Wednesday, November 4, 2015

Mirjam Van Dam - Dead Singers Society

Size: 122,4 MB
Time: 51:59
File: MP3 @ 320K/s
Released: 2013
Styles: Jazz Vocals
Art: Front

01. Ain't Nobody's Business (2:55)
02. Lady Sings The Blues (2:48)
03. I Just Wanna Make Love To You (4:06)
04. At Last (4:46)
05. I Wanna Dance With Somebody (2:20)
06. The Greatest Love Of All (3:04)
07. God Bless The Child (5:42)
08. Rehab (3:18)
09. Help Yourself/Saving All My Love (5:06)
10. Poor Little Rich Girl (3:44)
11. Mercedes Benz (2:28)
12. Cry Baby (3:33)
13. Piece Of My Heart (2:48)
14. Me Myself And I (2:01)
15. Over The Rainbow (3:12)

Personnel:
Mirjam van Dam (vocals, percussion)
Ed Boekee (piano)

Whitney Houston, Amy Winehouse, Billie Holiday, Etta James, Janis Joplin, Judy Garland ...
All famous singers!
Dead singers.
All succumbed to their own fame and drugs.
Kudos must be a not to wear fate.
Fame and drugs seem to be a couple.
It is only a countdown to the next big star makes an end to (or not accidentally). Then she will also accede to the Dead Singers Club.

Dead Singers Society

Dale Head - Swing Straight Up

Size: 124,1 MB
Time: 53:24
File: MP3 @ 320K/s
Released: 2015
Styles: Jazz Vocals, Swing, Big Band, Broadway
Art: Front

01. It's All Right With Me (2:56)
02. Love Is The Name Of The Game (3:49)
03. Teach Me Tonight (4:01)
04. The Way You Look Tonight (4:00)
05. So Close To Getting Close To You (3:41)
06. My Favorite Things (4:02)
07. Come Rain Or Come Shine (4:54)
08. Blue Rondo A La Turk (4:36)
09. No Easy Way To Say Goodbye (5:01)
10. Georgia (4:38)
11. Night And Day (3:55)
12. Don't Get Me Started (7:47)

Dale Head is a high-energy singer who doubles on trumpet and makes up in drive and enthusiasm for what he may lack in singularity and polish. Swing Straight Up, on which Head is backed by Rory Snyder's admirable Night Jazz Band, underlines the singer's strengths (strong voice, an abundance of self-confidence) while serving as a reminder that Head is several furlongs short of his leading role model, the incomparable Frank Sinatra.

There's no doubt that Head's heart is in the right place (a blurb inside the album's jacket declares "Support Music in Public Schools!") but the voice doesn't always keep pace with the credo. His phrasing sometimes misses the mark, and whereas Sinatra, for one, was always solidly in control of his pipes, there are times when Head seems to be shouting to make a point. Perhaps that's simply his style, but the lack of restraint does him no favors. A firmer hand on the throttle would be helpful. On a more positive note, it's clear that Head loves what he's doing, and the warmth is contagious.

The songs, with a handful of exceptions, are from the Great American Songbook including a pair of classics by Cole Porter ("It's All Right with Me," "Night and Day"), and it is here that the contrast with Sinatra is most apparent, as Ol' Blue Eyes defined both of them and Head is unable to re-create the magic on either (thus entering the ranks of many other successors who have tried and failed). Another of the standards, Rodgers and Hammerstein's "My Favorite Things," has been given a brand new lyric (and manic tempo), while words have also been added to Dave Brubeck's "Blue Rondo a la Turk." Completing the program are three engaging originals by Joel Evans, "Love Is the Name of the Game," "So Close to Getting Close to You" and "No Easy Way to Say Goodbye." The closing number, "Don't Get Me Started," is performed by the ensemble, with crisp solos by trombonist Sandy Hughes, tenor Stephen Herrick and trumpeter Walt Beveridge. ~Jack Bowers

Personnel: Dale Head: vocals, trumpet, flugelhorn. Rory Snyder’s Night Jazz Band – Rory Snyder: director, alto sax solo (1); Dan Fava: trumpet; Jeff Lynn: trumpet; Walt Beveridge: trumpet; John Christensen: trumpet; Antony Pickard: alto sax; Ian Williams: alto sax; Stephen Herrick: tenor sax; Ryan Tomko: tenor sax; Brenda Thompson: baritone sax; Sandy Hughes: trombone; Ron Wetzel: trombone; Will Betts: trombone; Kevin Grant: bass trombone; James Wrubel: piano; Greg Reginato: guitar; Karl Hartmann: bass; Paul Yonemura: drums.

