Sunday, November 13, 2016

Jesper Thilo - Plays Basie And Ellington

Bitrate: MP3@320K/s
Time: 134:58
Size: 309.0 MB
Styles: Big Band, Mainstream jazz
Year: 2013
Art: Front

[4:46] 1. Duke's Place
[6:31] 2. Sophisticated Lady
[6:07] 3. Perdido
[4:45] 4. Blue Light
[6:02] 5. What Am I Here For
[4:52] 6. Prelude To A Kiss
[4:54] 7. Caravan
[6:32] 8. I Got It Bad
[7:11] 9. Things Ain't What They Used To Be
[4:53] 10. The Starcrossed Lovers
[4:09] 11. Cotton Tail
[5:55] 12. Mood Indigo
[4:04] 13. One O'clock Jump
[6:38] 14. Lil' Darlin'
[4:03] 15. Tickle Toe
[4:34] 16. Ghost Of A Chance
[4:37] 17. Shorty George
[6:36] 18. Blue And Sentimental
[4:04] 19. Cute
[5:26] 20. Crazy Moten
[7:00] 21. For Lena And Lennie
[4:01] 22. Lester Leaps In
[6:09] 23. I Want A Little Girl
[5:44] 24. Lady Be Good
[5:12] 25. Splanky

Jesper Thilo med Søren Kristiansen, Hugo Rasmussen, Svend-Erik Nørregaard ... et al. ; Jesper Thilo (tenorsax/clarinet) ; Søren Kristiansen (piano) ; Hugo Rasmussen (bass) ; Svend-Erik Nørregaard (drums) ; engineers: Michael "Miller" Olsen, Bjarne Hansen ; produced by Jesper Thilo.

This is a 2-CD set combined here for a one-step acquisition.

Plays Basie And Ellington

Peggy Lee - All Aglow Again!

Bitrate: MP3@320K/s
Time: 31:10
Size: 71.4 MB
Styles: Jazz vocals
Year: 1960/2011
Art: Front

[3:19] 1. Fever
[2:19] 2. Where Do I Go From Here
[2:25] 3. Whee Baby
[2:11] 4. My Man
[2:24] 5. You Deserve
[2:55] 6. Mañana (Is Soon Enough For Me)
[2:27] 7. Hallelujah, I Love Him So
[2:27] 8. You Don't Know
[2:23] 9. Louisville Lou
[2:50] 10. I'm Lookin' Out The Window
[2:29] 11. It Keeps You Young
[2:56] 12. Let's Call It A Day

The point of this patchy compilation, released on Capitol Records' discount-priced Starline series in 1960, seems to be to put Peggy Lee's 1958 Top Ten single "Fever" on an LP for the first time. The single's B-side, "You Don't Know," also appears, along with five tracks from singles Lee released in 1959: the old Fanny Brice signature song "My Man," which reached the singles chart as the B-side of "Alright, OK, You Win"; the charting cover of Ray Charles' "Hallelujah, I Love Him So" and its B-side, "I'm Lookin' Out the Window," and the non-charting single "You Deserve" with its B-side "Where Do I Go from Here." Lee's biggest hit, "Manana (Is Soon Enough for Me)," from back in 1948, is thrown in for good measure, and the collection is padded out to 12 tracks by digging four previously unreleased songs from the vaults: "Whee Baby," "Louisville Lou (That Vampin' Lady)," "It Keeps You Young," and "Let's Call It a Day." Despite this grab-bag of sources, there are some excellent, if stylistically disparate, performances, starting with the brilliantly smoldering "Fever." "You Don't Know" is even bluesier and an excellent companion piece. The faux-Latin "Manana (Is Good Enough for Me)" is always welcome, and Lee's effervescent reading provides a light contrast to Charles' on "Hallelujah, I Love Him So." Among the better known material, only "My Man" is a failure, because it doesn't suit the singer, whose cool persona is at odds with its hot, emotional fervor. Lee has fun with the lesser known songs, but it's easy to see why they are lesser known. ~William Ruhlmann

All Aglow Again!

