Showing posts with label Andrea Wood. Show all posts
Showing posts with label Andrea Wood. Show all posts

Saturday, August 22, 2015

Andrea Wood - Kaleidoscope

Size: 145,9 MB
Time: 62:44
File: MP3 @ 320K/s
Released: 2015
Styles: Jazz Vocals
Art: Front

01. Intuition (Feat. Donny McCaslin) (4:40)
02. The Arabesque Of Love And Loss (Feat. Donny McCaslin) (7:00)
03. Interlude I (1:02)
04. You And I (6:33)
05. Take A Chance (4:57)
06. Nature Boy (Feat. Donny McCaslin) (6:33)
07. Interlude Ii (0:41)
08. The Little Things (5:25)
09. Kaleidoscope (Fall In Place) (6:06)
10. Call Me Maybe (4:05)
11. Parting Ways (6:11)
12. Three Little Birds (4:54)
13. Doowop (Feat. Nick Wood) (Bonus Track) (4:31)

Jazz vocalist Andrea Wood demonstrates old school influences combined with contemporary adult-pop aesthetics. Her vocals have a rich, thick texture that fattens the tracks on her latest release Kaleidoscope. Mixed and arranged by Andrew Sheron, the recording shows flecks of R&B/soul and soft-pop elements in numbers like “The Little Things” and “Kaleidoscope (Fall in Place).” The slow, fluid strides of her vocals are entrancing reminiscent of Sarah Vaughn with a touch of Joss Stone’s deep sensual voicing. The rippling inflections in Wood’s vocals travel from one crescendo to the next, demonstrating the vast elasticity of her range and the complete control she has over her register.

The catchy cadence of her vocal rhythm in “Call Me Maybe” is shrouded in smooth jazz atmospherics, embroidering Olli Hirvonen’s guitar solo as the chords emanate a vaporous smolder in the wawa-tinged effects. Keyboardist Angelo Di Loreto gingerly trickles notes beside Wood’s vocals, drifting in sensual strokes which give the track a romantic sparkle. The lithesome sway of Ethan O’Reilly’s bass is pronounced with clarity as the keys project warmth through the melodic progressions.

The bluesy ethers of “Three Little Birds” are molded to Wood’s sultry vocal expansions and contractions, driven by an instinct that displays a kindred connection to the lyrics. Her attachment to the song is perceivable and penetrates the listener’s thoughts, affecting the audience positively. The rhythmic Brazilian vibrations of “Intuition” are infectious, and the island-imbued grooves of “Nature Boy” are alluring.

Magnetic and statuesque, Andrea Wood’s vocals give her a star-like quality in the class of Sarah Vaughn and Joss Stone. There is a genuine quality in her voice, a natural attachment to the classic jazz style that gives it credibility as a music form able to capture human emotions. ~by Susan Frances

Personnel: Andrea Wood – vocals, Angelo Di Loreto – piano, Fender, Rhodes, Hammond B3, and Wurlitzer, Olli Hirvonen – electric and acoustic guitars, Ethan O’Reilly – acoustic and electric bass and backing vocals, and Philippe Lemm – drums, percussion, and backing vocals

Kaleidoscope

Sunday, June 29, 2014

Andrea Wood - Dhyana

Styles: Jazz, Vocal
Year: 2011
File: MP3@320K/s
Time: 66:33
Size: 152,8 MB
Art: Front

(5:37)  1. Comes Love
(6:49)  2. Pra Que Discutir Com Madame
(6:53)  3. The End Of A Love Affair
(3:46)  4. Hold On To The Center (House Of Jade)
(7:37)  5. Someday My Prince Will Come
(6:41)  6. Syracuse
(5:06)  7. My Favorite Things
(8:16)  8. For The Meantime
(4:36)  9. Chega De Saudade
(3:24) 10. A Time For Love
(7:42) 11. I Only Have Eyes For You

It is amazing the vast experience and maturty young jazz musicians and singers are able to accumulate these days. A case in point is jazz singer Andrea Wood. This Washington DC native studied classical voice and piano at the Duke Ellington School of Arts, has a Bachellor in Jazz performance at Michigan State University, studied reggae in Kingston, Jamaica, worked in France and sings in over four languages. Quite impressive! But even more impressive is how Wood applies all that knowledge and experience to her music. Wood moderate vibrato at the end of each line and astonishing vocal range inject her phrasing with a dramatic effect, quite effective in coveying the emotions of a song. Wood also did all the arrangements and each one reflects the diversity of influences on her music. 

The funk version of "Comes Love", the interesting fusion of calypso with samba rhythms on Haroldo Barbosa "Pra que Discutir com Madame" and the reggae arrangement of "I only have eyes for you" are some examples of this diversity."Someday my prince will come" starts with a classical feel before it changes into a swing groove. The arrangement at the beginning of "My Favorite Things" is similar to that of John Coltrane with some tempo changes at the end.Anothet talent of Andrea Wood is her abbility to sing in different languages as she does in perfect french and portuguese on the bossas "Syracuse" and Jobim's "Chega de Saudae". Wood also plays percussion and wrote the lyrics to Wayne Shorter's "Hold on to the Center".  http://jazzinsidemagazine.com/Members/wsostre/cd-review-andrea-wood-dhyana

Personnel: Andrea Wood - vocals, percussion, Noble Jolley - piano (1,3,5,8), Nathan Jolley - drums (1,3,5,8,11), Blake Meister - bass (1,2,3,5,8,9,11), Amy Bormet - piano (4,7,10), Terence Arnett - drums (4,7,9), Justin Parrott - bass (4,7), Elijah Jamal Balbed - tenor saxophone (4,7), John Lee - guitar (6.11), Herbert Beach - guitar (9), Victor Provost - steel pan (2), Tosin Aribisala - congas, percussion (2)