Janet Seidel - The Art Of Lounge, Vol. 1

Size: 149,6 MB
Time: 64:10
File: MP3 @ 320K/s
Released: 1997
Styles: Jazz Vocals
Art: Front

01. The Very Thought Of You (5:43)
02. To Say Goodbye (3:32)
03. Comes Love (4:11)
04. I've Got A Crush On You (4:51)
05. I Get Lost In His Arms (6:23)
06. At Sundown (4:35)
07. The Sweetest Sounds (4:47)
08. Fools Rush In (4:29)
09. Gee Baby (3:27)
10. Mas Que Nada (3:10)
11. Love For Sale (5:28)
12. I Had The Craziest Dream (5:38)
13. Don't Let The Sun Catch You Crying (4:52)
14. Black Is The Colour (2:57)

Performing since she was 17, Janet Seidel is now one of Australia's more prominent vocalists. She records exclusively for the La Brava label. Despite the title of her latest effort, this is by no means an album of easy listening, lounge type music. Even though there's the presence of a heavy cadre of strings on several tracks, they are offset by the presence of musicians steeped in the jazz tradition, such as Tom Baker on tenor sax. Also having a jazz flavor, "I've Got a Crush on You" is done in a small-group setting; Paul Williams provides a mellow background, and his clarinet contrasts nicely with Seidel's simple, straightforward rendition of this popular classic. Even on those tunes where the strings are present, there is still a feel for jazz. A slow-paced arrangement of "The Sweetest Sounds" mixes the strings with Kevin Hunt's melodic piano playing. With a voice that combines all the good features of Blossom Dearie with some Peggy Lee and Doris Day stirred in for seasoning, Seidel is at home in a number of styles. She can lull you with a sentimental ballad and then get naively erotic with a blues. She gets together with Col Nolan's Hammond B3 organ for a version of "Gee Baby, Ain't I Good to You" that blends innocence with allurement. The Latin beat gets a nod with "Mas Que Nada," and a touch of soulful regret is heard in "Don't Let the Sun Catch You Crying" behind Tom Baker's wailing tenor sax. There's a come hither quality in her interpretation of "Love for Sale," featuring Baker on cornet. Seidel takes on a poetic bearing on "Fools Rush In" which, as much as any track, reveals her ability to convey the essence of the story embedded in the lyrics she sings. Irrespective of genre, all the tunes are delivered in a delightful, ear-catching, engaging manner. Featuring Australian musicians of the highest caliber, this CD of more than 60 minutes of varied vocalizing is highly recommended. ~ by Dave Nathan

The Art Of Lounge, Vol.1

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Patricia Grinfeld Organ Trio - Capitulo Uno

Size: 111,6 MB
Time: 47:59
File: MP3 @ 320K/s
Released: 2017
Styles: Jazz
Art: Front

01. Capítulo Uno Valle Hemoso (4:55)
02. A World That Swings (7:11)
03. Criminal (4:51)
04. Indian (7:44)
05. My Own Montgomerylike Song (6:15)
06. Antigua Y Barbuda (6:09)
07. Solo Tune (3:19)
08. Indian (Alternate Version) (7:32)

Grabado en Buenos Aires en 2016, este es el disco debut como líder de la guitarrista y compositora de Jazz argentina Patricia Grinfeld.
Incluye 4 composiciones originales y 3 versiones de canciones del Great American Songbook casi nada transitadas, una de ellas, es una versión en formato solo guitar del clásico soul "Killing me softly with his song" .
Patricia Grinfeld Organ Trio se completa con Alan Zimmerman en órgano y Diego Lutteral en batería.

Capitulo Uno

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Lucy Reed - This Is Lucy Reed: Complete Recordings 1950-1957

Size: 125,3 MB+140,6
Time: 53:51+60:27
File: MP3 @ 320K/s
Released: 2017
Styles: Jazz/Blues Vocals
Art: Front

CD 1:
01. There's A Boat Dat's Leavin' Soon For New York (2:29)
02. Fools Fall In Love (3:24)
03. Baltimore Oriole (4:55)
04. Out Of This World (3:48)
05. You May Not Love Me (3:46)
06. No Moon At All (1:54)
07. Inchworm (2:53)
08. Tabby The Cat (1:54)
09. That's How I Love The Blues (3:24)
10. My Time Of Day (2:37)
11. My Love Is A Wanderer (2:49)
12. Little Girl Blue (3:43)
13. Because We're Kids (2:51)
14. It's All Right With Me (4:25)
15. It's A Lazy Afternoon (3:40)
16. Flying Down To Rio (2:14)
17. Nothing At All (2:53)

