Wednesday, December 29, 2021

Linda Ronstadt - Keeping Out of Mischief

Styles: Vocal
Year: 1981
File: MP3@320K/s
Time: 33:52
Size: 78,5 MB
Art: Front

(2:56) 1. Falling In Love Again
(4:00) 2. Crazy He Calls Me
(3:19) 3. Keeping Out Of Mischief
(4:11) 4. Lover Man
(2:00) 5. Never Will Marry
(3:40) 6. I Don't Stand a Ghost Of A Chance
(4:08) 7. Someone To Watch Over Me
(2:06) 8. I've Got A Crush On You
(3:53) 9. What'll I Do
(3:33) 10. Goodbye

Linda Ronstadt has received just about every musical honor imaginable Grammys, Kennedy Center Honors, and more in a career spanning styles and eras. Ronstadt was born in Tucson, AZ, in 1946 but was living in L.A. at the right time to become part of the booming SoCal folk-rock scene. Her band the Stone Poneys scored a 1967 hit with Mike Nesmith’s “Different Drum,” and by their third album, Ronstadt was getting star billing. She began a solo career with 1969’s Hand Sown…Home Grown, applying her huge but artfully modulated pipes to a more country-rocking sound.

She soon scored her first real hit with the lovelorn ballad “Long Long Time,” but it was not until Peter Asher fully took over the production reins that she became a full-blown pop star. In the second half of the ’70s, Ronstadt turned out an unstoppable onslaught of smooth, soft-rocking hits, making a wide range of other artists’ songs her own, including Roy Orbison’s “Blue Bayou,” The Everly Brothers’ “When Will I Be Loved,” and The Rolling Stones’ “Tumbling Dice.”

She flirted briefly but memorably with New Wave on 1980’s Mad Love before making what was then a radical move for a baby-boomer pop singer: tackling the Great American Songbook on 1983’s What’s New. The shift was widely embraced, and she followed up with two similarly styled records. Ronstadt’s subsequent projects included Mexican songs (reflecting her background) and dream-team trio recordings with Dolly Parton and Emmylou Harris. A degenerative condition subsequently rendered Ronstadt unable to sing, and she officially announced her retirement in 2011. She remains a pop and rock icon whose ascendance in an overwhelmingly male ’70s rock scene is an inspiration for generations to come. https://music.apple.com/us/artist/linda-ronstadt/148850

Keeping Out of Mischief

Marian Montgomery - What's New

Bitrate: MP3@320K/s
Time: 35:02
Size: 80.2 MB
Styles: Jazz vocals
Year: 1966/2005
Art: Front

[1:47] 1. Give Me The Simple Life
[2:16] 2. I'm The Lonesomest Gal In Town
[3:00] 3. Me And My Shadow
[2:44] 4. It Makes No Difference
[3:03] 5. There's A Time And Place For Everything
[3:41] 6. Ain't Nobody's Business If I Do
[2:50] 7. What's New
[3:29] 8. Something I Dreamed Last Night
[3:24] 9. I Finally Got A Break
[3:01] 10. Then I'll Be Tired Of You
[3:20] 11. Love Is Only Love
[2:22] 12. I'll Sing You One Song

The jazz instrumentalist who does more with less has long been popular with aficionados, though the same has not been true of jazz singers, who often seem obliged to wear the music's virtuosity on their sleeve. It is as if by performing jazz on an instrument they were born with is a form of tax-avoidance, and pretending to be a saxophone instead is the only way to pay off the dues. Only Billie Holiday seemed immune to the complaint that, in touching the original materials of a song with the lightest of breaths, she wasn't really singing jazz at all.

Marion Montgomery, who died aged 67, was just such a minimalist vocalist. Had she been born a decade earlier, she might have benefited more from the ripples spread by young female artists - such as Diana Krall or Stacey Kent - with improvisational sensibilities, but also a cabaret singer's awareness of the curve and drama of a lyric's storyline, and the mood of an audience. ~John Fordham

What's New?

