Friday, September 1, 2017

Gabor Szabo - 1969

Bitrate: MP3@320K/s
Time: 35:54
Size: 82.2 MB
Styles: Guitar jazz
Year: 1969/1998
Art: Front

[2:42] 1. Dear Prudence
[2:46] 2. Sealed With A Kiss
[2:57] 3. Both Sides Now
[2:47] 4. Walk Away Renee
[3:43] 5. You Won't See Me
[4:03] 6. Michael From Mountains
[3:18] 7. Stormy
[2:34] 8. In My Life
[4:40] 9. I've Just Seen A Face
[2:27] 10. Until It's Time For You To Go
[3:51] 11. Somewhere I Belong

In the late '60s, many jazz artists were ignoring the rock and soul hits of the day -- when called upon to interpret popular songs, they stuck to their favorite Cole Porter, George Gershwin, and Irving Berlin standards and didn't see Beatles or Marvin Gaye hits as vehicles for jazz improvisation. But there were some jazz artists who didn't feel that way; Grant Green, Herbie Mann, and Charles Earland -- just to give three examples -- saw no reason why rock and soul tunes couldn't receive instrumental jazz makeovers. And on 1969, Gazor Szabo puts a jazz spin on popular songs of the 1960s, including "Walk Away Renee" (a major hit for the Left Banke), the Beatles' "In My Life," and Joni Mitchell's "Both Sides Now." Again, there were many jazz artists who wouldn't have touched these songs in 1969 -- they would have insisted on providing yet another version of "Our Love Is Here to Stay" or "My Funny Valentine." But Szabo acknowledges that worthwhile popular music didn't die with George Gershwin. The Hungarian guitarist doesn't always stretch out as much as he could on this album; at times, he ends a solo that probably should have lasted a few more minutes. But Szabo still deserves credit for bringing a jazz perspective to songs that so many other improvisers were ignoring. Produced by Gary McFarland, this 1969 date originally came out on vinyl and was finally reissued on CD in 1998. ~Alex Henderson

1969

Bob Mintzer Big Band - Live At MCG

Bitrate: MP3@320K/s
Time: 70:28
Size: 161.3 MB
Styles: Big band
Year: 2004
Art: Front

[ 6:09] 1. El Caborojeno
[ 6:41] 2. My Foolish Heart
[ 4:37] 3. One O'Clock Jump
[ 7:12] 4. Gently
[12:05] 5. Eye Of The Hurricane
[ 8:03] 6. Timeless
[ 8:58] 7. All Is Quiet
[ 8:38] 8. Who's Walkin' Who
[ 7:59] 9. Original People

Bob Mintzer, leader, tenor saxophone; Lawrence Feldman, Pete Yellin, alto sax; Bob Malach, tenor sax; Roger Rosenberg, baritone sax; Frank Greene, Bob Millikan, Scott Wendholt, Michael Philip Mossman, trumpet; Michael Davis, Larry Farrell, Keith O'Quinn, trombone; David Taylor, bass trombone; Phil Markowitz, piano; Rufus Reid, bass; John Riley, drums. Special guest — Kurt Elling, vocals.

Bob Mintzer leads a superlative big band with seasoned pros in every chair, but what really gives the engine its get-up-and-go are the maestro's invariably admirable charts, unerring road maps that always ensure a smooth and delightful journey. This first-ever live album by the ensemble, recorded in May '02 at the Manchester Craftsmen's Guild in Pittsburgh, PA, is at its best on the half-dozen instrumentals, even though guest vocalist Kurt Elling does what he can to jump-start the other three.

All but one of the selections, Herbie Hancock's turbulent "Eye of the Hurricane," have appeared on earlier albums, but it's no less pleasurable to revisit them in a concert setting. Elling puts his formidable chops to the test on the lingering (twelve-minutes-plus) "Hurricane" with some acrobatic scatting and vocalese, parrying taut statements by Mintzer, trumpeter Scott Wendholt and drummer John Riley. He's more loose and mellow on Victor Young/Ned Washington's hauntingly beautiful love song "My Foolish Heart" (complete with its charming yet seldom-heard introduction) and in front of a quartet on the less-persuasive ballad "All Is Quiet," which he and Mintzer co-authored.

