Monday, August 5, 2024

Tubby Hayes Quartet - The Complete Hopbine '69

Styles: Saxophone Jazz
File: MP3@320K/s
Time: 107:02
Size: 245,7 MB
Art: Front

(10:24) 1. For Members Only
(15:30) 2. Off The Wagon
(19:03) 3. Where Am I Going?
(14:09) 4. What Is This Thing Called Love
(11:35) 5. Mainly For The Don
(13:24) 6. For Heaven's Sake
(18:03) 7. Vierd Blues
( 4:51) 8. Walkin'

Of all the many talented jazz musicians who blazed trails in Britain in the late 1950s and 1960s, tenor saxophonist Tubby Hayes in 2022 stands among the tallest. Hayes, too, is one of a handful of British musicians of his generation who have been practically deified by some of the emergent young players who are currently invigorating the British scene.

Hayes died tragically young, aged thirty-eight, in 1973, from heart disease exacerbated by heroin use. So his discography, though a decent size, is not massive. Previously unknown recordings continue to be unearthed, however, and The Complete Hopbine '69 is the latest. It is not, strictly speaking, unknown: much of the material has already surfaced, spread over around half a dozen different albums. But this is the first time all of it recorded at a December 1969 one-nighter at the Hopbine jazz club, in actuality the back room of a pub in northwest London has been collected and presented complete and in the order in which it was performed that night by the Tubby Hayes Quartet.

It is also the first time the material has been made available in such pristine audio the sound is really, really great; it could have been recorded in a London studio last week rather than on a Revox reel-to-reel by the Hopbine's soundman some five decades ago. The first-generation tape was found in late 2020 among the possessions of the Hayes Quartet's bassist, Ron Mathewson, who had passed earlier in the year, shortly after giving the Jazz In Britain label's director, John Thurlow, permission to digitize his tape archive. Thurlow worked with drummer Spike Wells, the only surviving member of the Quartet, and technician Matt Parker to make the transfer. And a remarkable job they have done.

There is more good news. Hayes and the rest of the quartet (the fourth member was pianist Mick Pyne) are on fire throughout the performance, which is spread over two CDs. In December 1969, Hayes was on the cusp of being forced by ill-health to moderate (on occasion) his energy levels. No hint of that here though. Instead, what The Complete Hopbine '69 documents is late mid-period Hayes, when the technical virtuosity which delivered bucketloads of excitement, but at times overwhelmed the musical depth of his early period work, had been leavened by maturity.

Sure, speed of light tempos are still present on tunes such as Hayes' "For Members Only" and Cole Porter's "What Is This Thing Called Love," but they are balanced by the sumptuous balladeering of Elise Bretton's "For Heaven's Sake" and the comic overtones of Hayes' "Off The Wagon," which has a playful vibe similar to Sonny Rollins' contemporaneous calypso outings (Hayes described it as "our country and western, rock and roll, avant-garde, rhythm and blues, bebop tune"). Add in "Vierd Blues," Richard Carpenter's "Walkin'" and Cy Coleman's showtune "Where Am I Going," every one of them played by a world-class band at the peak of its powers, and you have close on two hours of timeless, thrilling jazz.By Chris May https://www.allaboutjazz.com/the-complete-hopbine-69-tubby-hayes-quartet-jazz-in-britain

Personnel: Tubby Hayes: saxophone, tenor; Mick Pyne: piano; Ron Mathewson: bass, acoustic; Spike Wells: drums.

The Complete Hopbine '69

Linda Ronstadt - Get Closer

Styles: Vocal
Size: 89,7 MB
Time: 36:44
File: MP3 @ 320K/s
Released: 1982
Art: Front

1. Get Closer (2:30)
2. The Moon Is A Harsh Mistress (3:02)
3. I Knew You When (2:54)
4. Easy For You To Say (4:01)
5. People Gonna Talk (2:38)
6. Talk To Me Of Mendocino (3:02)
7. I Think It's Gonna Work Out Fine (with James Taylor) (3:58)
8. Mr Radio (4:07)
9. Lies (2:34)
10. Tell Him (2:41)
11. Sometimes You Just Can't Win (2:32)
12. My Blue Tears (2:40)

