Showing posts with label Wild Bill Davis. Show all posts
Showing posts with label Wild Bill Davis. Show all posts

Monday, March 11, 2024

Wild Bill Davis, Johnny Hodges - Con-Soul and Sax

Styles: Post Bop, Saxophone Jazz
Year: 1965
File: MP3@320K/s
Time: 36:59
Size: 85,3 MB
Art: Front

(3:47)  1. On the Sunny Side of the Street
(3:15)  2. On Green Dolphin Street
(4:10)  3. Lil' Darlin'
(4:52)  4. Con-Soul and Sax
(2:30)  5. The Jeep Is Jumpin'
(3:25)  6. I'm Beginning to See the Light
(4:01)  7. Sophisticated Lady
(4:25)  8. Drop Me Off In Harlem
(3:21)  9. No One
(3:09) 10. Johnny Come Lately

Con-Soul & Sax is an album by American jazz saxophonist Johnny Hodges and organist Wild Bill Davis featuring performances recorded in 1965 and released on the RCA Victor label. The title is a play on words based on the term "console organ", a term used by the Hammond organ company to describe the type of organs favored by Davis. https://en.wikipedia.org/wiki/Con-Soul_%26_Sax

Personnel:  Wild Bill Davis - organ; Johnny Hodges - alto saxophone; Dickie Thompson, Mundell Lowe - guitar; Milt Hinton, George Duvivier - double bass; Osie Johnson - drums

Con-Soul and Sax

Tuesday, October 30, 2018

Lionel Hampton & His Giants Of Jazz 1979 - Hamp In Haarlem

Styles: Vibraphone Jazz
Year: 1979
File: MP3@320K/s
Time: 44:37
Size: 104,2 MB
Art: Front

( 7:35)  1. Glad Hamp
( 6:02)  2. Ol' Man River
( 6:21)  3. Greasy Greens
( 2:43)  4. Mr. P.C.
(12:05)  5. Hamp's Got The Blues
( 9:50)  6. Salsa, Ein Burgermeister De Francoise

Lionel Hampton was the first jazz vibraphonist and was one of the jazz giants beginning in the mid-'30s. He has achieved the difficult feat of being musically open-minded (even recording "Giant Steps") without changing his basic swing style. Hamp started out as a drummer, playing with the Chicago Defender Newsboys' Band as a youth. His original idol was Jimmy Bertrand, a '20s drummer who occasionally played xylophone. Hampton played on the West Coast with such groups as Curtis Mosby's Blue Blowers, Reb Spikes, and Paul Howard's Quality Serenaders (with whom he made his recording debut in 1929) before joining Les Hite's band, which for a period accompanied Louis Armstrong. At a recording session in 1930, a vibraphone happened to be in the studio, and Armstrong asked Hampton (who had practiced on one previously) if he could play a little bit behind him and on "Memories of You" and "Shine"; Hamp became the first jazz improviser to record on vibes. It would be another six years before he found fame. Lionel Hampton, after leaving Hite, had his own band in Los Angeles' Paradise Cafe, until one night in 1936 when Benny Goodman came into the club and discovered him. Soon, Hampton recorded with B.G., Teddy Wilson, and Gene Krupa as the Benny Goodman Quartet, and six weeks later he officially joined Goodman. An exciting soloist whose enthusiasm even caused B.G. to smile, Hampton became one of the stars of his organization, appearing in films with Goodman, at the famous 1938 Carnegie Hall concert, and nightly on the radio. In 1937, he started recording regularly as a leader for Victor with specially assembled all-star groups that formed a who's who of swing; all of these timeless performances (1937-1941) were reissued by Bluebird on a six-LP set, although in piecemeal fashion on CD. Hampton stayed with Goodman until 1940, sometimes substituting on drums and taking vocals. In 1940, Lionel Hampton formed his first big band, and in 1942 had a huge hit with "Flying Home," featuring a classic Illinois Jacquet tenor spot (one of the first R&B solos). 

