Tuesday, June 26, 2018

George Colligan Trio - Stomping Ground

Bitrate: MP3@320K/s
Time: 66:02
Size: 151.2 MB
Styles: Piano jazz
Year: 1998
Art: Front

[7:24] 1. Right Now
[6:44] 2. I Fall In Love Too Easily
[8:28] 3. Duchess
[8:45] 4. What Are You Doing The Rest Of Your Life
[5:12] 5. Upper Manhattan Medical Group
[5:17] 6. For Jan
[7:41] 7. Stomping Ground
[9:20] 8. The Peacocks
[7:08] 9. The Priestess

Bass – Drew Gress; Drums – Billy Hart; Piano – George Colligan. Recorded September 1997.

One of the best-kept secrets in jazz, pianist George Colligan has developed an intrepid attitude that goes hand-in-hand with a strong sense of identity. That was just as apparent on his first date as a leader for SteepleChase, Activism, as it is on this latest excursion into trio territory. Tunes such as Charles Tolliver’s “Right Now” or Billy Harper’s “The Priestess” were not really created for the piano, their lines voiced more easily by a horn player, yet Colligan fashions his own interpretations by making up for a scarcity in melodic content via a full exploitation of the rhythmic capabilities of the piano. In fact, Colligan’s style is distinguished by a graceful equilibrium, his harmonic knowledge complemented by an advanced sense of rhythm that is rare for a pianist.

With chops to spare, Colligan tackles a distinctive if slightly obscure set of numbers while welding the uncommon ability to bring new life into each interpretation. In his hands, the pop ditty “What Are You Doing the Rest of Your Life” emerges without the banal sentimentality and with every possible nuance wrung from its structure. Imagine McCoy Tyner mixed with just a dash of Cecil Taylor, if you will. Yet, Colligan can manage a heartfelt ballad without a hitch too, a lovely take on Kenny Wheeler’s “For Jan” a beautiful case in point.

Of course, to get down with the serious business at hand no less than a world class rhythm section will do. No problem there- bassist Drew Gress and drummer Billy Hart follow every hairpin turn, even anticipating Colligan’s moves at times. What we have here is 66 ½ minutes of piano trio jazz at the pinnacle of perfection. ‘Nuff said! ~Andrew Hovan

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Michael Pignéguy Quartet - Au Privave

Bitrate: MP3@320K/s
Time: 45:02
Size: 103.1 MB
Styles: Contemporary jazz
Year: 2014
Art: Front

[7:18] 1. Touch And Go
[6:33] 2. Four
[7:52] 3. The Search
[5:50] 4. Au Privave
[7:12] 5. Beautiful Love
[5:15] 6. Cold Duck Time
[4:59] 7. Beyond Reason

Michael Pignéguy (Drums), Matthew Jodrell (Trumpet), Chris Pattishall (Piano), Philip Kuehn (Acoustic Bass).

Au Privave ​brings together an all-star line-up on this snappy quartet album. Michael's characteristic combo arrangement chops are as evident as ever but this time there's a higher percentage of non-orginal material compared to his larger MPS (sextet) recordings which kicked off his career. His rhythmic re-invention of Miles Davis' Four as well as his insightful presentation of Charlie Parker's Au Privave and the standard Beautiful Love sit marvellously alongside Michael's new original compositions. The stellar performances by the accomplished international line up that Michael has assembled for this recording deliver the intent of these musical ideas perfectly.

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Greg Reitan - Daybreak

Bitrate: MP3@320K/s
Time: 52:30
Size: 120.2 MB
Styles: Piano jazz
Year: 2011
Art: Front

[1:34] 1. Daybreak
[2:42] 2. Once Upon A Summertime
[5:36] 3. Monk's Mood
[4:38] 4. Five Four
[6:34] 5. The Bells Of Soledad
[3:48] 6. Toy Tune
[4:57] 7. Chelsea Bridge
[3:06] 8. Iridescence
[8:53] 9. Blue In Green
[4:26] 10. The Great Pumpkin Waltz
[6:11] 11. Lament

Greg Reitan: piano; Jack Daro: bass; Dean Koba: drums.

