Showing posts with label Enzo Pietropaoli. Show all posts
Showing posts with label Enzo Pietropaoli. Show all posts

Tuesday, July 26, 2022

Maria Pia De Vito, Danilo Rea, Joni Mitchell, Aldo Romano, Enzo Pietropaoli - So Right

Styles: Vocal
Year: 2007
File: MP3@320K/s
Time: 66:35
Size: 153,1 MB
Art: Front

(5:29)  1. Amelia
(5:08)  2. Big Yellow Taxi
(5:11)  3. Little Blue Birds
(5:22)  4. So Right
(5:16)  5. God Must Be A Boogie Man
(6:17)  6. River
(4:41)  7. Harlem In Havana
(3:05)  8. Since Your Love Died
(5:44)  9. Woodstock
(4:54) 10. Miskin
(8:19) 11. A Case Of You
(2:58) 12. The Sweetest Medicine
(4:05) 13. The One-eyed Man

Following her successful full house U.S. debut at the Blue Note, this release includes two additional astounding scat tracks (#2 & 13) by Maria Pia De Vito, and an elegantly re-styled booklet filled with photos by Alessandro D'Urso. "When De Vito cut loose with startling intervallic leaps, complex internal overtones and keening, swooping, racing runs, it was a rush. She blew wild and free across Mitchell's already counter-intuitive bar lines. But also on every song, before her solo flights, De Vito did full justice to Mitchell's lyrics. Working in a language other than her own, like an accomplished actress, she brought Mitchell's words to life with altered, personalized meanings." (Thomas Conrad)

So Right: lyrics, melodies, great musicians. An album of songs performed and partly written by four of the most prominent figures in international jazz. From the re-reading of songs by Joni Mitchell, new original songs are sought and written: an excellent union between the language of songwriting and the universal world of jazz, skilfully performed by great artists. An intense and elegant interpretation by one of the leading Italian jazz vocalists, the unequaled Maria Pia De Vito.  http://www.camjazz.com/releases/8024709779526-so-right-cd.html

Thursday, May 28, 2020

Enzo Pietropaoli - The Princess

Styles: Contemporary Jazz 
Year: 2017
File: MP3@320K/s
Time: 58:38
Size: 135,0 MB
Art: Front

(7:01)  1. Jealous Guy
(5:06)  2. A Hard Rain's a Gonna Fall
(5:37)  3. Night and Day
(6:18)  4. Scaleno Beat
(7:06)  5. Father Son
(5:11)  6. The Princess
(4:24)  7. Supereroa
(5:35)  8. Philadelphia
(7:52)  9. The End
(4:23) 10. God Only Knows

It can be risky for jazz musicians to play pop songs. They have to navigate the memories that each composition holds for the listener while also making the music distinctive and personal. Miles Davis could do it with Michael Jackson's "Human Nature" and Cyndi Lauper's "Time After Time," and of course Sonny Rollins can make any popular song his own. Add to that list, Enzo Pietropaoli. The bassist has been exploring popular music with his quartet, which has released three volumes of Yatra (Via Vento Jazz). Here he gets more intimate with a piano trio session, performing mostly slow tempos and meditative pieces.

His trio has the same lineup as the Yatra quartet, minus trumpeter Fulvio Sigurta. It comprises pianist Julian Mazzariello, drummer Alessandro Paternesi, and Pietropaoli on double bass. The seven covers and three original tracks on The Princess invite a type of nostalgia, not for the way it was, but for the sense of possibility those particular songs spurred in us when we heard the originals. Take Brian Wilson's "God Only Knows." Played at an achingly decelerated pace, the trio teases out the unsung lyric to great effect, making the Beach Boys into the most romantic band ever. Not your era? Eddie Vedder of Pearl Jam wrote "The End," and the trio performs it with the same magic. The formula is consistent here. Pietropaoli has a knack for diving deeper into pop music to reawaken the message. Bob Dylan's warning call "A Hard Rain's Gonna Fall" is reiterated with Mazzariello's very simple piano lines and Paternesi's brushes. Where an act like The Bad Plus tends toward the overelaborate cover song, this trio favors the understated. Even when they travel back to 1932 for Cole Porter's "Night And Day," there is no hint of saccharine. Just the most gentle swing. Of the three Pietropaoli originals, "Supereroa" is the one composition that reroutes the trio into an up-tempo (think Ahmad Jamal) swing. The title track opens with a bass solo, before walking the same territory as the cover tunes. It's begging for someone (anyone?) to write some lyrics. Mark Corroto https://www.allaboutjazz.com/the-princess-enzo-pietropaoli-via-veneto-jazz-review-by-mark-corroto.php