During the remainder of the decade, Hampton's extroverted orchestra was a big favorite, leaning toward R&B, showing the influence of bebop after 1944, and sometimes getting pretty exhibitionistic. Among his sidemen, in addition to Jacquet, were Arnett Cobb, Dinah Washington (who Hampton helped discover), Cat Anderson, Marshall Royal, Dexter Gordon, Milt Buckner, Earl Bostic, Snooky Young, Johnny Griffin, Joe Wilder, Benny Bailey, Charles Mingus, Fats Navarro, Al Gray, and even Wes Montgomery and Betty Carter. Hampton's popularity allowed him to continue leading big bands off and on into the mid-'90s, and the 1953 edition that visited Paris (with Clifford Brown, Art Farmer, Quincy Jones, Jimmy Cleveland, Gigi Gryce, George Wallington, and Annie Ross) would be difficult to top, although fights over money and the right of the sideman to record led to its breakup. Hampton appeared and recorded with many all-star groups in the 1950s including reunions with Benny Goodman, meetings with the Oscar Peterson Trio, Stan Getz, Buddy DeFranco, and as part of a trio with Art Tatum and Buddy Rich. He also was featured in The Benny Goodman Story (1956). Since the 1950s, Lionel Hampton has mostly repeated past triumphs, always playing "Hamp's Boogie Woogie" (which features his very rapid two-finger piano playing), "Hey Ba-Ba-Re-Bop," and "Flying Home." However, his enthusiasm still causes excitement and he remains a household name. Hampton has recorded through the years for nearly every label, including two of his own (Glad Hamp and Who's Who). Despite strokes and the ravages of age, Lionel Hampton remained a vital force into the 1990s. In January 2001, a vibraphone he had played for 15 years was put into the National Museum of American History. On August 31, 2002, at age 94, Lionel Hampton suffered major heart failure and passed away. ~ Scott Yanow https://www.allmusic.com/artist/lionel-hampton-mn0000833150/biography

Personnel: Lionel Hampton - vibraphone, drums, piano, vocals; Joe Newman, Wallace Davenport - trumpet; Curtis Fuller - trombone; Steve Slagle - alto saxophone; Paul Moen - tenor saxophone;  Paul Jeffrey - baritone saxophone;  Wild Bill Davis - organ, piano;  Gary Mazzaroppi - bass;  Richie Pratt - drums

Hamp In Haarlem

Saturday, July 14, 2018

Eddie 'Lockjaw' Davis - Jaws Strikes Again

Styles: Saxophone Jazz
Year: 1976
File: MP3@320K/s
Time: 63:53
Size: 147,5 MB
Art: Front

(5:38)  1. Don't Worry About Me
(5:17)  2. The Man I Love
(8:45)  3. Light And Lovely
(4:30)  4. Stompin' At The Savoy
(4:09)  5. When Sunny Gets Blue
(3:26)  6. Blue And Sentimental
(6:09)  7. Jumpin' With Symphony Sid
(5:31)  8. When Your Lover Has Gone
(7:00)  9. Pennies From Heaven
(6:03) 10. After You've Gone
(7:20) 11. Candy

Possessor of a cutting and immediately identifiable tough tenor tone, Eddie "Lockjaw" Davis could hold his own in a saxophone battle with anyone. Early on, he picked up experience playing with the bands of Cootie Williams (1942-1944), Lucky Millinder, Andy Kirk (1945-1946), and Louis Armstrong. He began heading his own groups from 1946 and Davis' earliest recordings as a leader tended to be explosive R&B affairs with plenty of screaming from his horn; he matched wits successfully with Fats Navarro on one session. Davis was with Count Basie's Orchestra on several occasional (including 1952-1953, 1957, and 1964-1973) and teamed up with Shirley Scott's trio during 1955-1960. During 1960-1962, he collaborated in some exciting performances and recordings with Johnny Griffin, a fellow tenor who was just as combative as Davis. After temporarily retiring to become a booking agent (1963-1964), Davis rejoined Basie. In his later years, Lockjaw often recorded with Harry "Sweets" Edison and he remained a busy soloist up until his death. Through the decades, he recorded as a leader for many labels, including Savoy, Apollo, Roost, King, Roulette, Prestige/Jazzland/Moodsville, RCA, Storyville, MPS, Black & Blue, Spotlite, SteepleChase, Pablo, Muse, and Enja. ~ Scott Yanow https://www.allmusic.com/artist/eddie-lockjaw-davis-mn0000166025/biography

Personnel:  Eddie "Lockjaw" Davis – tenor saxophone;  Wild Bill Davis – organ;  Billy Butler – guitar;  Oliver Jackson – drums

Jaws Strikes Again

Friday, June 29, 2018

Johnny Hodges & Wild Bill Davis - Wings And Things

Styles: Saxophone Jazz
Year: 1965
File: MP3@320K/s
Time: 35:50
Size: 82,3 MB
Art: Front

(7:16)  1. Wings and Things
(3:16)  2. The Nearness of You
(3:56)  3. Imbo
(3:58)  4. Take The "A" Train
(7:47)  5. Spotted Dog
(2:43)  6. Casanova
(3:24)  7. Dow De Dow Dow Dow
(3:26)  8. Peg O'My Heart

One of the best records to offer the team of alto giant Johnny Hodges and Hammond player Wild Bill Davis not just because there's a great soul food cover on the front, but also because the group features Grant Green on guitar! 