Royal Crown Revue - The Contender

Bitrate: MP3@320K/s
Time: 43:21
Size: 99.3 MB
Styles: Neo swing
Year: 1993
Art: Front

[3:24] 1. The Contender
[3:55] 2. Walkin' Like Brando
[3:13] 3. Zip Gun Bop
[2:50] 4. Big Boss Lee
[4:19] 5. Friday The 13th
[3:39] 6. Stormy Weather
[2:56] 7. Morning Light
[2:47] 8. Salt Peanuts
[3:14] 9. Work Baby Work
[4:13] 10. Everyone Knows You're Crazy
[5:11] 11. Port-Au-Prince (Travels With Betty Page)
[3:34] 12. Deadly Nightcall

The least smarmy of the bevy of neo-swing albums that were released during the same period (including admirable-selling sets by Big Bad Voodoo Daddy and the Cherry Poppin' Daddies), Royal Crown Revue's fourth album is also their most traditional offering in the genre. And because they are somewhat veterans of the scene (they formed in 1989, at least a good five years before neo-swing bands began replacing ska groups as Southern California's latest musical offering to fad-seeking kids), Royal Crown Revue play it a bit more straight and with more dash than most of their neo-swing contemporaries. Still, there's a slight hipper-than-thou vibe splattered throughout The Contender, one that still self-importantly winks at its audience as it heavy-handedly plows through music 50-years-old. Choice cuts: "Walkin' Like Brando," "Zip Gun Bop (Reloaded)" and the zesty title track. ~Michael Gallucci

The Contender

Harry Nilsson - All Time Greatest Hits

Bitrate: MP3@320K/s
Time: 56:27
Size: 129.3 MB
Styles: Rock, AM Pop
Year: 1989
Art: Front

[2:43] 1. Everybody's Talkin'
[2:41] 2. Sleep Late, My Lady Friend
[2:42] 3. Good Old Desk
[2:22] 4. Don't Leave Me
[2:38] 5. 1941
[2:47] 6. Cowboy
[2:55] 7. One
[3:53] 8. Coconut
[2:42] 9. Daybreak
[3:21] 10. Without You
[2:43] 11. I Guess The Lord Must Be In New York City
[2:06] 12. Caroline
[2:08] 13. Daddy's Song
[2:54] 14. Jump Into The Fire
[2:19] 15. Without Her
[2:10] 16. Me And My Arrow
[2:44] 17. Nobody Cares About The Railroad Anymore
[3:30] 18. Spaceman
[2:53] 19. As Time Goes By
[4:06] 20. Remember

HARRY NILSSON wasn't your ordinary "pop star"...possessing a droll wit, a quirky vocabulary of diverse styles, and a multi octave vocal range, few radio listeners tied Top 40 fare such as the funky island jam COCONUT, the childlike ME & MY ARROW and the hard charging JUMP INTO THE FIRE together under the same name. An eclectic tunesmith who provided ONE for THREE DOG NIGHT, CUDDLY TOY for THE MONKEES, and the winsome theme from TV's THE COURTSHIP OF EDDIE'S FATHER, he also scored with sweetly tasteful, laid back covers of FRED NEIL's MIDNIGHT COWBOY classic EVERYBODY'S TALKIN and the lush, starkly beautiful BADFINGER track WITHOUT YOU. ALL TIME GREATEST HITS gathers up the important radio singles from SPACEMAN and DAYBREAK to I GUESS THE LORD MUST BE IN NEW YORK CITY, tossing in a pair of RANDY NEWMAN covers and an after hours rendition of the BOGIE-associated AS TIME GOES BY for extra atmosphere. NILSSON was always a musical enigma whose fans (at least those who knew his name, not merely his hits) found a rewarding challenge to unravel. ~Dave Chavers

All Time Greatest Hits

Various - Capitol Records From The Vaults: The Birth Of A Label

Bitrate: MP3@320K/s
Time: 75:04
Size: 171.9 MB
Styles: Assorted
Year: 2000
Art: Front

