Ferit Odman - Autumn in New York

Styles: Jazz, Post Bop
Year: 2011
File: MP3@320K/s
Time: 45:12
Size: 104,2 MB
Art: Front

(7:09)  1. Step Lightly
(6:21)  2. Alter Ego
(5:22)  3. Autumn in New York
(7:43)  4. The Soulful Mr. Timmons
(4:52)  5. Hindsight
(6:41)  6. My Ideal
(7:01)  7. Changing of the Guard

Autumn in New York comes via Turkish drummer Ferit Odman who leads this session featuring an all-American band playing straight-ahead tunes but this is a far cry from a "drummer's date." Both members of the frontline trumpeter Terell Stafford and alto saxophonist Vincent Herring were referred to as "young lions" early in their careers, and sound very much at home throughout the set, their ensemble playing a testament that, by this point, they are clear mainstays of the scene. Stafford's tone is warm and personal, and his reading of the title tune is delivered with tender familiarity. The lyrics of the song are included in the liner notes, and the trumpeter's feature evokes a feeling of that special time in that special place. Herring still blows a hot, energetic, post-bop horn. Lyrics are also included for "My Ideal," a feature for the altoist, with Odman admitting he is still looking for that special someone. What he has found, however, is the best partner in a rhythm section that a drummer could hope for. Peter Washington has been holding down the anchor for well over 20 years now, and is certainly one of the most dependable timekeepers in the business, possessing a combination of full, round tone and a bouncy agility that has made him much sought after and highly regarded. When he does get a chance to blow, as he does on "My Ideal," he shows what a musical force he is, and his solo is a high point of the recording. 

Jazz has a long tradition of Americans going abroad, some for longer periods than others. Whether it is to live, work or play festivals, jazz remains largely an American art form, and an export which is still well-received in far-off places. Turkish musicians have been playing jazz for quite some time, with schools and conservatories for jazz studies popping up in the country. The best place to learn, however, will always be the bandstand. Odman has the vocabulary, is well-versed in the idiom and does a nice job of accompanying his band mates throughout. His main contribution as leader on this date, however, is in assembling the band and picking the tunes. He's done that well, and his visitors do their job wonderfully also. More sessions like this and perhaps there will be some "young lions" emerging amongst the young Turks.~ William Carey https://www.allaboutjazz.com/autumn-in-new-york-ferit-odman-equinox-music-and-entertainment-review-by-william-carey.php?width=1920

Personnel: Ferit Odman: drums; Terell Stafford: trumpet; Vincent Herring: alto saxophone; Anthony Wonsey: piano; Peter Washington: bass

Autumn in New York

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Ferit Odman - Dameronia With Strings

Styles: Jazz, Post Bop
Year: 2015
File: MP3@320K/s
Time: 42:17
Size: 97,6 MB
Art: Front

(4:28)  1. On a Misty Night
(6:57)  2. If You Could See Me Now
(3:50)  3. Just Plain Talkin'
(4:40)  4. Smooth as the Wind
(6:46)  5. Look, Stop & Listen
(5:26)  6. You're a Joy
(5:01)  7. Our Delight
(5:04)  8. Soultrane

In his latest album Dameronia With Strings, Ferit Odman pays tribute to the great Tadd Dameron. He treats listeners to a smorgasbord of Dameron jazz a sparkling kind that soothes the soul but pumps the heart. Accompanied by an outstanding group of musicians, namely trumpeter Terell Stafford, composer and guitarist David O'Rourke, pianist Danny Grissett, bassist Peter Washington, and a string sextet, the Turkish jazz drummer made Dameron relevant to young jazz artists today. In "Just Plain Talkin,'" Odman reinvents Dameron's blues into bold jazz with a duet of bass and drums midway through and a sleek percussion solo towards the end. An upbeat piano adds more vigor to the already dynamic jazz tunes of the song. "Just Plain Talkin'" is the kind of music that tells a story from its opening rhythms to the end. It intrigues listeners, making them ever so in tuned with every beat, note, and strum. 

"Smooth as the Wind" is a magical masterpiece with an underlying sensuous drum roll. Another classic from Dameron, this composition recalls old Hollywood glamour. Odman's well-timed ripples flow smoothly with the trumpet's enticing tune. It starts off slow, but then gradually becomes upbeat before pulling back once again. It ends with a buoyant crescendo that will leave you in awe as if you've just seen an ochre sunset with multiple tones blending seamlessly. Odman shows off his jazz-drumming prowess in his reimagining of Dameron's "Look, Stop & Listen." The percussion leads the way in this song with the 33-year-old drummer exhibiting pure beat brilliance. The way it merged with the piano was extraordinary. Dameron has had a special spot for drummers and this composition was created to highlight the talent of jazz drummer Philly Joe Jones. In the same way, this song showcases Odman's skillful coordination and impeccable rhythm as he hits the perfect percussion at the right time without a beat going off or out of sync. The title "Look, Stop & Listen" encapsulates the entire experience as it mesmerizes the listener and makes everything seem to stop, as it demands undivided attention. Hurried but not harried, the upbeat tempo will awaken the senses with a unique jazz music that vibrates with a mix of feathery and ferocious beat. Odman is a master of subtlety and grandeur. His gentle drumming resonates despite the presence of other instruments and his loud beats harmonize with the same intensity. This all-instrumental jazz album will captivate listeners the same way Dameron enchanted his followers. Besides, who needs words when every note and beat speaks to you in ways you never thought possible. ~ Jim Olin https://www.allaboutjazz.com/dameronia-with-strings-ferit-odman-review-by-jim-olin.php

Personnel: Ferit Odman: percussion, drums; Terell Stafford: trumpet; David O’Rourke: guitar; Danny Grisett: piano; Peter Washington: bass.

Dameronia With Strings

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