Tuesday, September 10, 2013

The Arbors All Stars - Pizzarelli Party

Bitrate: 320K/s
Time: 69:03
Size: 158.1 MB
Styles: Swing, Vocal jazz
Year: 2009
Art: Front

[ 3:14] 1. We Take On The Town
[ 7:26] 2. Strollin' Over To Nola (Gonna Play Some Blues)
[ 8:04] 3. Oh, Lady Be Good!
[ 4:46] 4. Wrap Your Troubles In Dreams
[10:33] 5. Sweet & Lovely
[ 2:55] 6. Joe & Zoot
[ 3:20] 7. I'm Making Believe
[ 5:45] 8. You Be The Judge
[ 6:05] 9. Somebody Call Hanly!
[ 3:26] 10. Under A Blanket Of Blue
[ 3:14] 11. Check Out This
[ 3:21] 12. I Knew Him When
[ 6:50] 13. I'll See You In My Dreams

The Arbors All Stars/The Pizzarellis: John Pizzarelli (vocals, electric guitar); Bucky Pizzarelli (acoustic guitar); Martin Pizzarelli (bass instrument). One of several projects for father and son guitarists Bucky Pizzarelli and John Pizzarelli, this effort lives up to its "party" title. It includes various sung and played show tunes, jams, and quite a few originals from the younger Pizzarelli in this famous jazz family. Martin Pizzarelli is added on bass, while vocalists John P., Rebecca Kilgore, and Jessica Molaskey convene for a three-generation front line that appears on select tracks. The potent front line is a dandy, with violinist Aaron Weinstein and tenor saxophonist Harry Allen providing the sweet harmonies and melodies, while pianist Larry Fuller adds more than ample support in the rhythm section with the guitarists. The clever songs that dominate this collection are, for the most, part endearing without being campy, while the high-level musicianship keeps things rollin' along from start to finish. Kilgore and Molaskey sing on two tunes, the cute "We Take on the Town" and the reflective standard "I Knew Him When," spanning the cunning to sad and lonely spectrum. When Weinstein and Allen play together, the result is pure attraction, whether during the easy blues "Strollin' Over to Nola," the hot and sweaty "Joe & Zoot," or the stomp down "Somebody Call Hanly," replete with hilarious "call for help" scat from John Pizzarelli. Both guitarists solo during the intro of "Sweet & Lovely" before Fuller takes over, evoking the title perfectly, while an upbeat jam on "I'll See You in My Dreams" has the band at full-bore open throttle, wittily quoting "After You've Gone." The lone feature for the elder Pizzarelli comes up on his original "Check Out This" in a daunting, easy as pie swing, while John Pizzarelli sings in his usual heartfelt, cool manner during "Under a Blanket of Blue." The recording succeeds on several levels because the program mixes up styles and soloists, with nobody really dominating, though the horns and especially the tasteful and complementary piano playing of Fuller deserve a closer listen. It's good to hear John Pizzarelli contributing new material aside from singing pop-jazz standards, and his dad is in good company with like-minded musicians from younger generations. The PIZZARELLI PARTY is one with an extended invitation to all, and comes easily recommended.

Jessica Molaskey, Rebecca Kilgore (vocals); Aaron Weinstein (violin); Harry Allen (tenor saxophone); Larry Fuller (piano); Tony Tedesco (drums).

Recording information: Nola Studios, New York, NY (01/28/2009/01/29/2009).

Pizzarelli Party

Barbara Lusch - Surprisingly Good For You

Bitrate: 320K/s
Time: 48:41
Size: 111.5 MB
Styles: Vocal jazz
Year: 2006
Art: Front

[3:22] 1. Sentimental Journey
[4:34] 2. Crazy
[3:41] 3. I'd Be Surprisingly Good For You
[2:43] 4. I Won't Dance
[4:04] 5. Daddy
[3:41] 6. Baby Come Home
[3:53] 7. My Heart Belongs To Daddy
[5:05] 8. Don't Let Me Be Misunderstood
[3:15] 9. Why Don't You Do Right
[2:52] 10. 'tain't What You Do
[2:38] 11. Please Don't Rush Me
[4:27] 12. For All We Know
[4:20] 13. Stardust

At last here is Barbara Lusch's much-anticipated new CD, "Surprisingly Good For You". What a treasure trove of delights! Here are jewels from the American Song Book ("Stardust", "Sentimental Journey"), country classics ("Crazy"), Broadway tunes ("I'd Be Surprisingly Good For You", "I Won't Dance"), bluesy torch numbers ("Why Don't You Do Right"), all interpreted anew by Barbara and her swinging jazz backup group. Just as for her first CD, she has chosen songs that are timeless, songs that have the power to bring back memories as well as create new ones.

