Friday, January 5, 2018

Lils Mackintosh - 40 Years On Stage

Size: 101,9 MB
Time: 43:32
File: MP3 @ 320K/s
Released: 2012
Styles: Jazz Vocals
Art: Front

01. Wild Is The Wind (3:32)
02. You've Changed (3:00)
03. Mr. Paganini (2:34)
04. You're Driving Me Crazy (2:54)
05. Nature Boy (3:00)
06. Blue Skies (3:16)
07. Round Midnight (6:07)
08. House Of The Rising Sun (3:04)
09. Swing It Brother Swing (2:09)
10. We Three (2:42)
11. You Don't Know What Love Is (4:48)
12. Stand By Me (3:25)
13. Perfect Day (2:57)

Lils Mackintosh (born June 11, 1955) is an award-winning jazz and blues singer and is considered one of the most distinguished artists in the Dutch jazz scene. Mackintosh has worked with the likes of Oscar Peterson, B.B. King, Scott Hamilton, Rita Reys, het Rosenberg Trio, Cor Bakker, Madeline Bell, Hans Dulfer, Candy Dulfer, Louis van Dijk, The Beets Brothers, Georgie Fame and the Dutch Swing College Band.

40 Years On Stage

Chet Baker - Chet Baker's Last Recording As Quartet

Size: 169,6 MB
Time: 73:31
File: MP3 @ 320K/s
Released: 2017
Styles: Jazz
Art: Front

01. Funk In Deep Freeze (Live) (17:05)
02. I'm A Fool To Want You (Live) (12:07)
03. Portrait In Black And White (Live) ( 7:10)
04. In A Sentimental Mood (Live) ( 6:08)
05. If I Should Lose You (Live) (15:54)
06. Arborway (15:03)

Personnel:
Chet Baker: trumpet, piano
Nicola Stilo: flute, guitar
Luca Flores: piano
Marc Abrams: bass

Recorded live at Rosenheim Jazz festival 17 April 1988.

Chet Baker was a primary exponent of the West Coast school of cool jazz in the early and mid-'50s. As a trumpeter, he had a generally restrained, intimate playing style and he attracted attention beyond jazz for his photogenic looks and singing. But his career was marred by drug addiction.

Chet Baker's Last Recording As Quartet

Lena Nymark - Trapped In The Silence

Size: 105,9 MB
Time: 45:25
File: MP3 @ 320K/s
Released: 2017
Styles: Jazz/Pop Vocals
Art: Front

01. Niece In Paris (2:26)
02. Beast In The Dark (3:59)
03. Flying Tuna (4:04)
04. Good Times (3:38)
05. Trapped In The Silence (4:16)
06. Black Hole (3:52)
07. Sad Ocean (3:52)
08. Western Australian Coral Pearl (4:17)
09. The Mirror (4:26)
10. No Soul Syndrome (4:54)
11. Sukkerspinn Av Glass (5:36)

Norwegian pop-jazz, singer-songwriter-flutist-clarinetist Lena Nymark sophomore solo album «Trapped In The Silence» brings again the issue of silence of our lives, as on one of her previous albums, «Beautiful Silence» (Grappa, 2014). It may be the quiet, peaceful surroundings of the Sula island where she lives or the long terms of silence that she needs to write her music. Nymark work in the last decade focused mainly on collaborations with percussionist Terje Isungset’s ice project and with fellow-Sula resident, clarinetist Jens Arne Molvær (father of trumpeter Nils Petter).

«Trapped In The Silence» was recorded at the pastoral studio of Ocean Sound Recordings in Giske, the same place that Nymark recorded «Beautiful Silence», and radiates similar innocent, disarming atmosphere, dipped in reserved melancholy. Nymark delivery – as a vocalist and flutist and clarinetist – is warm and clear, leaving enough space for pianist Dag-Filip Roaldsnes, bass player Jo Fougner Skaansar and drummer Stig Harald Rennestraum. Still, Nymark vocal delivery sound more natural and nuanced when she sings in Norwegian, with a playful Sula accent, on the last song «Sukkerspinn av glass», the only song that is sung in Norwegian.

