Tuesday, September 8, 2015

The Real Group - Three Decades Of Vocal Music

Bitrate: MP3@320K/s
Time: 76:08
Size: 174.3 MB
Styles: Vocal harmony group
Year: 2015
Art: Front

[3:00] 1. Scandinavian Shuffle
[3:24] 2. Chili Con Carne
[3:51] 3. Mister Father
[4:03] 4. Bad
[3:48] 5. Commonly Unique
[3:59] 6. A Minute On Your Lips
[3:08] 7. Thousand Things
[3:36] 8. Lucky Luke
[3:20] 9. I Tried
[5:00] 10. Count Basie Medley
[3:51] 11. Nostalgia World
[2:44] 12. En Vanlig Gronskas Rika Drakt
[3:27] 13. Bumble Bee
[4:18] 14. Anna's Song
[3:58] 15. Three Poems
[2:52] 16. Eyes Of A Child
[4:40] 17. Friendship
[3:08] 18. A Child Is Born
[1:40] 19. Mu Ruokto Lea Mu Vaimmus
[4:09] 20. Christmas Oratorio
[4:03] 21. Via Tenor

The Real Group is an a cappella quintet from Stockholm, Sweden, consisting of three men and two women. Inspired by Bobby McFerrin, the unit brilliantly performed bop, vocalese, and a few originals on their Town Crier debut, leading Jon Hendricks himself to say, "I wish I was in this group." ~Scott Yanow

Three Decades Of Vocal Music

Bill Doggett - Gon' Doggett

Bitrate: MP3@320K/s
Time: 40:19
Size: 92.3 MB
Styles: Blues-Jazz-R&B
Year: 1985/2011
Art: Front

[2:58] 1. Honky Tonk Pt. 1
[2:31] 2. Honky Tonk Pt 2
[3:03] 3. Big Boy
[2:04] 4. Slidin'
[2:40] 5. Buttered Popcorn
[6:39] 6. Backwoods
[2:28] 7. Slow Walk
[2:38] 8. Quaker City
[3:18] 9. Night Train
[2:25] 10. Ram-Bunk-Shush
[2:32] 11. Peacock Alley
[2:26] 12. Hold It
[4:31] 13. Rainbow Riot

With his instrumental hit "Honky Tonk" in February 1956, Bill Doggett (born William Ballard Doggett) created one of rock's greatest instrumental tracks. Although it generated scores of offers to perform in rock & roll clubs throughout the United States, Doggett remained tied to the jazz and organ-based R&B that he had performed since the 1930s. Continuing to record for the Cincinnati-based King label until 1960, he went on to record for Warner Brothers, Columbia, ABC-Paramount and Sue. His last session came as a member and producer of an all-star jazz/R&B group, Bluesiana Hurricane in 1995.

Born on the north side of Philadelphia, Doggett struggled with poverty as a youngster. Although he initially dreamed of playing the trumpet, his family was unable to afford lessons. Persuaded by his mother (a church pianist), to try keyboards instead, he quickly mastered the instrument. Hailed as a child prodigy by his 13th birthday, he formed his first band, the Five Majors, at the age of 15. Performing with the Jimmy Gorman Band, the pit orchestra at the Nixon Grand Theater, while still in high school, Doggett assumed leadership of the group in 1938. The experience was brief, however, as Doggett sold the orchestra to Lucky Millinder, with whom he continued to work off and on for the next four years. He made his recording debut on Millinder's tracks, "Little Old Lady From Baltimore" and "All Aboard" in 1939. Although he formed a short-lived orchestra with Benny Goodman's arranger, Jimmy Mundy, in late 1939, Doggett continued to work primarily as a sideman. Playing piano and arranging for the Ink Spots from 1942 until 1944, he went on to arrange tunes for Count Basie's band and tour and/or record with Coleman Hawkins, Johnny Otis, Wynonie Harris, Ella Fitzgerald and Lionel Hampton. Replacing Wild Bill Davis in Louis Jordan's band, in 1947, he appeared on the influential tunes, "Saturday Night Fish Fry" and "Blue Light Boogie." He made his debut as an organist during June 1951 recording sessions with Ella Fitzgerald. Debuting his own organ-led combo at New York nightclub, the Baby Grand, in June 1952, Doggett recorded more than a dozen singles before striking gold with "Honky Tonk" four years later. A longtime resident of Long Island, New York, Doggett died on November 13, 1996, three days after suffering a heart attack. ~bio by Craig Harris