Released in 1982, Get Closer is in many respects a classic Linda Ronstadt album. It contains the style of songs most associated with her, from pop ballads to country. The album took over a year to record and features musicians who had played with her for years (in Kenny Edwards' case, he had played bass with her since the Stone Poneys). The title track was nominated for a Best Rock Performance Female Grammy, and the album was nominated for Best Popular Performance Female. "It's Gonna Work Out Fine" is a duet with James Taylor and a cover of the Ike & Tina Turner hit. Ronstadt also does a smooth cover of Billy Joe Royal's hit "I Knew You When." Another standout track is her version of Jimmy Webb's ballad "Easy for You to Say," which might even top the original.By Stephen Thomas Erlewine https://www.allmusic.com/album/get-closer-mw0000191525#review

Get Closer

Steve Turre - Sanyas

Styles: Trombone Jazz
Size: 114,0 MB
Time: 49:14
File: MP3 @ 320K/s
Released: 2024
Art: Front

1. Sanyas (13:18)
2. All the Things You Are (10:21)
3. Wishful Thinking ( 9:15)
4. Mr. Kenyatta ( 9:52)
5. These Foolish Things ( 6:24)

Trombonist and conch shell blower Steve Turre (who appears with a quintet at the Jazz Showcase from June 20 th through the 24 th ) has been called by allmusic.com “perhaps the most visible jazz trombonist of the 20 th and 21 st centuries.” Whether the website is referring to his recognizable facial hair features or his commanding stage presence, Turre has certainly crafted his own niche within the jazz world. Ever since his breakthrough album "Rhythm Within" in 1995, Turre has attracted fans worldwide with his deft mix of Latin and Eastern-infused compositions and interpretations, as well as his steady post bop chops.

But live material wasn’t part of his catalogue as a leader until recently, when "Sanyas" was released on Smoke Sessions Records. On this initial live release, one receives all the representations of Turre’s work, from straight-ahead bop to those exotic takes that flow through one’s soul. As a live recording, "Sanyas" is either too short at just over 49 minutes or refreshingly short, without any fluff or pretentious jamming.

What we get is a tidy and masterful display involving veteran musicians who have played with Turre before and are very comfortable with his music. As on Turre’s last album, "Generations" (Smoke Sessions), the cast of performers includes a septet consisting of Turre, Nicholas Payton on trumpet, Ron Blake on tenor sax, Isaiah J. Thompson on piano, Buster Williams on bass, and Lenny White on drums.

The album begins with the title cut, a composition first heard when Turre played with a key mentor, the late trumpet hero Woody Shaw. On this effort, the modal jazz stew opens with a horn cacophony that leads to a Williams a la Paul Chambers intro that sets up a repeating piano chord riff from Thompson, over which an Eastern-tinged horn line expresses the song. Turre’s punchy solo, aggressively accompanied by White, is answered by Blake’s deeply-textured response before Turre finishes with a shell coda.

“All the Things You Are” receives a quasi-big band swing treatment, and the horns deliver big time. Blake’s solo is a treat and Payton, who seems to have reclaimed his own bop chops, adds a spirited and crystal clear comment. The group’s interplay here is impressive, bolstered by Williams’ sturdy presence, Thompson’s stately riffing and soloing, and White’s energetic support.

A new ballad, “Wishful Thinking,” demonstrates Turre’s more lyrical side, with a tastefully restrained partner in Payton. Then Lee Morgan’s “Mr. Kenyatta” properly returns the ensemble back into exotic rhythm, with another conch shell solo added.

The CD/digital “bonus track” is “These Foolish Things,” which is rendered in soft swing, with Turre in plunger mode atop Williams’ lilting bass lines; Buster is, as usual, brilliant throughout the album.

