable hands, excellence is not so much a goal as a given. After a brief aside, the quartet hastens briskly from the starting gate on "Phoenix Rising," co-written by Alexander and Kikoski, a theme that, in Alexander's words, is "all about Dave exploding back on the scene." Explode he does with a powerful two-fisted solo that precedes an equally emphatic statement by Alexander.

That's the first of no less than four burners on the menu. The others are Frank Loesser's "If I Were a Bell," Ann Ronell's "Willow Weep for Me" and John Coltrane's "Lazy Bird," on which Alexander's scorching solo would easily thaw an iceberg. The group is more laid-back but no less persuasive on the album's less heated numbers: Jimmy Webb's "Wichita Lineman," Johnny Mandel's "Emily" (on which Alexander sits out), Cole Porter's "Love for Sale" (set to a saucy Latin beat) and Guy Wood / Robert Mellin's "My One and Only Love." Alexander's nimble blues, "Kik It," rounds out the well-balanced program. Kikoski takes the first solo again, as he does on almost every number (well, it is his gig), and every solo is a model of tastefulness and technical brilliance. The last (and most lasting) impression is that these are four superior musicians, and that quartets simply can't blend together more seamlessly than this. Everyone listens carefully, responds apace, and enhances the group dynamic. Best of all, the music they have chosen to play is invariably bright and pleasing. Well done, gentlemen. ~ Jack Bowers https://delaware.allaboutjazz.com/phoenix-rising-david-kikoski-highnote-records-review-by-jack-bowers.php

Personnel: David Kikoski: piano; Eric Alexander: tenor saxophone (1-4, 6-9); Peter Washington: bass; Joe Farnsworth: drums.

Phoenix Rising

Kenny Dorham - Kenny Dorham Sings And Plays: This Is The Moment!

Styles: Trumpet Jazz
Year: 2003
File: MP3@320K/s
Time: 37:33
Size: 86,0 MB
Art: Front

(3:04)  1. Autumn Leaves
(2:55)  2. I Remember Clifford
(4:15)  3. Since I Fell For You
(4:11)  4. I Understand
(4:45)  5. From This Moment On
(2:37)  6. This Is The Moment
(5:26)  7. Angel Eyes
(4:29)  8. Where Are You?
(2:40)  9. Golden Earrings
(3:05) 10. Make Me A Present Of You


The release of this recording must have surprised most jazz listeners at the time, for trumpeter Kenny Dorham sings on all ten selections. He had never hinted at any desire to sing previously (although he had sung a blues regularly with Dizzy Gillespie & His Orchestra in the 1940s) and, as it turned out, this was his one and only vocal album; the sales were probably quite a bit less than Chet Baker's records of the period. Dorham had an OK voice, musical if not memorable, but the arrangements for these selections (which utilize his trumpet and Curtis Fuller's trombone, both of which are muted all the time) are inventive and pleasing. The supportive rhythm section is also an asset; pianist Cedar Walton made his recording debut on this album (released on CD via the Original Jazz Classics imprint), which is a historical curiosity. ~ Scott Yanow   
http://www.allmusic.com/album/kenny-dorham-sings-and-plays-this-is-the-moment!-mw0000118945

Personnel: Kenny Dorham - trumpet, vocals; Curtis Fuller – trombone; Cedar Walton – piano; Sam Jones – bass; G.T. Hogan – drums; Charlie Persip - drums

Kenny Dorham Sings And Plays: This Is The Moment!

Hilde Louise Asbjørnsen - A Swing of Its Own

Styles: Vocal, Swing, Jazz
Year: 2023
Time: 55:03
File: MP3 @ 320K/s
Size: 126,6 MB
Art: Front

(4:58) 1. Sound Your Horn
(4:21) 2. Desert Song
(5:12) 3. Call Back
(4:53) 4. The Fall
(5:25) 5. Don't Stay for Breakfast
(4:02) 6. My Best Pair
(5:19) 7. Song to a Bird
(3:54) 8. Make Some Shine
(6:28) 9. A Swing of Its Own
(6:16) 10. Birdie Blues
(4:12) 11. Smile

For singer and songwriter Hilde Louise Asbjørnsen, this album with one of Europe's most exciting Swing bands was an urge as natural as breathing. Recorded for a 2020 live gig, she dives headlong into hand-picked songs from her decades-spanning career. Gathering all the threads of inspiration through my years as a songwriter and jazz singer, this is the way they were always meant to be heard.

A Swing of its Own took Hilde Louise back to the beginning, to a time when she was falling in love with jazz and spinning her mother's old jazz records on a turntable. And yet, nostalgia is notably absent here. Rather, the album brings back to life the sheer energy and irresistible pull of this music which first swept the USA and then the rest of the world. Hilde Louise's career has been a long and winding journey, but now, she feels, she has finally come home. And to those willing to open up this music - your heart is sure to follow her to that place, too. By Editorial Reviews
https://www.amazon.com/Swing-Its-Hilde-Louise-Asbj%C3%B8rnsen/dp/B0C8R5RHCY

A Swing of Its Own