Sunday, November 5, 2023

Ramsey Lewis - Back To The Roots

Styles: Piano Jazz
Year: 1971
File: MP3@320K/s
Time: 39:39
Size: 91,4 MB
Art: Front

(2:53) 1. Candida
(3:53) 2. We've Only Just Begun
(2:59) 3. Back To The Roots
(5:02) 4. Love Now On
(5:57) 5. Fool On The Hill
(3:02) 6. Since I Feel For You
(4:31) 7. Up In Yonder
(4:28) 8. Crescent Noon
(6:50) 9. He Ain't Heavy, He's My Brother

Pianist and composer Ramsey Lewis has been a major figure in contemporary jazz since the late '50s, playing music with a warm, open personality that's allowed him to cross over to the pop and R&B charts. Initially emerging with his jazz trio, Lewis broke through with his Grammy-winning 1965 album The In Crowd. He further developed his sound, experimenting with synthesizers and funk grooves on work such as 1974's Sun Goddess. He has remained a crossover icon, hosting his own radio and television programs and issuing albums like 2002's Meant to Be with Nancy Wilson, 2011's Taking Another Look, and 2019's VII with his long-running contemporary jazz collective Urban Knights.

Lewis was born in Chicago on May 27, 1935 and was introduced to music by his father, who directed the choir at a local church and enjoyed the music of Duke Ellington and Art Tatum. He began studying the piano when he was four years old and was soon accompanying the choir at Sunday services. At the age of 15, he joined a jazz combo called the Cleffs, who played at parties and dances. Lewis was interested in a leaner, more bebop-oriented sound, and when the group splintered after several members joined the military, he formed the Ramsey Lewis Trio with two other former Cleffs, bassist Eldee Young and percussionist Redd Holt. The trio became a fixture on the Chicago jazz scene, and they were signed to a deal with Chess Records, releasing their first album, Ramsey Lewis & His Gentlemen of Jazz, in 1956.

Lewis and his trio continued to record and tour steadily over the years, building a sizable audience among jazz fans, but their career received a serious boost in 1965, when they recorded a swinging version of Dobie Gray's hit "The In Crowd" at a gig in Washington, D.C. Chess released the track as a single, and it became a sizable pop hit, earning Lewis his first gold record, as well as a Grammy Award for Best Jazz Performance. As Lewis' star rose, he returned to the pop charts in 1966 with versions of "Hang on Sloopy" and "Wade in the Water." Meanwhile, Young and Holt left Lewis' trio to form their own group, Young-Holt Unlimited, and the pianist hired a new rhythm section of Cleveland Eaton on bass and Maurice White on drums.

In 1970, White resigned to form his own group, and Morris Jennings signed on as the trio's new percussionist. Lewis continued to record for Chess until 1972, when he moved to Columbia, and as his music developed a more contemporary groove, White's group, Earth, Wind & Fire (also on Columbia), was beginning to enjoy considerable success on the R&B charts. White produced Lewis' 1974 album Sun Goddess, in which he experimented with electronic keyboards for the first time, and several members of EWF played on the sessions; it became a major crossover hit and took Lewis to the upper ranks of the smooth jazz/fusion scene. Lewis would record R&B-influenced material throughout the '70s but continued to explore his roots in more traditional jazz sounds as well as Latin rhythms. In 1983, he went into the studio with Eldee Young and Redd Holt for the album Reunion; in 1984, he collaborated with Nancy Wilson on The Two of Us; in 1988, he recorded with London's Philharmonia Orchestra for the album A Classic Encounter, and in 1989, Lewis and Dr. Billy Taylor cut a set of piano duets, We Meet Again.

In 1992, Lewis signed with the successful jazz label GRP Records, and in 1995, he launched the side project Urban Knights, in which he collaborated with a handful of successful crossover jazz stars, including Grover Washington, Jr., Earl Klugh, and Dave Koz. In 1997, Lewis added disc jockey to his résumé, hosting a popular show on Chicago's WNUA-FM that ran until 2009; the show went into syndication in 2006 under the name Legends of Jazz with Ramsey Lewis, and is still on the air. In 2005, Lewis looked back on his roots in gospel music with the album With One Voice, which earned him the Stellar Gospel Music Award for Best Gospel Instrumental Album. In 2007, he was commissioned to write a jazz ballet for the Joffrey Ballet Company, and "To Know Her..." debuted at Highland Park, Illinois' Ravina Music Festival, where Lewis is artistic director of the festival's jazz series and helped found their Jazz Mentor Program.

