Monday, May 16, 2022

Doug Raney - The Doug Raney Quintet

Styles: Guitar Jazz
Year: 1989
File: MP3@320K/s
Time: 65:37
Size: 150,8 MB
Art: Front

(11:26) 1. Fata
( 8:02) 2. Fee-Fi-fo-Fum
( 6:37) 3. Good Morning
( 8:24) 4. Star Eyes
( 8:12) 5. Speedy Recovery
(11:33) 6. God Bless the Child
(11:19) 7. The Parting of the Ways

This LP was originally released in the summer of 1989 with Doug Raney at age 33. He released during his rather short life (1956 - 2016) 17 leader albums for SteepleChase including this 13th piano-less horn-featured recording which won accolades from critics all over the world. https://www.prestomusic.com/jazz/products/9246173--the-doug-raney-quintet

"Doug Raney is an elegant player even when he's attacking, as he does here on most of the content...Certainly recommended if you enjoy your jazz slightly in advance of bebop, but with all of that basic feel still there." ~ Martin Richards, Jazz Journal International

"No doubt, another in the string of successful Raney releases."~ Paul B. Matthews, Cadence

Personnel: Doug Raney (guitar), Bernt Rosengren (tenor saxophone), Tomas Franck (tenor and soprano saxophone), Jesper Lundgaard (bass), Jukkis Uotila (drums)

The Doug Raney Quintet

Scott Hamilton, René Ten Cate Quartet - Live in the Netherlands

Styles: Saxophone And Vibraphone Jazz
Year: 2021
File: MP3@320K/s
Time: 74:09
Size: 170,3 MB
Art: Front

( 7:44) 1. I Got Rhythm / Apple Honey
(10:43) 2. A Beautiful Friendship
( 9:22) 3. It's You or No One
( 5:49) 4. Darn That Dream
( 6:25) 5. Basie Kick
( 9:25) 6. On Green Dolphin Street
( 8:57) 7. Stella by Starlight
( 8:38) 8. A Smooth One
( 7:02) 9. Sweet Georgia Brown

The American tenor saxophonist Scott Hamilton (1954) has long been controversial as a jazz musician. In the seventies and eighties he was dismissed in the Netherlands as a square traditionalist who belonged in establishments in Het Gooi and for whom there was no place on a real jazz stage. It is even rumored that the Bimhuis once canceled a concert of his at the last minute because the press condemned Hamilton. Special, because the Marsalis brothers were able to go about their business simultaneously worldwide undisturbed with a revival of traditional jazz.

The clouds of dust have now largely lifted and it is clear that Hamilton is an interesting musician who has the tradition in his pocket and carries it out with verve. If he reminds of anyone, it is the legendary Zoot Sims (1925-1985), a musician whose style was somewhere between swing and bop. Hamilton, who now lives in Italy, has a delightful tone and it is impossible to sit still during his improvisations. His sound comes in like a sultry summer breeze and his performances of standards are masterful. Last September he recorded an album with the quartet of vibraphonist René ten Cate in the Theaterbakkerheij in Gouda.

The chosen repertoire represents a cross-section of a century of jazz history, with well-known songs such as 'I Got Rhythm', 'It's You Or No One', 'Darn That Dream' and 'On Green Dolphin Street'. Titles that may seem unexciting, but get a remarkable metamorphosis in the hands of Hamilton. Also great is the imaginative playing of vibraphonist Ten Cate, who constantly answers the tenor. The rhythm section with pianist Johan Clement, double bassist Hans Mantel and drummer Barry Olthof forms an engine that runs as smoothly as that of an Italian sports car.

Of great allure is the musical story that the tenor saxophonist presents in Kahn and Styne's 'A Beautiful Friendship', in which he once again expresses his deep love for the Great American Songbook, an almost inexhaustible source of inspiration. Hamilton does not play jazz, but is jazz: a craftsman of the highest order. Rarely did 'Stella By Starlight' sound more tender and the closing 'Sweet Georgia Brown' more cheerful. A festive album that deserves worldwide attention!http://www.jazzenzo.nl/?e=4807

Line-up: Scott Hamilton tenor saxophone, René ten Cate vibraphone, Johan Clement piano, Hans Mantel double bass, Barry Olthof drums

Recorded: September 14, 2021, Theaterbakkerheij, Gouda

Released: December 2021

Live in the Netherlands

Tal Farlow - Chromatic Palette

Styles: Guitar Jazz
Year: 1981
File: MP3@320K/s
Time: 38:14
Size: 88,5 MB
Art: Front

(4:14)  1. All Alone
(5:58)  2. Nuages
(3:24)  3. I Hear A Rhapsody
(4:52)  4. If I Were A Bell
(4:20)  5. St. Thomas
(5:21)  6. Blue Art, Too
(4:32)  7. Stella By Starlight
(5:29)  8. One For My Baby (& One More For The Road)

This album is most notable for the interplay between veteran guitarist Tal Farlow and pianist Tommy Flanagan. With bassist Gary Mazzaroppi completing the trio, the musicians perform Tal's "Blue Art, Too" (based on a blues), plus seven superior standards, including "Nuages," "If I Were a Bell" and "St. Thomas." In general, the music is on the relaxed side but there is plenty of inner heat to be felt on the fine set. ~ Scott Yanow http://www.allmusic.com/album/chromatic-palette-mw0000611946

Personnel: Tal Farlow (guitar); Tommy Flanagan (piano); Gary Mazzaroppi (bass).