Nymark suggests a series of touching, emotional environments in her songs, but careful not to surrender fully to these emotions. Even when she visualizes the winter darkness as the darkness inside her in «Beast in the Dark», a darkness that turns her «into a beast», she knows that she will turn this darkness into love. In the title song the gory images of a a deserted, angry lover do not match the restrained emotional envelope of the song. And on «No Soul Syndrome» she reaffirms her trust in love despite the realization that our world is filled with many «people with no soul».

Nymark most beautiful song on this album is «The Mirror», where she balances images of yearning, sea and aging with a delicate, poetic playing of all.

Trapped In The Silence

Camane - Canta Marceneiro

Size: 146,7 MB
Time: 63:29
File: MP3 @ 320K/s
Released: 2017
Styles: Traditional Fado, World
Art: Front & Back

01. Cabare (2:48)
02. Quadras Soltas (3:23)
03. Bebado Pintor (5:35)
04. Olhos Fatais (4:40)
05. Senhora Do Monte (4:11)
06. Ironia (3:08)
07. O Louco (4:10)
08. A Lucinda Camareira (With Carlos Do Carmo) (4:44)
09. Mocita Dos Caracois (4:11)
10. Empate Dois A Dois (3:19)
11. O Remorso (5:58)
12. Despedida (5:09)
13. A Casa Da Mariquinhas (4:02)
14. Lembro-me De Ti (4:53)
15. O Pagem (3:11)

Personnel:
José Manuel Neto - Guitarra Portuguesa
Carlos Manuel Proença - Viola
Paulo Paz - Contrabaixo

Camané (born in Oeiras, 20 December 1966) as Carlos Manuel Moutinho Paiva dos Santos Duarte, is a male vocalist, and a forerunner of the new generation of fado male singers. "The greatest fadista since Amália Rodrigues and Maria da Fé," is how British biographer David Bret, describes him.

He started gaining recognition in Portugal in 1979 after winning the 'Grande Noite do Fado' (Great Fado Night). After this first step, he continued to consistently work toward commercial success with critically well-received albums and a concert tour that touched upon both large and small venues, including 'Casas de Fado' (fado clubs) in Lisbon. He toured outside Portugal to sold-out audiences throughout his European tour.

He has released six million-selling albums: Uma Noite de Fados (1995), Na Linha da Vida (1998) marking the beginning of three records produced by José Mário Branco, Esta Coisa da Alma (2000), Pelo Dia Dentro (2001), Como sempre... Como dantes (live in 2003), and Sempre De Mim (2008). These have been released in several European and Asian countries. He has been distinguished with several awards for his voice and talent.

Canta Marceneiro

Simon Mulligan - American Songbook

Size: 143,9 MB
Time: 61:35
File: MP3 @ 320K/s
Released: 2017
Styles: Jazz: Piano Jazz
Art: Front

01. Dream A Little Dream Of Me (2:43)
02. All Of Me (2:41)
03. Georgia On My Mind (5:06)
04. Fly Me To The Moon (In Other Words) (4:20)
05. Misty (5:40)
06. Lazy River (3:43)
07. Desafinado (5:53)
08. Don't Get Around Much Anymore (3:10)
09. Two Sleepy People (2:42)
10. Stardust (6:32)
11. It Had To Be You (2:27)
12. I Should Care (6:41)
13. As Time Goes By (4:20)
14. One For My Baby (5:29)

British pianist Simon Mulligan has been described by The Times of London as ‘the most abundantly gifted of pianists’, by Yehudi Menuhin as ‘one of the finest pianists I have ever had the pleasure of performing with’ and by Herbie Hancock as ‘phenomenal’. Following his début with the Royal Philharmonic Orchestra, Simon has performed and recorded with the BBC Symphony, Detroit Symphony (under Slatkin), English Symphony Orchestra (Boughton), Warsaw Sinfonia (Menuhin), Hong Kong Philharmonic (Atherton), Malaysian Philharmonic, and the Royal National Scottish Orchestra (Serebrier) to name a few.

