Saturday, November 28, 2020

Alain Jean-Marie - Biguine Reflections

Styles: Piano Jazz
Year: 1992
File: MP3@320K/s
Time: 44:20
Size: 102,9 MB
Art: Front

(3:17) 1. Bégonia
(4:49) 2. Doudou pa pléré
(4:26) 3. Ta ta ta
(2:55) 4. Tou sa sé pou doudou
(2:47) 5. Tiéri an lan démil
(3:30) 6. Ka i fé-w
(2:25) 7. Boné an mwen pati
(4:43) 8. Haïtian Child
(2:35) 9. Pa ban mwen kou
(3:55) 10. Gwadloup an nou
(5:43) 11. Driv
(3:09) 12. Chofé bigin la

Jean-Marie taught himself to play piano from age eight. He played in dance orchestras in Guadeloupe (especially that of Robert Mavounzy), lived in Canada from 1967 to 1970 and then in the Antilles. He made his first recordings in 1969 (released in 1997 as piano biguines). At the same time he played regularly with the trio of Winston Berkley and Jean Claude Montredon. In 1973, he moved to Paris, where he accompanied jazz musicians such as Chet Baker, Sonny Stitt, Art Farmer, Johnny Griffin, Lee Konitz, and Max Roach. In 1979, he debuted with his own trio (Al Levitt on percussion, Gus Nemeth and later Riccardo Del Fra on bass). Since the 1980s, he has regularly performed with Barney Wilen, including as a duo on albums such as La Notenbleue (1986) and Dreamtime (1992). In 1986, he regularly accompanied Dee Dee Bridgewater. In 1987 he recorded the album Latin Alley in a duo with Niels-Henning Ørsted Pedersen. In 1990 he accompanied Abbey Lincoln on the album World Is Falling Down with Jackie McLean, Billy Higgins and Charlie Haden. In 1991 he played with Henri Texier (bass) and Aldo Romano (drums) on The Scene Is Clean. His 1992 trio album Biguine Reflections was influenced by the music of the Antilles as well as bebop. He also played in a trio with Gilles Naturel and John Betsch (Lazy Afternoon, 2000) and recorded his first solo album in 1999 (Afterblue, which received the Prix Boris Vian). In 2004, a second solo album, Thats What, followed.

Jean-Marie also played with Guadeloupe musicians such as the guitarist André Condouant (Clean & Class, 1997), a group of musicians from Guadeloupe under the trumpeter Franck Nicolas (Jazz Ka Philosophy) and the saxophonist Jocelyn Ménard (Men Art Works). He also worked with Jacques Vidal / Frédéric Sylvestre, with Michel Graillier (Portrait in Black & White, 1995), Boulou and Elios Ferré (Intersection, 2001, Live in Montpellier, 2006), with Xavier Richardeau, Sara Lazarus and Ted Curson (In Paris, Live At The Sunside, 2006). In 1979 he received the Prix Django Reinhardt and in 2000 the Django d'Or. https://en.wikipedia.org/wiki/Alain_Jean-Marie

Biguine Reflections

Kate Ceberano - The Dangerous Age

Styles: Vocal
Year: 2020
File: MP3@320K/s
Time: 42:29
Size: 98,9 MB
Art: Front

(4:23) 1. All Tied Up
(4:17) 2. Monument City Lights. 1973
(3:51) 3. On Love
(2:51) 4. The Dangerous Age
(3:15) 5. Shot From Memory
(3:17) 6. My Restless Heart
(3:08) 7. Girl On The Highwire
(2:58) 8. So Long Ago
(2:59) 9. Not The Loving Kind
(4:09) 10. The Losing Game
(4:09) 11. Glacial Speed
(3:07) 12. Whatever Happened To Steven Valentine?

This is an extraordinary album for extraordinary times. Initially, I wondered if the title was a reference to the Trump era, the rise of extremism, catastrophic climate change and heightened global tension. These are, after all, dangerous times. Reading the news on my phone has become a daily exercise in existential crisis. Today, the sense of danger all around us has risen exponentially as our seemingly indestructible world shuts down, victim to a menacing, insidious, killer pandemic.It is a most dangerous age.This album is one of those rare but memorable instances where art is created before a significant event occurs but its release coincides with that event and it becomes forever associated with it.

Think of Wilco’s album Yankee Hotel Foxtrot. It was written and recorded before September 2001, with the cover featuring two towers in Chicago known as the Marina City towers. The album was released seven days after the terrorist attacks on New York’s own twin towers, the World Trade Center. Although the lyrics and music explore personal themes, the album’s feeling, tone and cover represent that moment in time when the world stopped in terror, and then had to cope in the aftermath. It helped people deal with their shock and grief. In the same way, The Dangerous Age will, for me, forever be tied to this moment in time; a symbol of these dangerous times, in which we shelter in our homes to avoid contracting or spreading a deadly virus, and how we cope. This is music as coping mechanism. https://indaily.com.au/arts-and-culture/music/2020/03/26/album-review-the-dangerous-age/

Personnel: Kate Ceberano – vocals, Steve Kilbey – vocals, Sean Sennett – vocals, Rod Bustos – acoustic guitar, electric guitars, slide guitar, synth bass, table, drum programming, piano, synthesisers, glockenspiel, Jason Millhouse – guitar, John Salerno – drums, Paul Cecchinelli – piano, keys, cello, Alison Ainsworth – backing vocals

The Dangerous Age