Greg Reitan has, since 1995, carved out a career as an award-winning composer for television and film. It wasn't until 2009, however, that the Los Angeles-based pianist released his first jazz CD, one of the top piano trio recordings of the year, Some Other Time (Sunnyside Records). Reitan followed up this excellent debut with another top-level outing, Antibes (Sunnyside Records, 2010), and now he adds Daybreak, again using the trio format, and again with outstanding results.

There's something to be said for sticking for with the same record label, as Bill Evan' tenure at Riverside Records suggests and Thelonious Monk's stint on Riverside and then Columbia Records also prove. The iconic pianists were able to establish game plans, their artistic visions allowed to unfold. Daybreak employs the same game plan as that of his freshman and sophomore outings: collect some time-tested standards featuring refined, beautiful melodies; throw in something unexpected; and add some of the leader's own engaging tunes. ~Dan McClenaghan

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Ameen Saleem - The Groove Lab

Bitrate: MP3@320K/s
Time: 77:53
Size: 178.3 MB
Styles: Jazz/Funk/Soul
Year: 2015
Art: Front

[6:44] 1. Korinthis
[4:45] 2. Epiphany
[4:58] 3. Don't Walk Away
[7:14] 4. I.L.Y.T
[4:53] 5. Love Don't
[4:14] 6. Neo
[6:30] 7. For My Baby
[6:15] 8. A Theme
[5:01] 9. Best Kept Secret
[6:11] 10. Baby It'll Be Alright
[6:10] 11. So Glad
[8:23] 12. Possibilities
[6:28] 13. For Tamisha

Ameen Saleem: electric bass, double bass; Cyrus Chestnut: piano, rhodes, wurlitzer, organ; Jeremy “Bean” Clemons: drums, percussions; Stacy Dillard: tenor and soprano sax; Ramona Dunlap: vocals; Roy Hargrove: trumpet, flugelhorn; Gregory Hutchinson: drums; Craig Magnano: guitar; Mavis “Swan” Poole -vocals.

Composer Irving Berlin once famously said that "everybody ought to have a Lower East Side in their life." True and, although technically speaking Brooklyn is not part of the octagon that thrives between Houston Street and FRD Drive, the groove, that precious intimate rumble of inspiration, is the one element that connects one area with the other; contemporary music and its multiple historical declinations. While the paradigm differs and keeps on evolving, the end result is invariably of a similar nature, now as it was under the reign of the likes of guitarist Kenny Burrell and trumpeter Lee Morgan.

Ameen Saleem, surely one of the most promising bass players in the world, knows the simple but elusive rules that make up a groove album, and this debut as a bandleader stands out between the crowded ranks of modern jazz. Innovators, conservatives, revolutionaries—all of them are sometimes connected by the one thing that Saleem boldly cites in the title of his album. You might know the Roy Hargrove Quintet, and if you do, you might have noticed the rhythm section, chances are that you have appreciated the great work done by Saleem at the bass. While The Groove Lab strives to come up with an original and personal sound, the end result is undoubtedly not too far from those atmospheres. Saleem does not try to overdo or take the listener off the beaten path, but while the overall attitude may appear reassuring, the range of influences a good reviewer should duly list is potentially endless. Funk, jazz and soul certainly constitute the three main points of reference, but the many veins that propagate from these often abused genres, are virtually impossible to keep track of. The fact that he is lucky enough to be able to interact with amazing musicians (pianist Cyrus Chestnut, drummer Gregory Hutchinson and the already mentioned Roy Hargrove on trumpet) surely contributes to the variegated array of elements which, at least apparently, should not find space on the same album.

Ameen Saleem manages to find the perfect balance between the idea and the usability—to use an artistically horrible but commercially positive term—of his inspiration. This is music that develops in layers: one enjoys the more superficial ones before venturing into the hidden substrates which keep the album together. For this reason, tracks like "For My Baby," with lyrics dangerously close to banality, flow from jazz to funky so naturally that the very nature of the music remains beautifully ambiguous and enjoyable at the same time.

