Thursday, September 12, 2013

Ella Jones - Be My Guest

Bitrate: 320K/s
Time: 37:29
Size: 85.8 MB
Styles: Vocal jazz
Year: 2007
Art: Front

[3:31] 1. Everything
[3:32] 2. Nothing
[3:11] 3. Be My Guest
[4:41] 4. I Feel For You
[2:59] 5. You Say
[3:25] 6. Here I Am
[3:23] 7. Change Your Point Of View
[3:05] 8. Summer Candy
[3:38] 9. Going My Way
[3:09] 10. No More
[2:51] 11. Oh Boy

Ella Jones is a soulful piano vocalist and this album is an evocative mix of her songs. From the upbeat feel good Everything and Change your point of view through to romantic title track Be my guest, and mournful I feel for you, Ella covers the full range of emotions on this colourful debut album. For those of you who would like a mixture of Carole King, Laura Nyro and Adele, this album is for you!

Ella Jones-Lead vocal and piano, Zane Maertens-Double Bass, Andy Christo-Drums, Nina Provencal-Additional Vocals.

Be My Guest

Marty Paich Quartet - Marty Paich Quartet Featuring Art Pepper

Bitrate: 320K/s
Time: 25:54
Size: 59.3 MB
Styles: West Coast jazz, Bop
Year: 1956/2011
Art: Front

[3:07] 1. What's Right For You
[3:19] 2. You And The Night And The Music
[2:21] 3. Sidewinder
[2:52] 4. Abstract Art
[2:18] 5. Over The Rainbow
[3:20] 6. All The Things You Are
[3:27] 7. Pitfall
[2:42] 8. Melancholie Madeline
[2:23] 9. Marty's Blues

Marty Paich was born in Oakland (Cal.) January 1925 and passed away in Santa Ynez (Cal.) on his ranch August 1995. He is one of those musicians that played an important role in modern music, especially the so-called West Coast Jazz, most as a composer, arranger, but also as a sideman and accompanist of great jazz musicians, who made their names, like Art Pepper. He became known for his numerous compositions and arrangements which helped to shape the West Coast sound.

Recorded August, 1956 at Radio Recorders. Engineer: Val Valentin. While not the leader on the date, this is clearly an Art Pepper record, his first after being released from Federal prison in 1956. This recording is a classic and a must for all Art Pepper fans.

Alto Saxophone – Art Pepper; Bass – Buddy Clark; Drums – Frank Capp; Piano – Marty Paich.

The Marty Paich Quartet featuring Art Pepper                

The SoCal VoCals - Permit To Harmonize

Bitrate: 320K/s
Time: 52:29
Size: 120.1 MB
Styles: Vocal Harmonies, A Capella
Year: 2013
Art: Front

[3:45] 1. Good Luck
[3:07] 2. Set Fire To The Rain
[3:56] 3. Hold My Heart
[3:19] 4. Tightrope
[4:59] 5. Kings And Queens
[3:39] 6. Poison And Wine
[4:51] 7. Heart Of The Matter
[5:01] 8. Elena
[4:00] 9. Lady Marmalade
[4:04] 10. When We Are One
[3:13] 11. What The Water Gave Me
[4:18] 12. My Heart With You
[4:11] 13. Best Thing I Never Had

The SoCal VoCals are the premiere a cappella group from the University of Southern California. Since their creation back in 1996 the VoCals have been redefining a cappella in a way that can only be done in Los Angeles. The group is comprised solely by current USC students, and prides itself on singing music from any genre and by any artist. From Jazz to Rock; R&B to Pop, the VoCals create smooth West Coast-inspired sounds defined by the people singing them.

Over the past seventeen years, the VoCals have been increasing their exposure to a national level, bringing their brand of band (no instruments; just voices) to performances of all shapes and sizes. They have toured across the country, and competed in the 2008, 2010, and 2012 International Championship of Collegiate A Cappella, traveling to New York City to compete in the finals where they came out on top as the champions (all three times). The VoCals have been featured on The Today Show and in Newsweek magazine, have had current members and alumni represent the VoCals on all three seasons of NBC's The Sing-Off, and have shared the stage with stars like Josh Groban, Sara Bareilles, Queen Latifah, Jamie Lee Curtis, Colbie Caillat, and Ben Folds. The VoCals have sung in almost every imaginable scenario, from private parties and weddings to sold-out events at the Staples Center, the Walt Disney Music Hall, The Town Hall, and New York City's Lincoln Center. While they're stationed mainly in Southern California, the group has also taken their high-energy act on the road, traveling everywhere from The Northeast to Alaska.

