Jessy J - True Love

Styles: Saxophone Jazz
Year: 2009
File: MP3@320K/s
Time: 38:57
Size: 89,6 MB
Art: Front

(4:13)  1. Tropical Rain
(4:06)  2. Forever
(3:46)  3. True Love
(3:50)  4. Mr. Prince
(3:56)  5. Morning Of The Carnival From Black Orpheus)
(4:12)  6. Somewhere In a Dream
(3:36)  7. Jessy's Blues
(3:37)  8. Llegaste Tu
(3:51)  9. Brazilian Dance
(3:45) 10. Baila!

If half of life is just showing up and the other half is timing, then Jessica Spinella's timing is right on time. Smooth jazz is filled to the brim with saxophonists and while most of them are technically proficient, the sheer volume makes it difficult for a newcomer to stand out. Spinella, aka Jessy J brings more than just another pretty face to the party; her infusion of jazz with Latin rhythms gives her a foundation upon which to build. True Love, Jessy J's third album and second major label release, bears the signs of a artist standing on the verge of a breakthrough and getting a big push by the record company. Clocking in at just under an economical 40 minutes, True Love is lean and tight with no unnecessary fat or frills. It also contains no unexpected surprises, but showcases the playing of an increasingly confident Jessy J, asserting her own identity as she fuses Latin influences with jazz. There's a trade-off of spontaneity and improvisation in exchange for good groove, but the end result is rewarding enough so there's nothing about which to be disappointed.

"Tropical Rain," "Forever," and "True Love" are likable if not overly original slices of smoothed out goodness. "Morning of the Carnival" ("Manha De Carnaval") is targeted for the dance floor with its bounce-to-the-beat drum programming from Paul Brown and Gregg Karukas's synth bass and strings. Jessy J adds some breezy, sparse vocals that are sweetly affable if not as accomplished as her saxophone skills. She fares better when accompanied by backing harmonies on "Llegaste Tu" and "Baila!" Jessy J's route to crafting an enduring career may not lie in following the beaten path of other smooth jazz saxophonists, but in continuing to consolidate Latin influences of "Llegaste Tu" and "Brazilian Dance." Pablo Aguirre's production seems to better serve Jessy J's vocal on "Llegaste Tu," the only song on which she doesn't play, and the graceful "Brazilian Dance," a sensuous duet between her soprano sax and Sergio Aranda's piano and vocals. True Love ends up evenly divided between the skillful studio wizardry of half its songs and its impassioned, sultry Latin soul. It's a little too soon to chart the trajectory of Jessy J's career arc, but it might eventually fall somewhere between the efficient proficiency as the "hot chick" playing smooth sax and the expressive innovator busy setting trends instead of following them. ~ Jeff Winbush  http://www.allaboutjazz.com/true-love-jessy-j-peak-records-review-by-jeff-winbush.php

Personnel: Jessy J.: tenor and soprano saxophone, flute, vocals; Gregg Karukas: keyboards, bass, strings; Roberto Vally: bass; Sergio Gonzalez: drums; Richie Gajate Garcia: percussion; Paul Brown: guitar, drum programming; Tom Strahle: guitars (8); Danilo Arroyo: percussion (8); Pablo Aguirre: programming (8); Paulina Aguirre: chorus vocals (8); Kenny O' Brien: chorus vocals (8); Sergio Aranda: vocals and piano (9); Paul Brown: chorus vocals (10); Richie Gajate Garcia: chorus vocals (10); Cameron Smith: chorus vocals (10); Roberto Vally: chorus vocals (10).

True Love

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Jessy J - Live at Yoshi's - 10 Year Anniversary Special

Styles: Saxophone Jazz
Year: 2018
File: MP3@320K/s
Time: 60:06
Size: 137,9 MB
Art: Front

(4:01)  1. The Tango Boy
(6:01)  2. Agua De Beber
(4:59)  3. All I Want
(3:42)  4. La Luna Feliz
(6:34)  5. Sin Ti - Without You
(5:17)  6. Mas Que Nada
(5:55)  7. Tequila Moon
(4:15)  8. Tropical Rain
(4:41)  9. Rainbow Gold
(5:18) 10. Hot Sauce
(5:07) 11. Despacito
(4:09) 12. All I Want (Studio Version)

