Saturday, May 20, 2017

Grant Green - Green Is Beautiful

Styles: Guitar Jazz
Year: 1970
File: MP3@320K/s
Time: 37:35
Size: 87,6 MB
Art: Front

(9:58)  1. Ain't It Funky Now
(9:02)  2. A Day In The Life
(5:42)  3. The Windjammer
(6:46)  4. I'll Never Fall In Love Again
(6:05)  5. Dracula

The second album of Grant Green's thorough jazz-funk makeover, Green Is Beautiful finds the guitarist growing more comfortable with harder, funkier R&B than he seemed on the softer-hued Carryin' On. The switch from Fender Rhodes electric piano back to the more traditional Hammond organ certainly helps give the session a little extra grit, but it doesn't return Green to the land of soul-jazz by any means. Green Is Beautiful is still explicitly commercial and accessible to non-jazz audiences, and (purist objections notwithstanding) that's not necessarily a bad thing. Green's take on James Brown's "Ain't It Funky Now" is one of the funkiest items in his rare-groove period; it may be chordally very simple, but the groove is tight and percolating, and Green, tenor saxophonist Claude Bartee, and trumpeter Blue Mitchell all come up with hot, exciting solos. The album also benefits from Green's discovery of composer and occasional organist Earl Neal Creque, who contributes two bright, slinky, horn-driven originals: "The Windjammer," which became one of the signature tunes of Green's late period, and "Dracula." They help give the album a more original voice, and indicate that Green was actively making himself at home in his new musical environment, not just mixing dull originals with phoned-in covers of pop and R&B hits (as he and many other '70s Blue Note artists were accused of doing). Of course, there are still pop covers present the Beatles' "A Day in the Life" is a mellow, mid-tempo groove, and Bacharach's "I'll Never Fall in Love Again" doesn't stray far from the melody. Even if those aren't particularly distinctive, the remainder of Green Is Beautiful proves that Green's reinvention as a jazz-funk artist wasn't the misguided disaster it was initially made out to be. ~ Steve Huey http://www.allmusic.com/album/green-is-beautiful-mw0000623413

Personnel:  Guitar – Grant Green;  Bass – Jimmy Lewis;  Bongos – Richard Lendrum;  Congas – Candido Camero;  Drums – Idris Muhammad; Organ – Emanuel Riggins, Earl Neal Creque;  Tenor Saxophone – Claude Bartee;  Trumpet – Blue Mitchell

Green Is Beautiful

Dieter Ilg - Parsifal

Styles: Jazz, Post Bop
Year: 2013
File: MP3@320K/s
Time: 56:08
Size: 129,4 MB
Art: Front

(5:15)  1. Zum Raum wird hier die Zeit
(3:56)  2. Glocken
(4:18)  3. Parsifal
(4:36)  4. Morgengebet
(4:49)  5. Ich bin ein reiner Tor
(6:32)  6. Zaubergarten
(4:34)  7. Amfortas
(4:01)  8. Unerhortes
(0:44)  9. Herzeleid
(4:23) 10. Kundry
(5:38) 11. Von Welt zu Welt
(3:33) 12. Klageruf
(3:44) 13. Sehnsucht

The monumental becomes sensual and the sensual monumental in this astonishing chamber/jazz reinterpretation of Richard Wagner's opulent Parsifal by Germany's leading bass player, Dieter Ilg. As Wagner is known to have been a passionate admirer of Beethoven, the disc ends with a reinterpretation of that other famous German composer: an almost breathy version of the Ode to Joy. ~ Editorial Reviews https://www.amazon.com/Parsifal-Dieter-Ilg/dp/B00A44KF1Q

Personnel: Dieter Ilg (Bass);  Rainer Böhm (piano); Patrice Héral (drums).

Parsifal

Ed Calle - Ed Calle Plays Jobim

Styles: Saxophone Jazz
Year: 2017
File: MP3@320K/s
Time: 59:35
Size: 137,9 MB
Art: Front

(4:33)  1. Desafinado
(5:12)  2. Corcovado
(4:34)  3. Wave
(5:47)  4. The Girl from Ipanema
(4:35)  5. Triste
(5:55)  6. Once I Loved
(4:52)  7. How Insensitive
(5:10)  8. Dindi
(4:26)  9. If You Never Come to Me
(5:07) 10. Meditation
(5:01) 11. Some One to Light Up My Life
(4:17) 12. One Note Samba

Born in Caracas of Spanish parents, Miami-based saxophonist Ed Calle owes his musical career to his father's love of music. When Calle and his family moved to America in 1966, his father suggested that Calle take some music classes. Calle picked tenor saxophone and took to it quickly, soon spending nearly all his free time practicing. As a student at the University of Miami, Calle decided that music was his calling, and received a master's degree in jazz performance. Even before he left school, however, Calle played with artists like Gloria Estefan and the Miami Sound Machine, and toured with performers such as Julio Iglesias and Bob James. Calle has also worked as a sideman for Arturo Sandoval, Jon Secada, Vanessa Williams, and Frank Sinatra, as well as contributing to television and movie soundtracks. Along with his Latin roots, Calle's playing style is influenced by his love of mathematics--he also holds a bachelor's degree in math from Florida International University. Calle shares his technical background and heritage with the elementary school children he lectures as a traveling music teacher. His solo albums Nightgames (1986), Double Talk (1996), and Sunset Harbor (1999) also reflect his prowess and passion as a musician. The new millennium saw the release of Twilight (2001) on Concord Jazz. ~ Heather Phares http://www.allmusic.com/artist/ed-calle-mn0000146437/biography

Ed Calle Plays Jobim