Sunday, February 28, 2016

Earl Hines - Fatha & His Flock On Tour

Size: 101,5 MB
Time: 40:09
File: MP3 @ 320K/s
Released: 1970/2015
Styles: Jazz: Piano Jazz, Vocals
Art: Front

01. I Just Wanna Make Love To You (3:40)
02. Second Balcony Jump (5:08)
03. Passion Flower (2:56)
04. My Heart Stood Still (3:29)
05. I Feel So Smootchy (2:16)
06. All Of Me (2:58)
07. Somebody Loves Me (2:37)
08. One Night In Trinidad (2:44)
09. Cannery Walk (2:49)
10. Things Ain't What They Used To Be (3:01)
11. Yellow Blues Blues (4:17)
12. Easy To Love (4:09)

This somewhat obscure MPS LP features pianist Earl Hines' working band of 1970. Most notable is singer Marva Josie's effective version of "I Just Wanna Make Love To You" that opens the date (although musically, this Chicago electric blues classic is a bit out of place). Josie also pops up on three other songs (including Hines' "Night In Trinidad"), but makes less of an impact on those numbers. Not enough is heard from Haywood Henry (doubling on baritone and clarinet), and the pianist's solos are not as lengthy or explorative as usual. However, there are some bright moments, most notably "Second Balcony Jump" and three solo Hines features. ~by Scott Yanow

Fatha & His Flock On Tour

Rebecca Binnendyk - Some Fun Out Of Life

Size: 108,7 MB
Time: 46:38
File: MP3 @ 320K/s
Released: 2016
Styles: Jazz Vocals
Art: Front

01. Put Your Records On (5:02)
02. Night Ride Home (3:43)
03. Sometimes I'm Happy (3:09)
04. Getting Some Fun Out Of Life (2:24)
05. Stars (3:27)
06. Sky Won't Fall (3:39)
07. You'll Be In My Heart (Kala's Lullaby) (4:22)
08. Live Now (3:42)
09. You Give Love A Bad Name (4:25)
10. Let's Do It (Let's Fall Iin Love) (3:59)
11. The Nearness Of You (5:07)
12. Smile (3:34)

One of the most positive and upbeat persons you'll meet, Rebecca Binnendyk's personality shines through on her upcoming debut album, Some Fun Out Of Life.

This album is refreshingly eclectic in its song selections. American Songbook standards by, amongst others, Cole Porter and Hoagy Carmichael are given fresh life via Binnendyk's supple, pure and versatile vocals, while her renditions of more contemporary tunes by Corinne Bailey Rae ("Put Your Records On"), Joni Mitchell ("Night Ride Home") and Phil Collins ("You'll Be In My Heart") fit seamlessly alongside, as does the most left-field choice here, Bon Jovi's hit "You Give Love A Bad Name."

As the title suggests, the mood is predominantly light and upbeat, making for a fun listening experience. Binnendyk is a new talent to watch very closely.

Some Fun Out Of Life

Lorenzo Minguzzi New Organ Trio - N.o.t. For Me

Size: 132,5 MB
Time: 57:07
File: MP3 @ 320K/s
Released: 2005
Styles: Jazz: Hammond Organ
Art: Front

01. Il Viaggiatore (2:53)
02. Bruma (6:20)
03. Never See Your Face Again (5:37)
04. Lunch At The Fast Food (5:14)
05. Que Linda Flor (4:04)
06. Shut Up! (4:31)
07. Argonauta (6:47)
08. Adriano (3:23)
09. Kje Je Roki (Ghost Track) (5:12)
10. Simenon E Paasilinna (3:26)
11. Dark And Grey (4:22)
12. When Everything Is Over (5:13)

Personnel:
Lorenzo Minguzzi: Guitar
Bruno Erminero: Organ
Paolo Franciscone: Drums

N.o.t. For Me

Claffy - Claffy

Size: 101,4 MB
Time: 36:09
File: MP3 @ 320K/s
Released: Claffy
Styles: Jazz, Vocals
Art: Front

01. Preface (1:47)
02. Chapter 1 Blossoms, As They Wilt Away (5:31)
03. Chapter 2 July 30th 2.12 PM JFK-ZRH (3:37)
04. Chapter 3 I'll Be Seeing You (2:17)
05. Chapter 4 Don't Let It Bring You Down (2:25)
06. Don't Let It Bring You Down (Outro) (3:38)
07. Chapter 5 (Memories Of) Her Flat (7:14)
08. Chapter 6 With A Song In My Heart (4:42)
09. Epilogue (4:54)

Rising bassist Alexander Claffy delivers a full stream of his self-titled debut CLAFFY LP, out now via Ropeadope Records. The project from The New School alum boasts five original compositions and a striking take on the celebrated standard “I’ll Be Seeing You.” Billed as “a deeply personal story of heartbreak,” the 9-track release features Matt Stevenson on vocals, Victor Gould on piano, Michael King on organ and keys, Benny Benack III on trumpet, Ben Eunson on guitar, Matt Chalk and Troy Roberts on saxophone, Kyle Poole and Jonathan Barber on drums and David Gibson on trombone.