Simon made his first compact disc under the direction of Yehudi Menuhin, which led to a seven-year collaboration and friendship, culminating in what was to be Lord Menuhin's final concert in Düsseldorf. Since then, recording highlights include Piano for Sony Classical, featuring his own arrangements, compositions, and adaptations for piano and orchestra. Simon has also made compact discs for Universal, Decca, Nimbus and Naxos. His recording The Piano Music of Alexis Weissenberg for Nimbus, includes spontaneous improvisations recorded in the presence of the composer.

As a chamber musician, Simon collaborates with many notable artists. Simon was just nineteen when he began worldwide tours with ‘cellist Lynn Harrell. He soon began recital tours with violinist Joshua Bell, performing at every major international venue as well as a live broadcasts for Lincoln Center and the Grammy Awards. Simon has performed for President Barack Obama, Her Majesty The Queen and the Royal Family, and has collaborated with Dame Shirley Bassey, Branford Marsalis, Liza Minnelli, Van Morrison, and Sting.

Alongside an extensive solo repertoire and almost sixty concertos, Simon’s focus on contemporary music has led to first performances of works by Hans Werner Henze, James MacMillan, Paul Moravec, Tobias Picker, Mark Anthony Turnage and Alexis Weissenberg. Simon’s passion for improvisation has featured in numerous publications including Downbeat, JazzTimes, International Pianist, and Gramophone. He enjoyed a close friendship with film composer Michael Kamen, and is soloist on Kamen’s album The New Moon in the Old Moon’s Arms (for Decca), with the BBC Symphony conducted by Leonard Slatkin. He also collaborated with Kamen and is featured on the soundtrack to the HBO television series Band of Brothers, produced by Steven Spielberg and Tom Hanks. As a jazz pianist, he gives concerts with his London quartet and New York trio.

Last season saw a Beethoven album release on Arkiv, performances at Colombia’s Mozart Festival and concerto appearances with Leonard Slatkin and the Detroit Symphony Orchestra. Simon is a Steinway Artist and has recorded over forty hours of music for the Steinway Spirio, a new high-resolution playback piano.

A Music Scholar of St Paul’s School in London, Simon began his studies with Andrew Pledge, before winning a scholarship to study with Alexander Kelly at the Royal Academy of Music and Jacques Rouvier in Paris. He also studied Beethoven at the personal invitation of Alfred Brendel. Simon won a further scholarship to the International Piano Academy at Italy’s Lake Como where he began his studies under Alexis Weissenberg. Simon is one of the youngest recipients to be awarded the prestigious Fellowship of the Royal Academy of Music for his musical achievements. He additionally counts among his mentors Charles Rosen and Murray Perahia.

American Songbook

Lolo Gervais - Queen Of F_cking Sheba

Size: 114,3 MB
Time: 49:05
File: MP3 @ 320K/s
Released: 2017
Styles: Jazz/Pop Vocals
Art: Front

01. Take On Me (2:32)
02. Boogie Oogie (4:54)
03. Hotel California (6:31)
04. Karma Chameleon (4:47)
05. Walk Like An Egyptian (2:37)
06. Cake By The Ocean (3:47)
07. Time After Time (5:20)
08. Don't Stop Believin (4:59)
09. Sweet Love (3:18)
10. Africa (5:31)
11. Tainted Love (1920's Party) (4:43)

"Queen of F*cking Sheba" is a romp rolling good time. The band has headed into these waters before with their previous three releases, but this one takes the cake. Literally, Cake By The Ocean is a track and it's kinda awesome. The tracks flaunt fun and inventive silliness but can't hide the players' obvious rich experience and love of Jazz, both for improvisation and danceable rhythms. There is an obvious nostalgia and respect for these compositions, and this album would delight any listener regardless of age or genre affiliation.

