Showing posts with label Laura Taylor. Show all posts
Showing posts with label Laura Taylor. Show all posts

Monday, October 29, 2018

Laura Taylor - Mountain Greenery

Size: 125,9 MB
Time: 53:48
File: MP3 @ 320K/s
Released: 1997
Styles: Jazz Vocals, Big Band
Art: Front

01. Mountain Greenery (3:38)
02. Straighten Up And Fly Right (2:22)
03. These Foolish Things Remind Me Of You (4:50)
04. Lost In A Dream Of You (7:03)
05. Porgy And Bess Medley (9:58)
06. Spellbound (3:31)
07. Hello Love (6:08)
08. Cottontail - I've Got Rhythm (4:53)
09. Lovelight (5:19)
10. One Note Samba (3:45)
11. Scrapple From The Apple - Honeysuckle Rose (2:16)

Critical acclaim and national radio airplay have been given to Laura’s five jazz CDs: Have Mercer on Me, features pianist and Ben Vereen conductor David Loeb, bassists Bob Sachs and Derek Jones, pianist Bob Rozario, drummer Michael Mecham, guitar great Joe Lano and percussionist Lenny Lopez. My Funny Valentine…a tribute to Chet Baker, features jazz legends Eddie Gomez, Steve Kuhn and Louis Nash. Mountain Greenery features jazz greats Jack Sheldon, Pete and Conte Condoli Red Holloway and guitarist Joe Lano; Cry Me a River, a tribute to the late Julie London, features Joe Lano and Tom Warrington, and Songs of the Winter Season, also featuring Joe Lano and Tom Warrington.

Mountain Greenery

Sunday, February 28, 2016

Laura Taylor - My Funny Valentine

Styles: Vocal Jazz
Year: 2006
File: MP3@320K/s
Time: 56:56
Size: 130,8 MB
Art: Front

(3:15)  1. But Not for Me
(4:26)  2. You're My Thrill
(6:12)  3. My Funny Valentine
(3:22)  4. Just Friends
(4:10)  5. My Buddy
(6:06)  6. Spellbound
(4:44)  7. Ghost of a Chance
(5:06)  8. I Fall In Love Too Easily
(3:51)  9. Speak of Love
(3:39) 10. I Remember You
(5:41) 11. Lovelight
(3:37) 12. Let's Get Lost
(2:42) 13. He Was Too Good To Me

Laura's style is influenced by Shirley Horn, Peggy Lee, Chet Baker, Stan Getz, and in arrangements by her long-time collaborator,the great pianist Steve Kuhn.John Huddy of The Miami Herald, in an article about the great Tony Bennett, wrote, “Bennett scampers over to a desk, {and} returns with a pocket-size tape recorder. The hotel orchestra leader, Jerry Marshall, had brought a beautiful young Miami singer backstage.Bennett says with unrestrained enthusiasm, ‘she’s really unique, you gotta listen to her. I think she’s really something.’ Bennett plays a demo tape for the singer, Laura Taylor, praising every note. He sounds like a proud father describing the latest success of a talented offspring.” Bennett is not alone in his reaction to singer/songwriter Laura Taylor…Michael Paskevich, The Las Vegas Review Journal:“Taylor’s stylized singing presents her with plenty of challenges and she proved up to the task during her 45 minute early set.Taylor’s closing take on “Mountain Greenery” found her turning the song inside-out and making it her own, no mean feat when it comes to show standards, and further served notice that Taylor is a name to watch for.” Joe Delaney, The Las Vegas Sun: “…a beauty with voice to match, plus a fine jazz feel, Laura Taylor treated all concerned to a varied program that included requests and a world-class treatment of “The Nearness of You”.”