Jimmy Smith - Bashin': The Unpredictable Jimmy Smith

Styles: Organ jazz
Year: 1962
File: MP3@320K/s
Time: 44:18
Size: 102,6 MB
Art: Front

(5:58) 1. Walk On The Wild Side
(3:59) 2. Ol' Man River
(4:27) 3. In A Mellow Tone
(4:17) 4. Step Right Up
(7:29) 5. Beggar For The Blues
(6:16) 6. Bashin'
(6:17) 7. I'm An Old Cow Hand (From The Rio Grande)
(2:41) 8. Bashin (45 Rpm Version)
(2:50) 9. Ol Man River (45 Rpm Version)

Smith's debut session for Verve kicks off with an explosive big band sound. The first four tracks of BASHIN' feature a sizeable backing orchestra (whose personnel list that may ring some unexpected bells, like future Tonight Show bandleader Doc Severinsen) and dramatic arrangements by Oliver Nelson (who also assumes conducting duties). While fans of Smith's lower-key trio work for Blue Note may cringe at the blare of horns and the grandiose dynamic shifts, Smith is still in uber-cool form, and his Hammond plays the groovy foil to Nelson's occasionally square arrangements. Die-hard enthusiasts of the trio won't be disappointed, however, since the last three tracks are strictly old school. Quentin Warren and Donald Bailey help mix it up in deep blues fashion on "Beggar For the Blues" and the title track, while Smith, even after the large-scale blasts of Bernstein's "Walk On The Wild Side" and Nelson's "Step Right Up," seems right at home. This disc, released in 1962, captures the artist at a transition period, and proves that no matter the band, year or label, Smith was a consistently compelling artist.

Recorded in New York, New York on March 26 & 28, 1962. Originally released on Verve (V6-8474). All tracks have been digitally remastered. This is part of the Verve Master Edition series.

Jimmy Smith (organ); Babe Clark, Robert Ashton, Gerry Dodgion, Phil Woods, George Barrow (saxophone); Joe Newman, Doc Severinsen, Joe Wilder, Ernie Royal (trumpet); Tommy Mitchell, Jimmy Cleveland, Urbie Green, Britt Woodman (trombone); Jimmy Warren, Barry Galbraith (guitar); George Duvivier (bass); Don Bailey, Ed Shaughnessy (drums).

Bashin': The Unpredictable Jimmy Smith

Elia Bastida - Èlia Bastida Meets Scott Hamilton & Joan Chamorro Trio

Styles: Violin, Saxophone Jazz
File: MP3@320K/s
Time: 74:08
Size: 171,0 MB
Art: Front

(5:20) 1. Awful Lonely
(4:17) 2. The Good Life
(4:52) 3. Moon River
(4:24) 4. I´ll Never Be the Same
(6:03) 5. Tin Tin Deo
(5:11) 6. O Grande Amor
(4:53) 7. For Sentimental Reasons
(4:32) 8. Não Vou Pra Casa
(4:45) 9. Ja-Da
(5:07) 10. Pure Imagination
(4:00) 11. Lobo Bobo
(6:55) 12. Samba em Preludio
(6:00) 13. Que Reste-t-il de Nos Amours?
(7:42) 14. The Nearness of You

I’m Èlia Bastida, born in 1995 in Barcelona. In 1999, when I was 4 years old, I started playing the violin. Since then, music has become more and more important in my life and has become my essence. I love jazz, classical, Brazilian music, melodies, the ability of music to communicate, to excite us, to make you enjoy. I studied classical violin until I was 17, when I joined the Sant Andreu Jazz Band, directed by Joan Chamorro. It was then that I discovered the world of jazz and I was passionate about the possibility of creation and the freedom it gave me.

Later I started singing and playing saxophone in the sax section of the big band. Now, voice and sax are an important part of my concert set. During my career in the Sant Andreu Jazz Band I have played with incredible musicians like Dick Oatts, Scott Hamilton, Joe Magnarelli, Scott Robinson, Joel Frahm, John Allred, Jon-Erik Kellso or Luigi and Pasquale Grasso. And in several countries such as Sweden, Switzerland, Denmark, Italy, France…https://eliabastida.com/en/bio/

Personnel: Èlia Bastida, violin and vocals; Scott Hamilton, tenor sax; Joan Monné, piano; Jurandir Santana, guitar; Joan Chamorro, double bass; Arnau Julià, drums

Èlia Bastida Meets Scott Hamilton & Joan Chamorro Trio