[3:11] 1. Freddie Slack And His Orchestra - Cow Cow Boogie
[2:56] 2. Johnny Mercer - Strip Polka
[2:59] 3. Martha Tilton - I'll Remember April
[2:45] 4. Bobby Sherwood And His Orchestra - I Don't Know Why
[3:19] 5. Paul Whiteman & His Orchestra - Serenade In Blue
[2:47] 6. Tex Ritter - Jingle Jangle Jingle
[2:41] 7. Connie Haines - At Last
[3:00] 8. Ella Mae Morse - Mr. Five By Five
[3:15] 9. Billie Holiday - Trav'lin' Light
[3:00] 10. Gordon Jenkins & His Orchestra - There Will Never Be Another You
[3:07] 11. Johnny Mercer - I Lost My Sugar In Salt Lake City
[2:54] 12. Bobby Sherwood And His Orchestra - Moonlight Becomes You
[3:00] 13. Gordon Jenkins - White Christmas
[2:38] 14. Margaret Whiting - That Old Black Magic
[2:45] 15. Six Hits And A Miss - You'd Be So Nice To Come Home To
[2:59] 16. Freddie Slack - Riffette
[3:09] 17. Ray Mckinley - Big Boy
[3:15] 18. Ray Mckinley - Hard Hearted Hannah
[3:03] 19. Ella Mae Morse - Get On Board, Little Chillun
[2:49] 20. Billy Butterfield - My Ideal
[3:09] 21. Ceelle Burke & His Orchestra - From Twilight 'til Dawn
[2:53] 22. Paul Whiteman & His Orchestra - The Old Music Master
[3:21] 23. Nat King Cole Trio - All For You
[2:38] 24. The Pied Pipers - Pistol Packin' Mama
[3:19] 25. Johnny Mercer - G.I. Jive

From the Vaults is a multi-disc series commemorating the 60th anniversary of Capitol Records. Volume one, Birth of a Label, compiles 25 of the earliest sides issued by the label's collective brain trust: songwriters Buddy DeSylva, Johnny Mercer, and record shop proprietor Glenn Wallichs. Although many of these tunes quickly became pop standards, several have never been issued on CD before -- and of those that have previously entered the digital domain, most were transferred from sonically challenged vinyl. Tremendous care has been taken on the From the Vaults series to track down the best possible source materials. The extra effort pays off immeasurably. Capitol's incipient recordings were, as one might imagine, an ideal vehicle for Mercer's dynamic compositions. "Strip Polka," "Trav'lin' Light," and "G.I. Jive" are among his earliest pieces for the label and are included on this volume. However, the label quickly became recognized for the variety of sounds released under their moniker. Some of Capitol's earliest hits were taken from motion picture soundtracks. "My Ideal," "You'd Be So Nice to Come Home To," "Moonlight Becomes You," and the seasonal favorite "White Christmas" are among the baker's dozen of movie songs featured on this release. Other genres to be represented by Capitol ranged from jazz ("Trav'lin' Light") to boogie-woogie ("Cow Cow Boogie"), and even early R&B ("Riffette"). A 10-page liner notes booklet contains memorabilia, vintage photos, and other previously unpublished eye candy, as well as an essay by musician and music historian Billy Vera. Initial pressings -- limited to 10,000 -- are cleverly packaged in a digi-pack designed to replicate the 78 rpm records and sleeves of the era. With such attention to sonic as well as visual detail, Vol. One: Birth of a Label is a promising start to the series. ~Lindsay Planer

Capitol Records From The Vaults: The Birth Of A Label

Tim Warfield - A Sentimental Journey

Styles: Saxophone Jazz
Year: 2010
File: MP3@320K/s
Time: 59:51
Size: 156,2 MB
Art: Front

( 9:26)  1. Sentimental Journey
( 5:25)  2. I'll Be Seeing You
( 4:47)  3. My Man
( 5:06)  4. Crazy Rhythm
( 8:55)  5. Speak Low
( 8:00)  6. In a Sentimental Mood
( 7:56)  7. Golden Earrings
(10:12)  8. Here's That Rainy Day

Saxophonist Tim Warfield has been associated with the Wynton Marsalis/Lincoln Center post-Young Lions of mainstream jazz for quite some time. With A Sentimental Journey, he might be making inroads to breaking that mold with a collection of standards fortified by the B-3 organ of Pat Bianchi and given different shadings or flavors. With trumpeter Terrell Stafford as second-in-command, Warfield takes the effortless lead on most of these chestnuts, with primarily his tenor sax and a little soprano. There are three short but sweet songs, including a quaint tango/march version of "My Man" with Warfield playing a Sidney Bechet-toned soprano. The rest are long and involved jam-type workouts as Warfield's tenor is assertive and up-front. A slow, slinky, lugubrious take on "Sentimental Journey" and similarly steamy approach to the Brazilian-tinged "Speak Low" emphasize what is mostly a program of easy swing, ballads, blues, and bossas, with "Crazy Rhythm" the energetic exception. Drummer Byron "Wookie" Landham is the lone rhythmic instrument, and unlike his groove-oriented work with Joey DeFrancesco, he tones down the proceedings with taste and grace. Warfield is not so much distinctive as tasteful, not shattering barriers but playing enjoyable, straight-laced music. ~ Michael G.Nastos http://www.allmusic.com/album/a-sentimental-journey-mw0001987889

Personnel: Tim Warfield (soprano saxophone, tenor saxophone); Terell Stafford (trumpet, flugelhorn); Pat Bianchi (Hammond b-3 organ); Byron Landham (drums).

