Saturday, April 29, 2017

Peggy March - Get Happy

Size: 103,1 MB
Time: 36:18
File: MP3 @ 320K/s
Released: 2005
Styles: Jazz/Pop Vocals
Art: Front

01. Get Happy (3:05)
02. What The World Needs Now (2:08)
03. Falling In Love With Love (2:04)
04. Secret Love (2:47)
05. Mack The Knife (3:31)
06. Young At Heart (2:53)
07. Bridge Over Troubled Water (4:57)
08. While We're Young (2:37)
09. I Had The Craziest Dream (2:38)
10. Didn't We (2:08)
11. For All We Know (2:43)
12. Feelin' Good (2:08)
13. It's That Time Again (2:32)

Little Peggy March (born Margaret Annemarie Battavio, March 8, 1948, Lansdale, Pennsylvania) is an American and German pop singer. She is primarily known for her 1963 million-selling song “I Will Follow Him”.

She was discovered at age thirteen singing at her cousin’s wedding and was introduced to the record producer partnership Hugo & Luigi. They gave her the nickname Little Peggy March because she was only 4 ft 9 in (1.45 m) tall, she was only 13, the record she did with them was “Little Me,” and her birthday was in March.

On April 24, 1963, her single “I Will Follow Him” soared to number one on the U.S. charts. Recorded in early January 1963 and released January 22, Little Peggy March was only 14 at the time. March became the youngest female artist with a number one hit, at 15, in late April 1963, a record that still stands for the Billboard Hot 100. The recording also took the number one spot in Australia, New Zealand, South Africa, Japan, and Scandinavia. It was a translation of the French song “Chariot” recorded a year earlier by Petula Clark.

March’s success also came with financial trouble. She was a minor and the Coogan Law prevented her parents from managing her money. The responsibility was placed on her manager, Russell Smith. It was discovered in 1966 that he had squandered the fortune away, leaving her with $500. Little Peggy March graduated from Lansdale Catholic High School in 1966. She soon had a new manager, Arnie Harris, who later became her husband. They had one daughter, Sande, born in 1974.

Although she is remembered by some as a one-hit wonder, her singles “I Wish I Were a Princess” and “Hello Heartache, Goodbye Love” made the Top 30 in the United States, with the latter also reaching #29 on the UK Singles Chart.

She recorded 18 singles for RCA Victor between 1964 and 1971 and several albums as well, none of which charted well in the United States. She began making a strong presence in the European and Asian music markets and moved to Germany in 1969.

Her commercial success in Germany continued through much of the 1970s; she tried her luck in representing Germany in the Eurovision Song Contest in 1969, only to be placed second in the national final with the song “Hey! Das ist Musik für mich”. March made another Eurovision attempt in 1975, when she performed the Ralph Siegel composition “Alles geht vorüber” in the German national contest. Again she was placed second.

In 1979, she experimented with disco on the album Electrifying, but it failed to achieve commercial success. By 1981 record companies did not renew her contracts, and she moved back to the United States. In 1984, however, Jermaine Jackson and Pia Zadora achieved a major European hit single with the track “When the Rain Begins to Fall”, co-written by March. Although not a hit in the UK or in the US, it went to #1 in Germany, France, the Netherlands and Switzerland. In 1998, the song entered the German Top 10 again when covered by rapper Pappa Bear.

The cult film Hairspray featured “I Wish I Were a Princess” in 1988, and a retro fad in Germany brought her some continuing success starting in the mid-1990s with the album Die Freiheit Frau zu sein (1995). Her song “I Will Follow Him” was featured in the 1992 movie Sister Act. Currently she works largely in the Las Vegas music scene and has also performed at Dick Clark’s American Bandstand Theater in Branson, Missouri. In 2004 she was the headliner in Riff Markowitz’s Fabulous Palm Springs Follies at the Plaza Theater in Palm Springs, California. In 2005, she released an album of standards, Get Happy, followed by the album Meine Liebe ist stark genug (2008).

In March 2010, Little Peggy March went into the recording studio to record her first album of new, original material in English in over 30 years. A collaboration with Scandinavian songwriter and producer Soren Jensen, the album Always and Forever was released on October 13, 2010.

