Showing posts with label Milton Nascimento. Show all posts
Showing posts with label Milton Nascimento. Show all posts

Wednesday, August 14, 2024

Esperanza Spalding & Milton Nascimento - Milton + esperanza

Styles: Brazilian Jazz
Size: 145,2 MB
Time: 60:59
File: MP3 @ 320K/s
Released: 2024
Art: Front

1. The Music Was There (0:58)
2. Cais (3:41)
3. Late September (1:26)
4. Outubro (5:17)
5. A Day in the Life (4:36)
6. Interlude for Saci (1:41)
7. Saci (3:29)
8. Wings for the Thought Bird (3:07)
9. The Way You Are (0:43)
10. Earth Song (6:42)
11. Morro Velho (5:15)
12. Saudade Dos Aviões Da Panair (Conversando No Bar) (5:24)
13. Um Vento Passou (para Paul Simon) (4:37)
14. Get It By Now (2:24)
15. Outro Planeta (2:06)
16. When You Dream (9:26)

Sometimes the semiology around an album can tell you more about it than any amount of words attempting to describe the music itself. And the semiology around Milton + esperanza is eloquent. It begins with the overlap with another summer 2024 release, Wayne Shorter's magical double-album Celebration Volume 1 (Blue Note), a previously unreleased recording of Shorter's Quartet in concert in 2014, with liner notes written by Shorter's wife Carolina.

Now consider the overlap. Wayne Shorter recorded with Milton Nascimento on the 1975 album Native Dancer (CBS), and the relationship continued until Shorter passed in 2023. Towards the end of his life, Shorter was a mentor and champion of Esperanza Spalding. Shorter's "When You Dream" (from his 1985 CBS album Atlantis) closes Milton + esperanza. Carolina Shorter is a guest vocalist on the track, singing alongside Nascimento and Spalding. She is heard on another track, too, "Wings For The Thought Bird," chanting a Nichiren Buddhist mantra. Nascimento and Spalding were introduced to each other by the Shorters' friend Herbie Hancock, and they first collaborated on Spalding's Chamber Music Society (Heads Up, 2010).

Enough semiology. The smoke signals should be in clear sight. They promise beauty and depth, and both are delivered in generous quantities. Check the YouTube below.

The music on Shorter's Celebration Volume 1 is superficially different from that on Milton + esperanza. But there are profound similarities. (Shorter's album is scheduled for release on August 23, 2024, a month ahead at the time of writing this review.) Listening to Celebration Volume 1, one feels like one is cruising through space on Starship Shorter, watching an unfolding panorama of quasars, suns, star systems and new life forms pass by. Another metaphor might be one of those deep-sea explorations where strange but beautiful sea creatures drift in and out of the submersible's spotlight. It is a trip alright.

So is Milton + esperanza, but the voyage is closer to home. A recurring theme in the song lyrics seems most of the lyrics are in Portuguese and no English translations are provided, so it is hard to be certain to concern the health of planet Earth and how it can be secured. The music is in the same elevated ballpark as the Shorter album, although Spalding and Nascimento have more instrumental resources at hand than did the Quartet, including a full-sized string orchestra and plenty of guest artists. The latter include Shabaka Hutchings on tenor saxophone and flute on three tracks, the great Guinga on guitar and vocals on two tracks, and Lianne La Havas, Paul Simon and Dianne Reeves helping out on vocals on one track each.

The sixteen tracks include new arrangements of five Nascimento classics, newly written originals by Spalding and an out-of-its-tree reading of The Beatles' "A Day In The Life" (though, it should be said, no further out than the Fab Four managed in 1967 with two four-track tape machines and the zeitgeist). The core band is Spalding's touring group: Matthew Stevens (guitar), Justin Tyson and Eric Doob (drums), Leo Genovese (piano) and Corey D. King (vocals, synth). Most of the album was recorded in Rio de Janeiro in 2023, with Spalding producing, and arranging all but the string orchestra.An utterly enchanting album which at times possesses something approaching a sacred vibe.By Chris May https://www.allaboutjazz.com/milton-esperanza-milton-nascimento-esperanza-spalding-concord-music-group

Milton + esperanza

Sunday, June 30, 2024

Milton Nascimento & Jobim Trio - Novas Bossas

Bitrate: MP3@320K/s
Time: 54:23
Size: 124.5 MB
Styles: Bossa Nova, Latin jazz
Year: 2008
Art: Front