With the release of her upcoming new album “Live at Yoshi’s 10 Year Anniversary Special,” Jessy J celebrates a remarkable decade since she brought her sizzling beats, dynamic Latin and samba rhythms with sensual melodies to contemporary jazz via her #1 hit debut album Tequila Moon. This new CD will be recorded live at Yoshi’s Jazz Club in Oakland, Ca. on January 28, 2018. Tickets are $28 (standard) and $49 (premier seating with meet and greet) and can be purchased at www.yoshis.com. The recording of this CD is a festive celebration of the 10-year anniversary of “Tequila Moon,” which propelled a remarkable career for the saxophonist. Recording the Yoshi’s Jazz Club event with her powerhouse band will capture the essence of Jessy J, which fans know is most readily heard when she commands a live performance. Performing with Jessy will be longtime band members, drummer Iajhi Hampden and bassist Frank Abraham. Keyboardist/pianist Jay Rowe and guitarist Michael Angel will round out her group at the Yoshi’s concert. “I’m excited to commemorate this experience with my fans, as they will have the opportunity to be heard and seen in the live CD and video taping of this exclusive show,” said Jessy.

Following in the tradition of other jazz greats including Dee Dee Bridgewater, Pat Martino, Joe Pass and Arturo Sandoval who have released albums recorded at the historic Oakland venue, the charismatic saxophonist will harness the excitement and spontaneity of her live performances. The set list will include her classic hits like “Tequila Moon,” “Tropical Rain” and “Hot Sauce,” along with several songs fresh to her eclectic repertoire. “I felt like a live album would be the perfect way to mark the 10th anniversary of ‘Tequila Moon,’ because I love performing live and it presents a completely different experience than my studio albums, with exciting interactions with the audience and the spirited ensemble action with my band,” said Jessy, whose previous releases include“True Love” (2009), “Hot Sauce” (2011), “Second Chances” (2013), “My One and Only One” (2015) and “California Christmas” (2016).  The album release will be supported by several concert appearances in the United States and will be sold online at various retailers. Find out more about Jessy’s Pledge Music Campaign and tour information at JessyJ.com. https://thejazzworld.com/jessy-j-live-yoshis-10-year-anniversary-special-cd/

Live at Yoshi's 10 Year Anniversary Special

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Paul Brown, Marc Antoine - Foreign Exchange

Styles: Guitar Jazz
Year: 2009
File: MP3@320K/s
Time: 40:41
Size: 93,5 MB
Art: Front

(4:34)  1. Feel The Love
(4:00)  2. Wine Night
(3:49)  3. Flight Of The Conchords
(4:03)  4. Foreign Exchange
(3:35)  5. Brother Earl
(4:22)  6. On The Down Low
(4:04)  7. French Connection
(4:11)  8. What About Bob
(3:45)  9. Sweetness
(4:13) 10. Bridges Of Paris

When two jazz guitarists of different styles, George Benson and Earl Klugh, came together, it was hailed as a success. The formula also worked for Lee Ritenour and Larry Carlton. Now, Paul Brown and Marc Antoine attempt to capture that flair with Foreign Exchange. California native Brown is, perhaps, one of the most established influences in smooth jazz. A producer who has contributed a lot of the cookie-cutter programming for such artists as Boney James, Carlton, and Kirk Whalum, he is also an accomplished guitarist, playing electric guitar on this date. French-born Antoine, who performs on nylon-string guitar here, has performed for such diverse acts as Celine Dion, Sting, Rod Stewart, Queen Latifah, and Benson. He has also composed and performed for several movie soundtracks, including Get Shorty (1995), Demolition Man (1993), and The Fan (1996).  "Flight of the Conchords" has a mild samba flavor. With Brown doubling on percussion and Antoine on drums, this song is part peaceful flight and part relaxing with a drink. Roberto Vally complements on bass and Phillip Saisse has keyboard duty. Antoine leads to start things off, with an uncredited flute enhancing the flavor. After a brief solo by Saisse and another by Antoine, Brown comes forth before trading lines with Antoine to set up the song's ending.

The title song is moderately paced, with Brown and Antoine, who also adds bass duty, harmonizing on the melody. With Saisse again on keys, the leaders are supplemented by the three-piece horn section of Jerry Hey, Bill Reichenbach, and Dan Higgins. The drums and percussion are a bit underwhelming, but the leads and soft horns more than make up for that. Trumpet, trombone, and sax are in perfect sync, while the guitars complement each other well.  "Brother Earl" is a tribute to Klugh. Percussionist Lenny Castro joins Vally, Saisse, and the horn section on this all-too-short piece. 