It was followed by a special edition for the German-speaking countries in April 2012, including two duets with the Dutch singer José Hoebee, one of them being a cover version of “I Will Follow Him”; which had also been a #1 single in the Netherlands and Belgium for Hoebee in 1982. March also recorded another version of “When The Rain Begins To Fall”, as a duet with the German singer Andreas Zaron.

Get Happy

Susanna Bartilla - The Look Of Love: Songs Of The Sixties

Size: 102,8 MB
Time: 40:28
File: MP3 @ 320K/s
Released: 2017
Styles: Jazz/Pop Vocals
Art: Front

01. Our Day Will Come (3:44)
02. Dream A Little Dream Of Me (3:32)
03. Sealed With A Kiss (4:04)
04. The Look Of Love (5:01)
05. Dream Lover (3:19)
06. Till There Was You (3:23)
07. Sunny Afternoon (4:31)
08. Beyond The Sea (5:02)
09. The End Of The World (4:48)
10. There's A Kind Of Hush (2:59)

Personnel: Susanna Bartilla (voc), Mike Segal (as), Connor Fitzgerald (p), Loomis Greene (g), Max Hughes (b), Kenny Martin (dr).

Bluesy torch songs, swinging pop and latin grooves - the vibe of the Sixties, when Dusty meets Dionne with a touch of Mama Cass.

The Look Of Love

Orgzeptor - Welcome

Size: 119,8 MB
Time: 51:37
File: MP3 @ 320K/s
Released: 2017
Styles: Jazz Blues, Hammond Organ, Vocals
Art: Front

01. Dancing (5:52)
02. Everything (7:03)
03. Sunday Morning Shuffle (5:10)
04. Lights (6:13)
05. Summertime (6:38)
06. Welcome (6:08)
07. Stop Leading Me (4:11)
08. Voodoo Man (5:24)
09. Latina (4:55)

Personnel:
Roberto Nuzzi - Organ
Loris Nuzzi - Guitar
Walter Vitale - Drums

Guests:
Magnus Johnasson: Bass
Pins Da Mutten: Saxophones

The three passionate musicians came closer to him in the band He & We and soon a friendship arose. Embossed by radio / jazz blues and latin, the three quickly recognized that they were speaking the same musical language. The joy, the fun and the love of the music brought the trio to the founding of the organ. The Hammond organ is the trademark of the band. With organ, guitar and drums, they present jazzy jazzy blues and groovy old-school funk. If the occasion demands it, Orgzeptor will also play with vocals or other guest musicians. The three blossoms on stage.

Welcome

Randy Lyght - Another Side Of Me

Size: 100,8 MB
Time: 33:55
File: MP3 @ 320K/s
Released: 2017
Styles: Jazz Vocals
Art: Front

01. Tricks On You (3:56)
02. Bumped Into Love (2:24)
03. Going Too Far (3:22)
04. Colours (3:15)
05. I Think I Said Too Much (2:26)
06. Dancing In The Sand (2:42)
07. Beautiful (3:43)
08. Love Comes Then It Goes (4:47)
09. Long Way Around (3:25)
10. Dreams Inside Of Me (3:50)

Randy Lyght is a jazz and pop singer/songwriter and has been involved in the Canadian music and entertainment industry for decades.

For the last five years Randy has successfully performed and recorded three albums (Just In Time, A Return To Romance and Happy Holidays) that were all produced by the award-winning producer Rick Hutt at Cedartree Recording Studio. Two of these albums cover songs from the American Songbook. With Randy’s creation of his original songs, he has focused on breathing new life into the same genre of music.

Growing up in a household that appreciated all flavours of music, Randy was introduced to country as well as big band music. At the young age of 15, Randy started in his hometown of Thunder Bay in Northern Ontario, singing the cover songs of the popular rock bands of the time because that was the accepted music. Soon, Randy started to admire the works of Frank Sinatra, Tony Bennett and others even if it wasn’t the cool music to listen to at the time.

In the mid-70’s Randy was asked to join a world tour for 18 months with The World Renowned Platters. His talent and innate musicality was enriched, singing under the direction of very talented performers.

Returning home, Randy moved to Vancouver BC and continued to sing at countless live engagements and recorded commissioned songs and radio jingles until the mid 80’s.

After meeting his soul mate and having children, Randy chose to put his dream on hold and provide a stable lifestyle for his family. A part of his heart though was always with his music.