Gon' Doggett

The Chiffons - Absolutely The Best

Bitrate: MP3@320K/s
Time: 30:34
Size: 70.0 MB
Styles: R&B, AM pop
Year: 2004
Art: Front

[1:50] 1. He's So Fine
[2:06] 2. One Fine Day
[2:24] 3. Sweet Talking Guy
[2:22] 4. Will You Still Love Me Tomorrow
[2:04] 5. My Boyfriend's Back
[2:19] 6. Did You Ever Go Steady
[2:54] 7. Sailor Boy
[2:03] 8. I Have A Boyfriend
[1:53] 9. A Love So Fine
[2:10] 10. I Wonder Why
[2:12] 11. When The Boy's Happy (The Girl's Happy Too)
[2:39] 12. Just For Tonight
[1:41] 13. Tonight I Met An Angel
[1:50] 14. Keep The Boy Happy

The Chiffons scored three of the biggest hits of the girl group era. "He's So Fine," "One Fine Day," and "Sweet Talkin' Guy" pop up on girl group collections regularly and their soulful but light vocals over peppy musical backing can be seen as a template for the girl group sound. Those three songs lead off Fuel 2000's Absolutely the Best!, a budget-priced 14-track collection of the group's work, in stunning fashion. While The Chiffons never did anything to top that holy trio, they did come up with some fine songs, many of which are included here. Sweet ballads like "Did You Ever Go Steady," "I Have a Boyfriend," and "Just for Tonight" were their strong suit, but they could also tear things up politely as "A Love So Fine," the Northern soul-flavored "When the Boy's Happy (The Girl's Happy Too)," and their cover of Dion & the Belmonts' "I Wonder Why" show. Absolutely the Best! is an OK collection, but it does leave off a couple of key songs -- namely the band's ironic cover of George Harrison's "My Sweet Lord" (recorded after the writer of "He's So Fine" sued Harrison for cribbing the melody for his tune) and the moody and strange "Nobody Knows What's Going On in My Mind But Me," written and produced by the eccentric Brute Force. Unless you are on a tight budget, you should probably spring for One Fine Day on Remember, which features the latter song plus 12 more songs than Absolutely the Best! Or you could try to hunt down a copy of the out of print Best of the Chiffons on Laurie, which has both "My Sweet Lord" and "Nobody Knows." Better still would be a collection that actually had all their best songs on it. Hmm, maybe the next label to attempt it will get it right. Until then, you need to get "He's So Fine," "One Fine Day," and "Sweet Talkin' Guy" into your collection one way or another, and at least Absolutely the Best! does that. ~Tim Sendra

Absolutely The Best

Herb Geller Quartet - You're Looking At Me

Styles: Saxophone Jazz
Year: 1997
File: MP3@320K/s
Time: 65:19
Size: 150,6 MB
Art: Front

(4:02)  1. Summer Night
(5:10)  2. Detour Ahead
(4:11)  3. Changes
(4:43)  4. You're Looking At Me
(5:32)  5. Lullaby In Rhythm
(4:09)  6. Orson
(3:42)  7. 9:20 Special
(5:10)  8. Restless
(4:55)  9. Ill Wind
(4:07) 10. All Through the Night
(4:44) 11. The Josephine Baker Suite: The Legend
(4:39) 12. The Josephine Baker Suite: A Bitter Dream
(5:45) 13. The Josephine Baker Suite: Too Little Time
(4:25) 14. The Josephine Baker Suite: I'll Be Back!

For this 1997 recording, the underrated but great altoist Herb Geller doubles on soprano quite effectively and is joined by pianist Jan Lundgren, bassist Dave Carpenter and drummer Joe Labarbera. While Carpenter and Labarbera are fairly well-known players who are rated highly for their versatility and ability to sound tasteful and swinging no matter what the setting, Lundgren may be a new name to some. A virtuosic pianist from Sweden who appeared with increasing regularity in Los Angeles in the late 1990s, Lundgren can play in several styles, although here he mostly sticks to modern bop. 