Flugelhorns, Rhodes and Wurlitzers, tenor saxophones, to name but a few instruments involved, can sometimes pose a threat to coherence, but the rich, colorful texture underlying "Don't Walk Away," "Epiphany" and the beautiful "So Glad" make this debut an interesting and challenging work. Via Veneto Jazz and Jando Music keep on proposing high quality jazz whose most appreciable virtues lie in the clever administration of novelty and institution, with one goal in mind: accessibility. It is not clear whether or not Irving Berlin would have loved The Groove Lab, but what is certain is that there is a common language that is spoken on this and the other side of the river. Further east, a new star might be rising. ~Alex Franquelli

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Benny Carter - Benny Carter With Strings

Bitrate: MP3@320K/s
Time: 48:24
Size: 110.8 MB
Styles: Saxophone jazz
Year: 1956/2006
Art: Front

[3:40] 1. Isn't It Romantic
[3:46] 2. Some Other Spring
[3:40] 3. These Things You Left Me
[3:17] 4. 'round Midnight
[2:39] 5. Alone Together
[3:14] 6. Bewitched, Bothered & Bewildered
[2:59] 7. Cocktails For Two
[3:07] 8. Key Largo
[2:34] 9. I'll Be Around
[2:51] 10. Beautiful Love
[3:10] 11. Blue Star
[2:50] 12. Flamingo
[2:33] 13. With A Song In My Heart
[2:40] 14. Can't We Be Friends
[2:15] 15. Symphony
[3:03] 16. I'm Sorry

Benny Carter, alto saxophone ; with The Oscar Peterson Quartet, strings and horns, Joe Oliver, conductor (1st-8th selections) ; with assisting instrumentalists, Joe Glover, conductor (9th-16th selections).

Previously released on 2 separate discs: Alone together; Cosmopolite. Jazz quintets supplemented with strings and horns (1st-8th selections), and jazz quartets supplemented with strings (9th-16th selections).

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Ace Cannon - Moanin' The Blues

Bitrate: MP3@320K/s
Time: 26:40
Size: 61.1 MB
Styles: R&B, Soul
Year: 1963/2016
Art: Front

[2:05] 1. Honky Tonk Song
[2:17] 2. Moanin'
[2:14] 3. No Letter Today
[2:29] 4. Singing The Blues
[2:30] 5. Trouble In Mind
[2:13] 6. Swanee River
[2:11] 7. Moanin' The Blues
[1:53] 8. So Fine
[1:48] 9. Cotton Fields
[2:24] 10. Searchin'
[2:15] 11. You Don’t Know Me
[2:14] 12. Sunday Blues

Ace Cannon started his career in Memphis, Tennessee, USA, recording on many of the 1950's hits on SUN RECORDS. Says Sam Phillips: "Ace Cannon is the greatest saxophone player who ever lived, but then he came out of the same stables as Carl Perkins, Elvis, Jerry Lee, Bill Justice, etc." In 1959 he started with the BILL BLACK COMBO, which was one of the most popular instrumental groups of their era. They traveled the U.S. and the Bahamas, where he traveled on all concert dates and played the lead saxophone on all the original recordings. They appeared on the most prominent TV shows of that era, including The Ed Sullivan Show, The Merv Griffin Show, Dick Clark's American Bandstand, and The Buddy Dean Show in Baltimore, MD.

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Don Cherry - Swingin' For Two

Bitrate: MP3@320K/s
Time: 36:40
Size: 84.0 MB
Styles: Vocal
Year: 1956/2008
Art: Front

[2:59] 1. When The Sun Comes Out
[2:35] 2. For You
[2:28] 3. Love Is Just Around The Corner
[3:17] 4. I'll String Along With You
[3:24] 5. I Didn't Know About You
[3:01] 6. So Rare
[3:40] 7. I'm Yours
[2:27] 8. I'm Gonna Sit Right Down And Write Myself A Letter
[2:52] 9. Please Be Kind
[3:34] 10. My Future Just Passed
[2:42] 11. I Don't Care If The Sun Don't Shine
[3:37] 12. Sleepy Time Gal