The group plays a number of originals, with a solid soul jazz sound that borders on a Blue Note bag and titles include "Wings & Things", "Dow De Dow Dow Dow", "Casanova", and "Spotted Dog". (MGM pressing. Cover has wear & stains, with a cutout hole.)  © 1996-2018, Dusty Groove, Inc. https://www.dustygroove.com/item/11716/Johnny-Hodges-Wild-Bill-Davis:Wings-Things 

Personnel:  Johnny Hodges - alto saxophone;  Wild Bill Davis - organ;  Lawrence Brown - trombone;  Grant Green - guitar;   Hank Jones - piano;  Richard Davis - double bass;  Ben Dixon - drums

Wings And Things

Thursday, June 21, 2018

Guy Lafitte, Wild Bill Davis, Alvin Queen - Three Men On A Beat

Bitrate: MP3@320K/s
Time: 57:36
Size: 131.9 MB
Styles: Saxophone jazz
Year: 2003
Art: Front

[3:30] 1. Wrap On
[5:09] 2. Three Men On A Beat
[4:57] 3. Johnny Come Lately
[3:52] 4. The Jeep Is Jumpin'
[5:26] 5. I Should Care
[5:14] 6. Comin' On
[4:21] 7. Somebody Loves Me
[4:29] 8. Blue Lou
[5:35] 9. She's Funny That Way
[4:19] 10. Ooh Ah Dee Dee Dee
[5:13] 11. Free, Frantic And Funny
[5:24] 12. Wrap Your Troubles In Dreams

Drums – Alvin Queen; Organ – Wild Bill Davis; Tenor Saxophone – Guy Lafitte. Recorded on January 15th 1983 at Sysmo Studio, Paris.

A fine swing tenorman whose main inspiration was always Coleman Hawkins, Guy Lafitte appeared in many mainstream settings through the years. LaFitte started out paying clarinet including with swing-oriented gypsy bands. After switching to tenor in 1947 and moving to Paris, he worked with Big Bill Broonzy (1950), Mezz Mezzrow (1951), Bill Coleman (off and on starting in 1952), Dicky Wells and Buck Clayton. Through the years, Lafitte has frequently led his own mainstream combos and was also often utilized by veteran American players who were visiting France including Lionel Hampton (1956), Duke Ellington (for the 1961 film Paris Blues), Milt Buckner, Wallace Davenport, Arnett Cobb and Wild Bill Davis. As a leader, Guy Lafitte led many sessions during the 1954-93 period (particularly 1954-64) including for CFD, Duc-Thomson, Pathe, French Columbia, VSM, French RCA, Vega, Black & Blue and CTPL. ~bio by Scott Yanow

Three Men On A Beat mc
Three Men On A Beat zippy

Thursday, June 7, 2018

Wild Bill Davis - All Right, Ok, You Win

Bitrate: MP3@320K/s
Time: 59:11
Size: 135.5 MB
Styles: B3 Organ Jazz-blues
Year: 1976/1998
Art: Front

[4:03] 1. On The Green Dolphin Street
[5:26] 2. When Your Lover Has Gone
[5:41] 3. Whispering
[4:17] 4. All Right, Ok, You Win
[7:15] 5. Exactly Like You
[6:54] 6. Pennies From Heaven
[5:58] 7. After You've Gone
[5:43] 8. Blues For Joe (Take 2)
[4:02] 9. Exactly Like You (Take 1)
[4:57] 10. All Right, Ok, You Win (Take 1)
[4:50] 11. When Your Lover Is Gone (Take 1)

Wild Bill Davis (hammond organ), Billy Butler (guitar), Oliver Jackson (drums), Eddie "Lockjaw" Davis (tenor sax). Recorded in Paris, France, on January 21 & 22, 1976.