Permit To Harmonize

Kathy Sanborn - Sultry Night

Styles: Jazz Vocals
Year: 2013
File: MP3@320K/s
Time: 39:13
Size: 89,8 MB
Art: Front

(4:40)  1. Sultry Night
(4:17)  2. That Cary Grant Smile
(4:23)  3. Angels Cry
(4:00)  4. Miss O'Day
(4:36)  5. Ordinary Man
(4:37)  6. Not Amused
(4:17)  7. The Boys Are Back
(5:03)  8. Butterscotch Sky
(3:16)  9. No More Storm

The glamour of yesterday returns to today’s jazz music with Sultry Night, the steamy new release by American jazz singer and composer Kathy Sanborn. Sanborn’s sizzling album has a film noir inspiration, where passion and sensuality rule the day. Sultry Night opens with the smoky and seductive title track, evocative of the age of film noir detectives Sam Spade and Philip Marlowe. The album continues with songs honoring movie icon Cary Grant and jazz vocal legend Anita O’Day, both performers reaching their heyday in the age of film noir, the 1940s and ‘50s. The album features both ballads and upbeat songs, performed in Sanborn’s inimitable smooth and sultry style. The singer composed all of the album‘s nine songs. In a reverential turn, Sanborn penned the song, “Angels Cry,” in honor of the children who lost their lives in the Sandy Hook school tragedy. 

According to JazzTimes: “Romance is always in the air as far as Kathy Sanborn is concerned, and her songs are reflections of those emotions which take flight when overpowered by love.” Sanborn adds, “Sultry Night reflects a world of steamy romance and unbridled sensuality - where love is always on one’s mind.” Based in northern California, the velvet-voiced jazz songstress and composer is of Nicaraguan descent. Bilingual and cosmopolitan, the exotic Sanborn combines sultry vocals with artistic originality. Spain’s NoSoloSmoothJazz.com says: “Kathy Sanborn is one of the most original vocalists in the American musical landscape.” Besides composing, arranging, and producing the Sultry Night album, Sanborn provides the vocal and piano artistry. Trumpeter Wayne Ricci complements the album with full-bodied, film noir performances. Sultry Night follows Sanborn’s critically acclaimed albums, Six Degrees of Cool and Blues for Breakfast. Both albums reached Amazon’s bestselling MP3 Vocal Jazz charts. The MP3 version of Sultry Night recently reached Amazon’s bestseller list for Vocal Jazz. http://news.allaboutjazz.com/news.php?id=105910#.Ui8T2z-wVw8

Diane Schuur - Talkin' 'Bout You

Styles: Jazz Vocals
Year: 1988
File: MP3@320K/s
Time: 44:42
Size: 102,3 MB
Art: Front

(4:38)  1. Talkin' 'bout You
(3:53)  2. Funny (But I Sill Love You)
(4:53)  3. Louisiana Sunday Afternoon
(3:41)  4. For Your Love
(3:43)  5. Hearts Take Time
(4:54)  6. Somethin' Real
(4:04)  7. Hard Drivin' Mama Il
(3:29)  8. Nothing In The World (Can Make Me Love You More Than I Do)
(3:21)  9. Ain't That Love
(3:15) 10. Life Goes On
(4:44) 11. Cry Me A River

On her four previous albums, including the Grammy-winning torch song set “Timeless”, and the big band outing of “Diane Schuur & the Count Basie Orchestra”, Schuur went after a diverse set of musical forms. This time, on a set of bluesy and R&B styled tunes, she has finally begun to develop a finer touch. And though she reportedly had some initial problems handling this stylistic attempt at crossover success, Schuur finally used it to create some of her most confident, relaxed and expressive work.

As in past albums, Schuur wears her influences on her sleeve and here is most effective when she does. Ray Charles’ classic secular gospel sound provides the musical foundation for the LP; and three of his songs, including the lively, gospel-tinged title track and “Ain`t That Love” with the Edwin Hawkins Singers, provide some of the brightest moments.