Lewis has also written several pieces for string ensemble and orchestra that have premiered at Ravina; highlights were featured on the 2009 album Songs from the Heart: Ramsey Plays Ramsey, his first release from Concord Records. In addition to his work as a performer, composer, educator, and disc jockey, Lewis has received five honorary doctorate degrees, won the National Endowment for the Arts' Jazz Master Award in 2007, and is one of the few noted jazz artists to carry the Olympic Torch, having briefly escorted the flame as it passed through Chicago en route to the 2002 Winter Games. In 2011, he delivered Taking Another Look, a reworking of his classic 1974 electric jazz-funk album Sun Goddess. The album was reissued in a deluxe package with bonus tracks in 2015. Two years later, Lewis was a featured guest on pianist Alan Storeygard's trio album New Directions. In 2019, he rejoined Urban Knights for VII, which featured original songs as well as renditions of classics by John Coltrane, Chick Corea, and the Beatles. ~Mark Deminghttps://www.allmusic.com/artist/ramsey-lewis-mn0000334770/biography

Personnel: Ramsey Lewis - piano, electric piano; Cleveland Eaton - electric bass; Morris Jennings - drums; Henry L. Gibson - congas, percussion; Bobby Rush - harmonica; Charles Stepney - organ

Back To The Roots

Greg Diamond - Beata

Styles: Guitar Jazz
Year: 2022
File: MP3@320K/s
Time: 53:58
Size: 128,1 MB
Art: Front

(5:56) 1. Beata
(5:08) 2. Salas
(4:38) 3. Tiniebla
(3:46) 4. Giant Steps
(4:36) 5. El Condor Pasa
(5:53) 6. Caprichosa
(6:04) 7. Rastros
(5:58) 8. Ensimismado
(5:27) 9. Cumbita
(6:28) 10. Song For Jerry

Greg Diamond is a prolific guitarist, composer, and recording artist from New York City. Touted as “a rising star in the NewYork jazz scene" by All About Jazz and a “composer of great maturity and genius” by Latin Jazz Network, he has created his own niche with an innovative and eclectic to composition paired with remarkable instrumental versatility.

Since 2008 he has released five albums in various formats. His work encompasses a broad spectrum of genres such as, contemporary and Afro-Latin jazz, blues, Americana, Latin American folk traditions, classical, funk, hip-hop, and jamband among many others.

He has presented his group at numerous premier venues, such as The Blue Note, Iridium Jazz Club, Joe’s Pub, Smalls Jazz Club, and Zinc Bar not to mention numerous international festivals such as, The Madrid International Jazz Festival, Barranquijazz Festival, Jimmy Glass Jazz Festival, Teatro Libre Jazz Festival, Medejazz Festival, Jazz al Parque Festival, and the Nublu Jazz Festival. In 2007 he was a semi-finalist at The Gibson International Jazz Guitar Competition hosted by The Montreux Jazz Festival in Switzerland.

In the past two decades he has collaborated with numerous noteworthy artists such as, Seamus Blake, Hector Martignon, John Benitez, Steve Turre, Bob Belden, Mark Shim, Henry Cole, Stacy Dillard, Samuel Torres, Oscar Stagnaro, Emilio Solla, Antonio Hart, Michael Philip Mossman, Don Friedman, Gretchen Parlato, Asha Puthli and others

Diamond has a DMA in Instrumental Jazz Performance from the University of Miami and currently resides in the city of Miami.

Beata

Rhoda Scott - Paris - New York Disc 1 And Disc 2

Album: Paris - New York   Disc 1

Styles: Jazz, Post Bop
Year: 2012
File: MP3@320K/s
Time: 58:19
Size: 134,6 MB
Art: Front

(3:08)  1. Moanin'
(3:43)  2. Il Est Mort Le Soleil
(7:41)  3. Medley from ''West Side Story''
(4:13)  4. Take A Ladder
(4:43)  5. Ebb Tide
(2:47)  6. What Kind Of Fool Am I?
(2:26)  7. Count Basie (Lil Darlin)
(6:38)  8. Splanky
(4:29)  9. Mach II
(3:26) 10. Fire And Brimstone
(5:08) 11. Jeremy
(6:30) 12. Delilah
(3:20) 13. Blues At The Bilboquet


Album: Paris - New York  Disc 2

Time: 43:57
Size: 101,4 MB

(4:32)  1. Mach 2
(4:33)  2. Tanikka
(5:02)  3. Rhoda Map
(4:15)  4. R And R
(4:34)  5. Charlotte's Walz
(5:08)  6. Walkin' About
(7:26)  7. Take A Ladder
(4:24)  8. La La Solitude
(4:00)  9. Quand Je Monte Chez Toi