Before Jimmy Smith and the seemingly thousands of Hammond B-3 organ players who sprang up in his wake there was Wild Bill Davis, who gently grafted a little touch of blues to swing and gave credence to the idea of the organ trio. This session, recorded in Paris on January 21 and 22, 1976, features Davis with a souped-up ensemble of Billy Butler on guitar, Oliver Jackson on drums, and on four tracks, Eddie "Lockjaw" Davis on tenor sax. It's a pleasant, flowing set highlighted by the title tune, "All Right, OK, You Win," and a sturdy version of "Blues for Joe." ~Steve Leggett

All Right, Ok, You Win mc
All Right, Ok, You Win zippy

Monday, May 28, 2018

Slam Stewart - Fish Scales

Styles: Jazz, Post Bop 
Year: 2005
File: MP3@320K/s
Time: 62:05
Size: 142,9 MB
Art: Front

(3:27)  1. I Want To Be Happy
(5:34)  2. The One I Love Belongs To Somebody Else
(3:34)  3. Fish Scales
(5:12)  4. At Sundown
(5:35)  5. Memories Of You
(3:53)  6. Bye Bye Blackbird
(4:59)  7. Undecided
(4:49)  8. Sleep
(3:01)  9. Runnin' Wild
(4:47) 10. St.James Infirmary
(4:26) 11. I'm Just Wild About Harry
(3:36) 12. Fish Scales (Take 1)
(5:07) 13. Undecided (Take 1)
(3:57) 14. Bye Bye Blackbird (Take 1)

The late bassist Slam Stewart had relatively few opportunities to record as a leader, and most of them took place in the last 15 years of his life. Noted for playing bass while simultaneously scat singing an octave above it, he is, of course, the primary soloist on nearly every track of Fish Scales. This CD compiles portions of three studio dates which originally appeared on two Black & Blue LPs, adding a pair of previously unreleased tracks. Most the music comes from a quartet date with pianist Johnny Guarnieri, guitarist Jimmy Shirley, and drummer Jackie Williams, all of whom acquit themselves during their brief solos. Unfortunately, the tempos for many of the songs are rather turgid compared to other versions recorded elsewhere by Stewart, whether as a leader or sideman. A turbocharged duet with drummer Jo Jones, "Foolin' Around" eventually adds pianist Gene Rodgers to its swinging conclusion, while "Indiana" pales in comparison to Stewart's famous 1945 Town Hall performance with tenor saxophonist Don Byas. A rather subdued but extended "Willow Weep for Me" features Al Casey's bluesy guitar along with Wild Bill Davis (on piano rather than his customary organ) and drummer Joe Marshall; this track feels more like a warm-up to a session or something that would have normally been rejected by most producers. Overall, this is an enjoyable but hardly essential CD for fans of Slam Stewart. ~ Ken Dryden https://www.allmusic.com/album/fish-scales-mw0000267708

Personnel includes: Slam Stewart (bass), Jo Jones (drums) Johnny Guarnieri, Wild Bill Davis, Al Casey.

Fish Scales

Monday, March 12, 2018

Arnett Cobb & Eddie 'LockJaw' Davis - Blow Arnett Cobb

Styles: Saxophone Jazz
Year: 1959
File: MP3@320K/s
Time: 38:34
Size: 89,2 MB
Art: Front

(6:44)  1. When I Grow Too Old To Dream
(5:11)  2. Go Power
(7:02)  3. Dutch Kitchen Bounce
(5:42)  4. Go Red, Go
(8:20)  5. The Eely One
(5:32)  6. The Fluke

Arnett Cobb's debut for Prestige and his first recording as a leader in three years (due to a serious car accident in 1956) is an explosive affair. Cobb is matched up with fellow tough tenor Eddie "Lockjaw" Davis, and there are plenty of sparks set off by their encounter. With organist Wild Bill Davis, bassist George Duvivier, and drummer Arthur Edgehill keeping the proceedings heated, Cobb and Davis tangle on a variety of basic material, alternating uptempo romps such as "Go Power" and "Go Red Go" with slightly more sober pieces highlighted by "When I Grow Too Old to Dream." 

This is a great matchup (reissued on CD through the OJC imprint) that lives up to its potential. ~ Scott Yanow https://www.allmusic.com/album/blow-arnett-blow-mw0000110414

Personnel: Arnett Cobb (tenor saxophone); Eddie "Lockjaw" Davis (tenor saxophone); Strethen Davis, Wild Bill Davis (organ); Arthur Edgehill (drums).