[3:44] 1. Tudo Que Você Podia Ser
[4:09] 2. Dias Azuis
[3:27] 3. Cais
[3:50] 4. O Vento
[4:38] 5. Tarde
[2:03] 6. Brigas Nunca Mais
[4:54] 7. Caminhos Cruzados
[3:32] 8. Inutil Paisagem
[3:29] 9. Chega De Saudade
[3:50] 10. Medo De Amar
[2:40] 11. Velho Riacho
[6:05] 12. Esperanca Perdida
[3:59] 13. Trem De Ferro
[3:58] 14. Samba Do Aviao

Milton Nascimento: vocals; Daniel Jobim: piano; Paulo Braga: drums; Paulo Jobim: guitar; Rodrigo Villa: bass.

Tom Jobim was the originator of the new Bossa Nova beat in Brazil in the late 50's and it was Joao Gilberto that first mastered the guitar technique to introduce it to the world in 58. They both said that Milton Nascimento was the only singer that could reach the original pitch of the compositions and so it is entirely fitting that he has teamed up here with Tom's son Paulo and grandson Daniel for a recording session to celebrate both Tom Jobim and the anniversary of his invention of the Bossa Nova. Mixing songs by Tom Jobim, Milton Nascimento and Daniel Jobim, this is a true master class in the art of the Bossa and a new milestone in Brazilian music. An important, as well as a sublime release.

Novas Bossas

Wednesday, March 6, 2019

Walter Wanderley - When It Was Done

Styles: Latin Jazz
Year: 1968
File: MP3@320K/s
Time: 30:46
Size: 70,7 MB
Art: Front

(2:39)  1. Open Your Arms (Let Me Walk Right In)
(2:35)  2. Surfboard
(3:35)  3. Baiao da Garoa
(2:37)  4. Reach Out for Me
(2:28)  5. Ole, Ole, Ola
(2:25)  6. Ponteio
(2:24)  7. When It Was Done
(2:46)  8. On My Mind
(2:20)  9. Just My Love and I
(4:20) 10. Capoeira
(2:34) 11. Truth in Peace (Verdade em Paz)

Walter Wanderley moved over to A&M from Verve with producer Creed Taylor, whose influence dominates this heavily produced yet attractive album of mostly Brazilian material. The Wanderley sound is more carefully terraced than ever on this strikingly packaged album, edited and faded for easy airplay. Especially nice is Jobim's "Surfboard," a sleek miniature tone poem. Besides his usual subdued organ work, Wanderley spends almost as much time on the electric harpsichord, upon which he uses a more legato attack than on the organ, a curious reversal of each instrument's properties. He is not helped by the cottonball-textured vocals from a superfluous female trio, who figure most prominently on the two American tunes, Burt Bacharach's "Reach Out For Me" and Jimmy Webb's title track. A few of the usual CTI suspects turn up Hubert Laws on flute, Marvin Stamm on flugelhorn; Don Sebesky provides the overlush string backdrops, with other points in the arrangements entrusted to Eumir Deodato. A young Milton Nascimento makes a cameo appearance on "Open Your Arms," scatting a countermelody that he invented on the spot after awakening from a nap (no, it was jet lag, not a commentary on the session!). ~ Richard S.Ginell https://www.allmusic.com/album/when-it-was-done-mw0001041579

Personnel:  Walter Wanderley - organ, electronic harpsichord; Marvin Stamm, John Glasel - flugelhorn; George Marge, Stan Webb - flute, piccolo; Donald Ashworth, Hubert Laws - flute, piccolo, oboe, English horn; José Marino - bass; João Palma - drums; Lu Lu Ferreira - percussion; Lewis Eley, Harry Glickman, Gene Orloff, Raoul Poliakin, Max Pollikoff, Matthew Raimondi, Tosha Samaroff, Sylvan Shulman, Avram Weiss - violin; Harold Coletta, Harold Furmansky - viola; Charles McCracken, George Ricci - cello; Gloria Agostini - harp; Anamaria Valle, Marilyn Jackson, Linda November, Milton Nascimento - vocals; Eumir Deodato - rhythm arrangements; Don Sebesky - string arrangements

When It Was Done

Monday, December 11, 2017

Milton Nascimento - Courage

Styles: Vocal, Brazilian Bossa Nova 
Year: 1969
File: MP3@320K/s
Time: 34:27
Size: 81,1 MB
Art: Front

