Thursday, July 13, 2023

Dinah Washington - The Diva Series

Styles: Vocal
Year: 2003
File: MP3@320K/s
Time: 55:38
Size: 129,9 MB
Art: Front

( 2:08) 1. If I Were A Bell
( 2:23) 2. You Do Something To Me
( 2:30) 3. What A Difference A Day Made
( 2:19) 4. Sometimes I'm Happy
( 2:39) 5. Caravan
( 2:47) 6. Teach Me Tonight
(10:57) 7. Blue Skies
( 5:22) 8. I've Got You Under My Skin
( 3:04) 9. Invitation
( 2:59) 10. Is You Is Or Is You Ain't My Baby?
( 2:37) 11. Nothing Ever Changes My Love For You
( 2:53) 12. Bargain Day
( 3:22) 13. Goodbye
( 3:25) 14. Perdido
( 2:09) 15. There'll Be A Jubilee
( 3:57) 16. I'll Close My Eyes

Dinah Washington has a lot in common with another fine singer Carmen McRae, they were both tough cookies who you didn’t mess with, they were both divas in the true meaning of the word and both played piano. The other thing that they shared, was the misfortune of being around at the same time as Ella Fitzgerald and Sarah Vaughan!

This CD gives an excellent feel for the outstanding talents of Ms Washington, although regarded as a blues singer by some, she was much more than that. This album demonstrates her ability across a wide range of settings from big band to small jazz group and she excels in all of them. There is also some fine jazz solos, listen to the trumpets on Under My Skin.

The opening track, If I Were A Bell gives notice of the excitement to follow. Dinah had everything, perfect diction, perfect intonation, a wonderful jazz feel and the ability to turn every song into something special, listen to her interpretation of Invitation as an example. Even the jokey, Is You Is, is made into something far from ordinary. The Quincey Jones Arrangements helps a lot as well with Milt Hinton’s bass laying down a good line and a fine trombone solo (Quentin Jackson?).

Some of these tracks were no doubt made with a view to the Top 20 of the day, if it were the same today, I would be a ‘Top of the Pops’ man! Bargain Day is new to me, but again Dinah delivers and the song turns into something special again.

Perdido is another swinging Quincey Jones arrangement, beautifully played by his band. There are also short, but interesting solos from muted trumpet and alto. Dinah’s timing on this track is very reminiscent of Ella on ‘The Song Books’. Jubilee has some nice alto from Cannonball Adderley and this track is another real swinger. The unaccompanied verse on Close My Eyes is a real gem.

Unless you own most of the original albums these tracks come from, this is a must buy CD. Dinah Washington only lived to be 39, which is not long enough; such a talent should have been spared. By Don Mather
http://www.musicweb-international.com/jazz/2003/sept03/dinah_washington.htm

The Diva Series

Sant Andreu Jazz Band - Jazzing 10 Vol. 2

Styles: Jazz, Big Band
Year: 2020
File: MP3@320K/s
Time: 64:15
Size: 166,4 MB
Art: Front

(4:53) 1. Foolin' Myself
(4:59) 2. Anthropology
(4:52) 3. em Fantasia
(2:42) 4. Sugar Foot
(6:34) 5. Cheesecake
(3:05) 6. Suze Blues
(4:27) 7. In My Life
(4:51) 8. Dexterity
(3:28) 9. I’m Beginning To See The Light
(3:22) 10. Jazz Warner
(5:28) 11. Uma estrela
(4:58) 12. Unforgetable
(3:40) 13. An Occasional Man
(3:01) 14. Diz que fui por aí
(3:47) 15. Donna Lee

Sant Andreu Jazz Band is a youth jazz band from Barcelona, featuring 7- to 20-year-olds. The bandleader is Joan Chamorro.

The band was founded in 2006 at Escola Municipal de Música de Sant Andreu. The band has performed at numerous concerts and festivals in Catalonia, and other regions of Spain as well as in neighbouring countries (for example France, Switzerland, Denmark).. They released their first live CD/DVD Jazzing: Live at Casa Fuster in 2009, featuring alongside established jazz musicians, the precocious 14-year-old, Andrea Motis among other young talents.

2010 was a breakthrough year for the band, with appearances at more than 20 festivals including Valls, Terrassa, Girona, Barcelona, Platja d'Aro, and venues like el Jamboree, Palau de la Música Catalana, JazzSi, Hotel Casa Fuster, featuring international performers like Dick Oatts, Ken Peplowski, Bobby Gordon, Perico Sambeat, Ignasi Terraza, Matthew Simon, and Esteve Pi. The band also released their second recording Jazzing vol.2.

In 2012 the film director Ramón Tort made the documentary A film about kids and music based on the band's work and efforts. The film was awarded best feature film at the Lights. Camera. Help. festival in Austin, Texas, US in 2013.

In 2021, Sant Andreu Jazz Band celebrated their 15-year-anniversary with concerts during the Barcelona jazz festivals. They received the 2021 Alícia prize "for the Educational Project", awarded by the Acadèmia Catalana de la Música.

