Showing posts with label Diego Figueiredo. Show all posts
Showing posts with label Diego Figueiredo. Show all posts

Saturday, March 30, 2024

Diego Figueiredo - My World

Styles: Guitar Jazz
Year: 2023
Time: 67:58
File: MP3 @ 320K/s
Size: 157,0 MB
Art: Front

(2:09) 1. Malandrinho
(6:08) 2. Regards From Bahia
(4:46) 3. Por Las Calles De New York
(8:37) 4. Mar Aberto
(5:29) 5. Lnfancia
(5:05) 6. Tiramissu
(5:36) 7. Areia Branca
(4:12) 8. Caixote
(4:21) 9. Brain Storm
(7:52) 10. Back To Copacabana
(4:34) 11. My Friend Ken
(9:06) 12. Railroad

GRAMMY nominated guitarist Diego Figueiredo is a virtuoso with an infectious, joyful feeling that will leave you amazed and happy. Don't miss this opportunity to discover this incredible artist.

Diego Figueiredo is an extraordinary star among the world's greatest jazz guitarists. His superb technique, timing and imagination have made him one of the hottest international names right now. He has a very unique skills and his concert have been a great success in more than 60 countries around the world.

He has nowreleased 30 CDS, 3 DVDs and a book and he has received awards twice at the “MONTREUX JAZZ FESTIVAL” as one of the greatest guitarists in the world. Diego Figueiredo performs one amazing concert uniting technique and emotion in a fusion of Brazilian music and jazz.

Diego Figueiredo is a brilliant musician who keeps the tradition of the true essence of Brazilian music and at the same time can be extremely virtuous , modern and innovative.
https://www.amazon.com/My-World-Diego-Figueiredo/dp/B0C4Q5GLQZ

My World

Thursday, October 3, 2019

Ken Peplowski & Diego Figueiredo - Amizade

Styles: Clarinet, Saxophone And Guitar Jazz
Year: 2019
File: MP3@320K/s
Time: 60:36
Size: 139,5 MB
Art:

(5:08)  1. Caravan
(6:24)  2. Quizas, Quizas, Quizas Besame Mucho
(4:19)  3. A Little Journey
(4:45)  4. On Note Samba
(7:11)  5. Black Orpheus
(4:41)  6. Apelo
(7:04)  7. Retrato em Branco E Preto
(6:04)  8. Pro Paco
(6:38)  9. Stompin' At The Savoy
(2:22) 10. Amizade
(5:56) 11. So Danco Samba

Sublimely swinging sounds and Brazilia are created by warm toned clarinetist and tenor saxist Ken Peplowski as he teams with the gracious guitarist Diego Figueiredo on this sublime collection of songs. I saw this duo in concert, and the melodic chemistry was palpable; it’s calm and collected ambers that gently burn in the studio. 

Peplowski’s rich and woody clarinet flutters over Figueiredo’s dancing fingers on Ellington’s “Caravan” and the two deliver impressionistic moods on a pastoral “A Little Journey” On tenor, Peps’ breathy smoke rings are blown give impressions of Stan Getz on the smooth “One Note Samba,” a bouncy “So Danco Samba” and a sublimely swinging “Stompin’ At The Savoy” as they reflect on the title track. Figueiredo does a nice aria as he solos on “Apelo” and produces a rich tribute on the Debussy-isque “Por Paco.” A wonderful pax des deux of souls. https://www.jazzweekly.com/2019/08/ken-peplowski-diego-figueredo-amizade/

Amizade

Tuesday, November 21, 2017

Cyrille Aimee, Diego Figueiredo - Smile

Bitrate: MP3@320K/s
Time: 41:53
Size: 95.9 MB
Styles: Jazz vocals
Year: 2010
Art: Front

[3:24] 1. We'll Be Together Again
[3:09] 2. Chega De Saudade
[4:58] 3. Que Reste-T'il
[2:39] 4. Good Morning Cowboy
[4:30] 5. A Felicidade
[3:32] 6. A Night In Tunisia
[3:41] 7. La Vie En Rose
[2:41] 8. Journey Of Life
[5:01] 9. Dindi
[1:58] 10. Yardbird Suite
[3:18] 11. Smile
[2:57] 12. Old Devil Moon

Cyrille Aimée: vocals; Diego Figueiredo: acoustic guitar. Recorded in Brazil on September 2009.

Improvisation is not just a technique for Cyrille Aimée, it’s a way of life. The acclaimed vocalist ventured from singing on street corners in Europe to dazzling audiences at the world’s most prestigious jazz festivals; from sneaking out to sing in gypsy encampments in her native France to acting on Broadway; from braving the notoriously tough audiences at New York’s Apollo Theatre to being called a “rising star in the galaxy of jazz singers” by the New York Times. Among countless accolades, Aimée won the Montreux Jazz Festival Vocal Competition and the Sarah Vaughn International Jazz Vocal Competition. Her most recent album, Let’s Get Lost, is her second with her innovative two-guitar line-up. As an actress, Aimée co-starred with Bernadette Peters in a Stephen Sondheim tribute at New York’s City Center. She’s shared her story via master classes, a TEDx talk, and an address at the Conference on World Affairs.