Blow Arnett Cobb

Sunday, February 11, 2018

Wild Bill Davis - Free, Frantic & Funky

Bitrate: MP3@320K/s
Time: 38:14
Size: 87.5 MB
Styles: Soul-jazz, B3 Organ jazz
Year: 1965/2016
Art: Front

[2:35] 1. C Jam Blues
[3:45] 2. C.C. Rider
[2:28] 3. Hit The Road Jack
[4:36] 4. Just Squeeze Me (But Don't Tease Me)
[2:49] 5. I Can't Stop Loving You
[2:32] 6. Sent For You Yesterday (And Here You Come Today)
[2:45] 7. Well, Git It
[3:32] 8. Azure-Te (Paris Blues)
[3:44] 9. Free, Frantic And Funky
[2:11] 10. Don't Cry Baby
[3:16] 11. Tippin' In
[3:55] 12. Make Love To Me

Bass – George Duvivier; Drums – Jimmy Hopps, Osie Johnson; Guitar – Dicky Thompson, Mundell Lowe; Organ – Wild Bill Davis; Tenor Saxophone, Flute – Bob Brown, Jerome Richardson, Seldon Powell. Recorded in 1965 in RCA Victor's Studio B, New York City.

With the dynamic, swirling sounds of his Hammond B-3 organ, Wild Bill Davis provided a bridge from the big band swing of the 1930s and '40s to the organ-driven R&B of the 1950s and early '60s. Together with guitarist Floyd Smith and drummer Chris Columbus, Davis set the framework for the jazz organ combo sound. Initially a guitarist, Davis made his debut with Milt Larkin's band in 1939. The group is remembered for the double-saxophone attack of Eddie "Cleanhead" Vinson and Arnett Cobb. Davis, who was inspired by the guitar playing of Freddie Green, remained with the band until 1942. Moving to the piano, Davis joined Louis Jordan & His Tympany 5 in 1945. By then, he had already attracted attention as a skilled writer and arranger. He later furnished original material and arrangements for both Duke Ellington and Count Basie. He was scheduled to record his arrangement of "April in Paris" with the Count Basie Orchestra in 1955, but was unable to make it to the recording sessions. Recorded without his participation, the tune went on to be a Top 30 pop hit. Intrigued by the organ playing of Fats Waller and Count Basie, Davis began to experiment with the Hammond B-3. He soon developed his unique approach. "I thought of (the organ) as a replacement in clubs for a big band," he said during a late-'80s interview. Although he left Jordan's band after five years to form his own trio, Davis periodically returned to play special engagements. Although eclipsed by succeeding jazz organists, including Jimmy Smith and Bill Doggett in the late '50s, and Booker T. Jones in the '60s, Davis remained active until his death from a heart attack in August 1995. His summer appearances in Atlantic City, New Jersey were an annual treat for almost three decades.

A native of Moorestown, New Jersey, Davis studied music at Tuskegee University and Wiley College in Texas. ~ Craig Harris

Free, Frantic & Funky mc
Free, Frantic & Funky zippy

Saturday, January 28, 2017

Buddy Tate & Wild Bill Davis - Broadway

Styles: Saxophone Jazz
Year: 1972
File: MP3@320K/s
Time: 70:32
Size: 165,8 MB
Art: Front

(3:48)  1. Broadway
(8:20)  2. Blues In My Heart
(2:50)  3. All Of Me
(6:48)  4. Sugar
(4:54)  5. Hello Dolly
(4:28)  6. Memories Of You
(4:34)  7. Peg O' My Heart
(5:12)  8. Jumpin' With Symphony Sid
(6:02)  9. Jenny's Blues
(4:28) 10. Tangerine
(3:12) 11. For All We Know
(5:55) 12. Louise
(5:47) 13. Blue Lou
(4:07) 14. Ooh! Ah! DeeDee

Regardless of the setting, tenor saxophonist Buddy Tate never seemed to fail to deliver swinging performances. The robust reedman is joined by organist Wild Bill Davis, guitarist Floyd Smith, and drummer Chris Columbus (the latter three had worked together on several earlier recordings) for these 1972 sessions recorded in Paris for Black & Blue. Davis, who made numerous records with alto sax great Johnny Hodges, and also worked alongside him in Duke Ellington's band, provides the same strong backing to Tate as his longtime musical partner. Smith, who is best known for his work with Andy Kirk, adds several very bluesy solos. The music runs from old war horses like "Sugar" and the bland "Peg O' My Heart," to timeless jazz compositions ("Blues in My Heart," "Jumpin' With Symphony Sid," and "Blue Lou"), and the modern pop song, "Hello Dolly," which was beginning to wear out its welcome after everyone began recording it following Louis Armstrong's huge success with it. French trumpeter François Biensan is added on five tracks, but never really makes much of an impression. Recommended. ~ Ken Dryden http://www.allmusic.com/album/broadway-mw0000271579

Personnel: Buddy Tate (tenor saxophone), Wild Bill Davis (organ), Francois Biensan (trumpet), Floyd Smith (guitar), Chris Colombo (drums).