His alert accompaniment behind Geller's solos and his own fresh improvisations uplift the music. The altoist interprets ten veteran songs, some of which (including "Summer Night," and the 1920s "Changes," Billy Strayhorn's "Orson," and "Restless," which is taken as a duet with Lundgren) are not performed that often. The final four numbers on the set are taken from Geller's musical depicting the life of Josephine Baker. The music on the latter cuts, which contains several strong melodies, easily fits into the 1950s/'60s bop style that is prevalent throughout this set. Highly recommended, and just one of several very rewarding Herb Geller dates from the 1990s. ~ Scott Yanow http://www.allmusic.com/album/youre-looking-at-me-mw0000046297

Personnel:  Herb Geller – alto sax / soprano;  Jan Lundgren – piano;  Dave Carpenter – bass;  Joe Labarbera - drums

You're Looking At Me

Patricia Dean - Equinox

Styles: Jazz, Vocal
Year: 2007
File: MP3@320K/s
Time: 40:34
Size: 93,1 MB
Art: Front

(5:40)  1. Timeless Stories/Footprints
(3:46)  2. Close Your Eyes
(4:47)  3. Tenderly
(5:43)  4. I Got Rhythm
(4:22)  5. I Fall In Love Too Easily
(3:28)  6. In A Mellow Tone
(5:14)  7. For All We Know
(7:31)  8. Awake Our Souls/Equinox

This limited release Cd now available was actually recorded before "Moments Like This" and features original lyrics to Jazz classics "Footprints" and "Equinox". Recorded live, with no overdubbing, this album demonstrates Patricia’s unique ability to sing and play the drums at the same time. The album opens with Wayne Shorter's classic "Footprints" re-titled "Timeless Stories" and expounds on the concept of reflection on the past with respect to our ancestry.

"Close Your Eyes is a sultry Bossa Nova, also included on "Moments Like This" that Patricia enjoys doing in live performances. "Tenderly" pays tribute to one of Patricia’s earliest vocal influences,the unforgettable Miss Sarah Vaughan. It also makes reference to Oscar Peterson's arrangement with a swinging solo by pianist Nat Lee. "I Got Rhythm" is the album's only instrumental and features Patricia’s father, the late Don Dean, Sr. on the clarinet.

"I started working with my Dad when I was 14. Most people knew him as a pianist, but he was also accomplished on the clarinet and alto saxophone. I wanted to record something with him on the clarinet because he never got to play it that much. We had worked together many years and I wanted to do something with him because he had been such a great influence on my career." Pianist David Moore plays some outstanding bebop piano with Patricia taking some impressive 4's on this up-tempo Gershwin standard.

"I Fall In Love Too Easily" and "For All We Know" display Patricia's seasoned approach to ballads, for which her voice is so well suited. Jon Kougher gives us a driving bass intro on "In A Mellow Tone" setting up the tune nicely for Patricia with a swinging solo by Lee that also shows off Patricia's tasteful drumming, ala Ed Thigpen.

The album closes with Patricia's lyrics to John Coltrane's "Equinox" renamed "Awake Our Souls". Patricia's lyrics reflect on the ever changing seasons that perhaps inspired Coltrane's title to this haunting melody. Lee's solo gives reference to his influences of McCoy Tyner and George Duke, building to a dramatic double-time chorus with Patricia making a smooth transition back to the original time-feel, setting up the lyrical bass solo by Kougher taking us back to the opening vamp. Patricia has successfully crafted this album to showcase her talents as a musician, vocalist and lyricist. She has performed with Harry Allen, Kenny Drew, Jr., as well as Jazz legends Nat Adderley, John LaPorta and Ira Sullivan. Patricia is currently performing regularly in the Naples area with trumpeter Bob Zottola and pianist Stu Shelton. http://www.cdbaby.com/cd/patriciadean2

Equinox

Sofia Talvik - Blue Moon

Styles: Folk, Vocal
Year: 2005
File: MP3@320K/s
Time: 38:17
Size: 88,2 MB
Art: Front

(3:05)  1. Blue Moon
(2:54)  2. Ghosts
(3:14)  3. Stop
(2:48)  4. Tonight
(3:00)  5. Blue Highway
(3:20)  6. Cars
(3:16)  7. When Winter Comes
(2:55)  8. Beautiful Naked
(2:25)  9. Borderlines
(2:50) 10. Odyssey
(4:20) 11. Untradeable
(4:05) 12. She's Leaving

Sofia Talvik was born on an island just off the west coast of Sweden. Her debut album Blue Moon took forty intense hours to record and the end result is a collection of songs presented virtually intact from the original live studio sessions. Having earnt a reputation as a great live performer, frequently playing at clubs in and around Stockholm and throughout Sweden, this is naturally the only way of bringing Sofias gentle, almost fragile voice to you and gives the album a unique sound, making it almost timeless in the sense that it could have been recorded twenty years ago as well as twenty years from now. Blue Moon was released in May 2005, and got rave reviews from press all over Sweden. http://music.sofiatalvik.com/track/blue-moon