By opening herself to the whim of the moment, Aimée has ventured from singing on street corners in Europe to dazzling audiences at some of the world’s most prestigious jazz festivals; from sneaking out to sing in gypsy encampments in her native France to acting on Broadway; from braving the notoriously tough audiences at New York’s Apollo Theatre to being hailed by The Wall Street Journal as "one of the most promising jazz singers of her generation" and called a “rising star in the galaxy of jazz singers” by the New York Times.

“In my case,” Aimée told a rapt audience at her 2015 TEDx Talk, “it’s more of a human adventure than a musical vocation that made me want to devote my life to this practice.” That adventure began in the small town of Samois-sur-Seine in France, where the young Cyrille Aimée (Sur-real M-A) was introduced to a wealth of diverse music by her French father and Dominican mother: everything from Michael Jackson to French chanson, Flamenco to country-western. She and her sister would dance around the living room, instilling a gleeful abandon and warm groove that still shine through her music to this day.

Aimée’s passion for music and inherent curiosity led her to a discovery that would change her life. As the site of the annual Django Reinhardt Festival, Samois played host to an annual gathering of gypsies, and their fireside sing-alongs would lure the precocious Cyrille out of her bedroom window after her parents had gone to sleep. Those experiences exposed Aimée not just to the joys of gypsy jazz, which would go on to be an important color in her rich palette of influences, but more importantly to the gypsies’ spontaneous, nomadic and music-filled way of life.

Smile

Monday, January 16, 2017

Diego Figueiredo - Tempos Bons

Bitrate: MP3@320K/s
Time: 67:02
Size: 153.4 MB
Styles: Guitar jazz, Latin rhythms
Year: 2012
Art: Front

[ 5:07] 1. Na Baixa Do Sapateiro
[ 2:30] 2. El Colibri
[ 4:25] 3. Spain
[ 4:51] 4. Que Reste-T-Il
[10:42] 5. Retratos Do Nordeste
[ 3:33] 6. Carinhoso
[ 2:57] 7. Old Devil Moon
[ 5:43] 8. Granada
[ 4:19] 9. Wave
[ 6:16] 10. Lamentos Do Morro
[ 5:02] 11. Dindi
[ 4:06] 12. Round Midnight
[ 1:58] 13. Las Abejas
[ 5:27] 14. Stella By Starlight

At only 29, Brazilian Diego Figueiredo is already considered one of the world’s great guitarists. His story is that of the child prodigy who was first photographed with a guitar at the age of four. At six he received a mandolin, and he went through a succession of various other instruments, before settling down with the guitar at twelve. Soon he was performing locally, and his improvisational and har- monic talent was apparent even at this early stage. At fifteen he was playing in small concert halls and nightclubs either alone or with others. While performing with various Brazilian bands, he was also studying classical guitar and popular Brazilian music and jazz at the conservatory in his hometown Franka and in Ribeirão Preto and Tatuí. He won his first prize at a contest in South America and received a grant to study at Berklee College of Music. In 2001 Diego Figueiredo received the Visa Award for his performance of “instrumental Brazilian popular music”; and the shower of honors on this modest, but giant talent has never ceased – the first prize at Montreux Jazz Competition is but one example.

These days Diego is accompanist to vocalist and composer Belchior on tours of Brazil and abroad. He has played with Hermeto Pascoal, Sebastião Tapajos, Osvaldo Montenegro, Jair Rodrigues, Toquinho Horta, Tunai, Paulinho da Viola, Moraes Moreira, Fafa de Belém, Amelinha, Zeca Baleiro and other prominent Brazilian musicians. But he is also known outside South America, and he tours most of the world as a soloist. He is famous for his technique as well as his sensitive interpretations of South American, classical and jazz music. He is often compared with Baden Powell, Helio Delmiro and Joe Pass. After hearing his set at the Montreux Jazz Festival, George Benson exclaimed, “Diego is the best guitarist I’ve ever heard!” Pat Metheny was equally impressed, and spoke of magic moments. Next time he visits Brazil, he says he will insist on playing with Diego. Diego has released several albums, including DADAIÔ, recorded in Copenhagen with bassist Rodolfo Stroeter and legendary drum- mer and percussionist Robertinho Silva, and released on Stunt Records. The Danish critic Henrik Palle gave the CD six out of six possible stars, calling it “a lovely dream of a record... enticing and enchantingly show-offish”, tying up his review with the following statement: “contagious joy in portions large enough to make it damn hard to keep a winter depression alive”. His newspaper, Politiken, placed DADAIÔ among the year’s ten best albums.

With TEMPOS BONS, Stunt Records continues its collaboration with Diego Figueiredo. The compilation includes solo guitar selections recorded in Brazil, a trio recording, and three songs with the charming French vocalist Cyrille Aimée, with whom Diego has celebrated long, triumphant American tours. The repertoire on this compilation is varied: the Brazilian mainstay is spiced with a few jazz standards and a wonderful French song, originally made famous by Charles Trenet. Enjoy the good times – TEMPOS BONS – with Diego. Sensitive and lyrical musical postcards from genuine and imagined landscapes, where melody and rhythm go hand in hand with youthful creative prowess in joyous and sensual music.

Tempos Bons