Brown leads and Antoine answers on the melody. On the second pass, Brown adds a little spice while the horns lay down a not-so-subtle underscore. Vally's bass adds a little funk to this otherwise chill-out song, with Brown establishing a Carlton-esque groove during his middle solo. Throughout most of Foreign Exchange, Brown and Antoine are accompanied by a variable lineup of bassists and keyboardists in addition to the horn section and it works out. While safely within the confines of the smooth jazz format, the songs aren't weighed down by catchy phrasing or handicapped by bland programming. ~ Woodrow Wilkins https://www.allaboutjazz.com/foreign-exchange-paul-brown-peak-records-review-by-woodrow-wilkins.php
 

Personnel: Jeff Caruthers: drums (1, 7), keys (1, 7), acoustic guitars (1); Dan Lutz: bass (1, 2, 7); Paul Brown: electric guitar, percussion (1-4, 6, 8, 10), drums (5, 6, 8, 9); Marc Antoine: nylon-string guitar, percussion (1), drums (2-4); Phillipe Saisse: keys (2-6, 8, 10); Roberto Vally: bass (3, 5, 6, 9, 10); Jerry Hey: trumpet (4, 5, 7, 9); Bill Reichenbach: trombone (4, 5, 7, 9); Dan Higgins: sax (4, 5, 7, 9); Lenny Castro: percussion (5, 7, 9); Tommy Kay: rhythm guitar (8, 9); Greg Karukas: keys (9); Sergio Gonzales: drums (10); Jessy J: flute (10).

Foreign Exchange

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Jessy J - My One And Only One

Styles: Saxophone Jazz
Year: 2015
File: MP3@320K/s
Time: 48:08
Size: 110,7 MB
Art: Front

(3:37)  1. Una Mas
(4:14)  2. My One and Only One
(5:16)  3. Lovesong
(4:26)  4. The Tango Boy
(3:52)  5. Paraíso Mágico
(6:15)  6. Back To the Basics
(6:23)  7. You're Makin' Me High
(4:53)  8. Siempre
(4:28)  9. Cuba
(4:39) 10. Strawberry Letter 23

Jessy J's solo albums Tequila Moon (2008), True Love (2009), Hot Sauce (2011) and Second Chances (2013) mark her constant way to fame and popularity in the smooth jazz community. Her fifth project is My One and Only One, scheduled for release May 26th, 2015. Paul Brown, Gregg Karukas, Roberto Vally, Sergio Gonzalez, Richie Gajate, Michael Ripoll, Zoux, Oskar Cartaya, Ruslan Sirota, Alex Al, Taku, Michael Angel, Frank Abraham, Iajhi Hampden, Bryant Siono, Norman Jackson, Jay Gore, Lee Thornberg, Dave Hooper, Ronnie Gutierrez, Janis Leibhart & Dave Darlington are mentioned as supporting musicians on her website. Jessy is toying gladly with her Mexican American ancestry. Many of her songs have a Latin American reference like the starting Una Mas. Capricious but warm on the skin like a soothing spring breeze soars the melody. The title track is more down to earth, so if she tried to retain My One and Only One.

Lovesong previous recorded by alternative rock band The Cure and British singer Adele is essential reinterpreted and immaculately limited to the melody. Swaying comes along The Tango Boy, the first single of the new album. Backed by a powerful horn arrangement, electric piano, Paul Brown on guitar, this is a tight show opener. On Paraíso Mágico Jessy J dives into the Latin American world sharing the melody on flute and vocally. Back To The Basics is enhanced with Brazilian rhythmic instruments, an awesome piano solo and a jazz-inspired Jessy on sax. With You’re Making Me High, Toni Braxton's former hit single from her album Secrets, Jessy moves on solid ground. Singing in Spanish belongs to Jessy's repertoire. 