Mintzer arranged "One O'Clock Jump" (for the album Homage to Count Basie ) and wrote everything else—"El Caborojono," "Gently," "Timeless," "Who's Walkin' Who," "Original People." Each of these themes has its own allure, and all are interlaced with weighty remarks by Mintzer's cadre of talented soloists, especially pianist Phil Markowitz (dazzling on "One O'Clock Jump," "Timeless" and "Original People"). Others who have their say are trombonists Michael Davis, Keith O'Quinn and Larry Farrell, trumpeter Michael Philip Mossman, alto saxophonist Pete Yellin, tenor Bob Malach and baritone Roger Rosenberg.

Fans of big bands in general and Mintzer in particular should find much to enjoy on this buoyant and generally likable album, and may even warm to the vocal tracks more readily than yours truly. As a bonus, all proceeds from its sale go directly to support a worthy cause, the MCG Jazz program. ~Jack Bowers

Live At MCG

Ringo Starr - Photograph: The Very Best Of Ringo

Bitrate: MP3@320K/s
Time: 69:21
Size: 158.8 MB
Styles: Pop/Rock
Year: 2007
Art: Front

[3:56] 1. Photograph
[3:00] 2. It Don't Come Easy
[2:49] 3. You're Sixteen You're Beautiful (And You're Mine)
[3:19] 4. Back Off Boogaloo
[3:26] 5. I'm The Greatest
[4:13] 6. Oh My My
[3:23] 7. Only You (And You Alone)
[2:32] 8. Beaucoups Of Blues
[2:18] 9. Early 1970
[3:22] 10. Snookeroo
[2:32] 11. No No Song
[3:01] 12. Goodnight Vienna (It's All Down To)
[3:42] 13. Oo-Wee
[3:44] 14. Have You Seen My Baby
[5:22] 15. Six O'clock
[3:54] 16. Weight Of The World
[5:24] 17. Never Without You
[3:00] 18. Act Naturally
[2:21] 19. Wrack My Brain
[3:55] 20. Fading In And Fading Out

Hard as it is to believe but there has not been a proper Ringo Starr hits collection since the first, 1975's Blast from Your Past -- that's not counting 1989's Starr Struck: Best of Ringo Starr, Vol. 2, which was designed as a companion to that earlier set -- until 2007's Photograph: The Very Best of Ringo Starr. Blast from Your Past was released just five years after his debut, Sentimental Journey, but it ignored that collection of pop standards, along with much of its country cousin Beaucoups of Blues, winding up as a collection of highlights of 1973's Ringo and 1974's Goodnight Vienna, with a few non-LP hit singles rounded up within the LP's tight ten-track, 30-minute span. Ringo kept recording after Blast, working his way through several labels and ill-advised phases before settling into a nice, easy groove with 1993's Time Takes Time, but he stopped having hits not long after 1975, after the Elton John/Bernie Taupin "Snookeroo" climbed all the way to number three, capping off a remarkable streak of seven Top Ten singles. After that, the crash was fast: "Oo-Wee" was pulled off of Vienna and stalled at 31, then there was just one more hit -- "A Dose of Rock & Roll," peaking at 26 in 1976 -- before a five-year wait until the George Harrison-written "Wrack My Brain" limped to 38 in 1981 before Ringo disappeared from the charts. His '90s comeback may have never dented Billboard, but it is represented on the 20-track Photograph, which also contains all the aforementioned singles (apart from "Oo-Wee," no great loss) and the entirety of Blast from Your Past, albeit presented in a different running order. This doesn't just make for a compilation that's longer than the 1975 set, it makes for one that's better, since it adds the terrific "(It's All Down to) Good Night Vienna" to the mix, along with the amiable 1976 cover of Bruce Channel's "Hey Baby," a duet with Buck Owens on "Act Naturally" from 1989, and a well-chosen selection from each of Time Takes Time, 1998's Vertical Man, 2003's Ringorama, and 2005's Choose Love. This may not hit all the great stuff from the early '70s -- after all, the whole of Ringo is exceptionally strong -- but it does cut out all the real embarrassing stuff from the late '70s and just concentrates on the good latter-day material that holds its own with the best of his '70s hits. Far from merely being songs that are good when graded on a curve, these hits have aged really well, especially his originals: "It Don't Come Easy," the thundering glam rocker "Back Off Boogaloo," the cheerfully post-Beatles autobiography of "Early 1970" and "Photograph," his gorgeous collaboration with George, which lends this comp its title and ranks as among the very best post-Beatles songs by any of the Fab Four. That tune proves Ringo could deliver music every bit as memorable as his colleagues and much of this excellent, long overdue compilation is at a similar high standard. [Photograph: The Very Best of Ringo Starr also includes entertaining track-by-track commentary from Ringo and was also released in a deluxe edition that contains a wonderful DVD with the videos for "Sentimental Journey," "It Don't Come Easy," "Back Off Boogaloo," "You're Sixteen," "Only You (And You Alone)" (which also features Harry Nilsson), and "Act Naturally," along with an ad for Goodnight Vienna.] ~Stephen Thomas Erlewine

