Yo-Yo Ma - Songs Of Joy & Peace

Bitrate: MP3@320K/s

Time: 79:41

Size: 182.4 MB

Styles: Classical crossover

Year: 2008

Art: Front

[2:00] 1. Dona Nobis Pacem

[3:29] 2. You Couldn't Be Cuter (Feat. Diana Krall)

[3:43] 3. Joy To The World (Feat. Dave Brubeck)

[2:50] 4. Here Comes The Sun (Feat. James Taylor)

[2:57] 5. Improvisation On Dona Nobis Pacem (Give Us Peace)

[2:37] 6. The Wassail Song All Through The Night

[3:47] 7. A Christmas Jig Mouth Of The Tobique Reel (Feat. Natalie Macmaster)

[4:20] 8. The Wexford Carol (Feat. Alison Krauss)

[3:06] 9. Panxoliña A Galician Carol (Feat. Cristina Pato)

[0:58] 10. Improvisation On Dona Nobis Pacem (Give Us Peace) (Feat. Sergio Assad)

[3:25] 11. Vassourinhas

[2:32] 12. Improvisation On Dona Nobis Pacem (Give Us Peace) (Feat. Paquito D'rivera)

[4:53] 13. Invitación Al Danzón (Feat. Paquito D'rivera)

[4:07] 14. My One And Only Love (Feat. Joshua Redman)

[3:57] 15. Familia

[4:31] 16. Concordia (Feat. Dave Brubeck)

[6:30] 17. My Favorite Things (Feat. Chris Botti)

[4:36] 18. Touch The Hand Of Love (Feat. Renée Fleming)

[3:26] 19. Kuai Le

[5:02] 20. This Little Light Of Mine (Feat. Amelia Zirin-Brown)

[4:46] 21. Happy Xmas (War Is Over) (Feat. Jake Shimabukuro)

[1:58] 22. Dona Nobis Pacem (Give Us Peace) Auld Lang Syne (Feat. Chris Botti)

Cellist Yo-Yo Ma has long been a giant in the classical world, though he has also made a number of recordings with musicians who play other styles. This holiday disc doesn't exclusively stick to traditional Christmas songs, but covers a wide scope of material in a very ambitious manner. Ma opens with a lovely take of the traditional favorite Dona nobis pacem (Give Us Peace), playing both the melody and counterpoint via overdubbing. Jazz pianist/vocalist Diana Krall is superb in a swinging rendition of Jerome Kern's unjustly obscure "You Couldn't Be Cuter," adding bassist John Clayton. An arrangement of Joy to the World features pianist Dave Brubeck, cellist Matt Brubeck (his son), and clarinetist Paquito d'Rivera in a playful setting that works in The Christmas Song and On the Trail. The senior Brubeck's Concordia is filled with spirit in a lively performance with the two cellists. Chris Botti has never sounded better in the warm arrangement of My Favorite Things, playing both open and muted trumpet, with pianist Billy Childs, bassist Robert Hurst, drummer Billy Kilson, and guitarist Romero Lubambo. Ma has previously collaborated with bassist Edgar Meyer (who is equally at home in jazz and classical music), though this is the cellist's first meeting with mandolinist Chris Thile. Together they make an impressive trio, especially in the enticing medley of The Wassail Song and All Through the Night. Soprano Renée Fleming's rich voice is beautifully complemented by Ma, Meyer, and Thile. Having worked with onetime bluegrass fiddler Mark O'Connor, Ma is very much at home with Celtic fiddler Natalie MacMaster in the lively medley of A Christmas Jig/Mouth of the Tobique Reel. Among the other friends featured on this disc are the Assad Family, Wu Tong & the Silk Road Ensemble, tenor saxophonist Joshua Redman, plus Alison Krauss with piper Christina Pato. One track doesn't fit in all that well with the rest of this CD. The Beatles' bland "Here Comes the Sun" has a warm vocal by James Taylor, but it is hampered by its weak lyrics. ~Ken Dryden

Songs Of Joy & Peace

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Renée Fleming - Dark Hope

Styles: Vocal
Year: 2010
File: MP3@320K/s
Time: 48:26
Size: 111,1 MB
Art: Front

(3:59)  1. Endlessly
(3:41)  2. No One's Gonna Love You
(4:15)  3. Oxygen
(3:22)  4. Today
(4:19)  5. Intervention
(5:33)  6. With Twilight As My Guide
(3:53)  7. Mad World
(5:01)  8. In Your Eyes
(3:26)  9. Stepping Stone
(3:11) 10. Soul Meets Body
(7:39) 11. Hallelujah

