Ellen Andersson - You should have told me

Styles: Vocal
Year: 2020
File: MP3@320K/s
Time: 41:42
Size: 96,3 MB
Art: Front

(5:07) 1. You should have told me
(4:39) 2. Once upon a summertime
(3:52) 3. You´ve got a friend in me
(5:38) 4. Just squeeze me
(4:56) 5. Too young
(6:55) 6. The thrill Is gone
(2:59) 7. ´deed I do
(3:59) 8. Blackbird
(3:32) 9. I Get Along Without You Very Well

Ellen Andersson has been described as two voices in one the young, curious and the mature, experienced a person with a rare artistic depth. With a distinctive voice and an unmistakable expression she has, since her debut in 2016 with “I’ll Be Seeing You”, been praised by both critics and audiences quickly establishing herself as one of the most notable artists on the Swedish jazz scene. In November 2020, she released her long-awaited second album “You Should Have Told Me”.

“A vocalist has rarely been this wished-for. Finally!”, Johan Norberg wrote, and her debut album was awarded “Best Album of the Year” by Swedish jazz magazine Orkesterjournalen, as well as “Newcomer of the Year” by Swedish National Radio. Since then, she has been seen and heard on stages across Sweden as well as abroad, often with acclaimed symphony orchestras and big bands but on the new album, she goes back to the core: jazz quartet, an acoustic sound with an infrangible sense of identity and urgency. https://www.ellenandersson.com/about

You should have told me

---

Ellen Andersson Quartet - I'll Be Seeing You

Bitrate: MP3@320K/s
Time: 50:59
Size: 116.7 MB
Styles: Jazz vocals
Year: 2016
Art: Front

[2:47] 1. 's Wonderful
[6:42] 2. You've Changed
[6:44] 3. A Day In The Life Of A Fool
[5:14] 4. Au Privave
[6:05] 5. I'll Be Seeing You
[6:43] 6. Gloomy Sunday
[5:36] 7. Everything I Love
[7:52] 8. Smile
[3:12] 9. I Cried For You

Ellen Andersson: vocals; Peter Asplund: trumpet; Oilly Wallace: saxophone; Anton Forsberg: guitar; Hannes Jonsson: bass; Sebastian Brydniak: drums.

Swedish vocalist Ellen Andersson sings in a strangely forced way, trying to imitate Billie Holiday but sounding more like someone in dire need of a laxative. This is most apparent on "You've Changed," which Holiday recorded on her 1958 Columbia album Lady In Satin when past her prime.

In 2013 another Swedish singer, Isabella Lundgren refashioned history, singing the song as Lady Day might have done when young, on another Prophone album, Ela, by guitarist Anders Färdal and harmonica player Luciano Mosetti. Lundgren's version knocks Andersson's stiff, self-conscious interpretation into a cocked hat, despite heroic efforts by guest trumpeter Peter Asplund and bassist Hannes Jonsson to rescue the number. "Gloomy Sunday," another number associated with Lady Day, while equally painful on occasion shows an adventurous spirit and features an interesting solo by another guest, Danish alto saxophonist Oilly Wallace. He is featured too on "I Cried For You," otherwise notable for Andersson's bizarre phrasing.

But it's her first album so let's not be too harsh on the poor girl. She has a good voice and shows considerable ability on her wordless forays, where she no longer attempts to sound like Lady Day and is relieved too of the responsibility of reinterpreting lyrics from the Great American Songbook, which have all been sung countless times before. Her work with Asplund on Charlie Parker's "Au Privave" sees her at her most relaxed and confident and she also goes in for some admirably adventurous scatting on the title track, "I'll Be Seeing You." Of the members of her quartet, guitarist Anton Forsberg displays considerable ability, notably on Charlie Chaplin's "Smile." ~Chris Mosey

I'll Be Seeing You

---