Saturday, October 20, 2018

Lionel Hampton All Star Band - At Newport '78

Styles: Vibraphone Jazz
Year: 1978
File: MP3@320K/s
Time: 37:21
Size: 86,9 MB
Art: Front

( 4:51)  1. Stompin' At The Savoy
( 4:49)  2. On The Sunny Side Of The Street
(10:05)  3. Hamp's The Champ
( 7:18)  4. Carnegie Hall Blues
(10:16)  5. Flying Home

Good / It sounds as a masterpiece symbolizing the swing era, a luxury board that recorded the concerts in '78 in New York, high in the Lionel • Hampton All Star B band! https://www.jetsetrecords.net/lionel-hampton-lionel-hampton-all-star-band-at-newport-78/i/162512626001/

Personnel:  Conductor, Vibraphone – Lionel Hampton;  Alto Saxophone – Charles McPherson;  Alto Saxophone, Clarinet, Flute – Earle Warren;  Baritone Saxophone – Pepper Adams;  Bass – Chubby Jackson;  Clarinet – Bob Wilber;  Drums – Panama Francis;  Guitar – Billy Mackel;  Piano – Ray Bryant; Tenor Saxophone – Arnett Cobb, Paul Moen;  Trombone – Benny Powell, Eddie Bert, John Gordon;  Trumpet – Doc Cheatham;  Trumpet, Flugelhorn – Cat Anderson, Jimmy Maxwell, Joe Newman

At Newport '78

Malia - Black Orchid

Styles: Vocal
Year: 2012
File: MP3@320K/s
Time: 55:11
Size: 130,6 MB
Art: Front

(2:37)  1. My baby just cares for you
(4:51)  2. Don't explain
(5:03)  3. Baltimore
(2:57)  4. Feeling good
(5:48)  5. Four woman
(3:23)  6. I love you Porgy
(3:14)  7. If you go away
(4:07)  8. I put a spell on you
(4:06)  9. Keeper of the flame
(3:09) 10. He ain't comin' home no more
(2:14) 11. Marriage is for old folks
(7:16) 12. Wild in the wind
(3:21) 13. That's all I want from you
(2:58) 14. I'm going back home

When Malawian vocalist Malia first broke through in the mid-aughts, it was with the dense, production-heavy albums Yellow Daffodils and Young Bones. Overflowing with pop-soul sass, they were filled with both slick originals like “Mr. Candy” and “Richer Than Bill Gates” and inventive covers, including a freeform, funkified “Solitude.” All of which is a far cry from the stark, and stunning, Black Orchid, a fine, sensitive tribute to Nina Simone. Where once Malia was intent on echoing Beyoncé, she now seems to be channeling Billie Holiday or Shirley Horn, her supple voiced slightly scorched, her once fervid delivery affectingly slowed and shadowed. Malia has clearly studied Simone assiduously. Her readings of “Baltimore,” “Wild Is the Wind,” “Feeling Good” and the seismic “Four Women,” though more tenderly presented, are largely honorific mirrors of the originals. But, backed throughout by an understatedly enriching rhythm section-a French trio comprising pianist, organist and vibraphonist Alexandre Saada, bassist and guitarist Jean-Daniel Botta and drummer Laurent Sériés-she mostly steers clear of mimicry, particularly on a slow, erogenous “My Baby Just Cares for Me,” a seductive “I Put a Spell on You” and a “Don’t Explain” that delicately captures the concessive lyric in a way that suggests Peggy Lee at her most meditative. ~ Christopher Loudon https://jazztimes.com/reviews/vox/malia-black-orchid/

Black Orchid

Zoot Sims - Cookin'!

Styles: Saxophone Jazz 
Year: 2005
File: MP3@320K/s
Time: 39:40
Size: 91,1 MB
Art: Front

(6:45)  1. Stompin' At The Savoy
(6:13)  2. Love For Sale
(7:02)  3. Somebody Loves Me
(8:13)  4. Gone With The Wind
(7:40)  5. Autumn Leaves
(3:45)  6. Desperation

One of the greatest Zoot Sims albums of the 60s  a very smoking live set, recorded in the UK with a hip British rhythm section! Zoot's blowing in front of the Stan Tracy trio a group led by pianist Tracy, with a style that was every bit as swinging as it was modern and fresh. The style makes for a very different approach than some of Sims' American albums of the time a bit more edgey, with tracks that cut into the groove in unusual ways. Ronnie Scott and Jimmy Deuchar join the group for one track "Desperation" and other titles include "Love For Sale", "Autumn Leaves", "Somebody Loves Me", and "Gone With The Wind". (Japanese pressing on 180 gram vinyl, with obi and insert.)  © 1996-2018, Dusty Groove, Inc. https://www.dustygroove.com/item/493009/Zoot-Sims:Cookin%27

Personnel: Tenor Saxophone – Ronnie Scott, Zoot Sims;   Bass – Kenny Napper;  Drums – Jackie Dougan;  Piano – Stan Tracy;  Trumpet – Jimmy Deuchar 

Cookin'!