Now after returning to pursue his passion of music in 2011, Randy has been entertaining audiences with his now mature and textured vocals. When he performs he exudes a kind of showmanship, class and charisma from years gone by.

Randy is well known for his engaging shows of personality on stage, which applauds audiences every time. Randy makes every show count and be memorable.

Another Side Of Me

Linda May Han Oh - Walk Against Wind

Size: 146,0 MB
Time: 63:18
File: MP3 @ 320K/s
Released: 2017
Styles: Jazz, Vocals
Art: Front

01. Lucid Lullaby (7:46)
02. Firedancer (3:43)
03. Speech Impediment (6:55)
04. Perpluzzle (3:53)
05. Walk Against Wind (7:27)
06. Ikan Bilis (6:49)
07. Mother Reason (4:15)
08. Mantis (4:53)
09. Deepsea Dancers (6:36)
10. Midnight (6:41)
11. Western (4:14)

On the exquisite Walk Against Wind bassist Linda May Han Oh showcases her unique compositional style that rivals, artistically, her mastery over her instrument and her improvisational prowess. These 11 originals express various motifs reflecting Oh's diverse influences yet a delightfully dark poetry imbues all of them, giving the album its thematic unity.

The intensely cinematic "Speech Impediment," for instance, has a languid melody and shimmering refrains. Oh's Lilting, wordless vocals echo saxophonist Ben Wendel wistful lines. As the tempo picks up the tune becomes crisper and more hypnotic. Wendel and guitarist Matthew Stevens exchange thrillingly dissonant lines over drummer Justin Brown's thunderous beats and Oh's thumping bass. Brown's dynamic solo ushers in the concluding head.

Brown opens the atmospheric "Ikan Bilis" with his haunting drumming that endows the music with a primal spirituality. Pianist Fabian Almazan makes a guest appearance as he and the other band members contribute their respective introspective musings. The individual instrumental voices coalesce into a mystical and memorable ensemble performance that has an undercurrent of subtle funky rhythms. Almazan's chiming keys and Stevens' resonant notes mix in with Oh and Brown's percolating cadence to buoy Wendel's warmly wailing tenor.

Another guest, Korean traditional percussionist Minji Park, adds an Eastern touch to the expectant "Mantis" with her exotic janggu & kkwaenggwari. Oh takes center stage with complex and lyrical extemporization that is intriguingly crepuscular. Wendel's yearning, fiery phrases thrillingly contrast with the contemplative serenity of the rest of the track.

The pensive and dramatic "Deepsea Dancers" demonstrates Western Classical hints especially in the melodic fragments that are its building blocks. Stevens and Wendel alternate eloquent spontaneous monologues that are sometimes stimulatingly angular and at others elegantly fluid. Oh's muscular reverberations and Brown's soft thuds and brushing add an element of tension to the overall mood.

Walking Against Wind is a mature work that perfectly balances different musical elements. The prewritten and the spontaneously created seamlessly meld and miscellaneous inspirations fuse into a singular and sublime whole. It is Oh's best release to date and, hopefully, a sign of what is to come next.

Personnel: Linda May Han Oh: bass, voice; Ben Wendel: saxophone; Matthew Stevens: guitar; Justin Brown:drums; Fabian Almazan: piano (2, 6, 10); Minji Park: janggu & kkwaenggwari (8).

Walk Against Wind

Charles Brown - Blues And Other Love Songs

Bitrate: MP3@320K/s
Time: 51:06
Size: 117.0 MB
Styles: Urban blues/Jazz vocals
Year: 1992/2009
Art: Front

[5:15] 1. Do You Want Me
[4:13] 2. Fool That I Am
[4:15] 3. Who's Beating My Time
[7:58] 4. I Put Myself Together
[4:16] 5. What A Life
[9:31] 6. Mint Julep
[3:51] 7. You Are My First Love
[3:33] 8. 'round Midnight
[3:40] 9. Before The Evening Sun Sets
[4:30] 10. I've Got A Right To Cry