Blue Moon

GRP All-Star Big Band - GRP All-Star Big Band

Styles: Big Band
Year: 1992
File: MP3@320K/s
Time: 71:45
Size: 164,8 MB
Art: Front

(5:10)  1. Airegin
(4:35)  2. Blue Train
(4:13)  3. Donne Lee
(6:34)  4. Maiden Voyage
(6:48)  5. Sister Sadie
(6:39)  6. The Sidewinder
(5:59)  7. Seven Steps To Heaven
(5:33)  8. I Remember Clifford
(6:54)  9. Footprints
(6:55) 10. Manteca
(7:01) 11. 'Round Midnight
(5:18) 12. Spain

When this CD was released, it was a major surprise. GRP is a label whose initial reputation was made on pop-ish jazz. However, co-founders Dave Grusin and Larry Rosen always had a love for the sound of big bands and for hard bop. For this set, they gathered together some of the most notable players on their label to play 12 jazz standards dating from the mid-'40s ("Donna Lee") up to the early '70s ("Spain"). The lineup of musicians is quite impressive, comprised of trumpeters Arturo Sandoval, Randy Brecker, and Sal Marquez; trombonist George Bohanon (who had to be imported since GRP did not have any trombonists); a reed section of Eric Marienthal, Nelson Rangell, Bob Mintzer, Ernie Watts and Tom Scott; bassist John Patitucci; drummer Dave Weckl; and several alternating pianists (Grusin, Russell Ferrante, Kenny Kirkland, and David Benoit), plus such guests as guitarist Lee Ritenour, flutist Dave Valentine, vibraphonist Gary Burton, clarinetist Eddie Daniels, and percussionist Alex Acuna. 

On the strictly straight-ahead set, which has such tunes as "Blue Train," "Sister Sadie," "The Sidewinder," and "Manteca," all of the musicians are featured adequately. It is a particular revelation hearing Marienthal and Rangell sound passable in this setting. Easily recommended to hard bop and big band collectors. ~ Scott Yanow http://www.allmusic.com/album/grp-all-star-big-band-mw0000612127

GRP All-Star Big Band: Lee Ritenour (guitar), Tom Scott, Eric Marienthal, Nelson Rangell, Ernie Watts, Bob Mintzer (saxophone), Arturo Sandoval, Randy Brecker, Sal Marquez (trumpet), George Bohanon (trombone), Dave Valentine (flute), Eddie Daniels (clarinet), Gary Burton (vibraphone), Dave Grusin, David Benoit, Kenny Kirkland, Russell Ferrante (piano, keyboards), John Patitucci (bass), Dave Weckl (drums), Alex Acuna (percussion).

GRP All-Star Big Band

Gordon Goodwin's Big Phat Band - That's How We Roll

Styles: Big Band
Year: 2011
File: MP3@320K/s
Time: 67:12
Size: 154,1 MB
Art: Front

(7:05)  1. That's How We Roll
(7:09)  2. Howdiz Songo?
(6:58)  3. Rippin' n Runnin'
(7:56)  4. Hunting Wabbits 3 (Get Off My Lawn)
(5:40)  5. Everlasting
(5:32)  6. Gaining on You
(5:45)  7. Never Enough
(7:54)  8. It's Not Polite to Point
(6:11)  9. Race to the Bridge
(6:56) 10. Rhapsody In Blue

Upon seeing the title That's How We Roll, people who don't know anything about the history of pianist/tenor saxophonist Gordon Goodwin and his Big Phat Band might assume that this is a hip-hop recording. "That's how we roll" is a popular expression in hip-hop circles (at least as of 2011), but like a lot of the bebop and hipster slang of the '40s and '50s, hip-hop slang often reaches people who aren't necessarily part of hip-hop's core audience, and that includes a jazz instrumentalist like Goodwin, who is jazz-oriented on this 67-minute CD but doesn't conduct himself like a jazz purist from start to finish. 

Goodwin has his traditional big-band influences (Count Basie, Buddy Rich), but it's obvious that he also has a taste for soul and funk; in fact, some of the horn arrangements on That's How We Roll successfully find the link between Basie's funkiness and the funkiness of '70s funk/soul bands such as Parliament/Funkadelic, Tower of Power and Earth, Wind & Fire. That's How We Roll has its share of tracks that could easily be described as big-band soul-jazz, including "Rippin' n Runnin'," "Howdiz Songo?," and the title tune. 