Billy Larkin & The Delegates - Dr. Feelgood

Styles: Jazz, Swing 
Year: 1968
File: MP3@320K/s
Time: 38:05
Size: 88,9 MB
Art: Front

(3:17)  1. On Broadway
(2:53)  2. (Sitting On) The Dock Of The Bay
(2:22)  3. Baby I Love You
(4:16)  4. Way Cross Town
(2:37)  5. Chain Of Fools
(3:03)  6. This Is Worth Fighting For
(3:16)  7. Spooky
(3:03)  8. Gone Over You
(2:51)  9. Hear & Now
(3:40) 10. Ode To Billy Joe
(3:30) 11. Dr. Feelgood
(3:12) 12. I Got A Woman

Billy Larkin plays soul jazz instrumentals with The Delgates, and the group's joined by singer Ralph Black on a number of cuts. Black's style is ok, but the group's strong point is still their funky jazzy material. This LP sports a few originals – like "Way Cross Town" and "Hear & Now" – plus covers like "Ode To Billy Joe", "Spooky", and "This Is Worth Fighting For".  © 1996-2018, Dusty Groove, Inc. https://www.dustygroove.com/item/16319/Billy-Larkin-The-Delegates:Dr-Feelgood

Personnel:  Billy Larkin, organ;  Ralph Black, vocal;  Wilton Felder, bass;  Dan Mason, tenor sax, baritone sax;  Delmus Larkin, piano;  Willie Torrance, guitar;  James Daniels, guitar;  Donald Weaver, drums;  Kenneth Johnson, drums

Dr. Feelgood

Lars Danielsson & Paolo Fresu - Summerwind

Styles: Post Bop, Trumpet Jazz
Year: 2018
File: MP3@320K/s
Time: 49:22
Size: 113,6 MB
Art: Front

(3:58)  1. Autumn Leaves
(2:54)  2. Saluto dardamente
(3:20)  3. Le matin
(2:56)  4. Stilla Storm
(4:04)  5. Jag lyfter ögat mot himmelen
(3:53)  6. Un Vestido Y Un Amor
(1:48)  7. Drexciya
(3:55)  8. Dardusó
(3:00)  9. Stanna Tid
(4:25) 10. Sleep Safe And Warm
(3:40) 11. April In Dardegna
(2:50) 12. Amigos
(3:06) 13. Wachet auf, ruft uns die Stimme
(2:53) 14. Dardodentro
(2:34) 15. De la solitude mesurée

ACT Music brings together a pair of virtuosos in Lars Danielsson and Paolo Fresu, for the duo outing Summerwind. Both are well-known for their melodic and expressive playing as well as an innate gift for spontaneity. Recorded in the Swedish seaport city of Gothenburg, in early 2018, the album incorporates elements of folk, classical and jazz music in a relaxed setting.  Bassist and cellist Lars Danielsson has been a staple of the ACT label for more than ten years and across ten albums. Among his partners on those collections are Tigran Hamasyan, Magnus Ostrom, Arve Henriksen, Mathias Eick, Bugge Wesseltoft, and Nils Petter Molvaer. The Swedish composer and producer came onto the scene with New Hands (Dragon Records, 1986), in his namesake quartet, featuring Dave Liebman, Bobo Stenson and Jon Christensen. Over almost twenty years that group has provided Danielsson with a platform from which he has expanded his work to symphony orchestra and big band formats. Trumpeter Paolo Fresu first came to the attention of audiences in the US with Carla Bley on The Lost Chords Find Paolo Fresu (ECM/Watt, 2007) though he had been leading his own quintet in Italy since his 1985 leader debut Ostinato (Splasc(h)). The Sardinia native graduated from the Conservatory of Cagliari in 1984, and went on to teach at the Siena Jazz National Seminars, and the jazz university in Terni. He is the director of Nuoro Jazz Seminars in Nuoro, Italy. Most of the fifteen compact tracks are original compositions eleven from Danielsson and/or Fresu, including the real-time improvisation "Dardusó." Swedish composer Oskar Lindberg, Krzysztof Komeda and Johann Sebastian Bach provide the eclectic assortment of cover material. Opening with "Autumn Leaves" the duo establishes a pattern of patiently developing some profoundly melodic tunes. Four tracks in, Danielsson's "Stilla Storm" breaks loose with a more upbeat and animated wrap-up. The Oskar Lindberg contribution "Jag lyfter ögat mot himmelen" maintains that more buoyant atmosphere which then takes a decidedly different tone with Fresu's noir-ish, but all-to-brief "Drexciya." The trumpeter takes a thoughtful approach to Komeda's "Sleep Safe And Warm," a piece that came to be identified with Tomasz Stanko. Danielsson's arrangement of Bach's "Wachet auf, ruft uns die Stimme" gives the piece a nice updating without losing the original texture.  Despite the duo formation, Danielsson and Fresu often manage to evoke a sweeping sound; full and resounding even in its most fleeting narrations. There is an overall laidback nature that saturates Summerwind but through the tranquility a subtle heat keeps things energized. The spartan album is a showcase for the first-class talents of Danielsson and Fresu. ~ Karl Ackermann https://www.allaboutjazz.com/summerwind-lars-danielsson-act-music-review-by-karl-ackermann.php

Personnel: Lars Danielsson: bass, cello; Paolo Fresu: trumpet, flugelhorn.

Summerwind