Chromatic Palette

Avishai Cohen - Shifting Sands

Styles: Jazz, Post Bop
File: MP3@320K/s
Time: 51:08
Size: 121,4 MB
Art: Front

(5:40) 1. Intertwined
(4:34) 2. The Window
(7:05) 3. Dvash
(5:27) 4. Joy
(4:30) 5. Below
(6:45) 6. Shifting Sands
(3:23) 7. Chacha Rom
(4:15) 8. Hitragut
(4:14) 9. Videogame
(5:12) 10. Kinderblock

In the end it’s all about connection. The connection with your inner self, the connection between the musicians on stage, and, of course, the connection between the band and its audience. For the last twenty five years, legendary bassist, singer and composer Avishai Cohen has grown to be one of the heavyweights of contemporary jazz, with a catalogue to rival those of even the most legendary in the field of jazz… and beyond. He became a name of concert hall stature around the world and headlined the best festivals any artist could dream of.

Shifting Sands his brand-new album proves he’s not resting on his laurels, but don’t take our word for it. Listen to ‘Intertwined’ the charged opening track and the cornerstone of the record and you’ll feel right away that he raised the bar again. The message is loud and clear: it’s a new adventure on the DNA that you were already familiar with. Since the beginning of the century Avishai Cohen has travelled a varied road. He appeared leading with orchestras, led smaller ensembles and even duets. But it is the Trio format that he always returns to.

A trio always works because all elements are there. The piano is like an orchestra in itself. Add a beat and the low register of the bass, and you have everything. Yes, there have been different line-ups over the years. In 2008 he made Gently Disturbed, a landmark album considered a classic now, and some people even wondered if Avishai Cohen would ever be able to better it. Today we know he has. “That time with Shai and Mark was very special. But I honestly think I now have a trio where that kind of magic is happening again. First of all, Elchin Shirinov from Azerbaijan is a magnificent pianist in his own right. He’s very focused and confident, and I’m sure that comes across. Then I found drummer Roni Kaspi. She may only be 21, but she’s an exceptional talent and a new spirit who brings her own strong personality.

On stage, it’s about trust and feeling good in each other’s company. You can feel the joy we have in playing together, and to be completely honest the concerts we’ve been doing evolved way beyond the record.” Kaspi is very young, Shirinov will be 40 shortly, and Avishai Cohen celebrated his half-century back in 2020. Still,the age gap evaporates from the moment the trio starts playing. “I had that sense with Chick Corea. He was thirty years my senior,but when we played together there was a joy in the fact that he was his age, and I was mine. There was no barrier. Kaspi and Shirinov both grew up listening to my music and consider me an influence, which is incredible to me. Because they challenge me too.

One of the reasons why my music has progressed so well, is because of the musicians. I have a clear idea of what I want, but the musicians have total freedom. That, to me, is modern jazz. It’s the most democratic form of music but you have to be well invested and intelligent enough to respect what you’re getting. The hardest thing is to be yourself, and to give the freedom to others to be themselves too. And this new album is the highest level I’ve reached so far: of me being the composer and the idea-maker, but having them both state the mood and the vibe.”

That unity between human, sound and soul creates a sublime, sonically layered record that links mature compositions with a very youthful energy thriving through the music. Avishai feels it too. At this stage of his life, he has a degree of self-belief that gives him the courage to keep on pushing the boundaries. The compositions on Shifting Sands were born at home near Jerusalem on his piano during the pandemic. For the first time in years, this kept him off the road for several months. He kept communicating with his audience through regular live sessions on Facebook and Instagram. He considered it his little assignment. He had to practice, and it gave him motivation, and some distraction in a period of time where the whole world felt lost and lonely.

“It was an unusual way of working, but at the same time I found it cool and challenging to at least excite a few people every day. And excite me. Not being able to play shows for such a long time had never happened to me. It made me appreciate what I get to do for a living even more than I did before.” The compositions came to life when the trio played a handful of shows in the summer of 2021 in Europe, before they travelled to Sweden to record them. The result is a splendid, uplifting recording that ranks among his very, very best. https://avishaicohen.com/shifting-sands/

Personnel: Avishai Cohen - Bass and Vocals; Elchin Shirinov - piano; Roni Kaspi - drums

Shifting Sands