Her debut album ("Barbara Lusch") was widely praised internationally. It was distributed in Japan, picked up by JazzRadio Berlin for repeated plays, chosen for a Singapore compilation CD, and it drew raves from many sources:
"Barbara Lusch is a communicator. She sings with a deeply sensual vibrancy that gets right to the heart of the matter. She brings a delightful voice that's always clear and crisp. One listen and you may feel as if you've known Barbara Lusch all your life." (Jim Santella, JazzScene)
"Her first release is a knockout from start to finish. Barbara Lusch deserves to be heard!"(Phil Stout, Music Consultant at JazzRadio Berlin)
"Lusch's cool vocals fit nicely among those of contemporaries like Norah Jones and Diana Krall, and have earned comparisons to legendary chanteuses Julie London, Doris Day and Peggy Lee." (Barbara Mitchell, Portland Tribune)
"This singer has created a solo identity that's two parts classy, one part coy, with a splash of seduction and a twist of wit." (Marty Hughley, The Oregonian)
"Barbara is like that darling girl next door, now completely grown up but still keeping that little girl charm. She can win over even the most casual listener with ease, with her own brand of ultra-clean, sexy allure." (Joerg Michael Smitt, Soul Site, Germany)

Recording information: Crossroads Productions, Vancouver, WA; Kung Fu Bakery Recording Studios, Portland, OR.

Rob Thomas (violin); Gary Hobbs (drums); Carmelo Louis Torres (congas, bongos, shaker); Bobby Torres (congas).

Surprisingly Good For You

The Red Norvo Quintet - The Red Norvo Quintet With Guest Vocalists Mavis Rivers & Ella Mae Morse

Bitrate: 320K/s
Time: 52:55
Size: 121.2 MB
Styles: Cool jazz, Vibraphone jazz
Year: 1962/1990
Art: Front

[3:21] 1. Spider's Web
[4:38] 2. What Is This Thing Called Love
[4:55] 3. Don't Get Around Much Anymore
[2:51] 4. About A Quarter To Nine
[3:56] 5. Lena And Lenny
[3:55] 6. Undecided
[4:06] 7. Rhee, O, Rhee
[2:16] 8. One Minute To One
[4:37] 9. Perdido
[4:01] 10. Lena And Lenny (Alternate)
[4:19] 11. What Is This Thing Called Love
[2:02] 12. That Old Black Magic
[3:52] 13. Don't Get Around Much Anymore
[4:00] 14. Rhee, O, Rhee (Alternate)

This CD, taken from radio transcriptions cut for the radio show "The Navy Swings," features vibraphonist Red Norvo's group in 1962, which by itself is rather notable, for Norvo made no other recordings as a leader from 1960-68.

Red's quintet (which also includes guitarist Al Viola, pianist Jack Wilson, bassist Jimmy Bond and drummer Bill Goodwin) plays very much in the cool-toned but often heated style of his earlier trios. Mavis Rivers and Ella Mae Morse take a total of three vocals, but it is the 11 instrumentals (counting four alternate takes) that are particularly memorable, most notably "Spider's Web," "Lena and Lenny" and "Rhee, O, Rhee."

The Red Norvo Quintet With Guest Vocalists Mavis Rivers & Ella Mae Morse

Liane Carroll - Ballads

Styles: Jazz Vocals
Year: 2013
File: MP3@256K/s
Time: 47:55
Size: 87,9 MB
Art: Front

(3:28)  1. Here's to life
(5:24)  2. Goodbye
(3:07)  3. Only the lonely
(6:27)  4. Mad about the boy
(4:38)  5. You've changed
(5:01)  6. Pretending to care
(4:49)  7. Calgary Bay
(3:43)  8. My one and only love
(4:11)  9. Will you still love me tomorrow
(3:41) 10. The two lonely people
(3:22) 11. Raining in my heart

Ballads is a great title for an album full of slow tempo, beautifully arranged, songs of love and romance. So it's a perfect choice as the title for British singer Liane Carroll's album. Except that it falls way short of communicating just what an achievement this album is.

Carroll's previous album, Up And Down (Quiet Money, 2011), was a superb combination of upbeat, up-tempo numbers and emotionally intense takes on songs including "My Funny Valentine" and Tom Waits' "Take It With Me." Ballads is firmly in the latter territory. James McMillan's production is once again exemplary. It's rare to hear vocals recorded with such clarity, where every aspect of the singer's voice is open to scrutiny. It's fraught with danger: what if the singer's voice is revealed as lacking, as falling short, as weak? Daft questions in this case; the exposure simply enhances Carroll's impact.