This Charles Brown session from early 1992 finds the singer sounding just as natural as he did in the early '50s. Blues and Other Love Songs was originally released on Muse records and is available as a budget title from the excellent reissue label 32 Jazz. Brown is in a typically soulful mood, crooning like a gritty modern day Nat "King" Cole. Backing up the piano and vocals of Brown are soul-groove saxophonist Houston Person, whose smokey tenor chops were an excellent match for Brown's blues. Danny Caron on guitar, Ruth Davies on bass, and Gaylord Birch round out the rhythm section. These ten tracks consist of five originals and five covers featuring a brief version of Thelonious Monk's "Round Midnight," showing off Brown's ability to play straight jazz. Person is also heard with Brown on the 32 jazz reissue Lost and Found, which combines the albums Sweet Slumber and Wildflower on one disc. ~Al Campbell

Blues And Other Love Songs

Nancy Wilson - Gentle Is My Love/How Glad I Am

Bitrate: MP3@320K/s
Time: 63:51
Size: 146.2 MB
Styles: Vocal jazz
Year: 2009
Art: Front

[2:37] 1. (You Don't Know) How Glad I Am
[2:05] 2. The Grass Is Greener
[2:14] 3. The Boy From Ipanema
[2:48] 4. The Show Goes On
[2:11] 5. Don't Rain On My Parade
[2:19] 6. Never Less Than Yesterday
[2:04] 7. I Want To Be With You
[1:52] 8. It's Time For Me
[3:41] 9. People (From Funny Girl )
[1:59] 10. West Coast Blues
[2:01] 11. Quiet Nights (Corcovado)
[2:40] 12. Who Can I Turn To (When Nobody Needs Me)
[2:40] 13. There Will Never Be Another You
[3:10] 14. If Love Is Good To Me
[2:58] 15. My One And Only Love
[2:11] 16. Funnier Than Funny
[3:10] 17. More (Theme From Mondo Cane)
[2:35] 18. Gentle Is My Love
[2:30] 19. At Long Last Love
[2:55] 20. Time After Time
[2:55] 21. If Ever I Would Leave You
[2:43] 22. When He Makes Music
[2:39] 23. Save Your Love For Me
[2:14] 24. Such A Night
[2:27] 25. Something's Going On

Nancy Wilson was one of the biggest stars of the 1960s; until the Beatles came along, she was the biggest-selling artist on the Capitol Records roster. The title track of the singles collection How Glad I Am was Wilson's biggest hit of the era and won a Grammy in 1964. While "How Glad I Am" is a tart, country-flavored soul number, the album also features Wilson doing vocal pop, jazz-blues (the juicy, Hammond B-3-filled "West Coast Blues" is the set's best number), R&B, and bossa nova. The title tune remains a favorite of the British Northern soul scene but most of these numbers haven't endured the way that Wilson's album cuts from the same period have. Though this album is long out of print, almost all of the songs on it can be found on various Nancy Wilson CD collections. [In 2009 the DRG label reissued 1964's How Glad I Am combined with the following year's Gentle Is My Love on a single CD.] ~Nick Dedina

Gentle Is My Love/How Glad I Am

Joe Pass - Meditation

Bitrate: MP3@320K/s
Time: 52:43
Size: 120.7 MB
Styles: Guitar jazz
Year: 2002
Art: Front

[4:51] 1. Meditation (Meditacao)
[2:05] 2. Shadow Waltz
[3:24] 3. Mood Indigo
[3:52] 4. More Than You Know
[6:41] 5. When Your Lover Has Gone
[4:41] 6. Everything Happens To Me
[4:52] 7. It's All Right With Me
[4:59] 8. I'll Never Be The Same
[3:55] 9. You Stepped Out Of A Dream
[4:06] 10. All The Things You Are
[6:29] 11. How Deep Is The Ocean
[2:42] 12. They Can't Take That Away From Me

Joe Pass achieved extraordinary balance in his career. Because he remained grounded in bop and swing, his guitar work was more conservative than many fusion and post-bop players, but his solo guitar work also ventured into unexplored territory, combining the single-note dexterity of Charlie Christian with the block chords of Carl Kress. Meditation: Solo Guitar offers a fresh release from Pass, recorded live at Yoshi's in 1992, two years before his death. As Ken Dryden points out in the liner notes, the release isn't just "a case of posthumously cleaning out the vaults." Like the critically acclaimed Virtuoso series, Meditation exhibits a number of intricate interpretations of classic pieces by one man and his guitar. The title also captures the intimacy of Pass' work on "Everything Happens to Me" and "Mood Indigo." He seems so absorbed in his work, so alone, that it comes as a shock when the audience applauds at the end of each piece. Pass also covers Cole Porter's "It's All Right With Me," Irving Berlin's "How Deep Is the Ocean?," and the Gershwin brothers' "They Can't Take That Away From Me." Pass' technique manages to follow his own muse, changing tempos at will without ever losing the rhythm of the tune. Meditation is a fine album and a superior addition to the guitarist's catalog. ~Ronnie D. Lankford Jr