Small combos of older members perform worldwide, for example with WDR Big Band in Cologne and in Bengaluru (India) Several band members have contended in international jazz after their time in the band, particularly Motis and Rita Payés.
https://en.wikipedia.org/wiki/Sant_Andreu_Jazz_Band

Jazzing 10 Vol. 2

Giulia Lorvich / Luca Rossetti Ensemble - Minutes of Gold

Styles: Vocal
Year: 2018
File: MP3@320K/s
Time: 38:00
Size: 88,4 MB
Art: Front

(3:59) 1. Shapes of Water
(5:14) 2. The Last Shipwreck
(5:10) 3. Wooden Aeroplanes and Paper Cranes
(3:30) 4. Dydime
(4:49) 5. Rabdomance
(4:29) 6. Mother of All
(4:11) 7. Minutes of Gold
(3:19) 8. No Chains of Roses
(3:16) 9. The Season of Embraces

Born in Bologna in 1985, Giulia Lorvich has always been interested in music, studying piano and then singing. Discovering jazz in her late teens, she graduated in Jazz Singing at Conservatorio Frescobaldi (Ferrara), and also studied with Sheila Jordan, Dena DeRose, Michele Hendricks, Rachel Gould, Kevin Mahoghany, Tiziana Ghiglioni, Bob Stoloff, Marta Raviglia, Denise King, Barry Harris and others. Since 2008 she's been singing as a professional in several italian clubs and festivals with her groups and projects, and also teaching and working as a recording artist for Racing Jazz Records, Velut Luna and Azzurra Music. Among others, she's been playing with many italian and international artists such as: Jimmy Cobb, Massimo Faraò, Paolo Birro, Byron Landham, Aldo Zunino, Andrea Pozza, Steve Williams, Carlo Atti, Alessandro Minetto, Jimmy Villotti, Massimo Manzi, Massimo Tagliata, Luigi Scerra, Giannicola Spezzigu, Andrea Calì, Andrea Grillini, Stefano Dallaporta, Filippo Cassanelli,Oreste Soldano, Domenico LoParco, Luca Pisani, Teo Ciavarella, Massimo Dall’Omo,Alessandro Altarocca, Giancarlo Bianchetti, Jacopo Salieri, Nicola Govoni, Pietro Lussu, Fausto Negrelli, David Muehsam, Guglielmo Pagnozzi, Groove City Soul Band.

Minutes of Gold

Brian Blade & The Fellowship Band - Kings Highway

Styles: Post-Bop, Straight-Ahead Jazz
Year: 2023
File: MP3@320K/s
Time: 50:12
Size: 116,0 MB
Art: Front

( 4:44) 1. Until We Meet Again
( 5:04) 2. Catalysts
( 5:23) 3. People's Park
(13:00) 4. Kings Highway
( 4:20) 5. Look to the Hills
(15:05) 6. Migration
( 2:33) 7. God Be with You

The Merriam-Webster Dictionary defines fellowship as "community of interest, activity, feeling, or experience," which seems to state well what Brian Blade & The Fellowship Band have been doing, cultivating a certain sound for over 25 years. The community is drummer Brian Blade, pianist Jon Cowherd, saxophonist Melvin Butler, saxophonist and clarinetist Myron Walden, bassist and synthesizer player Christopher Thomas and guitarist Kurt Rosenwinkel. The interest and activity these folks share is playing music, specifically jazz music. Finally, the feeling or experience one gets from the music is one of joy and inspiration. One can only guess at the joy they experience performing together, but the music makes a strong case for it.

Listening to Kings Highway one can feel this fellowship, the solidarity of the musicians, their sense of purpose to achieve a feeling that goes beyond the notes or the technical abilities of the individual players. Not all jazz is like this. Often a particular soloist is forefront, supported by the others driving the leader's vision and solos to express themselves.

The opening track, Blades' "Until We Meet Again," starts with synth and then guitar and piano, bass, some brushes on the drums then the horns, building a repeating melody until the whole ensemble is playing boldly and solemnly together. The next track, "Catalysts," starts off more upbeat with the guitar and then the sax and later the synth taking us on a journey. One destination along the way is the next track, "People's Park," which, as with the previous track, written by pianist Jon Coward, is a quieter place for reflection and contemplation. Back on the highway we go again in the form of the 13-minute title track which has a jazz-rock fusion feel to it until it melts into a cool bass solo that leads into some great playing by the two sax players and finally the pianist expressing himself joyfully. "Kings Highway " is a standout cut and well picked to be the album's title. Now further down the road we "Look To The Hills," which starts out with railroad drumming leading to some more spiritual passages.

Spiritual is a word that comes to mind often when listening to this band. Though this recording feels more fusion inspired at times than previous albums, there is always a return to a sound with a palpable sense of a searching for holiness, for truth, for fellowship, not only amongst the players, but with the listeners as well. The album ends with a spiritual hymn and prayer named "God Be With You," written by William G. Tomer (the only track not written by Blade or Cowherd) and setting a final, beautiful, solemn tone to the record. With this record Brian Blade and The Fellowship Band invite the listener along to join their fellowship on a musical highway of life, and so we should. By Cary Tenenbaum https://www.allaboutjazz.com/kings-highway-brian-blade-and-the-fellowship-band-stoner-hill

Personnel: Brian Blade: drums; Melvin Butler: saxophone; Jon Cowherd: piano; Kurt Rosenwinkel: guitar; Christopher Thomas: bass, acoustic; Myron Walden: saxophone.

Kings Highway