Bob Shemeligian gave Laura a full page review in Show Biz Magazine under the heading:  Songstress Laura Taylor Mesmerizes Audiences With Silky Vocal Stylings… “Many of Taylor’s listeners agree that the singer’s most remarkable quality is her voice. It’s not uncommon to see listeners captivated by Taylor’s vocal range as if they’re floating in a dream.” Laura is the product of a rich musical background. Her mother was a Juilliard graduate, concert pianist and teacher, and her father was a successful business man and gifted singer. Together they instilled in Laura a love for music which has been a guiding force in her life. Born in New Haven, Connecticut, Laura was raised in Watertown, New York and Monroe, Ohio. At seventeen, Laura was awarded a scholarship to study opera at the Cincinnati Conservatory of Music with the great voice teacher, Professor Robert Powell. After two years of study with Professor Powell, his untimely death prompted a move into commercial music and jazz for Laura. Still in her teens, she began her professional career performing in small clubs, eventually going into commercial and studio work.. Laura was the solo voice on the national campaign for United Airlines’ Fly the Friendly Skies of United- and also the now-famous Wouldn’t You Really Rather Have a Buick? campaign. A move to Miami, Florida was followed by a long association with Criteria Recording Studios, which included vocal contracting and singing for Beatles’ producer, George Martin on a soundtrack for the film Honkey Tonk Freeway, a song demo for the Bee Gee’s Morris Gibb, and solo background work for Tom Dowd on the Firefall Elan album, for which she was presented a platinum album.

Laura signed her first record deal with Criteria’s own label- Good Sounds Records- whose parent company and distributor was T.K. Records. This opened the door for Laura’s dual talents as singer and songwriter. Her first album was called Dancin’ In My Feet. The title song, Dancin’ In My Feet, became the theme song for the nationally syndicated TV show Disco Magic and rose to #4 on Billboard’s national disco chart. Three of her original songs- Lady Scorpio- All Through Me- and Some Love- also made Billboard and Record World charts. During this same period, on three separate occasions, Laura electrified Miami Dolphins fans with her a cappella version of The Star Spangled Banner. Laura’s success as a songwriter continued when Diana Ross included her original song Think I’m In Love on her album Why Do Fools Fall in Love. The song was also selected as the flip-side of Ms. Ross’ single release. This resulted in Laura being presented with her second platinum album. Enthusiasm for Laura both as a singer and songwriter led to appearances on Midnight Special, The Dinah Shore Show and The Merv Griffin Show, where she showcased several of her original songs.

Forming the Laura Taylor Trio, Laura moved to New York and enjoyed engagements at the St. Regis Hotel, the Oak Room in the Plaza Hotel, and an exclusive six year contract at the Waldorf Astoria Hotel. During this time, she also appeared in concert at Carnegie Recital Hall, which featured her trio,The Manhattan School of Music String Quartet, and special guest artist,Dave Samuels, from the group Spiro Gyra. Working in New York also gave Laura the opportunity to perform as part of the legendary Joe Henderson Quartet performing two Henderson compositions she wrote lyrics for, Isotope and Black Narcissus, and hearing Mr. Henderson perform two of her original compositions, Lovelight and Spellbound. Continuing her association with great jazz musicians, Laura was asked to record Isotope with jazz piano great Steve Kuhn on his CD, Porgy. Also featured on this CD are her vocal and lyrics to Steve’s beautiful Lullaby composition. Opening for the great comedian, Don Rickles, in Atlantic City and Las Vegas led to a long engagement in the Starlight Theater of the Desert Inn Hotel and a move to Las Vegas. Continuing her jazz career, she performed several times on the legendary Monday Night Jazz series broadcast on National Public Radio and hosted by Alan Grant. Laura’s other concert appearances included opening the Las Vegas Government Center, several Las Vegas Jazz Society concerts and two appearances at the Riviera Hotel’s Monday Night Jazz with Don Menza. 

Critical acclaim and national radio airplay have been given to Laura’s three recent jazz CDs: Mountain Greenery featuring jazz greats Jack Sheldon, Pete and Conte Condoli, Red Holloway and guitarist Joe Lano; Cry Me a River, a tribute to the late Julie London, featuring Joe Lano and Tom Warrington, and Songs of the Winter Season, also featuring Joe Lano.

