Showing posts with label Kristen Lee Sergeant. Show all posts
Showing posts with label Kristen Lee Sergeant. Show all posts

Monday, February 28, 2022

Kristen Lee Sergeant - Falling

Styles: Vocal
File: MP3@320K/s
Time: 39:09
Size: 90,1 MB
Art: Front

(4:04) 1. Let's Fall
(4:19) 2. Sisyphus
(3:37) 3. Birdsong
(4:30) 4. Chiaroscuro
(3:39) 5. Honey
(4:11) 6. Infinity Blues
(3:18) 7. Better Off
(3:48) 8. Orpheus
(3:23) 9. Autumn Nocturne
(4:16) 10. That Old Black Magic

Kristen Lee Sergeant is a jazz vocalist and composer of effervescent energy, musical intensity and dramatic flair. DownBeat Magazine has given both her albums the distinction of being an Editor’s Pick, citing how she “crafts moments of engaging drama, whether she’s seductively sliding into a note with a near-whisper, delivering a breathy revelation or belting out a lyric with full-throated muscularity.” She commits to telling a story in her music and performance style, while sparking spontaneous sonic conversation with her fellow musicians. Such commitment, and its results, captivate her audiences, whether in live performance or listening to her recordings.

Kristen’s current release, Smolder, is a story of fire love ignited, ablaze and extinguished. DownBeat critic Bobby Reed writes “This elegant album illustrates what can happen when admirable ambition is paired with vocal vibrancy.” Alongside her inventive arrangements of jazz standards and pop hits, she also makes her debut as a songwriter of originality and craft. “Balm/Burn”, one of the originals, also provides the music for her first music video that has been lauded by pop and jazz critics alike. NeuFutur commented that with this video Kirsten “is able to refresh a storied jazz vocal tradition that traces its way back about 100 years.”

What brought her here is a journey of searching and curiosity that imbues her work with many influences. Growing up in Manchester-by-the-Sea, Massachusetts, she devoted herself to theater, and worked professionally through school, graduating from Brandeis University with a degree in music. “I left my high school graduation early, with a costume underneath my robe, for an evening show. Same in college: couldn’t celebrate since there was a matinee that day!” Kristen recalls. She left Brandeis having received the Ira Gershwin Prize in Music. Although classical vocal training interested her in pursuing opera as well as musical theater, jazz is what won her heart when she moved to New York City. “The intimacy of performance in smaller venues, and the nature of improvised music opened up entirely new possibilities for me as a musician and performer. It wasn’t really a choice; I was captured by the music.”

Kristen recollects, citing Marilyn Maye and Carmen McRae as inspirations, then and today. She began singing with a big band, worked with small combos in cigar bars, hookah lounges, nursing homes, “wherever I could”, she adds. Coupled with intensive study with singer/composer Tom Lellis, she evolved her vocal style and musicianship in a totally new direction, taking the best of what stage training offered and crafting her approach to jazz with intensive work. She won the Jazz Forum Arts vocal competition in 2014, and in addition to enthusiastic acclaim for her first album, Kristen also performed at Birdland, Iridium, Zinc Bar, the Metropolitan Museum of Art, Joe’s Pub and more.

A singer with a side hustle is no anomaly, but a singer who is also a certified sommelier, serving on the floor of NYC’s top restaurants, while forging her career onstage, is quite unique. While debuting her first record at Birdland, she was a sommelier at Gotham Bar & Grill; while finishing her second record, Smolder, she brought her wine expertise to The Grill (the New York Times’ restaurant of the year in 2017). “I’m lucky to have had work in wine that allowed me to develop individuality in my musical approach”, Kristen explains. “There is something of a connection between them in that both music and wine can be intoxicating, and in their highest expression, bring us into a transcendent state.”

Not surprisingly, her creativity found its way into her work with wine. Two Notes, a wine Kristen created with Grammy winner Ted Nash, is a Bordeaux blend from California soon to be in its second vintage. “There comes a time to contribute to the the narrative of the things you love, not just be a consumer or a critic. Two Notes is our contribution to the wine world.”Her passion for wine and song is leading to exciting places, as her international career begins, and Smolder’s spark begins to blaze. Certainly, there will be much to toast to as time goes on. https://www.allaboutjazz.com/musicians/kristen-lee-sergeant

Falling

Sunday, November 17, 2019

Kristen Lee Sergeant - Inside Out

Styles: Vocal
Year: 2016
File: MP3@320K/s
Time: 33:38
Size: 77,9 MB
Art: Front

(3:32)  1. Never Will I Marry
(4:06)  2. Everybody Wants to Rule the World
(4:27)  3. Old Devil Moon
(3:37)  4. Lullaby of the Leaves
(5:43)  5. I Melt with You
(4:01)  6. So Many Stars
(3:16)  7. Every Breath You Take
(2:06)  8. I Wish I Were in Love Again
(2:45)  9. It Never Entered My Mind