Pop vocalist Don Cherry was born in Wichita Falls, TX, in 1924. He got his professional start in the music business in his twenties with a short stay as lead singer in the Jan Garber Band. Cherry's spot lasted for all of 17 days. Never one to give up, he did a recording with the Victor Young Orchestra titled "Mona Lisa." His smooth vocal styling drew enough attention that he soon had a record deal. In the '50s he had a number of hit singles under the Columbia Records label. Over the years, Cherry has appeared on The Mike Douglas Show, The Merv Griffin Show, The Grand Ole Opry, The Arthur Godfrey Show, The Johnny Carson Show, and many others. He has also performed in major nightclubs in Las Vegas, Reno, Rio de Janeiro, Lake Tahoe, and New Orleans. ~Charlotte Dillon

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Bucky & John Pizzarelli - Passion Guitars

Bitrate: MP3@320K/s
Time: 62:08
Size: 142.2 MB
Styles: Guitar jazz
Year: 2001
Art: Front

[7:03] 1. Besame Mucho
[5:58] 2. Triste
[5:19] 3. One Note Samba
[5:30] 4. The Girl From Ipanema
[5:42] 5. Line For Lyons
[5:08] 6. I Found A New Baby
[2:59] 7. Orchids In The Moonlight
[6:53] 8. Maybe This Summer
[5:17] 9. S'wonderful
[6:47] 10. The Day In The Life Of A Fool
[5:27] 11. Meditation

Recorded in 1997, this schmaltzy project (subtitled “Easy Listening, Lite Jazz”) features the John Pizzarelli trio augmented by the presence of father Bucky Pizzarelli and fellow guitarist Gene Bertoncini.

On the surface it seems that teaming three highly experienced and accomplished guitarists guarantees a high level of artistry. While that might normally be true, here the saccharine arrangements (“Besame Mucho,” “The Girl From Ipanema,” “Orchids in the Moonlight”), plethora of stock licks, and intentionally soothing tempos and harmonies-rarely exploited by any of these three in a typically tasteful playing situation-result in music that is sickeningly sweet and syrupy. ~Jim Ferguson

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Compay Segundo - The Real Cuban Music (Remastered)

Bitrate: MP3@320K/s
Time: 72:07
Size: 165.1 MB
Styles: Afro-Cuban, Latin jazz
Year: 2018
Art: Front

[4:27] 1. Chan Chan
[4:05] 2. El Cuarto De Tula
[3:03] 3. Voy Pa' Mayarí
[2:52] 4. Balcón De Santiago
[2:46] 5. La Juma De Ayer
[4:49] 6. Chicharrones Con Tostones
[4:10] 7. Quién Te Bautizó Vicenta
[4:30] 8. Mujeres Del Yarey
[2:39] 9. Guananey
[3:35] 10. Juramento
[2:31] 11. A Los Barrios De Santiago
[2:50] 12. Francisco Guayabal
[3:39] 13. La Trova
[3:27] 14. María En La Playa
[2:33] 15. Filiberto
[4:06] 16. Sanluisera
[4:54] 17. La Ternera
[2:54] 18. La Lengua
[3:57] 19. Se Secó El Arroyito
[4:13] 20. Saludo Compay

20 remastered songs by Máximo Francisco Repilado Muñoz Telles, known professionally as "Compay Segundo", a Cuban guitarist, singer and composer. In 2007, the centenary of his birth was celebrated with a concert dedicated to his compositions with the group Compay Segundo, composed by his sons and former musicians, together with the Venetian Symphony Orchestra. (Translated from Italian.)

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Wayne Shorter - Phantom Navigator

Styles: Saxophone Jazz
Year: 1987
File: MP3@320K/s
Time: 38:44
Size: 89,2 MB
Art: Front

(5:13)  1. Condition Red
(6:13)  2. Mahogany Bird
(7:58)  3. Remote Control
(6:30)  4. Yamanja
(6:10)  5. Forbidden, Plan-iT!
(6:38)  6. Flagships

Still drifting after leaving Weather Report, Shorter meanders about in a sea of electronically dominated backings, following the tide in search of a direction. Nothing wrong with electronics per se; it's just that Wayne's compositions in that idiom are weak, the endlessly undulating melodic lines go nowhere and have nothing fresh to say. Stu Goldberg, Mitch Forman, Jeff Bova and Jim Beard unimaginatively bathe the record in synthesizers, and the drum programming by a host of co-conspirators makes for a rather sterile rhythm environment. On a sheer technical level, Wayne's soprano and tenor work is alright, yet on "Yamanja" he does a depressingly mechanical sounding turn on a lyricon. Pass this right by.~ Richard S.Ginell https://www.allmusic.com/album/phantom-navigator-mw0000649731