23 year old Alexander Claffy was raised in a musical household (his father is a pianist, his mother, a vocalist), and had many of his earliest lessons on bandstands in the heart of Philadelphia. As a teenager, Claffy was fortunate enough to find a mentor in many Philly natives, and has continued his study of the double bass with some of the world's finest musicians, including Ron Carter, Dwayne Burno and Orin O'Brien. Since moving to New York City in 2011, he has had the honor of working with many of his living heroes, including Johnny O'Neal, Jimmy Cobb, Louis Hayes, Sean Jones, Russell Malone, Christian Scott, Wallace Roney and many more. In the past 3 years he has appeared on records with Victor Lewis, Orrin Evans, JD Allen and more. Alexander currently resides in Harlem.

Claffy

Malene Kjaergard - Here's To The Ladies

Size: 135,5 MB
Time: 58:00
File: MP3 @ 320K/s
Released: 2016
Styles: Jazz Vocals
Art: Front

01. Come Rain Or Come Shine (4:11)
02. This Is I (5:16)
03. Spring Is Here (4:48)
04. Ladies Who Lunch (5:04)
05. These Boots Are Made For Wakling (5:08)
06. The Beauty Of It All (3:37)
07. I'm A Girl (4:02)
08. Throw It Away (5:43)
09. Put On A Happy Face (4:35)
10. Move Along (4:31)
11. The More I See You (5:36)
12. When Will I See You Again (5:24)

Jazz vocalist Malene Kjærgård was born in Copenhagen, but raised in the suburb of Kolding. Malene's childhood was filled with music, theater and arts of all kinds. In 2007 Malene moved back to Copenhagnen where she performs as a singer in many different collaborations. In november 2012 Malene got the 2. place in DPA's competition "Young Jazz Composer of the Year" with her composition "Temporary Love Affair". In april 2013 Malene's debut album "Happy Feet" was released at Calibrated Music. Songs from her CD are being played at the Danish National Radio Jazz Channel P8, and she was the 3rd most played artist in october 2013 with the song "Undecided" from her debut album. Malene is educated as Singer and Vocal Coach from Complete Vocal Institute in Copenhagen, she has studied acapella vocal improvisation in NY, Hawaii, Italy, Holland and Denmark and she teaches singing students on a daily basis.

Here's To The Ladies

Dick Hyman & Tom Pletcher - If Bix Played Gershwin

Styles: Piano And Cornet Jazz
Year: 2004
File: MP3@320K/s
Time: 59:55
Size: 137,8 MB
Art: Front

(2:55)  1. I Got Plenty O' Nuttin'
(3:51)  2. Oh, Lady, Be Good!
(3:36)  3. Sweet and Low-down
(3:27)  4. I Got Rhythm
(2:58)  5. But Not for Me
(2:56)  6. Kongo Kate
(3:27)  7. I've Got a Crush on You
(3:00)  8. Rialto Ripples
(3:16)  9. The Half of It, Dearie, Blues
(3:20) 10. 'S Wonderful
(2:48) 11. Yankee Doodle Rhythm
(2:54) 12. I Was So Young
(3:01) 13. Fascinating Rhythm
(4:11) 14. In a Mist
(2:43) 15. Sunny Disposish
(4:28) 16. Embraceable You #1
(4:24) 17. Embraceable You #2
(2:30) 18. Somebody Loves Me

Pianist Dick Hyman has to be recognized as one of the foremost students of historical jazz. The authentic-sounding retro background tracks you hear behind scenes in many Woody Allen movies came from bands led by Hyman and his like-minded sidemen. Cornetist Tom Pletcher obviously shares Hyman’s enthusiasm for exploring old works and making them new again, as demonstrated on this joyous paean to two musical geniuses of the early 20th century. The concept and name for the album comes from a 1996 concert Hyman and Fletcher performed at the 92nd Street Y as part of its jazz series. The theme is so appropriate and simple, it’s surprising it hadn’t been done before. Both George Gershwin and Bix Beiderbecke were active in the ‘20s, the former changing the face of American musical theater, the latter changing the face of jazz. Both also died before their time, Gershwin of a brain tumor, Beiderbecke of alcoholism. Left to his own devices, Hyman’s piano playing sometimes suffers from his reverence for the music. This is usually more evident in his solo and duo work. Happily, on this album Hyman is nestled in a wonderful group that demonstrates an appreciation for the music while not displaying it in a museum display case. 