Swing Straight Up

Organic Picnic - Creatures

Size: 124,5 MB
Time: 53:44
File: MP3 @ 320K/s
Released: 2015
Styles: Jazz
Art: Front

01. Host I Dalarna (6:11)
02. Make Up Your Mind (4:50)
03. Love Lizards In The Sand (5:38)
04. Tain What You Do (4:29)
05. Walz For Slesvigvej (4:57)
06. Chevak No. 5 (5:39)
07. Hardly (5:06)
08. Daphneville (2:59)
09. Peking Duck Blues (4:20)
10. Hemlandsvisa (4:23)
11. New Devil Moon (5:06)

Personnel:
Jens Christian Kwella (guitar)
Søren Bech (B3-org)
John Nehen-Hansen (drums)

CREATURES is the newest album from Organic Picnic, a well renowned Danish jazz organ trio.

Creatures

Magos & Limon - He For She

Size: 139,6 MB
Time: 59:50
File: MP3 @ 320K/s
Released: 2015
Styles: Jazz/World Vocals
Art: Front

01. Reencuentro (Live) (4:07)
02. La Martiniana (Live) (5:40)
03. Essa Mulher (Live) (4:44)
04. Deja La Vida Volar (Live) (4:50)
05. Soy Pan, Soy Paz, Soy Mas (Live) (4:39)
06. Rabo De Nube (Live) (3:57)
07. Brigas Nunca Mais (Live) (4:16)
08. Vengo A Ofrecer Mi Corazon (Live) (4:06)
09. Al Lado Del Camino (Live) (5:58)
10. Quizas, Quizas, Quizas (Live) (3:33)
11. De Que Callada Manera (Live) (3:14)
12. Calabrian Nights (Live) (5:35)
13. Among The Waters (Live) (5:05)

Personnel:
Magos Herrera: vocals
Javier Limón: guitar
Eugenia León:vocals
Fito Paez: vocals
Chabuco: vocals
Sachal Vasandani:vocals
Gregoire Maret-harmonica
Oran Etkin: clarinet & sax
Rogerio Boccato:Percussions

With a soulfull repertoir of latinamerican classics and originals, Magos & Limón join forces to record a second album together inviting international top artists like Fito Paez, Eugenia León, Gregoire Maret, Chabuco, Oran Etkins, Sachal Vasandani and Rogerio Boccato, to support the “He for She” UN campaign, a musical conversation around gender equality.

The acoustic duo of Mexican jazz vocalist Magos Herrera and Spanish Flamenco guitarist Javier Limón made their debut in 2014 with the album Dawn, a richly nuanced collection of American and Latin jazz standards. Prior to their collaboration, Herrera was based out of Mexico City where she was widely known as one of the country's premier jazz vocalists. After relocating to New York, she met up with the Madrid-based Limón, a multiple Grammy-winning guitarist, producer, and composer who has worked with artists like Caetano Veloso, Wynton Marsalis, and Paco de Lucia. ~Timothy Monger

He For She   

Della Reese - Be My Love

Size: 111,1 MB
Time: 47:22
File: MP3 @ 320K/s
Released: 2015
Styles: Jazz Vocals, R&B
Art: Front

01. Be My Love (2:10)
02. I'm Always Chasing Rainbows (3:03)
03. Bill Bailey, Won't You Please Come Home (2:23)
04. Put On A Happy Face/I Want To Be Happy (2:09)
05. But Not For Me (2:23)
06. I Could Have Danced All Night (1:41)
07. Swing Low, Sweet Chariot (3:18)
08. The Best Thing For You (1:56)
09. Don't You Know (2:07)
10. Keep Smiling At Trouble (2:35)
11. What Is There To Say (2:24)
12. You Came A Long Way From St. Louis (2:07)
13. If Ever I Should Leave You (2:40)
14. Nobody's Sweetheart (2:25)
15. The Lamp Is Low/After The Lights Go Down Low/Fly Me To The Moon (4:57)
16. See What The Boys In The Back Room Will Have (1:52)
17. Anything Goes (1:59)
18. My Man (2:47)
19. Don't Cry Joe (2:18)

Renowned as both a television star and a top-flight interpreter of jazz, blues, R&B, gospel, and straight-ahead pop music, Della Reese's many talents have ensured a long, varied, and legendary show biz career. In addition to being nominated for both an Emmy and a Grammy and receiving a star on the Hollywood Walk of Fame, Reese is also an ordained minister in the Universal Foundation for Better Living, an association of churches she helped found in the early '80s.