Personel: Enzo Pietropaoli: double bass; Julian Mazzariello: piano; Alessandro Paternesi: drums.

The Princess

Monday, November 21, 2016

Curtis Fuller - Curtis Fuller Meets Roma Jazz Trio

Styles: Trombone Jazz
Year: 1982
File: MP3@320K/s
Time: 39:46
Size: 93,2 MB
Art: Front

(6:46)  1. Impressions
(6:53)  2. R.E.D.'s Delights
(5:45)  3. Jazz Island
(8:22)  4. Naima
(6:43)  5. Afternoon In Paris
(5:16)  6. Blue Bossa

An overlooked 80s session from trombonist Curtis Fuller and a great one too  a record that really returns the player to the powerful presence we first loved in his albums of the late 50s and early 60s! Fuller's the leadoff solo instrument throughout working here with backing from the Roma Trio of Danilo Rea on piano, Enzo Pietropaoli on bass, and Roberto Gatto on drums all playing with that careful, classic vibe that maybe made the Italian scene in the 80s one of the richest on the continent. Curtis blows boldly, even at mellower moments often phrasing more like a trumpet than a typical trombonist and serving up lots of soulful sounds in the process. The set features a sublime reading of "Naima", plus "Blue Bossa", "Afternoon In Paris", "Red's Delights", and "Impressions". © 1996-2016, Dusty Groove, Inc. https://www.dustygroove.com/item/764034

Personnel:  Bass – Enzo Pietropaoli;  Drums – Roberto Gatto;  Piano – Danilo Rea;  Trombone – Curtis Fuller

Curtis Fuller Meets Roma Jazz Trio

Sunday, March 13, 2016

Enrico Rava - Chanson

Styles: Trumpet Jazz
Year: 2002
File: MP3@320K/s
Time: 56:49
Size: 131,0 MB
Art: Front

(4:18)  1. Diva
(3:03)  2. Could Be a Tango
(1:51)  3. Bellflower
(2:22)  4. Balls
(4:26)  5. Autoritratto
(2:17)  6. Que Reste -T-Il De Nos Amours
(1:57)  7. Palami D'Amore Mariu'
(3:28)  8. What's New
(2:08)  9. My Crazy Valentine
(3:20) 10. Blue in Green
(4:40) 11. The Door Without the Door
(3:18) 12. Question
(5:14) 13. Giselle
(2:58) 14. Feuiles D'Automne
(3:31) 15. Parks
(7:49) 16. Spleen

This hugely popular trumpet player (born in Trieste, Italy in 1939) almost single-handedly brought Italian jazz to international attention. He began playing Dixieland trombone in Turin, but after hearing Miles Davis, switched instruments and embraced the modern style. Other key meetings were with Gato Barbieri, with whom he recorded movie soundtracks in 1962, and Chet Baker. He began to play with Steve Lacy; he also teamed up with South African expatriates Louis Moholo and John Dyani and recorded The Forest and the Zoo (ESP) live in Argentina. In 1967, he moved to New York, playing with Roswell Rudd, Marion Brown, Rashied Ali, Cecil Taylor, and Charlie Haden. In a brief return to Europe, Rava recorded with Lee Konitz (Stereokonitz, RCA) and Manfred Schoof (European Echoes, FMP). From 1969 to 1976, he was back in New York, recording Escalator Over the Hill with Carla Bley's Jazz Composers' Orchestra. After his first album as a leader, Il Giro del Giorno in 80 Mondi (Black Saint), he began to lead his own pianoless quartets and quintets. His recorded output numbers 100 records, 30 as a leader.