With the euphonious Siempre she is in her element. In 2014 Jessy J had the pleasure of visiting Havana, Cuba for the International Jazz Festival. Cuba is at the same time remembrance and tribute to this island and their inhabitants connected with the music. Strawberry Letter 23, legendary by The Brothers Johnson, was also covered by Quincy Jones, the group Kiara, Tevin Campbell and Phil Upchurch. A melody worth to replay. The packaging makes music. Jessy J's appearance is outstanding, her stage presence is always a highlight for every event especially since she has preserved her naturalness. With such a jump start each album of her will succeed. http://www.smooth-jazz.de/firstview/JessyJ/MyOneAndOnlyOne.htm

My One And Only One

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Jessy J - Tequila Moon

Styles: Vocal And Saxophone Jazz
Year: 2008
File: MP3@320K/s
Time: 46:00
Size: 105,9 MB
Art: Front

(4:36)  1. Tequila Moon
(3:44)  2. Spanish Nights
(4:33)  3. Sin Ti/Without You
(5:04)  4. Mas Que Nada
(4:07)  5. Fiesta Velada
(3:36)  6. Poetry Man
(4:03)  7. Turquoise Street
(3:03)  8. PB 'N' J
(3:39)  9. Bésame Mucho
(3:49) 10. Running Away
(5:42) 11. Song for You

It's hard to imagine Jessy J as one who wanted to play straight-ahead jazz. Yet that was the type of demo she submitted to producer/guitarist Paul Brown, whose style and influence in recorded music is about as far from straight-ahead jazz as one can get. To no surprise, the relationship that developed between Brown and the saxophonist/vocalist has Jessy J fitting comfortably within the smooth jazz format, although her debut, Tequila Moon, has a Latin theme. Born of Mexican parents in Portland, Oregon, and reared in Hemet, California, Jessy J has deep roots in Latin music. She was a huge fan of Cannonball Adderley and John Coltrane a further contradiction of her format-friendly debut but also loved pop. In addition to Brown, her professional career has had her in recording sessions or on stage with such artists as Michael Bublé, The Temptations and Michael Bolton. She's also forged bonds with saxophonists Mindi Abair and Kirk Whalum. Tequila Moon features Jessy J with a variable mix of session players, with the greater contributions coming from Brown, percussionist Richie Gajate Garcia, keyboardist Ricky Peterson (who also does string synths) and bassist Roberto Vally. Brown also co-wrote five of the seven original songs. The others were penned by drum programmer Donald Hayes and keyboardist Kiki Ebsen.

The title song sets the mood for the entire package. Its laid-back groove is pleasant, aided by Jessy J's smooth tenor sax lead, underscored by Brown's guitar and Gregg Karukas on keys and string synths. "Sin Ti/Without You" presents an easy-going samba feel, accented by Peterson on keys, Vally's bass line and drummer Oscar Seaton's rim shots. Toward the end, Jessy J shows her chops on tenor. Jorge Bem's "Mas Que Nada" has been covered many times over. With Jessy J setting aside her sax in order to sing lead, this cover is nicely done but lacks the energy of previous versions, particular one done by Al Jarreau. Still, Jessy's charming voice makes this worth listening to, with drummer Sergio Gonzales helping it with some adept cymbal work. One of the better showcases for Jessy J's talent as a songwriter and musician is "Fiesta Velada," which she co-wrote with Brown. 

One major plus is that this straightforward Latin piece lacks the cookie-cutter, smooth jazz production which overpowers most of the songs in this set. Vally, Peterson, Seaton and Garcia complement the leader while Jessy J and her tenor have a party. Tequila Moon is a nice overall debut for Jessy J. The selections all clock in at less than six minutes, with the majority between three and four. That certainly increases the probability of airplay on smooth jazz, adult contemporary, or even easy listening stations. Unfortunately, the commercialization of this recording dilutes the beauty of Jessy J's performance. ~ Woodrow Wilkins  http://www.allaboutjazz.com/tequila-moon-jessy-j-peak-records-review-by-woodrow-wilkins.php

Personnel: Jessy J: tenor sax (1-4, 5, 7, 8, 11), vocals (4, 9), flute (5), soprano sax (6, 10); Sergio Gonzales: drums (1, 4); Gregg Karukas: keys (1, 4) string synths (1, 4); Paul Brown: guitar (1-3, 8-11); Richie Gajate Garcia: percussion (1-5, 9); Donald Hayes: bass (2), keys (2), drum programming (2); Ricky Peterson: string synths (2, 3, 5, 9, 10), piano (2, 5, 10), keys (3); Roberto Vally: bass (3-11); Oscar Seaton: drums (3, 5); Kiki Ebsen: keys (6-8), string synths (6-8), piano (11); Dave Beyer: drums (6-8, 11), percussion (6-8); Chad Wright: drums (10); Nino Sanchez: percussion (10).

