Size: 127,7 MB
Time: 55:24
File: MP3 @ 320K/s
Released: 2024
Art: Front
1. Comes Love (4:30)
2. Sweet Pea (3:40)
3. Do You Know What It Means to Miss New Orleans (4:13)
4. The Beat Goes On (6:51)
5. In The House (6:23)
6. Cornet Chop Suey (4:44)
7. Beautiful Boy (Darling Boy) (5:27)
8. Days Like This (3:23)
9. Petit Fleur (4:35)
10. Elbow Bump (7:05)
11. Lullabye (Goodnight My Angel) / A Child is Born (4:29)
Trumpeter and vocalist Bria Skonberg says the great joy of music has always been in sharing it. “I love to perform. I love to prepare songs in ways that surprise and delight listeners.” WHAT IT MEANS is Skonberg’s heartfelt homage to the music and traditions of New Orleans. Most of the musicians on the album are from New Orleans; Ben Jaffe on sousaphone, singer Gabrielle Cavassa, trombonist Ethan Santos, Guitarist Don Vappie, drummer Herlin Riley, bassist Grayson Brockamp, and saxophonist Rex Gregory.
One of the most famous songs about the Crescent City is, ‘Do You Know What It Means To Miss New Orleans.’ By shortening the title to WHAT IT MEANS Skonberg transforms it into a broader statement, encouraging her audience to consider what truly matters to them personally.
Not everything on WHAT IT MEANS is from the world of jazz. John Lennon’s ‘Beautiful Boy’ took on new meaning when Skonberg had her first child. There are tunes by Billy Joel, Sonny Bono, and Van Morrison.
Skonberg’s wah wah mute is used to great effect on the 1939 jazz standard ‘Comes Love.’ Aurora Nealand’s soprano saxophone echoes Sidney Bechet, but it’s smoother, without Bechet’s gritty vibrato. Ben Jaffe’s sousaphone evokes New Orleans parade music. The mood shifts with Chris Pattishall’s piano solo, transporting the music to Cuba. Skonberg is mute-less and playing beautiful unison lines with the band, and engaging in an animated call and response with drummer Herlin Riley.
Skonberg’s playing is marked by crisp articulation and a powerful attack, perfectly capturing the spirit of Louis Armstrong’s 1926 recording ‘Cornet Chop Suey.’ Don Vappie’s banjo helps preserve the authentic feel of Armstrong’s Hot Five.
‘In the House’ was one of the original compositions Skonberg wrote for the album, and it’s a beaut. It sounds more hard bop than traditional New Orleans jazz, but It really shows off her trumpet chops. I like the way she switches from playing with a mute, and then not. Pattishall’s melodic piano and the bass work from Grayson Brockamp make this one of the album’s highlights.
I have never liked Sonny Bono’s ‘The Beat Goes On.’ Skonberg is a much better singer, but I thought this is a song that should be left to the ashes of history until I heard her band resurrect this sixties turkey and give it life. Rex Gregory’s tenor saxophone has a lot of fun with the melody. Skonberg’s trumpet playing is a delight. It’s obvious she’s having fun on this album. Ethan Santos’s trombone playing adds a lot to this tune.
Skonberg wanted to record some pop songs from her past that she loved, and I respect that. I don’t have as warm a spot in my heart for some of those pop hits from the past. There is a lot to enjoy on Bria Skonberg’s WHAT IT MEANS. It is a wonderful tribute to the music and the history of New Orleans.By Tim Larsen https://jazzviews.net/bria-skonberg-what-it-means/
Personnel: Bria Skonberg – Trumpet & Vocal; Don Vappie – Guitar, Banjo (track 6); Chris Pattishall – Piano; Grayson Brockamp – Acoustic Bass; Herlin Riley – Drums, Percussion; Aurora Nealand – Soprano Saxophone (track 1); Rex Gregory – Tenor Saxophone, Bass Clarinet (tracks 4,8-10); Ethan Santos – Trombone (tracks 4, 8-10); Ben Jaffe – Sousaphone (tracks 1, 10); Gabrielle Cavassa – Vocal (track 8)
One of the most famous songs about the Crescent City is, ‘Do You Know What It Means To Miss New Orleans.’ By shortening the title to WHAT IT MEANS Skonberg transforms it into a broader statement, encouraging her audience to consider what truly matters to them personally.
Not everything on WHAT IT MEANS is from the world of jazz. John Lennon’s ‘Beautiful Boy’ took on new meaning when Skonberg had her first child. There are tunes by Billy Joel, Sonny Bono, and Van Morrison.
Skonberg’s wah wah mute is used to great effect on the 1939 jazz standard ‘Comes Love.’ Aurora Nealand’s soprano saxophone echoes Sidney Bechet, but it’s smoother, without Bechet’s gritty vibrato. Ben Jaffe’s sousaphone evokes New Orleans parade music. The mood shifts with Chris Pattishall’s piano solo, transporting the music to Cuba. Skonberg is mute-less and playing beautiful unison lines with the band, and engaging in an animated call and response with drummer Herlin Riley.
Skonberg’s playing is marked by crisp articulation and a powerful attack, perfectly capturing the spirit of Louis Armstrong’s 1926 recording ‘Cornet Chop Suey.’ Don Vappie’s banjo helps preserve the authentic feel of Armstrong’s Hot Five.
‘In the House’ was one of the original compositions Skonberg wrote for the album, and it’s a beaut. It sounds more hard bop than traditional New Orleans jazz, but It really shows off her trumpet chops. I like the way she switches from playing with a mute, and then not. Pattishall’s melodic piano and the bass work from Grayson Brockamp make this one of the album’s highlights.
I have never liked Sonny Bono’s ‘The Beat Goes On.’ Skonberg is a much better singer, but I thought this is a song that should be left to the ashes of history until I heard her band resurrect this sixties turkey and give it life. Rex Gregory’s tenor saxophone has a lot of fun with the melody. Skonberg’s trumpet playing is a delight. It’s obvious she’s having fun on this album. Ethan Santos’s trombone playing adds a lot to this tune.
Skonberg wanted to record some pop songs from her past that she loved, and I respect that. I don’t have as warm a spot in my heart for some of those pop hits from the past. There is a lot to enjoy on Bria Skonberg’s WHAT IT MEANS. It is a wonderful tribute to the music and the history of New Orleans.By Tim Larsen https://jazzviews.net/bria-skonberg-what-it-means/
Personnel: Bria Skonberg – Trumpet & Vocal; Don Vappie – Guitar, Banjo (track 6); Chris Pattishall – Piano; Grayson Brockamp – Acoustic Bass; Herlin Riley – Drums, Percussion; Aurora Nealand – Soprano Saxophone (track 1); Rex Gregory – Tenor Saxophone, Bass Clarinet (tracks 4,8-10); Ethan Santos – Trombone (tracks 4, 8-10); Ben Jaffe – Sousaphone (tracks 1, 10); Gabrielle Cavassa – Vocal (track 8)
What It Means