CD 2:
01. Born To Blow The Blues (4:41)
02. This Is New (3:58)
03. In The Wee Small Hours (Of The Morning) (4:20)
04. There He Goes (2:50)
05. Love For Sale (4:27)
06. A Trout, No Doubt (2:39)
07. No Moon At All (2:14)
08. Lucky To Be Me (2:28)
09. St. Louis Blues (3:25)
10. Easy Come, Easy Go (4:55)
11. Little Boy Blue (2:55)
12. You Don't Know What Love Is (4:04)
13. You've Got A Date With The Blues (3:09)
14. My Flaming Heart (3:01)
15. Please Mr. Right Man (3:02)
16. Tantalazing Melody (2:52)
17. A Night Is Dark (2:36)
18. Au Revoir (2:43)

Personnel:
Lucy Reed (vcl), Art Farmer (tp), Jimmy Cleveland (tb), Tommy Mitchell (b-tb), Romeo Penque (fl, Engh), Sol Schlinger (b-cl, bs), Bill Evans, Dick Marx, Don Abney, Gil Evans, Eddie Higgins (p), Howard Collins, John Gray (g), Bob Carter, Johnny Frigo, Bill Pemberton (b), Sol Gubin, George Russell (d), Harry Lookofsky (vln), Jack English (arr).

Lucy (Lucille) Reed (1921-1998) began her singing career with Woody Herman in 1949. Later she joined Charlie Ventura’s big band and did some radio and TV work in Chicago. In 1951 she was chosen to represent Chicago in the Miss Television contest—she was regarded as a fine prospect by bookers and record people as the beautiful girl who had charmed listeners at the Chicago Streamliner and other local clubs during the early Fifties.

Her basic vocal quality was never strikingly full-ranged or tonally opulent, but her taste and musicianship were of such imaginative flexibility that she surpassed a many other nightclub singers more generously gifted by nature. Her skillful phrasing, based on her tender care for lyrics and her subtle beat, made her a singer of quiet distinction.

This set is valuable in many ways, mainly thanks to Lucy Reed’s ungimmicky, genuinely emotional singing, but also to the sympathetic backing of groups led by such jazz luminaries as Bill Evans, Dick Marx, George Russell, Gil Evans, and Eddie Higgins.

This is a collection of out-of-the-way melodies, done with distinction, fire and individuality by a singer who may have possessed too much innate “feel” for lyrics and honesty in delivery ever to have had a hit record, but who nevertheless won many enthusiastic listeners with these albums.

This Is Lucy Reed CD 1
This Is Lucy Reed CD 2

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Louis Armstrong & Duke Ellington - The Great Summit (Bonus Tracks)

Size: 176,3 MB
Time: 75:30
File: MP3 @ 320K/s
Released: 2013
Styles: Jazz, Swing, Vocals
Art: Front

01. Duke's Place (5:04)
02. I'm Just A Lucky So And So (3:09)
03. Cottontail (3:43)
04. Mood Indigo (3:57)
05. Do Nothin' Till You Hear From Me (2:35)
06. The Beautiful American (3:06)
07. Black And Tan Fantasy (4:00)
08. Drop Me Off In Harlem (3:50)
09. The Mooche (3:38)
10. In A Mellow Tone (3:48)
11. It Don't Mean A Thing (If It Ain't Got That Swing) (3:56)
12. Solitude (4:52)
13. Don't Get Around Much Anymore (3:29)
14. I'm Beginning To See The Light (3:35)
15. Just Squeeze Me (3:56)
16. I Got It Bad (And That Ain't Good) (5:32)
17. Azalea (5:05)
18. Duke's Place (Live) (Bonus Track) (2:20)
19. In A Mellow Tone (Live) (Bonus Track) (3:21)
20. Nobody Knows The Trouble I've Seen (Live) (Bonus Track) (2:25)

Personnel:
Louis Armstrong (vcl, tp), Duke Ellington (p), Trummy Young (tb), Barney Bigard (cl), Mort Herbert (b), Danny Barcelona (d)

This release contains the complete master takes from the only full studio session ever made by Louis Armstrong and Duke Ellington together. The date was originally divided onto two albums: 'Together For The First Time' and 'The Great Reunion of Louis Armstrong and Duke Ellington'.