Dan Levinson’s clarinet and C-melody sax, David Sager’s trombone and Bob Leary’s banjo and guitar help maintain the authentic sound. At the same time, modern recording techniques afford them room for nuanced playing and subtlety not possible in the primative studios of the music’s original era. Vince Giordano, himself every bit a musicologist as Hyman, is a rollicking joy on the bass sax while Ed Metz Jr. plays his drums authentically, but with a lighter feel of someone exposed to a later generation of players. Hyman’s arrangements are perfect period pieces. If his chart on “I Got Rhythm” is guaranteed to get toes tapping, “But Not for Me” will conjure up elegant couples out for a night on the town in the roaring ‘20s. He does engage in a little musicologist speculation, playing Beiderbecke’s “In a Mist” as might have been done by Gershwin, with snippets of Gershwin tunes thrown in. ~ Mitchell Seidel  http://www.allaboutjazz.com/if-bix-played-gershwin-tom-pletcher-arbors-records-review-by-mitchell-seidel.php

Personnel: Dick Hyman piano, Tom Pletcher cornet, Dan Levinson clarinet & C-Melody saxophone, David Sager trombone, Vince Giordano bass saxophone, Bob Leary guitar & banjo, Ed Metz Jr drums

If Bix Played Gershwin 

Laura Taylor - My Funny Valentine

Styles: Vocal Jazz
Year: 2006
File: MP3@320K/s
Time: 56:56
Size: 130,8 MB
Art: Front

(3:15)  1. But Not for Me
(4:26)  2. You're My Thrill
(6:12)  3. My Funny Valentine
(3:22)  4. Just Friends
(4:10)  5. My Buddy
(6:06)  6. Spellbound
(4:44)  7. Ghost of a Chance
(5:06)  8. I Fall In Love Too Easily
(3:51)  9. Speak of Love
(3:39) 10. I Remember You
(5:41) 11. Lovelight
(3:37) 12. Let's Get Lost
(2:42) 13. He Was Too Good To Me

Laura's style is influenced by Shirley Horn, Peggy Lee, Chet Baker, Stan Getz, and in arrangements by her long-time collaborator,the great pianist Steve Kuhn.John Huddy of The Miami Herald, in an article about the great Tony Bennett, wrote, “Bennett scampers over to a desk, {and} returns with a pocket-size tape recorder. The hotel orchestra leader, Jerry Marshall, had brought a beautiful young Miami singer backstage.Bennett says with unrestrained enthusiasm, ‘she’s really unique, you gotta listen to her. I think she’s really something.’ Bennett plays a demo tape for the singer, Laura Taylor, praising every note. He sounds like a proud father describing the latest success of a talented offspring.” Bennett is not alone in his reaction to singer/songwriter Laura Taylor…Michael Paskevich, The Las Vegas Review Journal:“Taylor’s stylized singing presents her with plenty of challenges and she proved up to the task during her 45 minute early set.Taylor’s closing take on “Mountain Greenery” found her turning the song inside-out and making it her own, no mean feat when it comes to show standards, and further served notice that Taylor is a name to watch for.” Joe Delaney, The Las Vegas Sun: “…a beauty with voice to match, plus a fine jazz feel, Laura Taylor treated all concerned to a varied program that included requests and a world-class treatment of “The Nearness of You”.”