(3:52)  1. Bridges (Travessia)
(3:13)  2. Vera Cruz
(2:45)  3. Tres Pontas
(4:12)  4. Outubro (October)
(3:27)  5. Courage
(3:23)  6. Rio Vermelho
(3:26)  7. Gira Girou (Round 'N' Round)
(4:28)  8. Moro Velho
(2:31)  9. Catavento
(3:07) 10. Canção Do Sol (Saltworkers Song)

Milton Nascimento's first album for North American ears, recorded at Van Gelder Studios in New Jersey under the watchful eye and discerning ear of Creed Taylor, is a masterpiece, a gorgeously executed tour through his early songs. Backed beautifully by Eumir Deodato's lush orchestrations and a clutch of sidemen from the Taylor stable (including Herbie Hancock, Airto Moreira, and Hubert Laws), Nascimento unveils one first-class tune after another, many of which would ignite a rush of cover versions. Among the songs North Americans heard for the first time were "Vera Cruz," "Tres Pontas," "Morro Velho," the scatted "Catavento," and the intensely moving "Bridges" ("Travessia")" the latter which launched Nascimento's name on the world music scene. Singing in English, Portuguese, and often with no words at all, Nascimento's odd yet masculine and expressive baritone stands out like a moaning foghorn from the smooth A&M/Taylor sonic formula, a haunting combination. This was Nascimento before tropicalismo, when he latched onto the tail end of the bossa nova movement and quickly became one of its most inspired performers and songwriters. To some admirers, Courage remains his best record, period. ~ Richard S.Ginell https://www.allmusic.com/album/courage-mw0000199723   

Personnel:  Milton Nascimento - vocals;  Wayne Andre, Paul Faulise, John Messner, Tony Studd, Bill Watrous, Chauncey Welsch - trombone;  Burt Collins, Marvin Stamm - flugelhorn;  Ray Alonge, Joe DeAngelis, Paul Ingraham - French horn;  George Marge - clarinet;  Danny Bank, Harvey Estrin, Hubert Laws, Romeo Penque, Jerome Richardson, Bill Slapin, Joe Soldo - flute;  Herbie Hancock - piano;  Eumir Deodato - organ, arranger, conductor;  Jose Marino - bass;  João Palma - drums;  Airto Moreira - percussion;  David Nadien, Anahid Ajemian, Frederick Buldrini, Alexander Cores, Harry Cykman, Lewis Eley, Harry Glickman, Emanuel Green, Raoul Poliakin, Max Pollikoff, Matthew Raimondi, Joyce Robbins, Tosha Samaroff, Avram Weiss, Jack Zatde, Joseph Zwilich - violin;  Alfred Brown, Harold Coletta, Theodore Israel, David Mankovitz, Emanuel Vardi - viola;  Charles McCracken, George Ricci, Lucien Schmit, Alan Shulman - cello;  Anamaria Valle - vocal

Courage

Sunday, December 10, 2017

Milton Nascimento - Encontros e Despedidas

Styles: Vocal, Brazilian Bossa Nova
Year: 1985
File: MP3@320K/s
Time: 40:38
Size: 93,7 MB
Art: Front

(4:10)  1. Portal da cor
(3:22)  2. Caso de amor
(2:36)  3. Noites do sertão
(3:26)  4. Mar do nosso amor
(3:43)  5. Lágrimas do sul (Para Winnie Mandela)
(2:53)  6. Raça
(3:36)  7. Encontros e despedidas
(3:56)  8. Quem perguntou por mim
(5:02)  9. A primeira estrela
(4:46) 10. Vidro e corte
(3:03) 11. Rádio experiência

Encontros e Despedidas is an album by singer / songwriter Milton Nascimento , released in 1985 by the label Barclay . The album followed the sequence of hits that it had in records like Sentinela (1980), Hunter of Me (1981), Anima (1982) and Ao Vivo (1983) having tracks like "Portal of Color", "Radio Experience", "Nights (composed in partnership with Tavinho Moura), "Raça" that was originally released on the album Milton (1976), the album also has the tracks "Glass and Cut" which features the presence of guitarist Pat Metheny and also the song "Encontros e Despedidas", one of the singer's greatest hits, with the presence of flutist Hubert Laws . The track "Pra Eu Parar de Me Doer" is only available in CD format, originally in the European edition by the Polydor label and was not in the first Brazilian edition on CD by Philips , this would only reappear in the series of reissues made for the box of the singer in 1997. Translate by google https://pt.wikipedia.org/wiki/Encontros_e_Despedidas?

Encontros e Despedidas