ECM has reissued some of his essential recordings of the '70s, like The Pilgrim and the Stars, The Plot, and Enrico Rava Quartet, while Soul Note and Label Bleu published CDs by his innovative Electric Five (in reality a sextet, as he always excludes himself from the count), which includes two electric guitars. With keyboard master Franco D'Andrea and trumpeter Paolo Fresu, Rava recorded Bix and Pop (Philology) and Shades of Chet, tributes to Bix Beiderbecke and Armstrong, and to Chet Baker, respectively. Also of note are Rava, L'opera Va and Carmen, gorgeous readings of opera arias. In 2001, he created a new quintet with young talents Gianluca Petrella, Stefano Bollani, Rosario Bonaccorso, and Roberto Gatto, and toured with old friends Roswell Rudd and Gato Barbieri, releasing Easy Living with them in 2004 on ECM. Three years later, after Bollani, who had struck out as a solo player, was replaced by Andrea Pozza, The Words and the Days came out. In 2007, Rava and pianist Stefano Bollani released The Third Man on ECM. Rava followed the released in 2009 with New York Days, a collection of moody originals with a film noir tinge, backed by a band that included Bollani, tenor saxophonist Mark Turner, bassist Larry Grenadier, and drummer Paul Motian. Rava broke in a new all-Italian quintet for Tribe, which was issued by ECM in the fall of 2011. Its members included trombonist Gianluca Petrella, pianist Giovanni Guidi, bassist Gabriele Evangelista, and drummer Fabrizio Sferra. Guitarist Giacomo Ancillotto also guested on the set, expanding the lineup on various selections. Rava made a wide left turn for 2012's On the Dance Floor. Amazingly, the trumpeter only became aware of pop singer Michael Jackson's music after his death, and he became obsessed with it. The album, his tribute to what he considers the late singer's contribution to 20th century music, was recorded with Parco della Musica Jazz Lab at the Rome Auditorium; it is entirely comprised of Jackson's material. http://www.allmusic.com/artist/enrico-rava-mn0000182392/biography

Chanson

Saturday, March 12, 2016

Enrico Rava & Paolo Fresu - Shades of Chet

Styles: Trumpet Jazz
Year: 1999
File: MP3@320K/s
Time: 58:47
Size: 134,9 MB
Art: Front

(5:28)  1. Doodlin'
(9:55)  2. My funny Valentine
(5:18)  3. Anthropology
(7:27)  4. Retrato em branco e preto
(7:03)  5. Doxy
(7:34)  6. You can't go home again
(7:15)  7. Line for Lyons
(3:29)  8. Strike up the band
(5:14)  9. Donna

Trumpeter and composer Enrico Rava is one of the Italian musicians even more internationally acclaimed jazz. Born in Trieste in 1939, Rava has learned to play by himself under the influence of Miles Davis and Chet Baker. In the 60s he moved first to Rome, where he began playing with musicians as Gato Barbieri and Steve Lacy, and then in Buenos Aires and New York. During his long career Rava has collaborated with major names in jazz (John Abercrombie, Lee Konitz, Pat Metheny) and pop music (Gino Paoli, Ornella Vanoni) and has also published numerous discs of their group leader. 
~ Mariano Prunes  https://itunes.apple.com/it/artist/enrico-rava/id6473819#fullText

Personnel: Enrico Rava - trumpet, fluegelhorn;  Paolo Fresu - trumpet, fluegelhorn;  Stefano Bollani – piano;  Enzo Pietropaoli - double bass;  Roberto Gatto - drums

Shades of Chet