Meditation

Various - Mulher Popular Brasileira: Deleituras

Bitrate: MP3@320K/s
Time: 50:10
Size: 114.9 MB
Styles: Brazilian jazz
Year: 2012
Art: Front

[3:34] 1. Fernanda Takai - Insensatez
[2:40] 2. Rita Lee - Pra Você Eu Digo Sim
[4:33] 3. Adriana Maciel - Acabou Chorare
[3:21] 4. Roberta Campos - Quem Sabe Isso Quer Dizer Amor
[4:06] 5. Leila Maria - Seu Tipo
[3:19] 6. Nila Branco - Eu Sei
[4:10] 7. Milena Monteiro - Esperando Aviões
[3:06] 8. Rosa Passos - Curare
[3:57] 9. Wanda Sá - Domingo Azul Do Mar
[3:34] 10. Lisa Ono - Falando De Amor
[2:44] 11. Fafa De Belem - Sem Companhia
[3:35] 12. Teresa Cristina - Para Um Amor No Recife
[4:02] 13. Mônica Salmaso - Alvorecer
[3:23] 14. Márcia Castro - Preta Pretinha

Mulher Popular Brasileira: Deleituras   

Ray Brown Trio - Don't Get Sassy

Bitrate: MP3@320K/s
Time: 61:25
Size: 140.6 MB
Styles: Bop
Year: 1994/2009
Art: Front

[ 5:33] 1. Don't Get Sassy
[ 5:18] 2. Everything I Love
[ 6:38] 3. Kelly's Blues
[ 4:07] 4. Tanga
[ 6:05] 5. When You Go
[ 7:34] 6. Brown's New Blues
[ 8:06] 7. The Good Life
[ 7:02] 8. Con Alma
[10:59] 9. Ellington Medley: Rain Check/In A Sentimental Mood/Squatty Roo

Bass – Ray Brown; Drums – Jeff Hamilton; Piano – Benny Green. Recorded at Signet Sound, Studio A, West Hollywood, CA, April 21-22, 1994.

Bassist Ray Brown, pianist Benny Green, and drummer Jeff Hamilton make for a perfect team on their Telarc CD. The tight yet swinging arrangements are full of subtle surprises and serve as a perfect format for the players, particularly Green. Highlights include Thad Jones' "Don't Get Sassy," Oscar Peterson's "Kelly's Blues," "Tanga," "Brown's New Blues," and a three-song Duke Ellington medley. Recommended. ~Scott Yanow

Don't Get Sassy

George Shearing - The Best Of George Shearing, Volume Two (1960-1969)

Styles: Piano Jazz
Year: 1997
File: MP3@320K/s
Time: 52:58
Size: 123,6 MB
Art: Front

(2:23)  1. Lullabye Of Birdland
(2:22)  2. Blue Moon
(2:38)  3. Early Autumn
(3:40)  4. Jumpin' With Symphony Sid
(2:36)  5. I Wish You Love
(4:50)  6. Blues In 9/4
(2:46)  7. One Note Samba
(2:20)  8. Be Careful, It's My Heart
(4:22)  9. Bel Aire
(3:04) 10. Country Gardens
(2:41) 11. Night Fall
(2:05) 12. The Singing Song
(2:25) 13. With Feeling
(2:11) 14. Call Me Irresponsible
(4:00) 15. Hallucinations
(2:53) 16. Pick Yourself Up
(2:54) 17. Michelle
(2:38) 18. Promises, Promises