As a bonus a true rarity that appears on CD here for the first time ever: Louis and Dukes last preserved appearance together, promoting their album on the Ed Sullivan TV Show, as well as an additional song by Louis alone which completes all existing music from that program.

The Great Summit

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Nicole Johanntgen - Henry

Size: 100,7 MB
Time: 37:15
File: MP3 @ 320K/s
Released: 2017
Styles: Jazz: New Orleans Jazz
Art: Front

01. Henry (5:57)
02. Oh Yes My Friend (4:22)
03. Nola (5:07)
04. Slowly (6:41)
05. The Kids From New Orleans (6:44)
06. They Missed Love (5:28)
07. Take The Steam Train (2:55)

Still only in her mid-thirties, Zurich-based German alto saxophonist/composer Nicole Johänntgen has been performing and tirelessly exploring music for over twenty years. With half a dozen recordings as leader under her belt, Johänntgen turns to New Orleans for inspiration on Henry. Named after her father, who used to play trombone in lieu of an early morning alarm clock for the young Johänntgen, the songs were written during a six-month sojourn in New York and recorded in the Crescent City. The Big Apple's energy transposes itself on the traditional Nawlins template, resulting in a vibrant and spirited set of originals.

It all begins conventionally enough on the title track, with drummer Paul Thibodeaux's infectious second line rhythms, Steven Glenn's pulsating sousaphone grooves and melodic unison lines between Johänntgen and trombonist Jon Ramm forging an upbeat, mellifluous path. The group soon takes an abrupt left turn, however, with saxophone and trombone peeling this way and that in free flight, spurred by Thibodeaux's looser dynamics, while Glenn plays the anchor role.

Ramm and Johänntgen dovetail beautifully on "Oh Yes My Friend," a slow-churning dirge laced with the blues that follows a course as sure as the Mississippi. The contrast between New Orleans parade rhythms—mostly embedded in Glenn's sousaphone pulse—and a more contemporary rhythmic compass underpins the lively "Nola," which will appeal to fans of Arthur Blythe's Night Song (Clarity Records, 1997). Mantra-like motifs and oscillating rhythmic patterns dictate "Slowly," a slow-burner of almost hymnal origin that increases in intensity while maintaining a constant tempo.

Sousaphone and drums star on "The Kids from New Orleans"; this breezy, danceable celebration morphs briefly into a lament before Thibodeaux reactivates the party, as trombone and saxophone trade back and forth with passionate intent. Greater introspection colors "They Missed Love," an impressionistic lament where stuttering rhythms and gently wailing melodies—framed by a sombre head—are the blues by another name. "Take the Steam Train," a lively vignette that fades a little too quickly, sees the quartet gather collective steam before pulling the plug abruptly, just when you'd love to hear it all kicking off. That it leaves you wanting more is a decent summation of the CD as a whole.

It's no small feat that Johänntgen's elegant compositions will likely satisfy traditionalists and modernists alike. Steeped in Louisiana traditions, her roots-based music nevertheless filters more contemporary influences to engaging effect. Whether immersed in meditative blues vein or whether stoking the party fires, there's intensity and emotional weight in the quartet's every step.

A vibrant, satisfying effort from Johänntgen that subtly reimagines New Orleans tradition. And it would make a great wake-up call to boot. ~Ian Patterson

Personnel: Nicole Johänntgen: saxophone (alto); Jon Ramm: trombone; Steven Glenn: sousaphone; Paul Thibodeaux: drums.

Henry

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Jocelyn Medina - Common Ground

Size: 133,8 MB
Time: 57:21
File: MP3 @ 320K/s
Released: 2017
Styles: Jazz Vocals, World
Art: Front

01. Two But Not Two (6:39)
02. Common Ground (6:01)
03. Meant To Be (5:19)
04. Slow It Down (6:57)
05. Sink Or Swim (5:47)
06. Simple (7:25)
07. Break Through (5:51)
08. Second Thought (5:53)
09. Waiting For (7:25)

Jocelyn Medina is a New York-based jazz singer, composer, and lyricist. Her musical explorations have led her to travel to Brazil, Ghana, and most recently to India where she performed and studied while teaching full-time at a music school in Mumbai. Her latest collection -COMMON GROUND - fuses jazz harmonies with raga-based melodies from India and polyrhythms from Ghana to create a new and exciting soundscape.