"Sanyas" thus ends, leaving this listener with a craving for more. If you hear this album before Steve Turre, the continuously enticing trombonist, visits Chicago, you might start planning a visit to the Showcase to see and hear the consummate pro in action. If you can’t, this relatively brief but well-performed excursion can serve as a replacement for the time being.By Jeff Cebulski
https://www.chicagojazz.com/post/jazz-review-steve-turre-sanyas-by-jeff-cebulski

Personnel: Steve Turre, trombone and conch; Nicholas Payton, trumpet; Ron Blake, tenor saxophone; Isaiah J. Thompson, piano; Buster Williams, bass; Lenny White, drums.

Sanyas

Yelena Eckemoff - Romance of the Moon

Styles: Piano Jazz
Size: 182,3 MB
Time: 79:10
File: MP3 @ 320K/s
Released: 2024
Art: Front

1. Bells (5:53)
2. Barren Orange Tree (8:14)
3. Guitar (6:08)
4. Ballad of the Sea Water (6:12)
5. About Cats (7:13)
6. Romance of the Moon (9:08)
7. Window Nocturnes (5:59)
8. Diamond (5:56)
9. Adventurous Snail (4:59)
10. Thirsty for New Songs (6:02)
11. Memento (3:36)
12. Old Lizard (4:41)
13. August (5:05)

Comparable to the rare and valuable likes of a first edition book worth treasuring, Yelena Eckemoff's Romance of the Moon is no small achievement. The keyboardist/composer creates music as vivid as the images in her own paintings that adorn the inside and out of the CD package, all of which graphics (as well as those in the enclosed booklet) appear in a glossy finish.

And that corresponds to the polish of the production of a baker's dozen compositions inspired by the poems of Federico Garcia Lorca (included in the aforementioned twenty-eight-page insert). Played by a quartet of Italian musicians, the pinpoint musicianship on "Bells," for instance, reflects the detail in the arrangements for horns, electric guitar, double bass and drums. From this fairly finite instrumental palette, the fivesome with the Russian-born bandleader on piano and keyboards intelligently utilizes light and dark plus variable shading on cuts like "Barren Orange Tree."

Never rushed but with not an iota of hesitation either, the collective playing exudes the expectant air of collective improvisational sense(s). At the same time, a spacious air emanates from these 2023 recordings engineered by Carlo Cantini, an atmosphere amplified by the mixing and mastering of Stefano Amerio: the intuitive transitions between instruments become readily audible. Nearly as tangible is the momentum the quintet generates throughout individual tracks, this despite the prevalent slow-to-mid tempo at which they are rendered.

None exceed ten minutes, proceeding at a continuously slow to mid-tempo pace. Nonetheless, as with "Ballad of the Sea Water," six-plus minutes duration sound as full and complete as the longest track here, the title song, which runs just over nine minutes. A dramatic sense of finality arises around the portentously named "Moments." At this point, it's impossible not to sense that, even without looking at the track sequence on the back cover of the digipak, the album is heading into its home stretch.

Terse instrumental exposition on the part of all involved precludes lack of direction or purpose on Romance of the Moon. On a selection like "Thirsty For New Songs," the common sonic timbres of the instruments overlap, thus solidifying the continuity of the compositions, performances and arrangements. The effect is no less in the lower registers of Luca Bulgarelli's double bass and Stefano Bagnoli's drums the team is as unobtrusive as it is steady than the liquid lines of Riccardo Bertuzzi's fretboard activity on, most conspicuously, "Old Lizard."

The sensation of listening on "Guitar" is less akin to being in the same room as the band, than simply becoming immersed within the sounds created by the players' interactions. And while "About Cats" may give a listener pause, based on its title, any tentative reaction fades as Paolo Fresu's horn lines entwine with the strings of notes Eckemoff elicits from the ivories.

A veritable renaissance artist of contemporary jazz, Yelena Eckemoff redefines the phrase 'complete package' with Romance of the Moon, right down to using virtually the entirety of compact disc capacity in seventy-nine plus minutes playing time. Perhaps equally importantly, she simultaneously returns truth to that descriptive verbiage so that it resonates very much like the musicianship at the core of this project. By Doug Collette
https://www.allaboutjazz.com/romance-of-the-moon-yelena-eckemoff-l-and-h-production

Romance of the Moon