Photograph: The Very Best Of Ringo

Miles Davis All Stars - Walkin'

Bitrate: MP3@320K/s
Time: 37:27
Size: 85.7 MB
Styles: Bop, Trumpet jazz
Year: 1957/2014
Art: Front

[13:21] 1. Walkin'
[ 8:13] 2. Blue 'n' Boogie
[ 4:39] 3. Solar
[ 4:19] 4. You Don't Know What Love Is
[ 6:52] 5. Love Me Or Leave Me

Alto Saxophone – Davey Schildkraut; Bass – Percy Heath; Drums – Kenny Clarke; Piano – Horace Silver; Tenor Saxophone – Lucky Thompson; Trombone – Jay Jay Johnson; Trumpet – Miles Davis.

The undeniable strength and conviction present in Miles Davis' performance on Walkin', underscores the urgency and passion with which he would rightfully reclaim his status as a primary architect of bop. Davis is supported by his all-stars, consisting of his primary rhythm unit: Horace Silver (piano), Percy Heath (bass), and Kenny Clarke (drums). The sextet featured on the title track, as well as "Blue 'n' Boogie," adds the talents of J.J. Johnson (trombone) and Lucky Thompson (tenor sax). Davis' quintet includes the primary trio and Dave Schildkraut (alto sax). Perhaps not an instantly recognizable name, Schildkraut nonetheless made some notable contributions to Stan Kenton's Kenton Showcase EPs, concurrent with his work with Miles. Walkin' commences with the extended title track, which follows a standard 12-bar blues theme. While the solos from Johnson and Thomson are unique, Miles retains a palpable sense of extrication from the music -- as if the song was an extension of his solo instead of the other way around. The lethargic rhythms reiterate the subtle adornments of the horn section to the basic trio. In direct contrast to "Walkin'" is a full-tilt jumper, "Blue 'n' Boogie." The improvisation yields some truly memorable solos and exchanges between Davis and Johnson -- who can be heard clearly quoting from Thelonious Monk's "Rhythm-A-Ning." "Solar" maintains a healthy tempo while drawing the listener in to the delicate interplay where the solos often dictate the melody. Horace Silver's piano solo is Ellington-esque in it's subdued elegance. The final track, "Love Me or Leave Me," gives the most solid indication of the direction Miles' impending breakthrough would take. So swift and certain is each note of his solo, it reflects the accuracy of someone thinking several notes ahead of what he is playing. Walking is a thoroughly solid effort. ~Lindsay Planer

Walkin'

Terry Callier - I Just Can't Help Myself

Styles: Guitar Jazz
Year: 1973
File: MP3@320K/s
Time: 40:55
Size: 95,9 MB
Art: Front

(3:16)  1. (I Just Can't Help Myself) I Don't Want Nobody Else
(3:20)  2. Brown-Eyed Lady
(3:25)  3. Gotta Get Closer To You
(4:18)  4. Satin Doll
(5:36)  5. Until Tomorrow
(9:05)  6. Alley-Wind Song
(3:54)  7. Can't Catch The Trane
(7:57)  8. Bowlin' Green

Terry Callier's third and final album for the Cadet label is the most soulful and supple of the bunch  Marvin Gaye's classic Motown LPs from the same early 1970s period serve as a good reference point, both in their richly-detailed arrangements as well as their thoughtful political and social messages. Despite its contemporary feel, however, much of the material on I Just Can't Help Myself dates back several years both the powerful "Alley-Wind Song" and the John Coltrane tribute "Can't Catch the Trane" were initially recorded during the 1969 sessions which later comprised the First Light collection, while the graceful reading of Duke Ellington's "Satin Doll" was and would remain a longstanding highlight of Callier's live set. Under the circumstances, then, the cohesive beauty and power of I Just Can't Help Myself is all the more remarkable possessed of a subtlety and shading absent from his other Cadet dates, the disc simmers with quiet intensity, its underlying confidence and serenity occasionally giving way to moments of soul-searching angst. Certainly Callier's later records have much to recommend them, but the conclusion of his Cadet stint was nevertheless the end of an era he never reached quite the same peaks again. ~ Jason Ankeny http://www.allmusic.com/album/i-just-cant-help-myself-mw0000457389