Medina has a pure, fluid voice that's sometimes reminiscent of Flora Purim and sometimes of Joni Mitchell, but she clearly has her own style. Her lyrics reflect the influence of a Buddhist worldview and a strong social consciousness. Medina says, "I don't make up stories. My lyrics grow from the things I observe, from the flow of humanity, and from just living in New York City." Medina wrote and arranged all the compositions on this CD.

The ensemble is Jocelyn Medina, vocals, Steve Gorn, Basuri flute, Hadar Noiberg, flute, Pete McCann, electric and acoustic guitar, Art Hirahara, piano and Rhodes, Evan Gregor, bass, Mark Ferber drums, Samir Chatterjee, table, Robert Levin, percussion, and Achyut Joshi, vocals.

The tracks are Two But Not Two, Common Ground, Meant To Be, Slow It Down, Sink Or Swim, Simple, Break Through, Second Thought, and Waiting For.

A Voice seductive, delicate, resonate, and crystalline – a major humanist who happens to communicate through singing. ~Grady Harp

Common Ground

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Stanton Moore - Conversations

Styles: Jazz, Bop
Year: 2014
File: MP3@320K/s
Time: 63:03
Size: 146,5 MB
Art: Front

(5:05)  1. Lauren Z
(6:14)  2. Carnival
(7:29)  3. Driftin'
(4:53)  4. Magnolia Triangle
(4:11)  5. Waltz for All Souls
(6:18)  6. Tchefunkta
(4:51)  7. The Chase
(4:18)  8. Big Greaze
(7:25)  9. In the Keyhole
(5:29) 10. Paul Barbarin's Second Line
(6:46) 11. Prayer

Conversations is the first straight jazz date led by drummer Stanton Moore, who is best known as the kit man for NOLA jam-funk powerhouse Galactic. He is no stranger to jazz; he plays it in hybrid form with the Garage a Trois quartet but they play lots of other music too. Here Moore is in the company of two New Orleans jazz veterans: bassist James Singleton and pianist David Torkanowsky. The drummer took lessons from the Crescent City's celebrated Kenny Washington to up his chops for this group. And it is a group. They formed to play a weekly club gig at Snug's Harbor in 2012 and have been doing so ever since. The program is almost exclusively comprised of tunes by New Orleans composers and the personnel with one notable exception, Herbie Hancock's blues "Driftin'," onto which Torkanowsky grafted a strolling, striding, James Booker-inspired intro. The swing quotient here is high. Though all the material is straight-ahead jazz, it purposely reflects the city's tradition. On "Carnival," a Mardi-Gras second-line groover led by a martial drum solo intro, the rolling, marching terrain gets nearly modal in the midsection and the drummer's tom toms employ wonderful breaks and Latin tinges while the pianist weaves elegant harmonic s flourishes into the funky changes. "Waltz for All Souls" is an elegiac ballad with gorgeous arco work in the midsection from Singleton. Moore's playing reflects the funeral parade marchers as Torkanowsky brings forth the gospel tradition. Even in the bluesy, swinging post-hard bop of "In the Keyhole," whose melody reflects the Horace Silver trio, one can hear the influence of Professor Longhair's groove quotient amid the syncopation, knotty rim shots, and fingerpopping bassline. Moore offers not only in-the-pocket flair, but ample imagination. His interaction with Torkanowsky shines on opener "Lauren Z," where his rolls and fills accent Singleton's thrumming groove pulse and push the pianist to fully employ fluid, fleet, mid-high register ostinatos. There is a substantial neo-bop flair in the funky "Big Greaze," and the pianist's assured runs and improvising acumen lead the conversation into compelling terrain. The reading of standard "Paul Barbarin's Second Line" is anything but rote. The complex interplay between Singleton and Moore opens the gates for Torkanowsky to explore the ranges of the tune's harmonics. Conversations is well balanced, beautifully played and musically engaging throughout. While it will be interesting to note the reactions of jam band and Galactic fans, jazz listeners will find much to enjoy here. ~ Thom Jurek http://www.allmusic.com/album/conversations-mw0002620798

Personnel: Stanton Moore (drums); David Torkanowsky (piano).