Born Deloreese Patricia Early on July 6, 1931, the young Reese began singing in the Baptist church choir in her hometown of Detroit at age six. In 1945, having developed quite rapidly, she caught the ear of legendary gospel queen Mahalia Jackson, who invited Reese to join her touring choir; Reese did so for the next five summers. Upon entering Wayne State University to study psychology, Reese formed a women's gospel group, the Meditation Singers, but her college career was cut short by the death of her mother and her father's serious illness. Reese worked odd jobs to help support the rest of her family; she also continued to perform with the Meditation Singers and various other gospel groups. Encouraged by her pastor, Reese began singing in night clubs in hopes of getting a singing career off the ground; recently married to a factory worker named Vermont Adolphus Bon Taliaferro, her name was too long to fit on marquees, and she eventually arrived at her performing alias by splitting up her first name. After impressing a New York agent, who promptly signed her, Reese moved to New York and joined the Erskine Hawkins Orchestra in 1953. A year later, she had a recording contract with Jubilee, for whom she scored hits like "And That Reminds Me," a 1957 million-seller.

Switching to RCA Victor, Reese landed her biggest hit in 1959 with "Don't You Know?," a song adapted from Puccini's La Bohème; this cemented her career, leading not only to plentiful appearances on variety shows, but successful nightclub tours of the country and eventually nine years of performances in Las Vegas, as well as recording contracts with a variety of labels over the next few decades.

Building on her previous variety show experience, Reese made a small bit of television history in 1969 when she became the first woman to guest-host The Tonight Show with Johnny Carson. Later that year, she became the first black woman to host her own variety show, the syndicated Della, which ran until 1970. Following its cancellation, Reese returned to her night club tours, often putting in guest appearances on television shows like The Mod Squad, Sanford and Son, and Chico and the Man; after three prior failed marriages, Reese also found a lasting relationship with producer Franklin Lett, whom she married in 1978.

On October 3, 1980, while taping a song for The Tonight Show, Reese suffered a brain aneurysm which nearly proved fatal; however, thanks to a successful operation, she was able to make a full recovery. She kept up her singing career and appeared on television shows like Designing Women, L.A. Law, and Picket Fences, as well as the Eddie Murphy films Harlem Nights and The Distinguished Gentleman. Most recently, Reese starred in the Redd Foxx sitcom The Royal Family from 1991-1992, and in the inspirational drama series Touched by an Angel. ~by Steve Huey

Be My Love

Tomas Bostrom - Mitt Gomda Jag

Size: 115,3 MB
Time: 49:26
File: MP3 @ 320K/s
Released: 2009
Styles: Folk/Pop
Art: Front

01. I Mitt Gomda Jag (In My Secret Life) (5:25)
02. Alla Manskor Vet (Everybody Knows) (4:22)
03. Dar Ljuset Sipprar In (Anthem) (4:21)
04. Susanna (Suzanne) (4:47)
05. Bernadettes Sang (Song Of Bernadette) (2:57)
06. Komma Hem Igen (Coming Back To You) (2:59)
07. Med Stort Hjarta (Sisters Of Mercy) (4:02)
08. Vem Av Eldar (Who By Fire) (3:32)
09. Mot Karleken Finns Inte Nagon Bot (Ain't No Cure For Love) (5:09)
10. Halleluja (Hallelujah) (4:55)
11. Fagel I Bur (Bird On A Wire) (3:16)
12. Har (Here It Is) (3:36)

Musicians: Tomas Boström, Johan Linström, Bebe Risenfors, Micke Lyander

Guest singers: Anna Stadling, Tomas Andersson Wij, Toni Holgersson, Stephan Forkelid

All songs from Leonard Cohen.

Tomas Bostrom, registered Karl Thomas Gunnar Boström, born 28 January 1953 in Halling's southern parish registration district, Kalmar County, is a Swedish song writer, musician and priest in Care clock church, Visby.