Laura is currently releasing her fourth CD…My Funny Valentine…Memories of Chet Baker…featuring jazz legends Steve Kuhn, Eddie Gomez and Lewis Nash. Check current news on the web site for the release date. While continuing to live in Las Vegas, Laura does many special events and concerts, the most recent being The Duke Ellington Sacred Concert with Laura as the featured soloist with the Las Vegas Master Singers and the UNLV Jazz Ensemble performing this incredible work. Upcoming performances include her fifth appearance on The Dennis Bono Radio Show and a concert for the Henderson Arts Council on August 26th (also check current events for more information). http://www.cdbaby.com/cd/laurataylor

Personnel:  Steve Kuhn, piano; Eddie Gomez, bass; Lewis Nash, drums

My Funny Valentine

Wednesday, March 26, 2014

Laura Taylor - Cry Me a River

Styles: Vocal Jazz
Year: 2001
File: MP3@320K/s
Time: 52:28
Size: 124,5 MB
Scans:

(4:20)  1. Gone With the Wind
(3:26)  2. What Is This Thing Called Love
(4:37)  3. How Long Has This Been Going On
(3:05)  4. No Moon At All
(3:05)  5. I Love You
(5:06)  6. Blue Moon
(2:36)  7. Easy Street
(4:14)  8. Cry Me a River
(3:11)  9. I'm in the Mood for Love
(4:49) 10. Julie
(2:14) 11. The One I Love Belongs to Somebody Else
(4:55) 12. I'm Glad There Is You
(2:55) 13. Can't Help Lovin' That Man of Mine
(3:48) 14. Swonderful

From tiny acorns, mighty oaks may grow. Such might describe this project, to feature Laura Taylor in renditions of some of the beautiful songs done in such a sensual style by Julie London. The acorn, or thought, was dropped as a suggestion, that Laura’s voice and style (not to mention looks!) might complement the styling which caused so many college boys to swoon in the 50’s and 60’s (My older brother had the albums: Julie Is Her Name, Vol 1, with Barney Kessel-guitar, Ray Leatherwood-bass, 1955; Julie Is Her Name, Vol 2, with Howard Roberts-guitar, Red Mitchell-bass, 1958, both by Liberty Records). And so the memories of Blue Moon, S ‘Wonderful, Can’t Help Lovin’ That Man of Mine, and the incomparable version of Cry Me a River flashed into warm recollections of October nights on campus and fireside listening sessions on coveted 33-rpm LPs (which had only appeared in 1951).

Laura’s notable collaborations with close friend and very talented guitarist Joe Lano (see: Mountain Greenery, Songs of the Winter Season, etc.) prompted an admirer, Doctor Howard Hoffman, to suggest that the Julie London/Barney Kessel recordings would be a natural for the two of them. Howard, like many others, was under the impression that Kessel was the only guitarist on these two famous recordings. Kessel was, in fact, guitarist on Julie is Her Name, Vol. 1, which included Cry Me a River, but the very talented (though perhaps lesser known) Howard Roberts did the Julie is Her Name, Vol. 2, recording that, according to Joe, had many guitarists rushing to emulate what Roberts had done. Laura and Joe began listening to those wonderful recordings to decide whether to further pursue the idea. But the conclusion was easy-the songs fabulous and still timely, and the fit was right. Typical of their collaborations, Joe and Laura next met with guitar, piano, voice, pencils and score sheets to discuss song selection, key choices and arrangement concepts. Julie made so many fabulous recordings that priorities had to be established. In addition to Julie’s most famous recording, Cry Me a River, Laura and Joe needed to narrow the choices to songs which they could put their own signature on without compromising the original intent of the London-guitar-bass-renditions.

