Monday, June 4, 2018

Buddy Johnson - At The Savoy Ballroom

Bitrate: MP3@320K/s
Time: 50:18
Size: 115.2 MB
Styles: Swing, Big band
Year: 2010
Art: Front

[5:44] 1. (Theme) Walk 'em-Opus # Two
[3:55] 2. Since I Fell For You
[3:29] 3. St. Louis Blues
[2:24] 4. Waitin' For The Train To Come In
[2:52] 5. Night Shift
[4:38] 6. Jodi
[4:33] 7. One O'clock Boogie
[2:49] 8. The Otherside Of The Rainbow
[2:15] 9. Exactly Like You
[4:48] 10. One For A Nickel
[2:37] 11. Gee, It's Good To Hold You
[3:25] 12. In There
[4:33] 13. Traffic Jam
[2:10] 14. If You Never Return

Alto Saxophone – Joe O'Laughton; Baritone Saxophone – Teddy Conyers; Bass – Leon Spann; Drums – Teddy Stewart; Guitar – Jerome Darr; Piano – Buddy Johnson; Tenor Saxophone – Dave Van Dyke, Jimmy Stamford; Trombone – Bernard Archer, Gordon Thomas, Leonard Briggs; Trumpet – Dupree Bolton, Frank Brown, John Wilson, Willis Nelson; Vocals – Arthur Prysock, Ella Johnson.

Woodrow Wilson Johnson, 10 January 1915, Darlington, South Carolina, USA, d. 9 February 1977, New York City, New York, USA. Pianist in several dance bands of the 30s, Johnson visited Europe with the Cotton Club Revue and later formed his own big band. Although popular with dancers at Harlem’s Savoy Ballroom Johnson’s band was not especially jazz-orientated and neither did it become well-known to white audiences. In the mid-40s Johnson adapted his style to suit changes in public taste and had several hit records in the R&B field, notably ‘Please, Mr Johnson’ which was sung by his sister, Ella Johnson. (NB: this artist should not be confused with saxophonist Budd Johnson.)

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Steve Kuhn - The Best Things

Bitrate: MP3@320K/s
Time: 53:52
Size: 123.3 MB
Styles: Bop, Piano jazz
Year: 2000
Art: Front

[ 8:30] 1. The Best Things In Life Are Free
[ 5:30] 2. Luiza
[ 6:52] 3. Two By Two
[ 6:29] 4. Portrait Of Jennie
[ 8:15] 5. Confirmation
[10:47] 6. Poem For #15
[ 7:25] 7. Adagio

Bass – David Finck; Drums – Billy Drummond; Piano - Steve Kuhn; Vocals – Luciana Souza. Digitally recorded at Avatar Studios, New York City on 20th December 1999.

This third trio CD for Kuhn on Reservoir yields much the same refined, intelligent, eminently enjoyable result as the previous efforts. Bassist David Finck and drummer Billy Drummond are totally in tune with the veteran pianist/leader, whose powers are consistently hovering at a high level these days, stoking the post-boppish fires of his youth with the wisdom and savvy of his years of performing and recording. Kuhn's personal growth curve is most prevalent as you hear the daunting touches within a quietly urgent stance on the well-worn and swung standard "The Best Things in Life Are Free." The pianist throws a tricky change-up on "Confirmation," a swiss-cheese version with giant holes carved out of the melody line, using tension and release effectively from the boppish head to relaxed bridge, liberally sprinkling "merrily we roll along" quotes along the way. Three of Kuhn's originals are included; a refreshingly original 12-bar blues "Two by Two," the very slow ballad "Adagio" featuring three note-patterned wordless vocals from Luciana Souza, and his famous kinetic soul waltz for Thurman Munson, "Poem for #15," a seemingly effortless, easily swung piece, the hallmark of this well-rehearsed and seasoned working trio. Also included is A.C. Jobim's lesser-known delicate waltz/ballad "Luiza," and the Bill Evans-identified, wonderfully rendered romantic evergreen "Portrait of Jennie." Another in a string of very consistent, musically advanced, universally listenable documents in Kuhn's thankfully growing discography. Recommended. ~Michael G. Nastos

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Susannah Adams - As In The Morning Light