There's so much to enjoy on Ballads: old school standards like "Only The Lonely," pop classics (Gerry Goffin and Carole King's "Will You Still Love Me Tomorrow" and Felice and Boudleaux Bryant's "It's Raining In My Heart") and lesser-known gems such as Sophie Bancroft's "Calgary Bay." There's variety, too, in Carroll's musical accompaniments. On "Will You Still Love Me Tomorrow" there's just Mark Jaimes' guitar and Kirk Whalum's tenor saxophone. On "Only The Lonely" she's joined by a big band, while on "Goodbye," "You've Changed" and "Calgary Bay" the City of Prague Philharmonic Orchestra provide the accompaniment the arrangements for all four of these numbers coming courtesy of Grammy nominated Chris Walden.

Todd Rundgren's "Pretending To Care" is a tour-de-force but it's Noel Coward's "Mad About The Boy" that shines most brightly among these jewels. It's a song with a seemingly endless ability for re-invention. Coward's performance is marvellously high camp (Marianne Faithfull's version runs it a close second); Dinah Washington can be defiant or matter-of-fact; Julie London is sultry and confident she'll make her move when she's good and ready and the boy won't stand a chance.

Carroll's performance of "Mad About The Boy" with only Gwilym Simcock's piano for company is heartbreaking. She sings as though she's aware of the futility of her desire but unwilling, or unable, to leave it behind. It shows the greatness of Coward's little ditty, the many emotions that the song can reveal and the majesty of Carroll's voice. It's just one highlight of many on this exquisite album: Ballads is a classic-in-waiting.~Bruce Lindsay  http://www.allaboutjazz.com/php/article.php?id=44432#.Ui394T-wVw8

Personnel: Liane Carroll: vocals, piano (11); James McMillan: trumpet, vibes (1), keyboard (11); Mark Edwards, piano (2, 3, 5, 6, 7, 8), celeste (1); Gwilym Simcock: piano (4); Mark Jaimes: guitar (1, 3, 9); Steve Pearce: bass (1); Roger Carey: bass (2, 5, 8); Mark Hodgson: bass (3); Chris Hill: bass (7, 11); Mark Fletcher: drums (2, 5, 8, 11); Ralph Salmins: drums (3); Kirk Whalum: tenor saxophone (9); Simon Gardner: trumpet (3); Noel Langley: trumpet (3); Andy Gathercole: trumpet (3); Andy Baxter: trumpet (3); Pete Beachill: trombone (3); Chris Dean: trombone (3); Pete North: trombone (3); Richard Whigley: trombone (3); Sammy Maine: saxophone (3); Patrick Clahar: saxophone (3); Julian Seigel: saxophone (3); Ben Castle: saxophone (3); Jamie Talbot: saxophone (3); City Of Prague Philharmonic Orchestra (2, 5, 7).

Ballads

Lena Horne - Lovely And Alive

Styles: Vocal
Year: 1963
File: MP3@320K/s
Time: 35:50
Size: 82,9 MB
Art: Front

(2:45)  1. Concentrate on You
(3:43)  2. I Get the Blues When It Rains
(3:06)  3. I've Grown Accustomed to His Face
(2:54)  4. I Got Rhythmn
(3:30)  5. I'm Confessin'
(1:49)  6. I Want to Be Happy
(3:31)  7. I Surrender, Dear
(2:11)  8. I Found a New Baby
(3:49)  9. I Understand
(2:45) 10. I Let a Song Go out of My Heart
(2:22) 11. I Aint' Got Nobody
(3:18) 12. I Only Have Eyes For You

"This is what James Gavin has in the book about the Lovely and Alive LP:"
Horne's RCA contract ran out in 1962...most of the record buying public just wouldn't warm to her...her last LP in the RCA contract finished her run in a blaze of glory.  On LENA...LOVELY & ALIVE (arranger) Marty Paich brought out the swing in Horne that Lennie Hayton never had; no wonder the gloss of his arrangements now felt smothering to her. Hayton couldn't have generated the crackling excitment that Paich did in his updating of "I Concentrate on You"....she growled and hissed, she bit ravenously into words like "sweet" and "tender"...so much of Horne's sexy singing had been an eye-rolling put-on; this time it had a ring of truth.  So did her smoldering desperation in "I Surrender Dear."  Stereo Review: "repudiating the excesses that have frequently marred her performances before audiences, she emerges here a supreme technician with an unerring ability to extract meaning from the material...her interpretive art is so formidable that even the most ordinary lyric takes on special meaning."  LOVELY & ALIVE received two Grammy Award nominations including Best Female Pop Vocal. http://groups.yahoo.com/neo/groups/TheLenaHornePage/conversations/topics/2646 

