Miho Hazama & Metropole Orkest Big Band - The Monk: Live at Bimhuis

Styles: Bop, Big Band
Year: 2018
File: MP3@320K/s
Time: 50:09
Size: 115,3 MB
Art: Front

(6:42) 1. Thelonious
(8:36) 2. Ruby, My Dear
(6:58) 3. Friday the 13th
(6:51) 4. Hackensack
(7:53) 5. 'Round Midnight
(7:52) 6. Epistrophy
(5:14) 7. Crepuscule with Nellie

Thelonious Monk effortlessly referenced disparate developments in jazz history, moving from bop back to stride during any given session. And it’s the capacious nature of his practice that conductor Miho Hazama captures in her seven arrangements of Monk tunes for the Metropole Orkest Big Band.One of the date’s most endearing musical moments, though, comes during a sprightly spotlight: Most of the band drops out, leaving just the rhythm section and a lone trumpeter to linger in the chords behind “Ruby, My Dear.” Of course, Hazama’s conducting seamlessly brings the entire band back to lovingly ply the well-worn work in the end. “’Round Midnight” rarely has sounded as forlorn as it does a few tracks on, and “Epistrophy,” as wonky as ever, swings with blustery humanism. This is a work of fellowship and camaraderie, and it’s readily apparent. The source material, of course, was a good place to start, but Hazama’s previous efforts Journey To Journey (2013) and Time River (2015) bolster a blossoming reputation. Even if this had arrived without her past work for context, The Monk: Live At Bimhaus comes off as a good-natured reflection of both its namesake’s personality and Hazama’s as she charts an astute course through the jazz landscape. https://downbeat.com/reviews/detail/the-monk-live-at-bimhuis

Personnel: Miho Hazama – conductor; Jan Bastiani, Jan Oosting, Louk Boudesteijn – trombone; Martin van den Berg – bass Trombone; Martijn de Laat, Nico Schepers, Ray Bruinsma – trumpet; Leo Janssen, Marc Scholten, Max Boeree, Paul van der Feen, Sjoerd Dijkhuizen – saxophone, clarinet; Hans Vroomans – piano; Rik Mol [nl] – trumpet, flugelhorn; Peter Tiehuis [de] – guitar; Aram Kersbergen – bass; Marcel Serierse [nl] – drums

The Monk: Live at Bimhuis

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The Royal Bopsters - The Royal Bopsters Project

Styles: Jazz, Big Band
Year: 2015
File: MP3@320K/s
Time: 62:22
Size: 144,5 MB
Art: Front

(4:36) 1. Music in the Air - Wildwood' as an instrumental
(5:33) 2. On the Red Clay - 'Red Clay' as an instrumental
(4:57) 3. Peace
(5:58) 4. Basheer, the Snake and the Mirror
(4:54) 5. Señor Blues
(6:22) 6. Invitation
(4:15) 7. Bird Chasin' - Chasin' The Bird as an instrumental
(6:21) 8. Music Is Forever
(4:59) 9. Bebop Lives - 'Boplicity' as an instrumental
(6:12) 10. Just Set Right Up
(4:24) 11. Nothing Like You Has Ever Been Seen Before
(3:45) 12. Let's Fly

New York’s The Royal Bopsters, formed in 2012, bring a new and refreshing approach to the art of vocal jazz. Vocalists Amy London, Holli Ross, Pete McGuinness, and Dylan Pramuk pay tribute to their jazz heroes through intricate harmonies and energetic delivery, bringing jazz classics and bebop style to the next generation and beyond. Their debut recording, The Royal Bopsters Project (Motéma, 2015), featuring vocal jazz legend Mark Murphy and NEA Jazz Masters Jon Hendricks, Annie Ross, Sheila Jordan, and Bob Dorough, garnered accolades from DownBeat Magazine (4.5 stars), JazzTimes (top 2015 releases), All About Jazz (top picks) and The New York Times (weekend picks) as well as rave reviews from Europe and the UK. The Royal Bopsters soon began performing at major festivals and notable clubs across the U.S. and Europe. Their sophomore release, Party of Four, celebrates both the proud history and the bright future of vocal jazz. A hard-swinging amalgam of vocal virtuosity, electrifying group chemistry, and masterful arranging, Party of Four displays the group’s stunning facility to swing deeply and sing passionately while navigating incredibly precise four-part harmonies. The album is dedicated to Bopster Holli Wasser Ross, o who sadly passed away in the late spring of 2020.