Mitt Gomda Jag

Jesse Van Ruller - Circles

Styles: Guitar Jazz
Year: 2003
File: MP3@320K/s
Time: 58:19
Size: 134,6 MB
Art: Front

(6:20)  1. One
(8:52)  2. Circles
(6:43)  3. Here Comes the Sun
(7:05)  4. Black Dahlia
(6:25)  5. 33 Waltz
(7:18)  6. Zoab
(7:07)  7. Gone With The Wind
(8:25)  8. Secret Champ

Award-winning Dutch guitarist Jesse Van Ruller changes gears on his second Criss Cross outing, fronting a stellar quartet with Seamus Blake on tenor sax, Sam Yahel on organ, and Bill Stewart on drums. His previous album focused mainly on standards and classic jazz vehicles. In contrast, "Circles" showcases the leader's compositional talents first and foremost. In addition to six varied Van Ruller originals and one by tenorman Seamus Blake, the group offers a ballad reading of "Gone with the Wind" and a brisk, odd-metered rendition of the Irving Berlin classic "Cheek to Cheek." With his crisp tone, fluid phrasing, and vibrant imagination, Van Ruller continues to stake his claim as one of the globe's most promising straightahead jazz stylists. ~ Editorial Reviews  http://www.amazon.com/Circles-Jesse-Van-Ruller/dp/B00008V5UY

Personnel: Jesse Van Ruller (guitar); Seamus Blake (tenor saxophone); Sam Yahel (organ); Bill Stewart (drums).

Circles

Ilona Knopfler - Some Kind Of Wonderful

Styles: Vocal Jazz
Year: 2003
File: MP3@320K/s
Time: 57:35
Size: 142,6 MB
Art: Front

(4:45)  1. Some Kind Of Wonderful
(3:18)  2. It's The Time Of The Season
(6:38)  3. Breaking Up Is Hard To Do
(3:57)  4. One
(3:11)  5. Something
(4:44)  6. Moondance
(6:41)  7. Alfie
(4:47)  8. Unchain My Heart
(3:56)  9. Don't Let Me Be Misunderstood
(3:15) 10. He's Not There
(4:20) 11. River Man
(3:21) 12. Never My Love
(4:36) 13. Can't You See

The global influence of classic American pop songs is very apparent on Some Kind of Wonderful, Ilona Knopfler's impressive and multifaceted debut, which finds the Parisian-born singer (who spent some of her formative years in Hong Kong) tackling '60s and '70s favorites in a variety of styles. She shows her aggressive, bluesy Bonnie Raitt-flavored wares on the brass-funk driven twist through Grand Funk's "Some Kind of Wonderful" (featuring a feisty electric guitar solo by Pat Kelley), then goes jazz-trio cool on the Zombies' "It's the Time of the Season," revealing a different dimension of the tune (with the help of Eugene Maslov's piano). This kind of balance between pop/rock and different jazz forms carries throughout, and it's clear that Knopfler is most comfortable on the mid-tempo ballads, delivered with panache with jazz inflections. Although the grooves are organic and provide the most fun, Knopfler's deeper vocal artistry comes alive on gentle acoustic interpretations of "Alfie" and "Breaking Up Is Hard to Do." ~ Jonathan Widran  http://www.allmusic.com/album/some-kind-of-wonderful-mw0000037626

Personnel: Ilona Knopfler (vocals); Bill Armstrong (trumpet); Eugene Maslov (piano); Pat Kelley (guitar); Dave Carpenter (bass); Skeeto Valdez (drums); Lenny Castro (percussion).

Some Kind Of Wonderful

New York Jazz Quartet - Blues For Sarka

Styles: Post-Bop, Hard Bop
Year: 1978
File: MP3@320K/s
Time: 45:13
Size: 103,8 MB
Art: Front

(15:29)  1. All Blues
( 5:44)  2. Rodney Round Robin
( 7:14)  3. I'll Tell You Tonite
( 7:11)  4. Blues For Sarka
( 9:33)  5. Smelly Jelly Belly