The second volume in a series compiling the highlights of Shearing's tenure on Capitol, this Best of collection includes Shearing's own "Lullaby of Birdland" and Lester Young's "Jumpin' With Symphony Sid," recorded with the aid of sidemen like vibists Gary Burton and Eddie Costa along with drummers Vernell Fournier and Shelly Manne. ~ Jason Ankeny http://www.allmusic.com/album/the-best-of-george-shearing-vol-2-1960-69-mw0000617691

Personnel: George Shearing (piano, percussion); Dick Garcia, John Gray, Ron Anthony (guitar); Walter Bolden (strings, drums); Jules Jacobs, Abe Most, Paul Horn, Justin Gordon (woodwinds); Eddie Costa, Douglas Marsh, Gary Burton , Warren Chiasson (vibraphone); Larance Marable, Shelly Manne, Vernel Fournier (drums); Armando Peraza (percussion).

The Best Of George Shearing, Volume Two

Susannah Young - Sweetest Sounds

Styles: Vocal
Year: 1966
File: MP3@320K/s
Time: 32:18
Size: 74,5 MB
Art: Front

(3:00)  1. Witchcraft
(3:44)  2. As Time Goes By
(3:14)  3. My One And Only Love
(3:08)  4. I Didn't Know What Time It Was
(3:50)  5. The Sweetest Sounds
(3:10)  6. Lazy Afternoon
(2:01)  7. This Year's Kisses
(2:49)  8. Here's That Rainy Day
(2:59)  9. Guess I'll Hang My Tears Out To Dry
(4:19) 10. Through A Long And Sleepless Night

"26-year old British vocalist in her U.S. recording debut - Susannah passed the "old standard" test with flying colors, she also revealed that she is one new artist who brings a certain excitement to each song she delivers. The "standards" virtually become "new" songs in her deft interpretations. On this LP, Susannah works well with the arrangements of Peter Knight and his orchestra. But, ultimately, it is her vocal style that is arresting to any listener. Hers is a warm yet pleasantly wistful voice, the kind of voice that goes well late at night when you're with someone or all alone. She is, quite simply, a fine talent....bright, new, and incomparably young! Jere Real, 1966"

Thank You my Friend!!

Swetest Sounds

Kevin Hays New Day Trio - North

Styles: Piano Jazz
Year: 2016
File: MP3@320K/s
Time: 61:54
Size: 142,6 MB
Art: Front

(3:53)  1. Scrapple from the Apple
(7:46)  2. Elegia
(6:47)  3. Violetta
(7:30)  4. Schumann's Chamisso
(5:43)  5. Sweet Caroline
(6:21)  6. Where Did You Sleep Last Night
(5:35)  7. All Things Are
(5:47)  8. North
(7:43)  9. I'll Remember April
(4:44) 10. Morning

The second album from the Kevin Hays New Day Trio does and doesn't follow in its predecessor's footsteps. On one hand you can argue that it's completely different, as Hays doesn't sing on this one and there are no guests to speak of here; on the other, you can certainly opine that the overt lyricism in this music, forged through Hays' fingers and enhanced by the extremely interactive and empathetic team of bassist Rob Jost and drummer Greg Joseph, is a clear link to New Day (Sunnyside, 2015). In truth, both thought camps are probably right. Hays has managed to tinker with the fine balance of musical distinctiveness and directional mutability in his work for more than two decades, so why should things be any different with this group? Better to simply enjoy this to-die-for music than split hairs over album-to-album connectivity.  North's name was born through historical and personal ties for Hays, referencing everything from Harlem's musical riches to the pianist's former upstate New York home/sanctuary to a metaphorical ideal. It's an album built on a specific platform of thought, but it's not a work that fixes the compass on a single point. In fact, the variety is quite staggering when you start to think about it: A twisted and spiked take on Charlie Parker's "Scrapple From The Apple" sits beside a sorrowful-turned-scintillating "Elegia"; a Chilean folk pastoral, painted freely by Hays' piano and Jost's ukulele, serves as a prelude to an excitable 5/4 romp on "Violetta"; staid socializing leads toward waltzing wonders through classical borrowings on "Schumann's Chamisso"; and funky feelings rule the day on "Sweet Caroline" a Hays original, not the Neil Diamond party warhorse. All of that sits within the incredibly gratifying first half of the album.  The five tracks that follow continue to speak to Hays' creativity, both as a composer, interpreter, and conceptualist. Leadbelly's "Where Did You Sleep" points both to its deep folk-blues spirit and sunnier aspirations, the swinging "All Things Are" emerges from the roots of the eternal "All The Things You Are" and grows in different directions, the title track is both a reflection and a respite, and "I'll Remember April" bounces along on a 6/8 carriage and gets a slightly darker and more intriguing coat of harmonic paint than what's customarily used. Then album's end cites day's beginning on the ever-evolving yet melodically moored "Morning." It's certainly a clear sendoff, but it also brings you back, inviting another listen each and every time. ~ Dan Bilawsky https://www.allaboutjazz.com/north-kevin-hays-new-day-trio-sunnyside-records-review-by-dan-bilawsky.php