Cited as “expert practitioners of vocalese” in The New Yorker, The Royal Bopsters’ performances are masterclasses in the art of vocal jazz and vocalese, demonstrating the dazzling possibilities of four voices coming together as one. NEA Jazz Master Sheila Jordan - who began her career singing with Charlie Parker, and who now, with the passing of Annie Ross this July, has become the reigning Queen Matriarch of Vocal Bop, has commented “The Bopsters are my favorite vocal group.” The love is mutual, and The Bopsters include Sheila as a guest in their live shows wherever possible. Bob Dorough, who is most famous for writing Schoolhouse Rock, also guested frequently until his sudden death in 2018. He, Annie, vocalese master Jon Hendricks, and the inimitable Mark Murphy are all much loved and sorely missed by the Bopsters. Amy London, Pete McGuinness, and Dylan Pramuk are all renowned jazz educators, and collectively they instruct at the entire gamut of excellent jazz programs in the NYC area: The New School (London was a founder of the program), NYU, William Paterson, Manhattan School of Music, Montclair State, City College, Hofstra, and Jazz House Kids. The group’s vast collective knowledge of the history and technique of the art form of vocal jazz shines through on every note. http://royalbopsters.com/bios-2

Singers: Amy London, Holli Ross, Dylan Pramuk, Darmon Meader (on recording and has since been replaced by) Pete McGuinness.

Featured singers: Mark Murphy, Jon Hendricks, Annie Ross, Sheila Jordan, Bob Dorough. Band: Steve Schmidt, Sean Smith, Steve Williams, Steve Croon, Cameron Brown

The Royal Bopsters Project

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Nils Landgren - Nature Boy

Styles: Trombone Jazz
File: MP3@320K/s
Time: 44:55
Size: 103,5 MB
Art: Front

(2:52) 1. Morning Has Broken
(4:07) 2. Nature Boy
(3:33) 3. A Minor
(4:31) 4. In A Sentimental Mood
(3:37) 5. Solitude
(2:56) 6. Värmlandsvisan
(3:19) 7. Allt Under Himmelens Fäste
(2:55) 8. Der Mond Ist Aufgegangen
(3:11) 9. Nu Sjunker Bullret
(2:05) 10. Din Klara Sol Går Åter Opp
(3:17) 11. Som Stjärnor Små
(3:23) 12. Den Blomstertid Nu Kommer
(2:58) 13. Jag Lyfter Ögat Mot Himmelen
(2:05) 14. Sov På Min Arm

Born in 1956, Nils Landgren began playing drums at the age of six, before at last discovering the trombone at 13. Between 1972 and 1978 Nils studied classical trombone at the music college in Karlstad with David Maytan and at the university in Arvika with Ingemar Roos. Meeting the legendary Swedish Folk-Jazz pioneer Bengt-Arne Wallin as well as the fantastic trombonist Eje Thelin persuaded Nils to move from strict classical studies to improvisation and to begin the development of his own approach. After his graduation Nils moved to Stockholm to work as a professional trombone player. He was soon touring with the most successful Swedish pop star of that time, Björn Skifs’ “Blue Swede” who got to number 1 in the US pop charts with “Hooked on a feeling”. In 1981 Thad Jones invited the Swede into his new big band project “Ball of Fire”, to take the lead-trombone chair. Ever since that time Nils Landren has been involved in most styles equally: jazz and rock, soul and hip hop, big band sessions, and by his own reckoning, at least 500 albums including such internationals stars as ABBA, The Crusaders, Eddie Harris, Bernard “Pretty” Purdie, Wyclef Jean and Herbie Hancock.

In 1983 Nils’ debut album “Planet Rock” was released, followed by “Streetfighter” in 1984, “You are my Nr 1? in 1985, “Miles from Duke” with Bengt-Arne Wallin in 1987, “Chapter Two 1?, in 1987, “Chapter Two 2? and “Follow your heart” in 1989. Between 1985 and 1987 Nils also performed as actor, singer, trombonist, and dancer in over 360 performances of the Swedish “play of the year”, SKÅL, as well as appearing in several TV-films as an actor. 1992 saw the first performances and recording of the Nils Landgren “Unit”. The final breakthrough beyond Scandinavia came first in 1994: it was at the Jazz Baltica Festival at Salzau in Germany that the “Unit” became the “Funk Unit”. The album “Live in Stockholm” (ACT 9223-2) was released that year and was the foundation for the collaboration with Siegfried Loch and his then young ACT label.