Hildegunn Gjedrem - Share Your Secret

Styles: Vocal Pop
Year: 2011
File: MP3@320K/s
Time: 45:45
Size: 105,5 MB
Art: Front

(3:42)  1. Warrior Song
(4:30)  2. Love Comes Around
(3:58)  3. Hunted
(4:24)  4. Solveig's Sang
(3:28)  5. The Open Tomorrow
(3:37)  6. Just A Shiver
(5:38)  7. Share Your Secret
(3:43)  8. Nothing More
(3:22)  9. Maybe This Time
(4:33) 10. Merry Go Round
(4:46) 11. Northern Star

Born and raised in the rural southwest of Norway, Brooklyn-based vocalist and songwriter Hildegunn Gjedrem is emerging as a multi-faceted musical force.  Her new album "Share Your Secret" marks a stark departure from her previously jazz-centric career into a new world of smart, lushly arranged pop. Hildegunn left Norway in 2001 to pursue a jazz studies degree at the world-famous University of North Texas, quickly rising to faculty level and conducting several vocal jazz ensembles. While in Texas, she was awarded “Best Jazz Vocalist” by Downbeat Magazine, was granted the coveted Norwegian G9alt Scholarship of the Arts, and was a finalist in the prestigious Montreux Jazz Festival's Vocal Jazz Competition, judged by Al Jarreau. She was also a featured vocalist for the Grammy-nominated One O'Clock Lab Band. Since moving to New York City in 2009, Hildegunn's talents have been employed by celebrities such as Catherine Zeta Jones, Donald Trump, Michael Douglas, and Ralph Lauren, as well as Queen Sylvia of Denmark. She has performed with some of the city's finest jazz and pop musicians, including Travis Sullivan's Bjorkestra and ground-breaking instrumental ensemble Snarky Puppy. ~ http://hildegunn.bandcamp.com/releases

Georges Moustaki - Solitaire

Styles: Chanson
Year: 2008
File: MP3@320K/s
Time: 35:40
Size: 81,7 MB
Art: Front

(3:03)  1. Le Temps De Nos Guitares
(3:07)  2. Sorellina
(2:53)  3. Une Fille À Bicyclette (Avec Vincent Delerm)
(2:21)  4. Mélanie Faisait L'amour
(2:32)  5. Partager Les Restes (Avec Stacey Kent)
(3:34)  6. La Jeune Fille
(3:28)  7. Ma Solitude (Avec China Forbes of Pink Martini)
(3:24)  8. L'inconsolable
(3:28)  9. Sans La Nommer (Avec Cali)
(2:20) 10. La Chanson De Jaume
(2:41) 11. Solitaire
(2:44) 12. Donne Du Rhum À Ton Homme (Avec China Forbes)

Although he achieved his greatest fame in France, singing French-language songs in a distinctly French style, singer/songwriter Georges Moustaki was more a citizen of the world or, as he often put it, a "citizen of the French language." Christening himself a cultural "mongrel" in his signature hit "Le Métèque," Moustaki's first love was the classic-style French chanson, but he often appropriated bits of world folk musics from Greece, Turkey, the Middle East, Brazil (bossa nova and MPB), Argentina (tango), and other parts of Latin America, the United States (blues and jazz), Holland, and anywhere else his travels took him. Simplicity was a hallmark of many of his own recordings; possessed of a soft, warm voice, he often sang with only his own guitar for accompaniment, creating an intimacy that translated to his live gigs as well. A successful artist in his own right, Moustaki initially made his name as a songwriter of some renown, composing material for many of the top French singers of the late '50s and '60s (including Edith Piaf's classic "Milord"). He moonlighted as a poet, actor, novelist, and journalist at various points in his career, and remained one of France's more ambitious artists as his trademark beard and long, flowing hair turned white...More Bio ~Steve Huey http://www.allmusic.com/artist/georges-moustaki-mn0000647293/biography .

2008 return of a living legend. Produced by Vincent Segal (Bumcello, M, Agnes Jaoui). 9 new songs and 3 new versions of classics. Including duets with Stacey Kent, Vincent Delerm, Cali, Pink Martini, China Forbes.~Editorial Reviews http://www.amazon.com/Solitaire-Georges-Moustaki/dp/B00176I9W2 .