“Deedles” does dither away some opportunities, and her musicians, while a solid bunch of session players such as Tom Scott, Will Lee, Mitchel Forman and Steve Gadd, too often sound like the ``Saturday Night Live`` Band leading into a commercial break. When all is said and done, though, “Talkin’” remains about the Schuur-est thing this popular young vocalist has yet delivered.~Chris Heim http://articles.chicagotribune.com/1988-11-27/entertainment/8802200257_1_diane-schuur-edwin-hawkins-singers-talkin

Pink Martini - Get Happy

Styles:  Latin Jazz
Year: 2013
File: MP3@320K/s
Time: 51:15
Size: 117,4 MB
Art: Front

(2:37)  1. Ich dich liebe
(3:19)  2. Quiza´s, Quizas, Quizas
(2:12)  3. Zundokobushi
(4:11)  4. Je ne t'aime plus [Feat. Philippe Katerine]
(3:26)  5. Yo Te Quiero Siempre [Feat. Ari Shapiro]
(3:21)  6. I'm Waiting For You [Feat. Meow Meow]
(3:42)  7. Omide zendegani
(3:07)  8. Uskudar
(5:22)  9. Pana cand nu te iubeam
(4:48) 10. She Was Too Good To Me
(3:40) 11. Sway
(4:21) 12. Kitty Come Home [Feat. The Von Trapps & Rufus Wainwright]
(2:22) 13. Get Happy / Happy Days
(3:20) 14. What'll I Do?
(1:53) 15. Heliotrope Bouquet (Instrumental)
(2:48) 16. Smile

Pink Martini's long-awaited follow-up to their 2009 hit album Splendor in the Grass features their beloved vocalist China Forbes joined in the studio by her new co-lead singer Storm Large along with a cavalcade of guest star vocalists! Featuring the "little orchestra"'s trademark mix of pop songs from all corners of the globe, spanning the breadth of the 20th century, Get Happy's sunny disposition shines through its intricate and luxurious orchestral pop arrangements. Highlights of the album include the final recording of the legendary Phyllis Diller, a riveting appearance by the exquisite Rufus Wainwright, and a charming duet written and performed by China Forbes with underground French sensation Philippe Katerine. With sixteen tracks and a parade of fascinating guest stars, Get Happy is Pink Martini's broadest and most satisfying album to date. http://pink-martini-heinz-records.myshopify.com/products/get-happy-cd

Get Happy

Thelonious Monk - Misterioso

Styles: Jazz
Year: 1958
File: MP3@320K/s
Time: 63:14
Size: 161,5 MB
Art: Front

( 5:21)  1. Nutty
( 8:13)  2. Blues Five Spot
( 9:13)  3. Let's Cool One
(11:22)  4. In Walked Bud
( 2:08)  5. Just A Gigolo
(10:23)  6. Misterioso
( 6:16)  7. 'Round Midnight
(10:15)  8. Evidence

This is the second long-player to be taken from the same August 1958 Five Spot recordings that had yielded the similarly brilliant Thelonious in Action The quartet heard on these sets includes Monk (piano), Johnny Griffin (tenor sax), Roy Haynes (drums), and Ahmed Abdul-Malik (bass). Their overwhelming and instinctual capacities directly contribute to the powerful swingin' and cohesive sound they could continually reinvent. While these are Monk's tunes, arrangements, and band, it is Griffin who consistently liberates the performances. During "Nutty," his flurry of activity  which adeptly incorporates several lines from "Surrey With the Fringe on Top" has a maniacal swing that is highlighted by some definitive counterplay from both Haynes and Monk. Additionally, the transition between Haynes and Monk is organic and seemingly psychic. "Blues Five Spot" a 12-bar blues homage to their current residence  features solos from each band member. Griffin and Monk again display the seemingly innate ability to instantly recalculate chord structures as well as transmute melodies. The show-stopping solo vamp from Griffin hurls the rhythm along while simultaneously dropping in quotes from other tunes such as the theme for the animated Popeye cinematic shorts. Malik's brief solo, like his band interaction, is underrated yet precisely executed. The title track is given an exploratory performance. While Griffin aptly seizes the reins to blow his bop onslaught, Haynes' natural and subdued agility perfectly supports the extended tenor solo, creating some unique passages. Ironically, the one Monk solo performance, "Just a Gigolo," is the only composition not by Monk. ~ Lindsay Planer  http://www.allmusic.com/album/misterioso-mw0000048402