Conversations

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Ingrid Lucia & The Flying Neutrinos - Hotel Child

Styles: New Orleans Jazz, Retro swing
Year: 2000
File: MP3@320K/s
Time: 37:02
Size: 85,8 MB
Art: Front

(3:40)  1. Mr. Zoot Suit
(2:59)  2. Violent Love
(3:34)  3. Cry
(2:31)  4. Some of These Days
(3:25)  5. Love Is Coming Back
(3:36)  6. Lonely Side
(2:07)  7. Baby's Making Duck
(2:51)  8. Someday You'll Be Sorry
(3:14)  9. Promise
(3:08) 10. I Believe in Miracles
(3:46) 11. Johnny
(2:08) 12. After Hours

New Orleans chanteuse Ingrid Lucia knows what boys want, too-the decidedly sudsy doe-eyed beauty frolics in a penthouse bathtub on the cover of The Hotel Child-but she downplays her sex appeal with a cool-jerk smirk and a detached Lady Day delivery (read: no garters, no cleavage, no tropical drinks). The ragtag Flying Neutrinos, Lucia’s rhythm-and-horns backing band, is capable of jetting off toward various musical horizons, and while swing is always the starting point, the side routes are pleasantly diverse: “Mr. Zoot Suit” is traditional New Orleans hot jazz, “Violent Love” is speakeasy R&B and “Cry” has a hop-along country gallop and a weepy steel guitar, courtesy of Matt Munisteri. Lucia’s vaudeville twists are flirty and fun, but the true star of The Hotel Child (the title was taken from an F. Scott Fitzgerald short story) is trumpeter Jon-Erik Kellso, whose instrument has a Framptonesque mind of its own, running the gamut of emotions from bleating glee to sobbing despair. ~ Sean Daly https://jazztimes.com/reviews/albums/ingrid-lucia-and-the-flying-neutrinos-the-hotel-child/

Personnel: Ingrid Lucia (vocals); Todd Londagin (vocals, trombone); Matt Munisteri (guitar, banjo, background vocals); Will Holshouser (accordion); Dan Levinson (clarinet, tenor saxophone, background vocals); Michael Hashim (baritone saxophone); Jon-Erik Kellso (trumpet, background vocals); David Berger (snare drum); Matthew Weiner, Al Schmitt, Bill Smith , Jon Weiner (background vocals).

Hotel Child

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Earl Bostic - Flamingo

Styles: Saxophone Jazz
Year: 1996
File: MP3@320K/s
Time: 55:18
Size: 126,6 MB
Art: Front

(2:44)  1. Flamingo
(3:12)  2. Sleep
(3:01)  3. Always
(2:42)  4. Moonglow
(2:22)  5. Ain't Misbehavin'
(3:11)  6. You Go To My Head
(3:02)  7. Cherokee
(3:01)  8. Steamwhistle Jump
(2:46)  9. What! No Pearls
(2:30) 10. Deep Purple
(2:34) 11. Mambostic
(2:44) 12. Sweet Lorraine
(3:09) 13. Where or When
(2:20) 14. Harlem Nocturne
(2:36) 15. 720 in the Books
(2:43) 16. Tuxedo Junction
(2:35) 17. Night Train
(2:24) 18. Special Delivery Stomp
(2:49) 19. Song Of The Islands
(2:45) 20. Liebestraum - Liszt

Alto saxophonist Earl Bostic was a technical master of his instrument, yet remained somewhat underappreciated by jazz fans due to the string of simple, popular R&B/jump blues hits he recorded during his heyday in the '50s. Born Eugene Earl Bostic in Tulsa, OK, on April 25, 1913, Bostic played around the Midwest during the early '30s, studied at Xavier University, and toured with several bands before moving to New York in 1938. There he played for Don Redman, Edgar Hayes, and Lionel Hampton, making his record debut with the latter in 1939. In the early '40s, he worked as an arranger and session musician, and began leading his own regular large group in 1945. Cutting back to a septet the next year, Bostic began recording regularly, scoring his first big hit with 1948's "Temptation." He soon signed with the King label, the home of most of his biggest jukebox hits, which usually featured a driving, heavy, R&B-ish beat and an alto sound that could be smooth and romantic or aggressive and bluesy. In 1951, Bostic landed a number one R&B hit with "Flamingo," plus another Top Ten in "Sleep." Subsequent hits included "You Go to My Head" and "Cherokee." Bostic's bands became important training grounds for up-and-coming jazzmen like John Coltrane, Blue Mitchell, Stanley Turrentine, Benny Golson, Jaki Byard, and others. Unfortunately, Bostic suffered a heart attack in the late '50s, which kept him away from music for two years. He returned to performing in 1959, but didn't record quite as extensively; when he did record in the '60s, his sessions were more soul-jazz than the proto-R&B of old. On October 28, 1965, Bostic suffered a fatal heart attack while playing a hotel in Rochester, NY. ~ Steve Huey http://www.allmusic.com/artist/earl-bostic-mn0000793607/biography

