Styles: Vocal Jazz
Year: 2003
File: MP3@320K/s
Time: 44:36
Size: 102,9 MB
Art: Front
(3:16) 1. One Note Samba
(3:40) 2. High Wire
(3:39) 3. Skylark
(4:22) 4. Blues In The Night
(3:11) 5. Old Devil Moon
(4:35) 6. River
(3:43) 7. Never Will I Marry
(4:08) 8. Sugar
(3:12) 9. Blue Skies
(3:45) 10. Show Me
(4:08) 11. Nature Boy
(2:52) 12. With Every Breath I Take
Year: 2003
File: MP3@320K/s
Time: 44:36
Size: 102,9 MB
Art: Front
(3:16) 1. One Note Samba
(3:40) 2. High Wire
(3:39) 3. Skylark
(4:22) 4. Blues In The Night
(3:11) 5. Old Devil Moon
(4:35) 6. River
(3:43) 7. Never Will I Marry
(4:08) 8. Sugar
(3:12) 9. Blue Skies
(3:45) 10. Show Me
(4:08) 11. Nature Boy
(2:52) 12. With Every Breath I Take
More telling than her Berklee College of Music magna cum laude degree is singer Donna Deussen's private instruction under Tierney Sutton. Sutton is second only to Cassandra Wilson when considering the seismic styleistic shifts in jazz vocals over the past 20 years. Deussen integrates her instruction intelligently, avoiding imitation. Her lessons learned are made her own. Duessen has released two recordings, about ten years apart. Side-by-side, They offer a staccato look at the singer's evolution. In a highly competitive field, Donna Duessen is deserving of much more attention than she has been given. Her time has come.
Vocalist Donna Deussen reveals the influence of Tierney Sutton through her inventive arrangements of the American Songbook. Creative arranging can give new life and reconsideration to jazz standards. Deussen joins Sutton and Wilson in the forefront of using arrangements to reveal the nuances of these well-crafted songs. On her debut, High Wire, Deussen surveys a mainstream collection of standards. "Skylark" is given a strolling treament that shows the song effective as an up-beat ballad. Deussen blows the carbon out on her wide-open take of "Blues In The Night." Guest saxophonist Eric Marienthal gives a bar-walking R&B solo that gives way to a slow blues vamp before Deussen heats things up again singing torch at 2000 degrees.
Vocalist Donna Deussen reveals the influence of Tierney Sutton through her inventive arrangements of the American Songbook. Creative arranging can give new life and reconsideration to jazz standards. Deussen joins Sutton and Wilson in the forefront of using arrangements to reveal the nuances of these well-crafted songs. On her debut, High Wire, Deussen surveys a mainstream collection of standards. "Skylark" is given a strolling treament that shows the song effective as an up-beat ballad. Deussen blows the carbon out on her wide-open take of "Blues In The Night." Guest saxophonist Eric Marienthal gives a bar-walking R&B solo that gives way to a slow blues vamp before Deussen heats things up again singing torch at 2000 degrees.
"That Old Devil Moon" is transformed into a Latin excursion propelled by pianist Mark Massey , who solos robustly. Deussen treats Joni Mitchell's "River" respectfully, allowing this modern standard to fully breathe. Deussen's voice is durable and well-balanced. Her phrasing is certain and well considered. Deussen imparts in her songs that part of herself that enriches the lyrics by her delivery. "I Will Never Marry" is upbeat and sung with a matter- of-fact air that stikes a keen juxtaposition against Stanley Turrentine's sexy and smoldering "Sugar." Massey changes to electric piano for this latter tune, giving it a strange '70s -'00s vibe that swingseffortlessly. High Wire is fully formed and realized as a debut. What does Deussen do next... ~ C.Michael Bailey http://www.allaboutjazz.com/donna-deussen-donna-deussen-by-c-michael-bailey__14455.php
Personnel: Donna Deussen (vocals); Mark Massey (keyboards); Aldo Bentivegna (drums).
Personnel: Donna Deussen (vocals); Mark Massey (keyboards); Aldo Bentivegna (drums).