Personnel:  Acoustic Guitar – Terry Callier;  Backing Vocals – Errol Batts, Phylis Knox;  Bass – Cleveland Eaton, Louis Satterfield, Richard Evans;  Cello – Karl B. Fruth, Leonard Chausow;  Drums – Donny Simmons, Morris Jennings;  French Horn – Ethel Merker, Paul Tervelt;  Guitar – Phil Upchurch;  Harp – Edward Druzinsky;  Percussion – Alfred Nalls, Bobby Christian, Fred Walker;  Piano, Electric Piano – Charles Stepney;  Saxophone [Alto] – Don Myrick;  Trumpet – Arthur Hoyle, John Howell;  Viola – Arthur W. Ahlman, Bruce Hayden, Harold D. Klatz, Harold Kupper, Roger Moulton;  Violin – Elliott Golub, Everett Zlatoff-Mirsky, Jerry Babransky, Joseph Golan, Ruth Goodman, Theodore Silavin

I Just Can't Help Myself

Patricia Barber - Cafe Blue

Styles: Vocal And Piano Jazz
Year: 1994
File: MP3@320K/s
Time: 63:08
Size: 146,5 MB
Art: Front

(5:24)  1. What A Shame
(4:30)  2. A Taste Of Honey
(8:01)  3. Too Rich For My Blood
(4:29)  4. Romanesque
(5:08)  5. Yellow Car III
(0:58)  6. Wood is a Pleasant Thing to Think About
(5:06)  7. Inch Worm
(5:22)  8. Ode to Billy Joe
(7:01)  9. Morning Grace
(4:42) 10. The Thrill Is Gone
(9:01) 11. Nardis
(3:20) 12. Manha de Carnaval

Patricia Barber, who is both a fine keyboardist and an atmospheric singer, contributes roughly half of the material to her Premonition debut. Her dark voice and the generally esoteric program takes awhile to get used to (listeners will have to be patient), but after two or three listens, this thought-provoking and rather moody set becomes more accessible. 

The music ranges stylewise from sophisticated pop sensitivities to the avant-garde and even touches of minimalism, while not fitting securely into any category. Barber gives a new slant to "The Thrill Is Gone," "Ode to Billy Joe," and even "A Taste of Honey," and her vocals are all quite haunting and contemporary. An added plus to this unusual music is adventurous guitarist John McLean. ~ Scott Yanow http://www.allmusic.com/album/caf%C3%A9-blue-mw0000658292

Personnel: Patricia Barber (vocals, piano); John McLean (guitar); Michael Arnopol (bass); Mark Walker (drums, percussion).

Cafe Blue

Gilberto Gil, Vusi Mahlasela - The South African Meeting Of Viramundo

Styles: Vocal, Guitar, Latin World
Year: 2013
File: MP3@320K/s
Time: 50:34
Size: 116,7 MB
Art: Front

(6:08)  1. Tempo Rei
(4:12)  2. La Renaissance Africaine
(7:19)  3. When You Come Back Nakupenda Africa
(4:23)  4. A Raca Humana
(5:17)  5. Estrela
(4:57)  6. The Beauty Of Our Land Ubuhle Bomhlaba
(5:56)  7. Kao
(4:18)  8. Piece Of Ground
(3:56)  9. Oracao Pela Libertacao Da Africa Do Sul
(4:06) 10. Viramundo

This album was born from the meeting of Gilberto Gil and Vusi Mahlasela during the filming of the documentary Viramundo. Some titles are from concerts which took place during the filming in Johannesburg in May 2011 and others were recorded a year later in Switzerland during the Montreux Jazz Festival. Gil carries out a fundamental role in the constant modernization process of Brazilian popular music. For 46 years, he has developed one of the most relevant and renown careers in this field. ~ Editorial Reviews https://www.amazon.com/South-African-Meeting-Viramundo-Gil/dp/B00C9FXWWW