Queen Of F_cking Sheba

Eric Gale - Multiplication

Styles: Guitar Jazz
Year: 1977
File: MP3@320K/s
Time: 37:31
Size: 86,3 MB
Art: Front

(7:24)  1. Oh! Mary Don't You Weep
(5:55)  2. Thumper
(5:26)  3. Multiplication
(8:30)  4. Morning Glory
(4:53)  5. Gypsy Jello
(5:22)  6. Sometimes I Feel Like a Motherless Child

A guitarist who was used for many R&B-oriented dates and occasionally played jazz, Eric Gale had an appealing sound and was best while performing lazy melodic blues. He was most significant to the jazz world in the early '70s, when he recorded often as a sideman for CTI, later on with the group Stuff, and on isolated tracks on his own sessions. Gale's fine 1987 EmArcy set In a Jazz Tradition shows what he could really do. ~ Scott Yanow https://itunes.apple.com/lb/album/multiplication/id921843571

Personnel:  Eric Gale (Guitar); Willie Weeks (Bass); Charles McCracken , Richard Locker (Cello); Bob James  (Clavinet, Synthesizer, Producer); Steve Gadd (Drums); Ralph MacDonald (Percussion); Richard Tee (Piano, Organ); Jerry Dodgion (Saxophone Alto); George Marge (Saxophone Baritone); Eddie Daniels (Saxophone Tenor); Paul Faulise , Wayne Andre (Trombone); David Taylor (Trombone Bass); Jon Faddis , Lew Soloff , Marvin Stamm , Randy Brecker (Trumpet); Barry Finclair, Emanuel Vardi (Viola); David Nadien, Harold Kohon, Harry Cykman, Harry Lookofsky, Lamar Alsop, Matthew Raimondi, Max Ellen, Max Pollikoff (Violin).

Multiplication

Herlin Riley Quintet - Watch What You're Doing

Styles: Jazz, Post Bop
Year: 1999
File: MP3@320K/s
Time: 56:15
Size: 129,1 MB
Art: Front

(5:28)  1. Watch What You're Doing
(8:53)  2. New York Walk
(4:05)  3. John Lewis
(5:16)  4. Soscalalah Blues
(6:45)  5. Sunshine in My Pocket
(5:57)  6. Coodie Coo
(5:28)  7. Warm All Over
(8:30)  8. Myrosa's Mirage
(5:49)  9. Blood Groove

While I’d hate to be accused of hyperbole, we’ll save a lot of time here if we just cut to the chase. Drummer Herlin Riley’s debut set as a leader is as strong a maiden voyage as anything in recent memory, along with being an early contender for one of the best new jazz releases of 2000. Taking a cue from boss Wynton Marsalis, Riley has assembled a diverse and devastatingly attractive set of nine originals that have been tailored to meet the needs of the ensemble at hand, very much in keeping with Ellington and Marsalis conventions. Even if you weren’t aware of Riley’s New Orleans heritage, the title track sports a buoyant second-line groove complete with those Southern spices, Victor Goines’ lusty baritone akin to James Carter’s forays on the instrument. Tweak things up a notch and you’ve got the up-tempo burner “New York Walk,” complete with an extended tag that launches some pyrotechnics from Riley at the tune’s conclusion. Creative voicings come your way with soprano sax and muted bone on “Coodie Coo,” an odd-metered line in 7/4. 