Bob Shemeligian gave Laura a full page review in Show Biz Magazine under the heading:  Songstress Laura Taylor Mesmerizes Audiences With Silky Vocal Stylings… “Many of Taylor’s listeners agree that the singer’s most remarkable quality is her voice. It’s not uncommon to see listeners captivated by Taylor’s vocal range as if they’re floating in a dream.” Laura is the product of a rich musical background. Her mother was a Juilliard graduate, concert pianist and teacher, and her father was a successful business man and gifted singer. Together they instilled in Laura a love for music which has been a guiding force in her life. Born in New Haven, Connecticut, Laura was raised in Watertown, New York and Monroe, Ohio. At seventeen, Laura was awarded a scholarship to study opera at the Cincinnati Conservatory of Music with the great voice teacher, Professor Robert Powell. After two years of study with Professor Powell, his untimely death prompted a move into commercial music and jazz for Laura. Still in her teens, she began her professional career performing in small clubs, eventually going into commercial and studio work.. Laura was the solo voice on the national campaign for United Airlines’ Fly the Friendly Skies of United- and also the now-famous Wouldn’t You Really Rather Have a Buick? campaign. A move to Miami, Florida was followed by a long association with Criteria Recording Studios, which included vocal contracting and singing for Beatles’ producer, George Martin on a soundtrack for the film Honkey Tonk Freeway, a song demo for the Bee Gee’s Morris Gibb, and solo background work for Tom Dowd on the Firefall Elan album, for which she was presented a platinum album.

Laura signed her first record deal with Criteria’s own label- Good Sounds Records- whose parent company and distributor was T.K. Records. This opened the door for Laura’s dual talents as singer and songwriter. Her first album was called Dancin’ In My Feet. The title song, Dancin’ In My Feet, became the theme song for the nationally syndicated TV show Disco Magic and rose to #4 on Billboard’s national disco chart. Three of her original songs- Lady Scorpio- All Through Me- and Some Love- also made Billboard and Record World charts. During this same period, on three separate occasions, Laura electrified Miami Dolphins fans with her a cappella version of The Star Spangled Banner. Laura’s success as a songwriter continued when Diana Ross included her original song Think I’m In Love on her album Why Do Fools Fall in Love. The song was also selected as the flip-side of Ms. Ross’ single release. This resulted in Laura being presented with her second platinum album. Enthusiasm for Laura both as a singer and songwriter led to appearances on Midnight Special, The Dinah Shore Show and The Merv Griffin Show, where she showcased several of her original songs.

Forming the Laura Taylor Trio, Laura moved to New York and enjoyed engagements at the St. Regis Hotel, the Oak Room in the Plaza Hotel, and an exclusive six year contract at the Waldorf Astoria Hotel. During this time, she also appeared in concert at Carnegie Recital Hall, which featured her trio,The Manhattan School of Music String Quartet, and special guest artist,Dave Samuels, from the group Spiro Gyra. Working in New York also gave Laura the opportunity to perform as part of the legendary Joe Henderson Quartet performing two Henderson compositions she wrote lyrics for, Isotope and Black Narcissus, and hearing Mr. Henderson perform two of her original compositions, Lovelight and Spellbound. Continuing her association with great jazz musicians, Laura was asked to record Isotope with jazz piano great Steve Kuhn on his CD, Porgy. Also featured on this CD are her vocal and lyrics to Steve’s beautiful Lullaby composition. Opening for the great comedian, Don Rickles, in Atlantic City and Las Vegas led to a long engagement in the Starlight Theater of the Desert Inn Hotel and a move to Las Vegas. Continuing her jazz career, she performed several times on the legendary Monday Night Jazz series broadcast on National Public Radio and hosted by Alan Grant. Laura’s other concert appearances included opening the Las Vegas Government Center, several Las Vegas Jazz Society concerts and two appearances at the Riviera Hotel’s Monday Night Jazz with Don Menza. 

Critical acclaim and national radio airplay have been given to Laura’s three recent jazz CDs: Mountain Greenery featuring jazz greats Jack Sheldon, Pete and Conte Condoli, Red Holloway and guitarist Joe Lano; Cry Me a River, a tribute to the late Julie London, featuring Joe Lano and Tom Warrington, and Songs of the Winter Season, also featuring Joe Lano.

Laura is currently releasing her fourth CD…My Funny Valentine…Memories of Chet Baker…featuring jazz legends Steve Kuhn, Eddie Gomez and Lewis Nash. Check current news on the web site for the release date. While continuing to live in Las Vegas, Laura does many special events and concerts, the most recent being The Duke Ellington Sacred Concert with Laura as the featured soloist with the Las Vegas Master Singers and the UNLV Jazz Ensemble performing this incredible work. Upcoming performances include her fifth appearance on The Dennis Bono Radio Show and a concert for the Henderson Arts Council on August 26th (also check current events for more information). http://www.cdbaby.com/cd/laurataylor

Personnel:  Steve Kuhn, piano; Eddie Gomez, bass; Lewis Nash, drums

My Funny Valentine

Lester Young & Harry 'Sweets' Edison - Going For Myself

Styles: Saxophone And Trumpet Jazz
Year: 1957
File: MP3@320K/s
Time: 75:51
Size: 174,2 MB
Art: Front