Bitrate: MP3@320K/s
Time: 45:23
Size: 103.9 MB
Styles: Jazz vocals
Year: 2018
Art: Front

[2:57] 1. My Kinda Groove (Jordu)
[3:22] 2. Softly, As In A Morning Sunrise
[3:34] 3. Look For The Silver Lining
[5:17] 4. As The Morning Light
[4:27] 5. Save Your Love For Me
[3:36] 6. Dat Dere
[5:09] 7. Tumbling Into Your Beauty
[4:00] 8. You'd Be So Nice To Come Home To
[4:47] 9. What Lies Between The Lines
[4:57] 10. The Shortest Distance
[3:11] 11. Calypso Be

A bold innovator, Adams is unafraid to explore the depth of jazz in order to find her true sound - a sound which is at once warm and lush, yet harkens back to the era of cool jazz. A classic approach with a contemporary twist, Adams' unique style is utterly compelling. With the release of her debut album As the Morning Light, Adams has established herself as an original lyricist, composer and arranger, as well as an interpreter of jazz standards.

Born and raised in London, England, Adams now resides by the ocean in Victoria, British Columbia, with her husband and two children. She believes the world is a stage and is often found singing to the ducks as she tends to their urban farm.

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Sadao Watanabe - Jazz Samba

Bitrate: MP3@320K/s
Time: 37:35
Size: 86.1 MB
Styles: Saxophone jazz
Year: 1967/2013
Art: Front

[3:44] 1. Samba De Orphee
[4:23] 2. It Might As Well Be Spring
[4:05] 3. The Watermelon Man
[2:20] 4. Frevo
[3:08] 5. Lobo Bobo
[3:42] 6. She Loves You
[2:19] 7. Four-Leaf Clover
[1:49] 8. Surf Board
[4:04] 9. Sunny
[3:11] 10. Spring Samba
[2:27] 11. Fried Bananas
[2:17] 12. Berimbau

Sadao Watanabe - Alto Saxophone, Flute; Masabumi Kikuchi - Piano; Masanaga Harada - Bass; Masahiko Togashi - Drums.

Born in Tochigi Prefecture in 1933. Moved to Tokyo after graduating high-school. In 1962, moved to Boston to study at Berklee College of Music after participating in many band sessions as a alto saxophone player. Representing as a top Japanese musician, also know as a talented photographer, publishes six picture books. As an Executive Producer of the Japanese Government Exhibition Project for the 2005 in Japan, advocates the message "World Peace" through music.

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Nat King Cole, George Shearing - Nat King Cole Sings George Shearing Plays

Bitrate: MP3@320K/s
Time: 46:07
Size: 105.6 MB
Styles: Vocal, Piano jazz
Year: 1962/1987/2000
Art: Front

[2:56] 1. September Song
[3:12] 2. Pick Yourself Up
[3:39] 3. I Got It Bad (And That Ain't Good)
[2:42] 4. Let There Be Love
[3:51] 5. Azure-Te
[3:20] 6. Lost April
[2:37] 7. A Beautiful Friendship
[3:27] 8. Fly Me To The Moon (In Other Words)
[2:58] 9. Serenata
[3:26] 10. I'm Lost
[2:22] 11. There's A Lull In My Life
[2:28] 12. Don't Go
[3:16] 13. Everything Happens To Me
[2:54] 14. The Game Of Love
[2:50] 15. Guess I'll Go Back Home

This 1961 album is a classic. It not only spawned a long-running chart hit (Let There Be Love) but it paired two of the most talented jazzmen in a true meeting of minds. George Shearing called it “one of my favourite albums of all time” and gave as an example the time that Nat Cokle suggested they should play Pick Yourself Up. Shearing had already made a version of this tune famous with his trademark quintet and didn’t feel like doing it again, but Cole chose just the right tempo to refresh the song.

The two men were in a way blood brothers, both being important pianists and sharing an easy approach to swing which was both clever and accessible. Their empathy and generally gentle approach makes for a perfect blend. The above-mentioned Pick Yourself Up is an excellent example. Shearing’s previous version took the song at a fair lick but Cole turns down the intensity and increases the intimacy. George’s solo with his quintet is cushioned by discreet strings arranged by Ralph Carmichael.