With Inside/Out (Whaling City Sound), Kristen Lee Sergeant emerges onto the crowded scene of jazz vocalists with a fresh, distinctive voice full of soul, authenticity and the gift of great storytelling. The title reflects the duality of each songs lyrics and placement, creating a cycle of emotions ranging from rapture to introspection to reality, bringing what is inside, out. Fun and fearlessness pervade this debut release as Kristen also turns 80's pop classics into adventurous jazz romps with the promise of even more exciting things to come. The restless, creative spirit that inspires her is evident on this recording, and deeply impacts the music and her listeners. Radio host, Jay Edwards of WCLK-FM's ""Jazz Tones,"" calls her an effervescent spirit whose superb vocals and phrasing inject the lyrics with new life, illustrating how influences from early onstage work palpably serve this recording. Inspired by Carmen McRae, Shirley Horne and Rosemary Clooney, Sergeant finds the swing and intimacy of each tune in every context. This release is a portrait of an artist coalescing all her influences, and those of her musicians, to a nuanced reinvention of standards & pop classics under the jazz canopy of swing and contemporary music. ~ Editorial Reviews https://www.amazon.com/Inside-Out-Kristen-Lee-Sergeant/dp/B01J6011OS

Inside Out

Tuesday, November 12, 2019

Kristen Lee Sergeant - Smolder

Styles: Vocal 
Year: 2019
File: MP3@320K/s
Time: 48:04
Size: 110,5 MB
Art: Front

(4:50)  1. True
(5:17)  2. Balm / Burn
(5:50)  3. Afterglow
(4:16)  4. I'm Beginning to See the Light
(5:36)  5. Midnight Sun
(4:38)  6. It's All Right with Me
(3:58)  7. Show Me
(5:08)  8. Sconsolato
(4:59)  9. Smoke Gets in Your Eyes (These Foolish Things)
(3:28) 10. The Best Is yet to Come

Sometimes it takes an entire album, or even a few, to appreciate an artist's depth. But in the case of vocalist Kristen Lee Sergeant, you can get there in a song. Her morphing take on '80s new wave outfit Spandau Ballet's "True," revealing a theatrical streak and some pure and pliable pipes, does the job and then some. As an arranger Sergeant paints with beauty and perspective there, matching Ted Nash's alto flute to Jeb Patton's piano and making artful use of Jody Redhage Ferber's cello; and as a singer she balances passion and poise in her uncovering of the song's hidden angles and inner truths. It's a real achievement, and the first of many smart performances on Smolder. Regardless of what material she's working with, Sergeant makes her mark by molding a song and owning its intentions with wisdom and clarity. On "Balm/Burn" she works a seam that soothes and seduces all at once. Through "Afterglow" she explores post-romance in ruminative fashion, with Nash's alto saxophone shadowing her mood and upping the ante. During "I'm Beginning To See The Light" she shows a lighter side and more flexible phrasing, connecting with bassist Cameron Brown's supportive lines. And during the reduced-gravity introduction of "Midnight Sun," her vocal certainty in the face of the unknown helps to light the way. With the exception of Jimmy Woode's bossa-ballad "Sconsolato," the second half of the album focuses on classics that should be largely familiar to jazz-loving ears. But familiarity breeds a stretch here, as Sergeant expertly toys with form and flow. "It's All Right With Me" changes tempos and makes some sharp turns, with drummer Jay Sawyer steering with style and Sergeant stopping and shifting on a dime. And "Show Me" is twisted and tweaked, too. A shifting of gears and a play on moods carries the song to unexpected places. The parting selections further illustrate Sergeant's vision of personalized narrative embedded within known quantities. Binding "These Foolish Things" and "Smoke Gets In Your Eyes," she creates an unbroken ideal laced with cello charms. And adding Afro-Cuban sway to "The Best Is Yet To Come," she raises a glass to optimism on her way out. With insightful offerings and stylish arrangements, Smolder truly stands apart. Kristen Lee Sergeant is most certainly deserving of greater recognition. ~ Dan Bilawsky https://www.allaboutjazz.com/smolder-kristen-lee-sergeant-plastic-sax-records-review-by-dan-bilawsky.php

Personnel: Kristen Lee Sergeant: vocals, arrangements; Jeb Patton: piano; Cameron Brown: bass; Jay Sawyer: drums; Ted Nash: alto flute/alto saxophone; Jody Redhage Ferber: cello; Rogerio Boccato: percussion.

Smolder