Laura and Joe started to work their usual magic! Some songs were done closely adhering to the original, while others received an entirely different approach. Joe suggested a bossa nova style for Gone With the Wind, a rhythm unknown in the U .S. in the 50's and Laura brought her bossa concept of I’m Glad There is You to the mix, based on an arrangement she conceived while playing and singing at The Mirage Hotel in Las Vegas. To my knowledge, I’m in the Mood for Love has never been recorded as a waltz, another concept Joe and Laura developed in the living room that eventful day. Each song, however, was approached with a respect for Julie’s original interpretation and the warmth and intimacy she created. And from the acorn, mighty oaks may grow!

Two more ingredients were needed to augment this project-the talents of recording engineer T-Bone Demman and his Sonsong’s Studio, where Joe and Laura had recorded two previous and wonderful CDs (see paragraph 2 above)-and one more musician. The instrumentation of Volumes 1 & 2 of Julie is Her Name was the same for both sessions- voice-guitar-bass. The Los Angeles-based Tom Warrington was the one to fill the bass chair. Tom’s articulate yet warm, full sound was the perfect complement to complete the project...   http://laurataylor.com/cry-me-a-river/

Personnel includes: Laura Taylor (vocals); Jay Lano (guitar); Tom Warrington (bass).

Sunday, January 19, 2014

Laura Taylor - Have Mercer On Me

Styles: Vocal Jazz
Year: 2010
File: MP3@320K/s
Time: 57:43
Size: 132,9 MB
Art: Front

(6:11)  1. When The World Was Young
(3:14)  2. On The Atchison, Topeka And The Santa Fe
(4:18)  3. Skylark
(2:51)  4. The Glow Worm
(4:45)  5. Come Rain or Come Shine
(8:03)  6. Midnight Sun
(2:32)  7. Accentuate the Positive
(3:29)  8. I'm Old Fashioned
(6:31)  9. Laura
(2:15) 10. That Old Black Magic
(4:54) 11. Out of This World
(4:38) 12. Early Autumn
(3:56) 13. Moon River

Critical acclaim and national radio airplay have been given to Laura’s five jazz CDs: Have Mercer on Me, features pianist and Ben Vereen conductor David Loeb, bassists Bob Sachs and Derek Jones, pianist Bob Rozario, drummer Michael Mecham, guitar great Joe Lano and percussionist Lenny Lopez.   My Funny Valentine…a tribute to Chet Baker, features jazz legends Eddie Gomez, Steve Kuhn and Louis Nash.  Mountain Greenery features jazz greats Jack Sheldon, Pete and Conte Condoli Red Holloway and guitarist Joe Lano; Cry Me a River, a tribute to the late Julie London, features Joe Lano and Tom Warrington, and Songs of the Winter Season, also featuring Joe Lano and Tom Warrington.

While continuing to live in Las Vegas, Laura does many special events and concerts. A highlight of 2012 was Laura’s October 25th performance at The Smith Center For the Performing Arts Cabaret Jazz Theater. Titled “Something’s Coming”, this debut performance at the Smith Center had a full house that gave Laura two standing ovations. Laura will be returning to the Smith Center on April 24, 2014, doing a program titled “It Might As Well Be Spring”(see web site announcements for details).  2011 and 2012 saw Laura doing three appearances at Michael Feinstein’s beautiful club in New York… “Feinstein’s”. Michael gave Laura a warm welcome by enthusiastically attending one of those performances.

Most recently Laura did her second annual appearance as part of the legendary Joe William’s Scholarship Concert. In addition to Laura, the incredible UNLV Jazz Band 1 led by David Loeb and Nathan Tanoye backed performers such as Ben Vereen, Marlena Shaw, and The Cunninghams, and several others.  All performers donated their performances to help raise money for these very talented students and this great program! Laura has also appeared with these great jazz students as the featured soloist in The Duke Ellington Sacred Concert, a challenging, beautiful work which also featured the wonderful Las Vegas Master Singers.... More  http://laurataylor.com/about/