The New York Jazz Quartet, an excellent though overlooked band which was active in the 1970s and 1980s, is heard live at Jazzclub Domicile in Munich on this Inner City album. Pianist Roland Hanna, the founder of the group, is accompanied by tenor saxophonist Frank Wess, bassist George Mraz, and drummer Grady Tate, who had just replaced Richard Pratt. Aside from an extended workout of Miles Davis' "All Blues," which centers on Wess' soulful tenor sax, the remainder of this performance consists of originals each by Hanna or Mraz. The pianist's exciting "Rodney Round Robin," which he had debuted only two years earlier while recording a studio date under Red Rodney's leadership, contrasts strikingly with his dark, funky "Smelly Jelly Belly." The bassist's contributions are also laudable. The feverish "I'll Tell You Tonight" is like a roller coaster with plenty of hairpin turns, while his "Blues for Sarka" isn't actually a blues at all but a heartfelt ballad. Issued by both Inner City and Enja, this now out of print disc is easily one of the best releases by The New York Jazz Quartet. ~ Ken Dryden  http://www.allmusic.com/album/blues-for-sarka-mw0000600525

New York Jazz Quartet: Frank Wess (tenor saxophone, flute); Roland Hanna (piano); George Mraz (bass); Grady Tate (drums).

Blues For Sarka

Frank D'Rone - Double Exposure

Styles: Jazz, Vocal
Year: 2013
File: MP3@320K/s
Time: 47:39
Size: 109,3 MB
Art: Front

(4:11)  1. When the Sun Comes Out
(4:40)  2. Make Someone Happy
(4:17)  3. Pure Imagination
(4:04)  4. Just Imagine
(4:08)  5. Pick Yourself Up
(4:19)  6. The Very Thought of You
(4:12)  7. The One I Love
(3:51)  8. Dancing on the Ceiling
(4:55)  9. Speak Low
(3:59) 10. Oh, You Crazy Moon
(4:58) 11. Lover Come Back to Me

Chicago singer Frank D'Rone recorded four LPs for Mercury during the late '50s and early '60s, one of them (After the Ball) with name arranger Billy May. A swinging vocalist having much in common with Bobby Darin, D'Rone was originally a band guitarist before making his debut on Mercury in 1957 with a trio of short sessions. His first LP, Frank D'Rone Sings, was followed in 1959 by Blue Velvet. D'Rone made a trip to Los Angeles in order to record with Billy May for 1960's After the Ball, but his time with Mercury ended in 1962 after In Person. D'Rone has continued to perform and record into the 21st century, with his latest CD, Double Exposure, slated for release in January 2012. The album includes big-band arrangements featuring Phil Kelly & the Northwest Prevailing Winds. https://itunes.apple.com/br/artist/frank-drone/id2557816#fullText

Double Exposure

Dave Shepherd - Good Enough To Keep

Styles: Clarinet Jazz
Year: 1986
File: MP3@320K/s
Time: 70:58
Size: 162,9 MB
Art: Front

(4:12)  1. Poor Butterdly
(2:40)  2. Breakdast Feud
(3:45)  3. More Than You Know
(4:09)  4. Limehouse Blues
(3:53)  5. Tiger Rag
(3:26)  6. Sheik Of Araby
(4:51)  7. Body And Soul
(2:37)  8. Wholly Cats
(3:42)  9. Exactly Like You
(4:08) 10. Good Enough to Keep
(2:50) 11. At the Jazz Band Ball
(4:15) 12. Do You Know What It Means To..
(4:05) 13. That’s A-Plenty
(4:27) 14. Lonesome Road
(2:17) 15. Shepherd’s Market
(3:42) 16. Tin Rood Blues
(3:56) 17. Blues For A Black Girl
(3:00) 18. Original Dixieland One Step
(4:53) 19. Basin Street Blues

David Joseph "Dave" Shepherd (born 7 February 1929) is an English jazz clarinetist born in London. Shepherd began on piano before switching to clarinet at age 16. He studied under a clarinetist from the Hamburg State Opera Orchestra while stationed in Hamburg after World War II. Upon his return to England he played with Reg Rigden (1950), Joe Daniels (1951–53), and Freddy Randall (1954–55). He played with Billie Holiday and Gerry Mulligan on their tours of Britain. He played in New York City in 1956 with Ted Kotick, then returned to England to play with Jazz Today Unit (1956–57) and with the Jazz at the Philharmonic (1957). He also played with Mary Lou Williams several times in the 1950s. In the 1960s and '70s he played with Randall again and with Teddy Wilson, as well as at the Montreux Jazz Festival in 1973 and in South Africa in 1975. He played in the Pizza Express All Star Jazz Band from 1980 to 1999. He led several of his own bands, and has done extensive work producing music for film and television. https://en.wikipedia.org/wiki/Dave_Shepherd

Good Enough To Keep