Broadway

Saturday, December 31, 2016

Illinois Jacquet - The Man I Love

Bitrate: MP3@320K/s
Time: 58:35
Size: 134.1 MB
Styles: Saxophone jazz
Year: 2007
Art: Front

[8:19] 1. The Man I Love
[6:14] 2. No Sweat
[5:48] 3. Misty
[4:39] 4. Blue Skies
[9:34] 5. Blues For New Orleans
[5:08] 6. Cottontail
[6:06] 7. It Don't Mean A Thing (If It Ain't Got That Swing)
[4:10] 8. Blue And Sentimental
[8:33] 9. Pamela's Blues

In January 1973, while visiting Paris, Illinois Jacquet held a massive recording session with organist Wild Bill Davis and drummer Al Bartee for the Black & Blue label. Enough tracks were recorded for 2 LPs; this CD compiles most of that material, with a few sides left out because of time restrictions.

It was a good date all around. The program is varied, with tunes ranging from up-tempo wailers (IT DON'T MEAN A THING and the title track) to slow, down-home blues (BLUES FOR NEW ORLEANS and PAMALA'S BLUES). Jacquet is an emotional player who can get to the heart of a song quickly and accurately, and Davis handles the organ in a big-tone way. It's a shame that 2 tunes that didn't make the cut here but appeared on the LPs (WHAT AM I HERE FOR and ALL OF ME) didn't fit - they are excellent sides as well. An excellent CD, definitely worth checking out. ~Bomojazz

The Man I Love

Wednesday, October 7, 2015

Wild Bill Davis & His Orchestra - Dance The Madison!

Bitrate: MP3@320K/s
Time: 34:29
Size: 79.0 MB
Styles: Soul-jazz, Organ jazz
Year: 1960/2009
Art: Front

[3:01] 1. The Madison Time (Part 1)
[4:06] 2. In A Mellow Tone
[2:50] 3. Smooth Sailing
[4:18] 4. Flying Home
[4:14] 5. Organ Grinder's Swing
[2:44] 6. The Madison Time (Part 2)
[2:12] 7. Blue Skies
[2:49] 8. Soft Winds
[4:11] 9. It's All Right With Me
[4:01] 10. Intermission Riff

The great Wild Bill Davis was, like Jimmy Smith, who cited him as a primary influence, both an innovator and a popularizer of jazz organ. One of the very first to play the organ as the instrument it is and not like a piano which most practitioners did before him, Davis was the first to establish the classic organ trio format with guitar and drums eventually adding a tenor sax later on occasionally. These classic 1960 recordings feature Bill Jennings (guitar), Grady Tate (drums) and George Clark (tenor sax, flute). All selections newly remastered.

Dance The Madison!

Monday, August 31, 2015

Wild Bill Davis, Eddie Davis - Live In Chateau Neuf-Du-Pape

Bitrate: MP3@320K/s
Time: 67:57
Size: 155.5 MB
Styles: Swing, Saxophone jazz
Year: 2008
Art: Front

[8:38] 1. Impulsions
[6:44] 2. Cubano Chant
[7:15] 3. Avalon
[4:44] 4. Ghost Of A Chance
[3:43] 5. The Shadow Of Your Smile
[6:47] 6. Loose Walk
[4:42] 7. Misty
[7:34] 8. Lester Leaps In
[3:35] 9. The Girl From Ipanema
[9:26] 10. Things Ain't What They Used To Be
[4:43] 11. Oh! Ah! Dee Dee

Wild Bill Davis (org), Eddie Lockjaw Davis (ts), Billy Butler (g), Oliver Jackson (d). Recorded Live January 17, 1976 in Château Neuf du Pape, France. Digitally remastered.

A smoking live set with a very old school sound – and a quartet that features Wild Bill Davis on organ, Eddie Lockjaw Davis on tenor, Billy Butler on guitar, and Oliver Jackson on drums!

