Monday, October 11, 2021

Willis Jackson With Jack McDuff - Together Again

Styles: Saxophone Jazz, Post Bop
Year: 2003
File: MP3@320K/s
Time: 67:54
Size: 156,4 MB
Art: Front

( 4:05) 1. Gil's Pills
( 4:40) 2. Angel Eyes
( 5:00) 3. Three Little Words
( 4:10) 4. Glad 'a See Ya'
( 7:35) 5. Medley - September Song, Easy Living, Deep Purple
( 5:25) 6. Dancing on the Ceiling
( 6:54) 7. It Might as Well Be Spring
(10:12) 8. This'll Get to Ya
( 7:06) 9. Tu'gether
( 4:50) 10. Jambalaya
( 2:05) 11. Backtrack (Twistin' Train)
( 3:08) 12. Without a Song
( 2:40) 13. Snake Crawl

Organ jazz from the late fifties and early sixties had a tendency to be predictable, yet it still provided a template for churning out catchy tunes, many of which became hit singles. Once again Fantasy has mined its seemingly inexhaustible supply of the stuff for this record, which once again pairs a couple of previous releases together on one CD. Like most of the other discs in this format (many by McDuff himself), there’s some filler, but enough greasy soul on this 1960 reissue to keep one satisfied. Jack McDuff and Willis Jackson were two musicians who mined the soul jazz craze for all it’s worth, and despite a few curveballs, they knew not to tinker with a formula that works. These two had played together before and had a deep understanding of each other’s styles. McDuff is one of the best organists to emerge after Jimmy Smith and is more than capable of sustaining a groove by pumping out chords (although he prefers to leave the bottom end to a bassist instead of using the pedals). Jackson, although not a great tenor player, is capable of stringing together a series of licks into an acceptable solo.

However, the real treat here is Bill Jennings, a guitarist whose country-inflected licks bring to mind a mix of Charlie Christian and Chet Atkins. Jennings is the real reason to check out the record, and his nimble solos on “Angel Eyes” and “Gil’s Pills” easily make up for the shortcomings of a group who sometimes seem to be on autopilot, constructing tunes on what has proved workable in the past. Unfortunately, the last six tracks feature Jackson almost exclusively, and Jennings and McDuff seem to be watching the clock, content to vamp and do little else. Other than the hit single “This’ll Get To Ya,” which is a suitably shallow groove for airplay, the rest of the tunes fail to generate any real heat.

Jackson shows a strong Ben Webster influence, but he lacks the inventiveness necessary to sustain the spotlight on even the shortest of tunes. “Backtrack” and “Snake Crawl” are fine enough but seem like deliberate efforts to climb the charts. Despite its shortcomings, though, Together Again! is a satisfactory release for those who like their organ jazz cut and dry.~David Rickert https://www.allaboutjazz.com/together-again-fantasy-jazz-review-by-david-rickert

Personnel: Jack McDuff-organ; Willis Jackson-tenor sax; Bill Jennings-guitar; Tommy Potter, Wendell Marshall, Milt Hinton, Jimmy Lewis-bass; Al Johnson, Buck Clarke, Bill Elliott,Frank Shea-drums.

Together Again

The Gaddabouts - S/T

Bitrate: MP3@320K/s
Time: 41:36
Size: 95.2 MB
Styles: Indie Folk, Alternative rock
Year: 2012
Art: Front

[3:24] 1. Never So Far Away
[4:08] 2. Let It Slide
[3:05] 3. Remind Me
[5:07] 4. My Heart
[2:39] 5. They Say Everything
[3:23] 6. Gonna Hold On
[3:00] 7. Mad Dog
[2:26] 8. Good Day
[4:25] 9. Good For Me
[4:37] 10. More Than Anybody
[5:16] 11. Feelin' Better

The Gaddabouts is a spectacular band that consists of Edie Brickell (vocals), Steve Gadd (drums), Pino Palladino (bass), and Andy Fairweather Low (guitar). There are also many special guests on their albums, including Ronnie Cuber on sax.

The Gaddabouts

Joe Farnsworth - City of Sounds

Styles: Jazz, Post Bop
File: MP3@320K/s
Time: 54:06
Size: 126,1 MB
Art: Front

(5:39) 1. New York Attitude
(7:17) 2. The Surrey with the Fringe on Top
(7:44) 3. Ojos Cariñosos
(5:51) 4. Bud-Like
(6:53) 5. Moonlight in Vermont
(4:02) 6. City of Sounds
(8:34) 7. No Fills
(8:02) 8. Softly, as in a Morning Sunrise

A rock-solid trio set from the great drummer Joe Farnsworth one that draws every bit as much of its strength from the piano of Kenny Barron and bass of Peter Washington both players who work together with Joe on a set of tunes that feel effortless, but which are filled with complex ideas and never-ending energy! A fair bit of tunes are originals by Barron or Farnsworth tunes that partly stand as a tribute to New York as it wakes up from the dark days of 2020 and there's this really positive spirit to the record that keeps on going all the way through, and which also transforms the standards as well. Kenny is really at the top of his game here taken into really new territory by Farnsworth's work on the kit and titles include "No Fills", "City Of Sounds", "New York Attitude", "Bud-Like", "Ojos Carinosos", and "Softly As In A Morning Sunrise". © 1996-2021, Dusty Groove, Inc. https://www.dustygroove.com/item/993649

Personnel: Double Bass – Peter Washington; Drums – Joe Farnsworth; Piano – Kenny Barron

City of Sounds