It’s fitting that Renée Fleming, “the people’s diva,” would make an album of pop songs that feels more like a labor of love than a crossover attempt. Dark Hope is filled with songs and arrangements that wouldn’t appear on a typical attempt to bring a classical vocalist into the mainstream witness her dark, intricate take on the Mars Volta’s “With Twilight as My Guide.” It should almost go without saying that Fleming's voice is just as remarkable here as it is in her usual milieu, but the album proves time and again that she is game for just about anything. Fleming learned how to sing in the more intimate, confessional style that Dark Hope's singer/songwriter and alternative rock fare requires just for this project; combined with her interpretive gifts, she does a masterful job of remaining true to the spirit of the original songs while offering her own twists on them. Her voice dances over the wordy, syllable-heavy lyrics of Willy Mason's “Oxygen,” brings a mature moodiness to “Stepping Stone” that was lacking in Duffy's spitfire version, and remains connected to the intimacy in the Arcade Fire’s “Intervention” even as the song swells around her. Indeed, Dark Hope's swelling arrangements are as much a weakness as they are a strength: at times, it feels like the album’s producers didn’t trust that her gorgeous voice singing these songs would be enough of a draw. Quite a few tracks have busy instrumentation that detracts from Fleming's singing; others have arrangements that try too hard to be tastefully contemporary, and dilute the songs’ impact. 

Fleming is divinely torchy on Muse's “Endlessly,” but her trip-hop-tinged surroundings are no match for her rich vocals. Her interpretation of Band of Horses' “No One’s Gonna Love You” is let down by an arrangement that sounds like generic alt-pop though, on the other hand, it’s a relief that it doesn’t sound like A String Tribute to Band of Horses. Despite these problems, both of these songs are among Dark Hope's standout tracks, along with the subtly sultry electro-folk turn on Jefferson Airplane’s “Today” and the urgent yet airy reading of Death Cab for Cutie's “Soul Meets Body.” It’s just frustrating that even songs as revered as Leonard Cohen's “Hallelujah”which is virtually a standard at this point are burdened with anything that takes away from a voice as remarkable as Fleming's singing a melody that powerful. She deserves credit for undertaking such a bold enterprise, but unfortunately Dark Hope's execution lets down the concept. 

~ Heather Phares  http://www.allmusic.com/album/dark-hope-mw0001989615

Dark Hope

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Renée Fleming - Christmas In New York

Size: 148,0 MB
Time: 63:07
File: MP3 @ 320K/s
Released: 2014
Styles: Jazz/Pop Vocals, Holiday
Art: Front

01. Winter Wonderland (With Wynton Marsalis) (3:49)
02. Have Yourself A Merry Little Christmas (With Gregory Porter) (3:32)
03. Silver Bells (With Kelli O'Hara ) (3:03)
04. Merry Christmas, Darling (With Chris Botti) (5:36)
05. The Christmas Waltz (3:15)
06. Who Knows Where The Time Goes (With Brad Mehldau) (4:23)
07. Sleigh Ride (With Wynton Marsalis) (5:14)
08. Snowbound (With Kurt Elling) (6:24)
09. In The Bleak Midwinter (With Rufus Wainwright) (3:42)
10. Central Park Serenade (With Gregory Porter) (4:12)
11. The Man With The Bag (2:36)
12. Love And Hard Times (With Brad Mehldau) (4:43)
13. Still, Still, Still (With Kurt Elling) (5:14)
14. New York Tendaberry (With Yo-Yo Ma) (7:18)

American soprano Renee Fleming's first-ever holiday album celebrates the beloved and iconic Christmas season in New York City. From the holiday windows lining 5th Avenue to the red and green-lit spire of the Empire State Building, the essence of the city at the most wonderful time of year is captured on Christmas in New York. Pop, Broadway and jazz greats Chris Botti, Kurt Elling, Wynton Marsalis, Brad Mehldau, Kelli O Hara, Gregory Porter and Rufus Wainwright join Renée as she lends her sublime voice to hits like "Have Yourself a Merry Little Christmas," "Silver Bells" and other gems, including "Central Park Serenade" a brand new duet by songwriting legend Diane Warren. In total, Renee Fleming and her guests have won 16 Grammy awards across multiple categories.

Renee Fleming's lush vocals, elegant persona, and intimate delivery of holiday classics make this album the perfect soundtrack for holiday parties, and a gift that will delight anyone who loves music.

An exclusive recording artist with Decca since 1995, Renee Fleming is known around the globe as a classical singer with a voice as warm and rich as a fine single malt, (The Times, London), and a career that has ranged from the stages of world's greatest opera houses to concerts and recordings of jazz, the American songbook, movie soundtracks and indie rock. In February 2014, Renee Fleming became the first classical singer in history to perform the National Anthem at the Super Bowl, which was enjoyed by more than 111.5 million viewers in the US.

Christmas In New York

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