Live In Chateau Neuf-Du-Pape

Friday, August 21, 2015

Wild Bill Davis - Dis Heah

Bitrate: MP3@320K/s
Time: 36:56
Size: 84.6 MB
Styles: Organ jazz
Year: 1961/2009
Art: Front

[3:31] 1. Wenkie
[3:58] 2. Cherokee
[2:39] 3. What's New
[5:27] 4. Dis Heah
[2:59] 5. Theme From Mr. Lucky
[3:22] 6. St. Louis Blues
[3:36] 7. Ebb Tide
[3:44] 8. Like Young Lovers Do
[4:08] 9. Jo-Do
[3:27] 10. Angel Eyes

With the dynamic, swirling sounds of his Hammond B-3 organ, Wild Bill Davis provided a bridge from the big band swing of the 1930s and '40s to the organ-driven R&B of the 1950s and early '60s. Together with guitarist Floyd Smith and drummer Chris Columbus, Davis set the framework for the jazz organ combo sound. Initially a guitarist, Davis made his debut with Milt Larkin's band in 1939. The group is remembered for the double-saxophone attack of Eddie "Cleanhead" Vinson and Arnett Cobb. Davis, who was inspired by the guitar playing of Freddie Green, remained with the band until 1942. Moving to the piano, Davis joined Louis Jordan & His Tympany 5 in 1945. By then, he had already attracted attention as a skilled writer and arranger. He later furnished original material and arrangements for both Duke Ellington and Count Basie. He was scheduled to record his arrangement of "April in Paris" with the Count Basie Orchestra in 1955, but was unable to make it to the recording sessions. Recorded without his participation, the tune went on to be a Top 30 pop hit. Intrigued by the organ playing of Fats Waller and Count Basie, Davis began to experiment with the Hammond B-3. He soon developed his unique approach. "I thought of (the organ) as a replacement in clubs for a big band," he said during a late-'80s interview. Although he left Jordan's band after five years to form his own trio, Davis periodically returned to play special engagements. Although eclipsed by succeeding jazz organists, including Jimmy Smith and Bill Doggett in the late '50s, and Booker T. Jones in the '60s, Davis remained active until his death from a heart attack in August 1995. His summer appearances in Atlantic City, New Jersey were an annual treat for almost three decades.

A native of Moorestown, New Jersey, Davis studied music at Tuskegee University and Wiley College in Texas. ~bio by Craig Harris

Dis Heah

Thursday, August 13, 2015

Slam Stewart - Slamboree

Styles: Jazz, Bop
Year: 1997
File: MP3@320K/s
Time: 59:38
Size: 138,1 MB
Art: Front

(2:51)  1. Slamboree
(3:22)  2. On Green Dolphin Street
(3:46)  3. Foolin' Around
(3:38)  4. When Your Lover Has Gone
(3:47)  5. Back Home Again In Indiana
(3:11)  6. All The Things You Are
(3:35)  7. Yes Indeed
(6:49)  8. Willow Weep For Me
(4:42)  9. A Jam With Sam
(3:13) 10. All The Things You Are (take 1)
(3:28) 11. Things Ain't What They Used To Be
(2:47) 12. On Green Dolphin Street (alt take)
(2:24) 13. Yes Indeed (take 1)
(3:12) 14. All The Things You Are (take 2)
(5:01) 15. Willow Weep For Me (take 1)
(3:44) 16. Foolin' Around (rehearsal)

Leroy Eliot "Slam" Stewart (September 21, 1914 – December 10, 1987) was an African American jazz bass player whose trademark style was his ability to bow the bass (arco) and simultaneously hum or sing an octave higher. He was originally a violin player before switching to bass at the age of 20. 

Stewart was born in Englewood, New Jersey on September 21, 1914, and began playing string bass while attending Dwight Morrow High School. While attending the Boston Conservatory, he heard Ray Perry singing along with his violin. This gave him the inspiration to follow suit with his bass. In 1937 Stewart teamed with Slim Gaillard to form the novelty jazz act Slim and Slam. The duo's biggest hit was "Flat Foot Floogie (with a Floy Floy)" in 1938 (see 1938 in music). Stewart found regular session work throughout the 1940s with Lester Young, Fats Waller, Coleman Hawkins, Erroll Garner, Art Tatum, Johnny Guarnieri, Red Norvo, Don Byas, the Benny Goodman Sextet, and Beryl Booker, among others. 