A Sentimental Journey

Teri Thornton - Devil May Care

Styles: Vocal
Year: 1961
File: MP3@320K/s
Time: 37:16
Size: 85,7 MB
Art: Front

(2:48)  1. Lullaby of the Leaves
(2:47)  2. Devil May Care
(3:10)  3. Detour Ahead
(2:33)  4. The Song Is You
(3:29)  5. My Old Flame
(3:48)  6. What's Your Story, Morning Glory
(2:31)  7. Dancing in the Dark
(3:27)  8. Left Alone
(3:11)  9. Blue Champagne
(2:42) 10. I Feel a Song Comin' On
(4:11) 11. What's New?
(2:33) 12. Blue Skies

This is the first (of three) long out of print recordings by Teri Thornton, finally available to the general public. It would not be a stretch to say she is perhaps the most talented, distinctive, clean, out-of-sight singer listeners have never heard....until now. Thornton's powerful, almost chilling voice compares favorably to the pristine tones and vibrato of Sarah Vaughan, the blues sassiness of Dinah Washington, and some of the more soulful refrains of Abbey Lincoln. Simply put, you have to hear her once to believe her. Whether on doleful ballads or raucous swingers, Thornton is totally confident and in control  of her emotions and yours. From the best version of the Bob Dorough-written title track you are likely to hear, to the regretful ballad "My Old Flame" or the ultimate heart-melter "Left Alone," to an interesting arrangement on a pleading "What's Your Story, Morning Glory?," Thornton charges through the bar lines. Check her forcefulness on "Dancing in the Dark" and "I Feel a Song Coming On." Sometimes she purposefully staggers behind measures to grand effect. Every track is a showstopper, thanks to her uniquely soulful, drama-laden approach. 

Potent, unobtrusive horn charts feature legends like trumpeter Clark Terry, trombonist Britt Woodman, and saxophonists Earle Warren and Seldon Powell. The rhythm section of guitarist Freddie Green (half the tracks, Sam Herman on the others), pianist Wynton Kelly, bassist Sam Jones, and drummer Jimmy Cobb can do no wrong. Arranger par excellence Norman Simmons provided the perfect charts. This is an important document of a truly great jazz singer, and is essential in the collection of every serious aficionado. The only one regret is that it can't be given several handfuls of *****. ~ Michael G.Nastos http://www.allmusic.com/album/devil-may-care-mw0000237135

Personnel: Teri Thornton (vocals); Freddie Green, Sam Herman (guitar); Seldon Powell (saxophone); Earle Warren (alto saxophone); Clark Terry (trumpet, flugelhorn); Britt Woodman (trombone); Wynton Kelly (piano); Jimmy Cobb (drums).

Devil May Care

Tony Williams - The Joy Of Flying

Styles: Jazz Fusion
Year: 1979
File: MP3@320K/s
Time: 49:56
Size: 115,6 MB
Art: Front

(4:16)  1. Going Far
(8:07)  2. Hip Skip
(6:20)  3. Hittin' On 6
(6:19)  4. Open Fire
(6:52)  5. Tony
(3:31)  6. Eris
(6:08)  7. Coming Back Home
(8:19)  8. Morgan's Motion

It would be an understatement to say that there was a fair amount of variety on this set. Drummer Tony Williams is heard in two duets with keyboardist Jan Hammer, with a quartet also including keyboardist Herbie Hancock, Tom Scott (who unfortunately sticks to lyricon) and bassist Stanley Clarke, and he welcomes rock guitarist Ronnie Montrose, keyboardist Brian Auger, guitarist George Benson, Hammer and tenorman Michael Brecker on other tracks. Much of this music is closer to R&B than to jazz, although there are many strong moments. But the most interesting selection is certainly "Morgan's Motion" which matches Williams with pianist Cecil Taylor in a powerful (and completely atonal) collaboration. ~ Scott Yanow http://www.allmusic.com/album/the-joy-of-flying-mw0000030914