The South African Meeting Of Viramundo

Shane Filan - You And Me

Styles: Vocal
Year: 2013
File: MP3@320K/s
Time: 74:22
Size: 171,4 MB
Art: Front

(3:23)  1. Everything To Me
(3:47)  2. About You
(3:34)  3. All You Need To Kn
(3:06)  4. Knee Deep In My He
(3:35)  5. One Of These Days
(3:31)  6. Everytime
(3:39)  7. Always Tomorrow
(3:27)  8. When I Met You
(3:50)  9. Everything's Gonna
(3:11) 10. Coming Home
(3:15) 11. Baby Let's Dance
(3:59) 12. In The End
(3:41) 13. You And Me
(3:37) 14. Just The Way You L
(3:32) 15. Once
(3:20) 16. Today's Not Yester
(3:49) 17. About You(Acoustic
(3:36) 18. All You Need To Kn
(3:17) 19. Everytime
(3:19) 20. Everything To Me
(3:44) 21. Amazed

You and Me is the debut solo album by Irish singer-songwriter Shane Filan. It was released via Capitol Records on 1 November 2013 in Ireland. The album was preceded by the release of his debut single "Everything to Me" which peaked at number 14 on the UK Singles Chart on the week of release. The album's second single, "About You", co-written by long-term collaborators Steve Mac and Wayne Hector, was released on 1 November 2013. "Knee Deep in My Heart" was released as the third and final single on 29 November 2013. The song "Baby Let's Dance" was released as promotional single on 4 October 2013. https://en.wikipedia.org/wiki/You_and_Me_(Shane_Filan_album)

You And Me

The Jive Aces - Diggin' Roots vol. 2 Hot Jazz

Styles: Swing
Year: 2017
File: MP3@320K/s
Time: 37:00
Size: 89,0 MB
Art: Front

(2:29)  1. I'm Gonna Sit Right Down And Write Myself A Letter
(2:17)  2. On A Slow Boat To China
(3:02)  3. Sweet Sue, Just You
(3:00)  4. On The Sunny Side Of The Street
(3:11)  5. Jeepers Creepers
(2:59)  6. It's Been A Long, Long Time (feat. Toni Elizabeth Prima)
(2:23)  7. I Can't Give You Anything But Love
(2:20)  8. It Hard To Be You
(2:56)  9. Wrap Your Troubles In Dreams
(2:52) 10. Ain't She Sweet
(3:29) 11. I'm Confessin' (It's Only A Paper Moon)
(2:43) 12. Ain't Misbehaving
(3:14) 13. Mack The Knife

The Jive Aces are a six-piece UK based, high energy, jive and swing band, formed in 1989. They were the winners of BBC TV's Opportunity Knocks, and Britain's Got Talent semi-finalists in 2012. They have recorded singles and albums, and have performed at numerous music festivals.The band is widely recognised as one of the top swing bands in the world, something borne out by their extensive international travel (the band has performed in over 30 countries). The June 2015 issue of "Vintage Rock" magazine described them as the "UK's number one jive and swing band"" in a six page feature on the band titled "Leaders of the Pack". They have received an award from Variety, the Children's Charity for their charity work, and the City of Derry International Music Award in 2006.

On 9 July 2010, the band headlined at the first ever swing dance at the Royal Albert Hall They played to approximately 1,400 dancers on the 5,000-square-foot (460 m2) dance floor, with support from the Back To Basie Orchestra and Top Shelf Jazz. In late August 2010, the Jive Aces performed at the Edinburgh Fringe Festival in a show tributing one of their musical heroes, Louis Prima. In February 2011, after recording in Los Angeles, they toured the United States, including opening for legendary singer Keely Smith, the former wife of Louis Prima Keely Smith has also sung with the band on a number of occasions, including shows in Los Angeles, Palm Desert, Phoenix and at the Edinburgh Fringe. The band played London's famous jazz venue Ronnie Scotts for the first time in July 2011.[23] In Spring 2015, the band did their biggest tour to date, 6 weeks of major theatres around the US (mostly 1000-2000+ capacity). The tour was a huge success, with more major US tours to follow in Winter 2015 and 2016 https://en.wikipedia.org/wiki/The_Jive_Aces

Diggin' Roots vol. 2 Hot Jazz