Flamingo

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Eddie Harris - There Was a Time (Echo of Harlem)

Styles: Saxophone Jazz
Year: 1990
File: MP3@320K/s
Time: 59:24
Size: 136,4 MB
Art: Front

( 8:32)  1. Love Letters
(10:21)  2. Historia de un Amor
( 5:02)  3. Autumn in New York
( 4:51)  4. Photographs of You
( 4:28)  5. The Song Is You
(12:42)  6. Harlem Nocturne
( 5:22)  7. There Was a Time (Echo of Harlem)
( 8:03)  8. Lover Come Back to Me

Eddie Harris, famous as the master of the electrified sax and for his brand of funky jazz, sticks exclusively to acoustic straightahead music on this rewarding Enja CD. With assistance from pianist Kenny Barron, bassist Cecil McBee and drummer Ben Riley, Harris is heard in peak form on such songs as "Love Letters," "Autumn in New York," "The Song Is You" and a lengthy "Harlem Nocturne." Although Harris has maintained a fairly low profile during the past decade, he is still playing in his prime as this highly recommended CD demonstrates. ~ Scott Yanow http://www.allmusic.com/album/there-was-a-time-echo-of-harlem-mw0000675002

Personnel: Eddie Harris (tenor saxophone); Kenny Barron (piano); Ben Riley (drums)

There Was a Time (Echo of Harlem)

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Bob James - Alone: Kaleidoscope by Solo Piano

Styles: Piano Jazz
Year: 2013
File: MP3@320K/s
Time: 60:35
Size: 139,2 MB
Art: Front

(5:15)  1. Restoration
(4:38)  2. I Can't Give You Anything But Love
(6:30)  3. My Heart Stood Still
(6:07)  4. Never Let Me Go
(5:51)  5. Wild Stallion
(4:43)  6. Karesansui
(5:05)  7. Scarborough Fair
(5:02)  8. It Never Entered My Mind
(3:55)  9. Lover Come Back to Me
(5:02) 10. Garbo Redux
(5:07) 11. Medley (Westchester Lady/Touchdown/Nautilus/Angela)
(3:14) 12. Put Our Hearts Together

Bob James' recordings have practically defined pop/jazz and crossover during the past few decades. Very influenced by pop and movie music, James has often featured R&B-ish soloists (most notably Grover Washington, Jr.) who add a jazz touch to what is essentially an instrumental pop set. He actually started out in music going in a much different direction. In 1962, James recorded a bop-ish trio set for Mercury, and three years later his album for ESP was quite avant-garde, with electronic tapes used for effects. After a period with Sarah Vaughan (1965-1968), he became a studio musician, and by 1973 was arranging and working as a producer for CTI. In 1974, James recorded his first purely commercial effort as a leader; he later made big-selling albums for his own Tappan Zee label, Columbia, and Warner Bros., including collaborations with Earl Klugh and David Sanborn. James remains relatively busy in the studio and since 2000 has released several albums including Dancing on the Water in 2001, That Steamin' Feelin' in 2002, Hi-Fi in 2003, and Urban Flamingo in 2006, among others. 

In 2011, he joined pianist Keiko Matsui for Altair & Vega. Two years later, he delivered his second collaboration with saxophonist David Sanborn, 2013's Quartette Humaine. In 2015, James paired with bassist Nathan East on the laid-back studio-session, The New Cool. ~ Scott Yanow https://itunes.apple.com/us/album/alone-kaleidoscope-by-solo-piano/id698439018

Alone: Kaleidoscope by Solo Piano

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