But "Race to the Bridge" and "Gaining on You" have boppish melodies, and Goodwin's hard-swinging arrangement of George Gershwin's "Rhapsody in Blue" (which is the only song on this 2011 release he didn't compose) is quite Basie-minded. Meanwhile, the least jazz-friendly track is "Never Enough," which features Take 6 and is the only vocal offering on a predominantly instrumental CD; "Never Enough" is the only time the album ventures into outright funk (as opposed to jazz-funk or soul-jazz). That's How We Roll is not an album that was recorded with jazz purists in mind, and at the same time, there is way too much improvisation for the smooth jazz crowd. But this is an enjoyable outing if one is seriously into big-band jazz and also has a strong appreciation of soul and funk. ~ Alex Henderson http://www.allmusic.com/album/thats-how-we-roll-mw0002104103

Personnel: Andrew Synowiec (guitar); Sal Lozano (flute, alto flute, piccolo, alto saxophone); Jeff Driskill, Brian Scanlon (flute, clarinet, tenor saxophone); Jay Mason (bass clarinet, baritone saxophone); Eric Marienthal (soprano saxophone, alto saxophone); Gordon Goodwin (tenor saxophone, piano); Dan Savant, Wayne Bergeron, Bob Summers (trumpet); Charlie Morillas, Francisco Torres, Andy Martin (trombone); Rick Shaw (acoustic bass, electric bass); Bernie Dresel (drums); Brad Dutz (percussion).

That's How We Roll

Torsten Goods - 1980

Styles: Vocal And Guitar Jazz
Year: 2008
File: MP3@320K/s
Time: 53:03
Size: 121,8 MB
Art: Front

(4:13)  1. Crazy Little Thing Called Love
(5:30)  2. Don't Let It Get to You
(4:33)  3. 99
(3:33)  4. So Are You
(3:13)  5. It's Still Rock'n'Roll to Me
(5:07)  6. (I Need You) So Bad
(5:32)  7. 1980
(4:04)  8. Winter's Night
(3:42)  9. I Can Hardly See You
(6:06) 10. Love Dance
(3:01) 11. Too Much Guitar
(4:24) 12. Shout It Out

Goods, son of an Irish mother and a German father, began his musical career at the age of 14 in Erlangen. Among his greatest role models include George Benson, Biréli Lagrène, Wes Montgomery, Django Reinhardt, Stevie Wonder, Kenny Loggins and Freddie Mercury, who musically influenced him mostly.

In 1998, Goods, aged 17 to jazz: he was inspired by guitarist Peter O'Mara. First workshops followed in the summer of 1999 and 2000 with Jim Hall and John Scofield in New York City, USA. In 2000 he became a member of the of Peter Herbolzheimer led National Youth Jazz Orchestra. From 2001 to 2003 he received a scholarship given to him the study of jazz guitar at the New School University, New York City at Vic Juris and Jack Wilkins allowed. During his stay in the USA he played with Reverend Run (Run DMC), Seleno Clarke, a close friend of George Benson, the Goods and Benson made ??known to each other, as well as Les Paul, which eventually the stage name Goods gave him. Jam sessions with Mike Stern, Biréli Lagrèneand Jack Wilkins were among his New York life.

2005 Goods was one of the 10 global semi-finalists in the "Thelonious Monk Jazz Guitar Competition", to which he was the only Europeans to Washington, DC was invited. His debut album Manhattan Walls played a Goods before graduating from high school: Tony Lakatos, Davide Petrocca, Guido May, Dejan Terzic, and Rick Kellersupported him at the 2001 recording of "Manhattan Walls" (Jardis). His second work Steppin was in 2004 for the quarterly leaderboard for Award of the German Record Critics' Award nomination. 2006 produced his first album for Goods ACT: Irish Heart, a tribute to the (Northern Ireland) home his mother about the Evening Standard wrote "Goods (...) has Breakthrough Talent galore. Inspired by George Benson, he sings winningly and plays the guitar superbly. "(Jack Massarik, Evening Standard, January 2, 2007). Goods entered, inter alia 2007 to the Leverkusen Jazz Festival and in 2008 at the Burghausen Jazz Week on. He is also on record by Helen Schneider to hear and Andi Kissenbeck. Translate by google https://de.wikipedia.org/wiki/Torsten_Goods

1980