Melissa Stott - The picture

Styles: Jazz, Vocal
Year: 2007
File: MP3@224K/s
Time: 68:22
Size: 110,0 MB
Art: Front

(7:05)  1. Wish it wasn't true
(5:06)  2. You
(5:32)  3. A little contented place
(3:48)  4. Beware of your heart
(5:54)  5. I just can't stop the tears
(5:22)  6. That 'll be us
(4:37)  7. The picture
(4:03)  8. I'm looking at you with new eyes
(5:10)  9. Romance addio
(4:38) 10. Cara
(4:57) 11. Cutch O'Lanza
(6:02) 12. Mexico blue
(6:03) 13. Hindsight

Songwriter and vocalist Melissa Stott learned from a few of the best, such as Porter, Gershwin, Ellington, Strayhorn, Berlin, and more, but she has a more modern appeal to her music. She learned to play the piano at age six and was ear trained by her father. Melissa also took part in various choral activities. She decided to do acting in Italy and slipped into the jazz scene. Her first jazz record was of Ella Fitzgerald with Ellis Larkin at the piano. Melissa has studied with Barry Harris, Stjepko Gut, Dennis Jeter, LaVerne Jackson, Andy Farber and Vince Benedetti. She participated in festivals and coached many students in classical piano and harmony, jazz singing, choral singing and ballet.

Melissa is very talented and has written catchy tunes with interesting harmonies and witty, touching lyrics in this album The Picture. From the up-tempo dismissal of a lover in "Romance Addio," to the haunting Evans-esque "The Picture," or the aching, melancholic "Wish It Wasn’t True," each and every one of Stott’s original songs casts a spell which is hard to forget. As a vocalist, her style is natural and understated, yet "an almost conversational intimacy combines with subtle power" to produce feelings that it’s hard to put your finger on. ~ Alonda Washburn  http://www.jazzreview.com/cd-reviews/jazz-vocals-cd-reviews/the-picture-by-melissa-stott.html

The picture

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Melissa Stott - Why Now

Styles: Jazz, Vocal
Year: 2005
File: MP3@320K/s
Time: 52:33
Size: 120,7 MB
Art: Front

(3:30)  1. Mami's Kitchen
(1:45)  2. Why Now
(3:36)  3. Don't You Get It
(2:34)  4. You're Through
(4:41)  5. An Imaginary Girl
(4:02)  6. Suspicion
(4:36)  7. Ella
(4:58)  8. I Think Of You
(4:54)  9. Dreaming
(6:22) 10. You Don't Love Me
(4:17) 11. Anyone Can See That I'm In Love
(5:26) 12. A Long, Long Way
(1:46) 13. Why Now

Melissa Stott, jazz songwriter and vocalist, was born in Manchester (UK), daughter of a Singaporean-Chinese mother and an English father who was a jazz pianist and church organist. Being the only student on the advanced music course at high school, Melissa received one-to-one tuition in harmony and counterpoint from Lorna Wareham. A classical pianist and dancer, she spent the late eighties and early nineties living and working in London, Canterbury, Singapore, Italy, Sweden and Denmark, obtaining a degree in Drama and touring with a theatre company. After vocal and instrumental studies with Barry Harris, Stjepko (Steve) Gut, Vince Benedetti, Dennis Jeter, Andy Farber and LaVerne Jackson, Melissa, already an established jazz vocalist, started writing down the songs that had been in her head for a while. 

For her 2005 debut, Why Now, she was hailed by Chris Parker (Vortex, London) as “a witty, accomplished songwriter with the ability to deliver her material with beguiling, informal intimacy…”, who also went on to predict that “her ability to write clever but affecting original songs that sound like standards in the making should see her establish herself in the top flight of vocalists in short order”. Her new 2007 release The Picture for Leo Feigin’s Feetfirst Records (a division of the avant-garde Leo Records), sees that promise about to be fulfilled. All of the thirteen songs on The Picture were penned by Melissa, proving that her talent for writing catchy tunes with interesting harmonies and witty, touching lyrics continues to blossom. From the up- tempo dismissal of a lover in “Romance Addio”, to the haunting Evans-esque “The Picture”, or the aching, melancholic “Wish It Wasn’t True”, each and every one of Stott’s original songs casts a spell which is hard to forget. Tongue firmly in cheek, she imparts a cautionary tale about learning (or not) from your mistakes in “Hindsight” and dreams poignantly of better tomorrows in “A Little Contented Place”. Melissa Stott is “conversational, mature and engaging...far more than just a singer.”~ (Jazz Review, UK)

As a vocalist, her style is natural and understated, yet “an almost conversational intimacy combines with subtle power” to produce feelings that it’s hard to put your finger on. She also has, in her “precise diction, fluidity of her phrasing and perfect intonation, some of the best strings to her bow”~ (All About Jazz).

She currently performs in clubs and festivals (S.Elpidio Jazz Festival, Toscana Jazz, Appennino Music Festival, Cork Jazz Festival, etc.) all around Italy and in Europe. Melissa is currently living in Italy. http://musicians.allaboutjazz.com/melissastott

Why Now

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