Personnel:  Tony Williams: drums;  George Benson: guitar;  Ronnie Montrose: guitar;  Cecil Taylor: piano;  Jan Hammer: synthesizer, keyboards;  Herbie Hancock: synthesizer, keyboards;  Brian Auger: synthesizer, keyboards;  Michael Brecker: tenor saxophone;  Mario Cipolina: bass;  Stanley Clarke: bass;  Paul Jackson: bass

The Joy Of Flying

Mark Wingfield - Proof of Light

Styles: Guitar Jazz
Year: 2014
File: MP3@320K/s
Time: 53:15
Size: 122,5 MB
Art: Front

(6:10)  1. Mars Saffron
(4:14)  2. Restless Mountains
(7:55)  3. The Way to Etretat
(4:50)  4. A Conversation We Had
(3:22)  5. A Thousand Faces
(8:37)  6. Voltaic
(5:40)  7. Summer Night's Story
(5:16)  8. Koromo's Tale
(7:05)  9. Proof of Light

My initial exposure to UK-based guitarist, educator Mark Wingfield occurred via a recommendation to check out Three Windows (Dark Horse Records, 2008), which is an album that demonstrates his astounding virtuosity and unique voice, spanning jazz, fusion and a host of melodious ambient treatments. Many artists and technicians within the perceivable inner circle recognize Wingfield as a force to be reckoned with. Yet with Proof of Light produced by progressive New York City-based Moonjune Records, he should reap the benefits of additional and warranted exposure. Supported by prestigious musicians, drummer Asaf Sirkis (John Abercrombie, Jeff Berlin) and bassist Yaron Stavi (David Gilmour, Robert Wyatt), the leader often constructs flourishing and power-packed thematic overtures, as they seamlessly fuse agility and power into the grand schema.  Akin to guitar heroes, Jeff Beck and Jimi Hendrix, Wingfield makes his guitar howl, sing, and cry for mercy amid flickering single note runs, tinted with a dash of reverb that adds depth to these works. Sans a horde of up-tempo supersonic burnouts, Wingfield takes his time in the thematic development department. However, on "Voltaic" the rhythm section's thrusting pulse sets the paradigm for the guitarist's rather ominous delivery, intermingled with ethereal tonal splashes and wailing licks. Here, the trio ups the ante so to speak, as they execute thoroughly complex, brisk and snappy unison lines with effortless ease.  Sirkis and Stavi stretch out during various bridge sections, complementing a host of swaggering grooves, reverse engineering processes, and turbulent breakouts where the leader busts everything wide open. But "Koromo's Tale," opens with Stavi's nimble lines, dappled with background effects and the drummer's textural cymbals patterns for a piece that is quietly soaring by design, casting an ECM Records-type aesthetic partly due to the leader's tone-twisting notes. Hence, from a holistic perspective, Wingfield possesses the goods to be a world-beater. He's an idiosyncratic stylist who infuses wistful delights into his mode of attack, while sparking vivid notions that the guitar is an extension of his soul. ~ Glenn Astarita https://www.allaboutjazz.com/proof-of-light-mark-wingfield-moonjune-records-review-by-glenn-astarita.php
 
Personnel: Mark Wingfield: guitar; Yaron Stavi: upright bass; Asaf Sirkis: drums.

Proof of Light

The Jimmy Giuffre 3 - Trav'lin' Light

Styles: Clarinet And Saxophone Jazz
Year: 1958
File: MP3@320K/s
Time: 36:32
Size: 85,8 MB
Art: Front

(4:26)  1. Trav'lin' Light
(5:36)  2. The Swamp People
(3:07)  3. The Green Country (New England Mood)
(6:17)  4. Forty-Second Street
(5:44)  5. Pickin' 'Em Up And Layin' 'Em Down
(3:56)  6. The Lonely Time
(4:41)  7. Show Me The Way To Go Home
(2:41)  8. California Here I Come

In 1958, Jimmy Giuffre led one of the most unusual groups ever, a trio comprised of his reeds (clarinet, tenor and baritone), valve trombonist Bob Brookmeyer and guitarist Jim Hall. ~ Scott Yanow http://www.allmusic.com/album/travlin-light-mw0001881103

Personnel:  Clarinet, Baritone Saxophone, Tenor Saxophone – Jimmy Giuffre;  Guitar – Jim Hall;  Trombone – Bob Brookmeyer

Trav'lin' Light