Personnel:  Wayne Shorter – tenor, and soprano saxophones, lyricon, vocals;  Chick Corea – piano;  Jeff Bova – synthesizer;  Jim Beard – synthesizer;  Mitchel Forman – synthesizer;  Stu Goldberg – synthesizer, electric piano;  John Patitucci – bass;  Alphonso Johnson – bass;  Gary Willis – electric bass;   Tom Brechtlein – drums;  Jimmy Bralower – drums, percussion programming;  Bill Summers – percussion, drum programming;  Scott Roberts – percussion, drum programming;  Ana Maria Shorter – vocals;  Gregor Goldberg – vocals.

Phantom Navigator

Jane McDonald - Jane McDonald

Styles: Vocal
Year: 1998
File: MP3@320K/s
Time: 54:38
Size: 128,2 MB
Art: Front

(4:40)  1. One Moment In Time
(4:40)  2. The Twelfth Of Never
(3:34)  3. Do You Know The Way To San Jose?
(3:06)  4. You're My World
(3:56)  5. How Do I Live?
(3:11)  6. (You Make Me Feel Like A) Natural Woman
(4:21)  7. The Wind Beneath My Wings
(3:32)  8. Downtown
(4:50)  9. Have I Told You Lately?
(3:31) 10. When I Fall In Love
(4:00) 11. I'll Never Love This Way Again
(3:47) 12. Some You Win Some You Lose
(2:50) 13. You Don't Have To Say You Love Me
(4:35) 14. I Will Always Love You

Jane rocketed to stardom in 1998 when she first appeared on our screens in the BBC 1 docusoap The Cruise. The series attracted 13 million viewers and Jane McDonald emerged as a star and household name. Jane’s first album outsold her nearest rivals by four to one and gained Jane a place in the Guinness Book Of Records. It remained at Number One for three weeks and achieved platinum status staying in the Top 10 for 8 weeks. Each of Jane’s subsequent 4 major albums have all reached gold and silver status. 2009 saw the first album release under her own label. Simply titled ‘Jane’ it entered the Official UK Album Chart at Number 7 and achieved silver status within 6 weeks. Jane has built up a phenomenal theatre audience, performing incredible live concerts across the United Kingdom and Southern Ireland. During that time selling out the Royal Albert Hall and the London Palladium twice. Jane has also played to a sold out audience at the MGM Grand, Las Vegas. 

The concert was also filmed for DVD and went on to become an instant hit in the charts and the Mayor of Las Vegas presented Jane with the ‘Key To the City’. Jane was a regular panelist on the hit daytime show Loose Women and a regular guest on The Alan Titchmarch Show. Other TV highlights include, Never Mind The Buzzcocks, This Morning, GMTV and The Jonathan Ross Show. In 2015 she performed the coveted role of Grizabella in Andrew Lloyd Webber’s CATS at Blackpool Opera House for which she received rave reviews. Jane puts her heart and soul into her sell out performances, produces her own albums on her own label, was executive producer on her CD/DVD, Live at the London Palladium and works along side her Musical Director on arrangements and recordings. She has her own design label, The Jane McDonald Collection where she works closely with her own designer on all her couture gowns featured in her concert tours. She has just finished filming her new TV show which will be shown in early 2017. She is currently on tour with “Making Memories”, her biggest and most spectacular show to date, selling out at venues all over the UK. New dates for 2017 are currently being added. https://jane-mcdonald.com/bio/
Thank You Dave!

The Dave Pike Quartet - Pike's Peak

Styles: Vibraphone Jazz
Year: 1962
File: MP3@320K/s
Time: 35:44
Size: 83,1 MB
Art: Front

(6:46)  1. Why Not
(6:32)  2. In A Sentimental Mood
(5:59)  3. Vierd Blues
(6:54)  4. Besame Mucho
(9:31)  5. Wild Is The Wind

This Portrait LP was vibraphonist Dave Pike's second recording as a leader. Pike is joined by bassist Herbie Lewis, drummer Walter Perkins, and most notably pianist Bill Evans. It was one of the pianist's first sessions after the tragic death of his bassist, Scott LaFaro, and gives listeners a rare opportunity to hear Evans this late in his career as a sideman. 

