Showing posts with label Jef Neve. Show all posts
Showing posts with label Jef Neve. Show all posts

Tuesday, March 28, 2017

Jef Neve Trio - Nobody Is Illegal

Bitrate: MP3@320K/s
Time: 53:19
Size: 122.1 MB
Styles: R&B, Piano jazz
Year: 2006
Art: Front

[2:14] 1. Airplane
[8:57] 2. Nothing But A Casablanca Turtle Slide-Show Dinner
[6:23] 3. Abschied
[3:40] 4. Astra
[6:25] 5. Nobody Is Illegal
[1:04] 6. Unprepared
[9:32] 7. Second Love
[2:07] 8. Goldfish
[6:46] 9. Together At Last
[4:13] 10. Until Now
[1:51] 11. Delayed

Double Bass – Piet Verbist; Drums – Teun Verbruggen; Horns – Hans Verhulst (tracks: 2, 3, 7), Simon Haspeslag (tracks: 2, 3, 7); Piano, Producer – Jef Neve; Saxophone [Tenor] – Nicolas Kummert (tracks: 4, 6, 8); Trombone [Bass] – Pieter Kindt (tracks: 2, 3, 7); Trombone [Tenor] – Frederik Heirman (tracks: 2, 3, 7); Tuba – Berlinde Deman (tracks: 2, 3, 7). Tracks 1 to 4, 6 to 9, 11: Recorded at 'La Chapelle', Waimes, on April 17-19, 2006. Tracks 5, 10: Recorded at Bijloke, Ghent, on July 18th, 2006.

Pianist/composer Jef Neve (1977) has become a prominent figure in his homeland Belgium and his reputation is rapidly spreading to the rest of the world. He studied at the Lemmensinstituut in Leuven and graduated in 2000 as Master of Music in Jazz and classical piano, both with great distinction. In 2001 he specialized in Chamber Music and was rewarded the diploma 'cum laude'. He followed master classes with Brad Mehldau, Martial Solal, Lew Tabackin, Billy Hart, Bill Carothers, Kenny Werner, Bruce Barth and others.

Nobody Is Illegal

Tuesday, September 22, 2015

Jose James & Jef Neve - For All We Know

Bitrate: MP3@320K/s
Time: 50:44
Size: 116.1 MB
Styles: Piano jazz, Contemporary jazz vocals
Year: 2010
Art: Front

[3:18] 1. Autumn In New York
[6:13] 2. Embraceable You
[5:18] 3. Gee Baby, Ain't I Good To You
[6:24] 4. Body And Soul
[5:12] 5. When I Fall In Love
[7:24] 6. Tenderly
[4:13] 7. Just Squeeze Me
[7:26] 8. Lush Life
[5:11] 9. For All We Know

Fans of vocalist José James have hardly had time to catch their breath in 2010. His new-school R&B album Blackmagic (a sophomore effort released in March 2010 on Gilles Peterson's Brownswood imprint) was still being fired by DJs in clubs and on European and Japanese radio, while garnering acclaim globally. Barely two months later, James popped this set out in May. For All We Know is a duet recording with Belgian jazz pianist Jef Neve. It's James' first album to be released in the United States -- his home country -- and the first of newly recorded material on Impulse! Records in six years. Musically, this set couldn’t be more different from his two preceding offerings. There are no star productions by Flying Lotus, Nicola Conte, Moodymann, or Jazzanova this time out. This intimate nine-track collection of standards from the Great American Songbook was produced by the duo who made it. All but one cut was recorded in a single six-hour session, and the majority of these performances are first takes. This is a “pure” jazz recording. James and Neve pull out heavy hitters from the repertoire, "Autumn in New York," the Gershwins' "Embraceable You," "Body and Soul," and Duke Ellington's "Just Squeeze Me" among them. James -- who studied and played with jazz greats Chico Hamilton and Junior Mance -- is not overly reverent, but he is disciplined as well as innovative. Neve’s pianism pushes that envelope a little further still. His light touch, elegant harmonics, and subtly innovative fills and solos give James all the support and room he needs. Listen to this version of Billy Strayhorn's "Lush Life." At over seven minutes, its graceful melody is taken deeply inside his rich, warm, sometimes arid baritone (the same way John Coltrane took it inside his horn -- this tune is a tribute to him) and brought out again as a compact universe of mystery, imagination, and marvelously diverse ethereal textures with Neve creating enough intuitive space around it to make it possible. The duo’s reading of "When I Fall in Love" is downright moving. It holds no trace of the nostalgia usually associated with its many interpretations. James is able to express the deep yearning in the lyric and melody without over-emoting. For jazz fans who’ve not heard him, this album is a very new turn on some well-worn music by a major talent. For James' fans -- who all knew he could sing like this -- For All We Know adds a different kind of depth and dimension to his established recorded oeuvre thus far. ~Thom Jurek

For All We Know