Let There Be Love is still one of the outstanding tracks, with Shearing’s bluesy introduction wafted in on the strings before the key changes to bring in Nat’s enticing vocal. George’s piano is always subtle, making no attempt at dominance but behaving as the finest accompanist. Other notable tracks include A Beautiful Friendship, where the Shearing Quintet sound comes into its own, and the deliciously slow I’m Lost. Tracks 13 to 15 are extra tracks added to the original LP. The remaining items come from Nat Cole’s album 1962 LP Dear Lonely Hearts, which consists mainly of soupy countrified ballads overloaded with heavenly choirs. It seems like an anti-climax after the numbers with Shearing. But those numbers make this CD worth buying for its first 15 tracks alone. ~Tony Augarde

Nat King Cole Sings George Shearing Plays

Amy Holland - Light On My Path

Styles: Vocal
Year: 2016
File: MP3@320K/s
Time: 57:14
Size: 146,2 MB
Art: Front

(3:46)  1. Bridge Of Sighs
(4:20)  2. I Must Have Left My Heart
(4:08)  3. Walking On A Wire
(3:09)  4. Stained Glass Love
(3:48)  5. Me, My Heart And I
(4:18)  6. Gravity
(5:32)  7. We're All Strangers Here
(4:24)  8. Impossible Love
(4:30)  9. Prove That By Me
(3:47) 10. Holiday
(4:13) 11. Hat Full Of Stars
(4:59) 12. The Same Mistake
(3:45) 13. Just Like Always
(2:29) 14. Light On My Path

Singer Amy Holland scored a Top 30 hit with her soft rock track "How Do I Survive" in 1980. The song, taken from her album Amy Holland, was produced by Doobie Brother Michael McDonald and featured several notable musicians of the time, including Mike Porcaro, Tom Scott, and Bill Payne. She had a minor hit two years later, singing a duet on "Ain't Nothing Like the Real Thing/You're All I Need to Get By" with Chris Christian. In 1983, she issued On Your Every Word, but it failed to attract an audience. Since then, she has appeared on records as a backing vocalist, including releases by Christian group First Call and McDonald, to whom she has been married for two decades. The EMI label finally issued On Your Every Word on CD in 2005. ~ Tom Demalon https://itunes.apple.com/us/album/light-on-my-path/1115797480

Light On My Path

George Benson - The New Boss Guitar Of George Benson

Styles: Guitar Jazz
Year: 1964
File: MP3@320K/s
Time: 40:20
Size: 92,6 MB
Art: Front

(4:49)  1. Shadow Dancers
(4:42)  2. The Sweet Alice Blues
(6:52)  3. I Don't Know
(3:05)  4. Just Another Sunday
(4:30)  5. Will You Still Be Mine
(6:41)  6. Easy Living
(4:02)  7. Rock-A-Bye
(5:37)  8. My Three Sons

George Benson was only 21 when, on May 1, 1964, he recorded his first album as a leader, The New Boss Guitar of George Benson. At that point, the guitarist had yet to become a huge name in jazz, although many of those who knew him for his work with Jack McDuff's group (which he joined in 1962) agreed that he showed great potential. Benson still had some growing to do in 1964, but even so, this is an impressive debut. The guitarist had developed a distinctive, recognizable sound on his instrument, and he plays with both feeling and technique on five Benson originals (including the sly "Shadow Dancers," the exuberant "Rock-A-Bye," and the earthy blues "I Don't Know") as well as interpretations of "Easy Living" and "Will You Still Be Mine." Benson, of course, had an insightful teacher in McDuff, who plays both organ and piano on this hard bop/soul-jazz date. Tenor saxophonist Red Holloway, another member of McDuff's early-'60s group, is also on board, as are bassist Ronnie Boykins and drummer Montego Joe. In 1964, Benson's best work was yet to come; nonetheless, this album is historically important as well as rewarding. ~ Alex Henderson https://www.allmusic.com/album/the-new-boss-guitar-of-george-benson-mw0000690477 

Personnel: George Benson (guitar); Red Holloway (tenor saxophone); Jack McDuff (piano, organ); Ronnie Boykins (bass); Montego Joe, Joe Dukes (drums).

The New Boss Guitar Of George Benson