Tequila Moon

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Jessy J - Hot Sauce

Styles: Vocal And Saxophone Jazz
Year: 2011
File: MP3@320K/s
Time: 43:12
Size: 99,1 MB
Art: Front

(4:08)  1. Remember The Night (Feat. Paul Brown)
(4:00)  2. Rio Grande
(3:17)  3. Hot Sauce
(4:27)  4. Rainbow Gold (Feat. Joe Sample & Harvey Mason)
(3:53)  5. 'Til You Make Up Your Mind
(4:06)  6. Meant To Be
(2:50)  7. We Kissed
(3:33)  8. Leave Right Now
(4:47)  9. In A September Mood (Feat. Saunders Sermons)
(8:07) 10. Last Night (Feat. Joe Sample & Ray Parker Jr.)

The third major album by saxophonist Jessica Spinella (a.k.a. Jessy J) reflects both a reliance on a proven formula and the stirrings of venturing into unexplored territory. Jessy's got a problem. She can attribute much of her success to veteran producer Paul Brown, whose other clients include Euge Groove, Rick Braun and Boney James. Brown is a master of the catchy hook, which makes him more commercial than cutting edge. That's not a bad thing, but it doesn't always make for boldly inventive music. Brown's production always sounds good, even if it's often a slightly different twist of the same old song.Of Hot Sauce's ten songs, six are produced by Brown, but it's the other four which are the most interesting. There's nothing terribly wrong with "Remember the Night" and "Rio Grande," other than the odd sequencing of two tracks which sound remarkably similar except one is more up-tempo than the other, but there's just nothing original about them, either. Brown's skills are in revisiting what he's done on previous Jessy J albums like Tequila Moon (Peacon, 2008) and True Love (Peak, 2009).

Here, however, Brown holds the reins on the young saxophonist a bit too tightly. Any song entitled "Hot Sauce" ought to flat-out groove, not just bubble away for 3:17; "Mild sauce" would be a better descriptor for the underwhelming, paint-by-numbers title tune. There are faint traces of Jessy J's Latin heart beating faintly in the background, but it's overwhelmed by the slickness and sheen of Brown's production. A little less control and little more risk-taking were needed here. More successful and much more fun are "Rainbow Gold" and 'Last Night," two funky workouts, with "Last Night" offering a rare performance by Joe Sample, workin' it out on the Hammond B3 organ with studio pros Harvey Mason (drums), Ray (Ghostbuster) Parker Jr. (guitar) and Nick Sample son of the former Crusaders keyboardist joining in on bass. Both feature Jessy J's vocalizations, so if you enjoy them, you're in luck.

The moment of revelation comes with Saunders Sermons and his vocal turn on "In A Sentimental Mood," with Jessy J playing a supporting role. Sermons simmers and sways, playing it straight, with Jessy J's tenor sax warmly warbling in the background. Sermons co-produced and arranged the Duke Ellington classic with pianist Jon Notar, and it's a winner, with some nice stick work from drummer Josh Guinta. Nothing else on Hot Sauce sounds remotely like this and it's a style for which Jessy J is well-suited. There is a balance a musician must strike between art and commerce, and not every soloist thrives in the spotlight. The finest moments of Hot Sauce come when Jessy J is part of the band instead of the center of attraction. Going forward she will likely thrive in either role, but for now she seems most comfortable in the former than the latter. ~ Jeff Winbush  http://www.allaboutjazz.com/hot-sauce-jessy-j-heads-up-international-review-by-jeff-winbush.php
 

Personnel: Jessy J: tenor sax, soprano sax, flute, vocals; Paul Brown: guitar, drums, percussion, nylon string guitar, programmed drums (1-3, 5-7); Marco Basci: keyboards, strings, bass, drum programming (2, 5); Roberto Vally: bass (2, 5-7), Lawrence Young: keyboards (3); Michel Ripoli: guitars, bass (3); Deyon Dobson: keyboards, drum programming (3); Joe Sample: piano, Rhodes, Triton keyboard and Hammond B3 organ (4, 10); Ray Parker Jr.: guitars and background vocals (4, 10); Nick Sample: bass (4, 10); Harvey Mason: drums (4, 10); Gregg Karukas: keyboards, strings (6, 7); Jeff Caruthers: keyboards, guitar, bass and drum programming (8); Saunders Sermons: vocals (9); Jon Notar: piano (9); Jordan Scannella: electric bass (9); Josh Guinta: drums (9); Janis Liebhart: background vocals (10); Toni Scruggs: background vocals (10).