Personnel: Kevin Hays: piano; Rob Jost: bass, ukulele; Greg Joseph: drums.

North

Matthias Lupri - Transition Sonic

Styles: Vibraphone Jazz
Year: 2004
File: MP3@320K/s
Time: 43:40
Size: 101,5 MB
Art: Front

(2:23)  1. Sonic Prelude
(7:58)  2. Sonic
(6:43)  3. Middle Zone
(6:21)  4. The Day After
(5:17)  5. Prairie
(1:21)  6. Intro
(7:15)  7. Earlier Years
(6:20)  8. Sonic Reprise

Vibraphonist Matthias Lupri has always captured the essence of straight-ahead jazz at its best. He provides a groove over which his bands improvise in the classic tradition. Echoes of Gary Burton, Bobby Hutcherson, and Milt Jackson abound. From this modern jazz historical foundation, however, he's always felt free to explore. With his latest release, Lupri retains the traditional bebop spirit that has given us immeasurable pleasure for more than half a century, but brings it all to us from the perspective of original compositions. From eerie and dramatic romps to free and playful cavorts in the park, his suite-like images allow the music to grow. The mainstream has indeed become modern, as the vibraphonist and his stellar ensemble find new ways to express their ideas. Electronic trumpet echoes and wide guitar reverberations fit in nicely between pages and pages of familiar-sounding soundscapes. The added features are used sparingly, and serve to punctuate the ensemble's original thematic material.  The vibraphone's timbre blends well with just about any instrumental combination. Here, Mark Turner, Nate Radley and Cuong Vu ensure that Lupri's instrumental voice fits the ensemble sound like a hand in a glove. Their subdued tones all blend together as one emotional vote for quality in the sounds that we experience every day. Vu's mellow trumpet, Turner's robust saxophone, and Radley's fluid guitar fit well with Lupri's rain shower of tonal colorations. Together they've created a superb sound and a highly recommended album. ~ Jim Santella https://www.allaboutjazz.com/transition-sonic-matthias-lupri-summit-records-review-by-jim-santella.php

Personnel: Matthias Lupri- vibraphone; Mark Turner- tenor saxophone, soprano saxophone; Cuong Vu- trumpet; Nate Radley- guitar; Thomson Kneeland- acoustic bass; Jordan Perlson- drums.

Transition Sonic

Bob Mover - On The Move

Styles: Saxophone Jazz
Year: 1977
File: MP3@320K/s
Time: 64:50
Size: 149,5 MB
Art: Front

(10:02)  1. Muggawump
(13:15)  2. Darn That Dream
(11:17)  3. Saudade Do Brooklyn
(11:45)  4. Falsidade
( 9:29)  5. Milestones
( 8:59)  6. Dancing In The Dark

Bob Mover's first session as a leader matches his alto and soprano with trumpeter Tom Harrell, pianist Mike Nock, guitarist Peter Sprague, bassist George Mraz, drummer Jeff Pappez and singer Jay Clayton on four lengthy performances: three Mover originals and "Darn That Dream." The use of Clayton's voice as a part of the ensembles gives the band an unusual sound. Mover sounded pretty strong, if a bit derivative at this point (he was 24), but Harrell generally takes solo honors. This session has not yet been reissued on CD. ~ Scott Yanow http://www.allmusic.com/album/on-the-move-mw0000545526

Personnel:  Bob Mover - soprano,alto saxes;  Tom Harrell - trumpet,flugelhorn;  Jay Clayton - voice;  Mike Nock - piano;  George Mraz - bass;  Peter Sprague - guitar;  Jeff Papez - drums.

On The Move