The music is fairly spontaneous, consisting of two ballads, "Besame Mucho," "Vierd Blues," and Pike's "Why Not" (inspired by Miles Davis' "So What"). An excellent if generally overlooked straight-ahead set.~ Scott Yanow https://www.allmusic.com/album/pikes-peak-mw0000199414

Personnel:  Dave Pike - vibraphone;  Bill Evans - piano;  Herbie Lewis - bass;  Walter Perkins - drums

Pike's Peak

Geoffrey Keezer - Sublime: Honoring The Music Of Hank Jones

Styles: Piano Jazz
Year: 2003
File: MP3@320K/s
Time: 58:16
Size: 163,4 MB
Art: Front

(5:35)  1. Angel Face
(5:39)  2. Hank's Blues
(6:14)  3. Passing Time
(5:44)  4. Time Warp
(6:21)  5. Lullaby
(7:30)  6. Things Are So Pretty in the Spring
(4:24)  7. Sublime
(7:34)  8. Favors
(4:56)  9. Alpha
(4:15) 10. Intimidiation

Thirty-two-year-old Midwesterner Geoff Keezer was one of the last pianists to work as a part of the Ray Brown Trio. Many writers that I have spoken with feel that he was the quintessential Ray Brown pianist. The late Mr. Brown favored double-fisted orchestral pianists with a jones for the blues but also a strong ballad sensibility. I have always favored the late Gene Harris, but Keezer might edge him out by a nose. Mr. Keezer’s previous recording Zero One was well received. The pianist's Telarc debut as a leader is a bold stroke. Keezer teams up with four prominent pianists for a series of duets honoring the great Sam Jones, who turns 85 years old this year. The disc presents Mr. Keezer in the left channel and the other pianists in the right channel. 

The results with Kenny Barron, Chick Corea, Benny Green, and Mulgrew Miller are equally fine. Highlights include Keezer’s duet with Benny Green on "Hank’s Blues," where these two Ray Brown pianists practice an impressive display of telepathy. Jones shares his composition "Lullaby" with Mulgrew Miller, whose tenderness serves as a perfect foil for Keezer’s muscular tone. The title cut is Keezer alone, and perhaps celebrates Hank Jones the best  simply. Sublime works well on all levels and we can only hope that the young Mr. Keezer pursues more projects like this inventive and beautiful recording.~ C.Michael Bailey https://www.allaboutjazz.com/sublime-honoring-the-music-of-hank-jones-geoffrey-keezer-telarc-records-review-by-c-michael-bailey.php

Personnel:  Geoff Keezer, Kenny Barron, Chick Corea, Benny Green, Mulgrew Miller - Piano.

Sublime:  Honoring The Music Of Hank Jones

Jim Hall & Ron Carter - Alone Together

Styles: Guitar Jazz, Post Bop
Year: 1972
File: MP3@320K/s
Time: 44:22
Size: 101,8 MB
Art: Front

(4:47)  1. St. Thomas
(5:54)  2. Alone Together
(5:02)  3. Receipt, Please
(6:53)  4. I'll Remember April
(2:56)  5. Softly, as in a Morning Sunrise
(5:59)  6. Whose Blues
(5:53)  7. Prelude to a Kiss
(6:55)  8. Autumn Leaves

Long considered a classic and a revelation to listeners who had taken guitarist Jim Hall for granted, this set of duets with bassist Ron Carter (reissued on CD) has near-telepathic communication between the two musicians and quiet music full of inner tension and fire. Hall and Carter brought in an original apiece and also collaborated on six standards, including "St. Thomas," "Softly As in a Morning Sunrise," "Autumn Leaves," and "Alone Together." Introspective and thought-provoking music.~ Scott Yanow https://www.allmusic.com/album/alone-together-mw0000194060

Personnel: Jim Hall – guitar;  Ron Carter – bass

Alone Together