Hot Sauce

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Jessy J - Second Chances

Styles: Vocal And Saxophone Jazz
Year: 2013
File: MP3@320K/s
Time: 41:41
Size: 96,3 MB
Art: Front

(4:57)  1. Listen 2 the Groove
(3:42)  2. Second Chances
(3:34)  3. Feel Like Makin' Love
(4:25)  4. Magalenha
(4:15)  5. Tango For Two
(4:14)  6. Dos
(3:24)  7. La Luna Feliz
(5:15)  8. Double Trouble
(3:06)  9. Mambo Gumbo
(4:45) 10. Twice

It's a paradox that what distinguishes Jessy J was the very thing she did not put enough emphasis upon; being a female Latin jazz artist. Through three albums of solid, if standard, smooth jazz grooves enlivened somewhat by more distinctive outbursts of originality the lady known as Jessica Spinella stumbled with the blandly generic Hot Sauce (Heads Up, 2011). In every musician's career a time comes when they must choose to follow a path to success chartered by others or one chartered by themselves. Perhaps Jessy J realized she was marginalizing herself as just another smooth jazz saxophonist in an overcrowded field and decided it was time for a course correction. Either way Second Chances shows a musician willing to take chances even if they aren't big chances. It's still a compliment as Hot Sauce failed to be little more than product. Here, with Jessy J handling the production chores herself, she isn't going for complete reboot as much as a conceptually constructed album built around original compositions on the number two ("Listen 2 the Groove," "Second Chances," "Tango for Two," "Dos," "Double Trouble," "Twice") and a few covers, Eugene McDaniels' classic "Feel Like Makin' Love" and "Magalenha" by Sergio Mendes. 

The result is the most fully realized album of the young musician's career and certainly her most consistent. Playing alto, tenor, soprano and baritone sax as well as flute, Jessy J shows off her versatility. Her breathy, girlish vocals on "Feel Like Making Love" won't make anyone forget Roberta Flack, but the support from Bryant Sinono (bass), Tim Stewart (guitar) and Norman Jackson (keyboards) from her own band step up and elevate the tune from a skip to at least listenable. In the shift to put smooth jazz riffing aside to get closer to her Latin roots Jessy J is ably assisted by Jeff Lorber and Johnny Britt, a multi-instrumentalist, vocalist and songwriter who takes a lead vocal turn on the jumpin' "Mambo Gumbo" penned by Jessy J and Joe Sample. It doesn't hurt that her playing here is easily her best on record. Jessy J's confidence and skill has done nothing but grown and whether she's jamming on the tenor sax with Lorber and Jimmy Haslip on "Tango for Two" or soaring as she alternates between soprano and flute the lady does not fail to impress. 

Initially, Jessy J seemed fated to be just another underachiever playing her saxophone competently if not memorably. Despite this being her fourth album, she truly seems to have made the most of a second chance to distinguish herself from a crowded field of players and by getting back to basics Second Chances is reason enough to give her a second listen. ~ Jeff Winbush   http://www.allaboutjazz.com/second-chances-jessy-j-shanacie-review-by-jeff-winbush.php#.U3PpdCi9a5w

Personnel: Jessy J: tenor, alto, baritone, and soprano saxophone, flute, vocals; Jeff Lorber: keyboards, guitar, strings; Jimmy Haslip: bass, background vocals; Tony Moore: drums; Dwight Sills: guitar; Johnny Britt: keyboards, drum programming, trumpet, vocaks, additional vocals and vocal arrangement; Norman Brown: guitar, keyboards; Frank Abraham: bass; Michael Angel: rhythm guitar; Richie Gajate Garcia: percussion; keyboards; Norman Johnson: keyboards, strings; Bryant Sinono: bass, bass, keyboards, electric guitar; Charles Streeter: drums; Tim Stewart: guitar; Michael Thompson: guitar; Mike White: drums; Nancy Lyons: chorus vocals; Facundo: vocals, guitars

Second Chances

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