One of the most famous sessions he played on took place in 1945, when Stewart played with Dizzy Gillespie's group (which featured Charlie Parker). Out of those sessions came some of the classics of bebop such as "Groovin' High" and "Dizzy Atmosphere." Throughout the rest of his career, Stewart worked regularly and employed his unique and enjoyable bass-playing style. He taught at Binghamton University in Binghamton, New York, and at Yale University. He died on December 9, 1987 in Binghamton. https://en.wikipedia.org/wiki/Slam_Stewart

Personnel:  Slam Stewart (Bass, Composer, Primary Artist, Vocals );  Al Casey (guitar);  Gene Rodgers (bass),  Wild Bill Davis (piano);  Joseph "Kaiser" Marshall,  Jo Jones (drums).

Slamboree

Monday, August 18, 2014

Wild Bill Davis - Live At Sonny's Place 1985

Bitrate: 320K/s
Time: 65:15
Size: 149.4 MB
Styles: Hammond organ jazz
Year: 2014
Art: Front

[5:52] 1. Satin Doll
[5:24] 2. Honeysuckle Rose
[6:39] 3. Azure Te
[6:06] 4. Stolen Sweets
[7:38] 5. Blues For New Orleans
[7:24] 6. St. Thomas
[7:52] 7. In A Mellotone
[6:18] 8. I Got It Bad And That Ain't Good
[7:03] 9. Jive Samba
[4:13] 10. Johnny Come Lately
[0:41] 11. April In Paris

Wild Bill Davis is the father of the Hammond organ in Jazz Music. As a legendary sideman with the likes of Johnny Hodges, Duke Ellington, Illinois Jacquet, Milt Larkin, Louis Jordan, Lionel Hampton and others, as well as a composer and arranger for Louis Jordan, Count Basie etc, he also lead his own groups and toured regularly. Here we present a rare glimpse of Will Bill Davis’ own group, performing live during the later part of his career. Here we have his regular trio group, with Clyde Lucas on drums and Chuckie Thompson on guitar and vocals, augmented by a then very young, alto sax & clarinetist Joey “G-Clef” Cavaseno. Sonny’s Place was a legendary Jazz club in Seaford, Long Island (New York) which at the time attracted many New York City artists or those who may have been traveling through the area.

Live At Sonny's Place 1985

Friday, January 10, 2014

Wild Bill Davis - The Everest Years

Bitrate: 320K/s
Time: 74:47
Size: 171.2 MB
Styles: Organ jazz
Year: 2005
Art: Front

[2:44] 1. The Madison Time, Pt. 2
[2:11] 2. Blue Skies
[2:49] 3. Soft Winds
[4:39] 4. Organ Grinders Swing
[4:14] 5. Flying Home
[2:37] 6. Independence Hora
[3:10] 7. I Will Follow You
[2:37] 8. That Was Yesterday
[1:57] 9. Milk & Honey
[2:16] 10. Let's Not Waste A Moment
[5:30] 11. Dis Heah
[3:29] 12. Angel Eyes
[2:45] 13. What's New
[3:44] 14. Like Young Lovers Do
[3:32] 15. Wenkie
[3:50] 16. 'round Midnight
[2:51] 17. Blues For Joe
[2:50] 18. Cabato
[2:48] 19. The Nearness Of You
[2:23] 20. I Want A Little Girl
[2:05] 21. Show Me
[3:09] 22. On The Street Where You Live
[2:31] 23. Just You Wait
[1:56] 24. You Did It
[1:57] 25. Rain In Spain

Before Jimmy Smith became the dominant force of the jazz organ, Wild Bill Davis was a major influence. Davis emulated a swinging big band (specifically Count Basie's) in his playing, and his music was accessible, melodic, bluesy, and swinging. He recorded five albums for the Everest label during 1959-1961 and five selections apiece from each of the LPs are included on this single CD. Davis' organ-guitar-drums trio was augmented for these dates by a horn (either tenor saxophonist George Clark, trumpeter Charlie Shavers, or Maurice Simon on tenor) plus, on one set, bassist Milt Hinton. The horn players fare well but Wild Bill Davis is the dominant force throughout and is heard in prime form during the very likable performances, which serve as a strong introduction to his playing. ~ Scott Yanow

Wild Bill Davis (organ); Les Spann (guitar, flute); Bill Jennings, Calvin Newborn (guitar); George Clark (tenor saxophone); Charlie Shavers (trumpet); Milt Hinton, Tommy Bryant (double bass); Grady Tate, Jo Jones (drums).

The Everest Years