( 6:16)  1. Flic
( 5:53)  2. Love Is Here To Stay
(10:05)  3. St. Tropez
( 8:19)  4. Waldorf Blues
( 6:55)  5. Sunday
( 5:20)  6. You're Getting To Be A Habit With Me
( 5:51)  7. Ballad Medley : A Ghost Of A Chance / Cover The Waterfront
( 6:14)  8. Perdido
( 6:55)  9. St. Tropez [alt. take]
( 7:43) 10. You're Getting To Be A Habit With Me [alt. take]
( 6:17) 11. Waldorf Blues

This release presents the complete original Verve LP "Going for Myself" reuniting Lester Young and Harry “Sweets” Edison, one Pres’ last studio albums ever. Backing Pres and Sweets are superb musicians like Oscar Peterson, Louie Bellson and Herb Ellis. Five extra tracks have been added to the contents of the original album, including three alternate takes and two tunes not included on the originally issued set. Lester Young’s final years weren’t easy. His poor health and alcoholism began to limit his talents and even his capacity to play. The sessions included here were two of his last studio dates ever. After the second one, he would only enter the studio on two other occasions: the following day, on February 8, 1958, with Harry Edison again, and with Roy Eldridge added (the results of this session were included on the posthumous album Laughin’ to Keep from Cryin’) and a year later, on March 2, 1959, in Paris, France. Lester would die one week later on March 15, 1959, at the age of 49. The original album contained six tunes (tracks 1-6 of our CD), but more material was recorded on the two sessions, including two new tunes that weren’t issued on Going for Myself (a nice ballad medley and a nearly complete version of “Perdido”) and four alternate takes. To complement our set, we have added the two aforementioned new tunes, and three of the existing alternates. http://www.freshsoundrecords.com/going_for_myself-cd-5358.html

Featuring: Lester young (ts & cl), Harry Edison (tp), Oscar Peterson, Lou Stein (p), Herb Ellis (g), Ray Brown (b), Louie Bellson, Mickey Sheen (d)

Going For Myself

Nat Pierce And His Orchestra - The Boston Bust-Out

Styles: Piano Jazz, Big Band, Swing
Year: 1995
File: MP3@320K/s
Time: 64:22
Size: 152,1 MB
Art: Front

(3:05)  1. What Can I Say (After I'm Sorry)
(2:46)  2. What's New?
(2:29)  3. You Were Meant For Me
(2:46)  4. Paradise
(2:57)  5. King Edward The Flatted Fifth
(2:16)  6. Pat
(3:05)  7. That's The Kinda Girl
(3:17)  8. Sheba
(3:01)  9. Babylon
(2:43) 10. Indian Summer
(2:41) 11. King For A Day
(2:43) 12. Oh You Crazy Moon
(3:46) 13. Body And Soul
(2:27) 14. All The Things You Are
(3:04) 15. Boppin' In Boston
(3:48) 16. I Cover The Waterfront
(3:47) 17. Is This The Thing?
(3:50) 18. Indian Summer
(3:15) 19. You May Not Love Me
(3:33) 20. Lonesome Crowd
(2:51) 21. Oh You Crazy Moon

Boston had a strong but greatly underpublicized bop scene in the late '40s. This Hep CD, which adds a previously unreleased session plus one extra cut to the original LP, features pianist/arranger Nat Pierce, altoist Charlie Mariano and trombonist Sonny Truitt both in big bands and combos. 

The other personnel is mostly pretty obscure although baritone great Serge Chaloff is showcased on two numbers and there are three fairly straight vocals by Teddi King. The rare studio recordings range in influences from Dizzy Gillespie to Claude Thornhill and the Miles Davis Nonet; highly recommended for bop collectors. ~ Scott Yanow  http://www.allmusic.com/album/the-boston-bust-out-mw0000613971

Personnel: Nat Pierce (piano); Mert Goodspeed (vocals, trombone); Teddi King (vocals); David Chapman , Charlie Mariano (alto saxophone); Randy Henderson, George Hamilton Green (tenor saxophone); George Meyers, Serge Chaloff (baritone saxophone); Lennie Johnson, Bill Adams, Billy Adams, Dud Harvey, Don Stratton, Perry Wilson (trumpet); Sonny Truitt, Joe Laconi, Ace Lane, Bob Carr (trombone); Ralph Burns (piano); Country Joe McDonald, Pete DeRosa (drums).

The Boston Bust-Out