The next Funk Unit release, “Paint It Blue” (ACT 9243-2), was one of 1997's most successful albums and received Germany’s Jazz Award. The following tour of over 100 dates gave Nils Landgren and the Funk Unit their breakthrough in Germany. Inspired by his mentor Bengt-Arne Wallin, Nils Landgren ventured into non-funky realms with a re-working of traditional Swedish folk songs: “Swedish Folk Modern” (ACT 9257-2), his first duo with the pianist Esbjörn Svensson, followed up by “Layers of Light” (ACT 9281-2), an even gentler evocation. Between January 1998 and January 2001 Nils Landgren was also a member of the NDR Big Band in Hamburg, but continuously touring throughout with the Funk Unit worldwide. During this time three albums were released: after “Live in Montreux” (ACT 9265-2) appeared in 1999 “5000 Miles” (ACT 9271-2) and in September 2001 “Fonk da World” (ACT 9299-2), which was presented live at a special 3 day festival in Hamburg dedicated to Nils Landgren’s music. The “grooving band, which encouraged the younger members of the audience into a dance frenzy, but which was also taken seriously by the greying jazz snobs” (Spiegel), proved that it could be counted as “the best funk band in Europe today” (Stereo).

As artistic director of the illustrious Berlin Jazz Festival in 2001 Nils Landgren set up a concise overview of the current directions in Scandinavian jazz and was awarded the “Tore Ehrling Prize” by the Swedish Composers’ Federation for his “special contribution in bringing worldwide attention to Swedish jazz”.A further aspect of Landgren’s multi-facetedness has been shown since 1993, when the album “Ballads” (ACT 9268-2) was recorded, and on its release in Germany in 1999 showed for the first time his talent as an emotional ballad singer. With his tasteful tenor voice he has been compared to the introverted style of Chet Baker. In 2002 he undertook a recording of a sequence of love songs on a “Sentimental Journey” (ACT 9409-2) which was enthusiastically received by public and critics alike. “We want more of this” proclaimed the WOM Journal and so was able to follow this through the production of the album “I Will Wait For You” (ACT 9418-2) where the singer Rigmor Gustafsson having previously made her name as a guest on “Sentimental Journey” – took centre stage. It stormed into the jazz charts in Sweden and Germany, reaching number 1 and number 2 respectively.

In 2004, after a self-imposed sabbatical of almost two years, Landgren went full steam ahead with his Funk Unit and produced the acclaimed Platinum „Funky Abba“ album (ACT 9430-2); his own personal hommage to one of the greatest pop bands in history. 2005 marks the new album “Creole Love Call” (ACT 9707-2) together with the legendary keyboarder Joe Sample of The Crusaders, in which Nils Landgren can be heard again primarily as a vocalist. In December 2005, Nils Landgren celebrated Christmas in a church in Stockholm with some friends from the Scandinavian music scene and thus fulfilling a long-time dream. This unique recording of the most beautiful Christmas songs from the middle ages to our time was released in December 2006 on CD and DVD, went gold in Sweden and Germany within a month of its release, and climbed to #2 of the German Jazz charts: “Christmas with my Friends” (ACT 9454-2).

2007 brings the Funk Unit back again. The eighth funk album demonstrates the same killer groove as its award-winning predecessors lead us to expect. Nils Landgren definitely has it: the “Licence to Funk” (ACT 9455-2). Given the resounding success of JazzFest Berlin ’01, Landgren has been nominated again in 2008 as artistic director of the JazzFest Berlin for the coming three years. At the end of 2008 he will release a sequel of his successful first Christmas album: “Christmas With My Friends II” (ACT 9476-2). Music knows no borders, music is freedom this is Nils Landgren’s credo. For every record of his new Funk Unit album “Funk For Life” (released in spring 2010) sold, one Euro goes to the Funk Unit Médecins Sans Frontières (Doctors without borders) project ”Funk For Life” in Kibera Nairobi. By purchasing the CD the buyer will contribute in making life for people in Kibera just a bit easier. And he helps to guarantee that from now on, music will be a central part of the education in Kibera. https://www.allaboutjazz.com/musicians/nils-landgren

Nature Boy

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