In fact, a break with conventional time signatures continues with “Myrosa’s Mirage” which is in five and with “Soscalalah Blues” which shuffles between a 12/8 groove and a straight ahead 4/4. As lead voices, Gordon, Goines and Kisor (on two cuts) conjure a robust sound that actually makes this band sound like a larger unit than what it is in reality. The former makes delicious use of various mutes, while the latter develops a distinctive voice on his many saxophones as well as clarinet. Whitaker and Barron form an exceedingly unified team with Riley, whose own well-dispersed solos are musical blockbusters in their own right. But there I go belaboring the point. Grab this disc. It’s a gem; ‘nuff said. ~ C.Andrew Hovan https://www.allaboutjazz.com/watch-what-youre-doing-herlin-riley-criss-cross-review-by-c-andrew-hovan.php?width=1920

Personnel: Herlin Riley- drums; Ryan Kisor- trumpet (tracks 2 & 4 only), Wycliffe Gordon- trombone; Victor Goines- clarinet, tenor, soprano, & baritone saxophone; Farid Barron- piano; Rodney Whitaker- bass.

Watch What You're Doing

Maria Jacobs - Lucky Girl

Styles: Vocal Jazz
Year: 2018
File: MP3@320K/s
Time: 39:40
Size: 92,7 MB
Art: Front

(3:36)  1. My Favorite Things
(3:24)  2. If We Never Touch Again
(5:55)  3. Lucky Girl
(4:13)  4. What If
(3:39)  5. Pour Me a Cup of Yesterday
(3:33)  6. I Wanna Feel Your Body
(4:18)  7. Can We End This Love
(4:39)  8. My Blue Heart
(3:05)  9. This Song
(3:13) 10. Closer to Christmas (Birth of a Savior) (Bonus)

Lucky Girl is the sixth studio album by singer/songwriter Maria Jacobs. It is an eclectic mix of smooth and straight ahead jazz, pop and just a hint of country. Track 5, Pour Me A Cup of Yesterday, is the radio edit for a radio campaign which earned it a place on 200 smooth jazz stations across the country, as well as on the Groove Jazz Charts. It features string arrangements and performance by acclaimed keyboardist and songwriter Lafayette Carthon (The Winans, R. Kelly, Michael Jackson.) ~ Editorial Reviews https://www.amazon.com/Lucky-Girl-Maria-Jacobs/dp/B077R4JPQY

Lucky Girl

Olu Dara - Neighborhoods

Styles: Vocal, Cornet, Guitar
Year: 2001
File: MP3@320K/s
Time: 43:36
Size: 105,1 MB
Art: Front

(3:58)  1. Massamba
(4:54)  2. Neighborhoods
(4:45)  3. Herbman
(3:26)  4. Strange Things Happen Everyday
(3:50)  5. Bell & Ponce (At The Movie Show)
(4:09)  6. I See the Light
(3:57)  7. Out On the Rolling Sea
(4:30)  8. Bluebird
(3:18)  9. Used to Be
(4:10) 10. Red Ant (Nature)
(2:35) 11. Tree Blues

?Olu Dara used to be known as a melodic avant-garde cornetist, but in the 1990s he completely changed his musical identity, emerging as a singer and country blues guitarist. Strangely enough on this set, although he is pictured with a guitar, Dara does not play much guitar (other than on a couple solo pieces) and primarily focuses on singing, with his cornet making a few brief appearances. The music is mostly outside of jazz, more in the areas of pop, funk, reggae, and folk music. Unfortunately, the 11 performances (all but the traditional "Out on the Rolling Sea" are Dara originals) are not at all memorable, his singing is a bit mundane, and a guest spot for Cassandra Wilson on "Used to Be" is rather forgettable. The results are disappointing overall. ~ Scott Yanow https://www.allmusic.com/album/neighborhoods-mw0000391886

Personnel: Olu Dara (vocals, cornet, wooden horn, harmonica, guitar); Coster Massamba (vocals, congas, cowbell, shekere); Cassandra Wilson (vocals); John Abrams (tenor saxophone); Rod Williams (piano, electric organ); Dr. John (Fender Rhodes piano, Hammond B-3 organ); Fredger "Said" Dupree (Wurlitzer electric piano); Kwatei Jones-Quartey, Ivan Ramirez (guitar); Alonza "Skip" Gardner (bass); Larry Johnson, Greg Bandy (drums); Cantrese Alloway, Terrill Joyner, Rucyl Mills (background vocals).

Neighborhoods