In 1967, following in the footsteps of Tadd Dameron and Quincy Jones, Rhoda Scott arrives in France to take classes with Nadia Boulanger. Barely a year later, she recorded her debut album Barclay, Take a Ladder duet with one of the best drummers of the moment, Daniel Humair. A long series of albums will follow, two of which are particularly distinguished by the presence of first-rate accompanists: Mach II (1971) in which his long-time accomplice, American saxophonist / flutist Joe Thomas and especially Rhoda Scott in New York, participate. (1976), the result of the collaboration between the virtuoso organist and the great orchestra of Thad Jones / Mel Lewis. Translate by Google https://www.amazon.fr/Paris-New-York-Rhoda-Scott/dp/B007JNN1LG

Personnel: Organ [Hammond] – Rhoda Scott; Alto Saxophone, Soprano Saxophone, Flute – Edward Xiques, Jerry Dodgion; Arranged By, Flugelhorn – Thad Jones; Baritone Saxophone – Pepper Adams; Bass – Bob Bowman ; Drums – Mel Lewis; Electric Piano – Harold Danko; Tenor Saxophone, Clarinet – Larry Schneider; Tenor Saxophone, Flute, Clarinet – Gregory Herbert; Trombone – Billy Campbell, Clifford Adams, Earl Mc Intyre, John Mosca; Trumpet – Al Porcino, Cecil Bridgewater, Earl Gardner, Lynn Nicholson


Charles Mingus - Mingus, Mingus, Mingus, Mingus, Mingus

Styles: Jazz, Post Bop
Year: 2015
File: MP3@320K/s
Time: 40:12
Size: 92,7 MB
Art: Front

(4:45)  1. II B.S.
(7:36)  2. I X Love
(6:10)  3. Celia
(4:44)  4. Mood Indigo
(6:26)  5. Better Get Hit in Yo' Soul
(5:49)  6. Theme for Lester Young
(4:39)  7. Hora Decubitus

Having completed what he (and many critics) regarded as his masterwork in The Black Saint and the Sinner Lady, Charles Mingus' next sessions for Impulse found him looking back over a long and fruitful career. Mingus Mingus Mingus Mingus Mingus is sort of a "greatest hits revisited" record, as the bassist revamps or tinkers with some of his best-known works. The titles are altered as well  "II B.S." is basically "Haitian Fight Song" (this is the version used in the late-'90s car commercial); "Theme for Lester Young" is "Goodbye Pork Pie Hat"; "Better Get Hit in Your Soul" adds a new ending, but just one letter to the title; "Hora Decubitus" is a growling overhaul of "E's Flat Ah's Flat Too"; and "I X Love" modifies "Nouroog," which was part of "Open Letter to Duke." There's also a cover of Duke Ellington's "Mood Indigo," leaving just one new composition, "Celia." Which naturally leads to the question: With the ostensible shortage of ideas, what exactly makes this a significant Mingus effort?

The answer is that the 11-piece bands assembled here (slightly different for the two separate recording sessions) are among Mingus' finest, featuring some of the key personnel (Eric Dolphy, pianist Jaki Byard) that would make up the legendary quintet/sextet with which Mingus toured Europe in 1964. And they simply burn, blasting through versions that equal and often surpass the originals which is, of course, no small feat. This was Mingus' last major statement for quite some time, and aside from a solo piano album and a series of live recordings from the 1964 tour, also his last album until 1970. It closes out the most productive and significant chapter of his career, and one of the most fertile, inventive hot streaks of any composer in jazz history.
By Steve Huey https://www.allmusic.com/album/mingus-mingus-mingus-mingus-mingus-mw0000653088

Personnel:  Tracks #1 and 4–8, recorded on September 20, 1963: Eddie Preston – Trumpet;  Richard Williams – Trumpet; Britt Woodman – Trombone; Don Butterfield – Tuba;  Jerome Richardson – Soprano, baritone saxes, flute;  Dick Hafer – Tenor sax, clarinet, flute;  Booker Ervin – Tenor sax;  Eric Dolphy – Alto sax, flute, bass clarinet;  Jaki Byard – Piano;  Charles Mingus – Bass, (narration, #8);  Walter Perkins – Drums;  Bob Hammer – Arranger and orchestrator

Tracks #2 and 3, recorded on January 20, 1963: Rolf Ericson – Trumpet;  Richard Williams – Trumpet;  Quentin Jackson – Trombone;  Don Butterfield – Tuba;  Jerome Richardson – Soprano, baritone saxes, flute;  Dick Hafer – Tenor sax, flute, oboe;  Charlie Mariano – Alto sax;  Jaki Byard – Piano;  Jay Berliner – Guitar;  Charles Mingus – Bass, piano;  Dannie Richmond – Drums;  Bob Hammer – Arranger and orchestrator

Mingus, Mingus, Mingus, Mingus, Mingus