Sunday, June 23, 2024

Carol Albert - Tides of Change

Styles: Piano Jazz
Year: 1993
Time: 43:37
File: MP3 @ 320K/s
Size: 99,9 MB
Art: Front

(3:40) 1. Fortune
(4:40) 2. Tides Oof Change (Inst.)
(4:00) 3. To the Sun
(4:18) 4. I still think about you
(4:17) 5. On my Way
(3:47) 6. Looking through the Horizon
(4:27) 7. Solitude
(4:11) 8. High Seas
(5:10) 9. Beyond Tomorrow
(5:03) 10. Tides of Change (Voc.)

After paving the way with a handful of popular radio singles over the past year, Billboard Artist, Carol Albert brings out a full array of rich jazz and global fusion artistry on her unique concept album FLY AWAY BUTTERFLY. The versatile Atlanta-based composer, keyboardist and vocalist takes the listener on deeply soulful, exotic journey that artfully blends spirited, jazzy piano melodies, dreamy vocals, punchy percussion textures and hypnotic ambiences featuring the soaring, inspirational twist on Al Jarreau’s classic song “One Way," a contemporary homage to one of her jazz heroes offering up the powerhouse saxophone of Sam Skelton. FLY AWAY BUTTERFLY will take your musical imagination to many beautiful destinations!.

A rural town like Hiram, Georgia may not seem a likely start or an international recording artist, but that is exactly where Carol Albert's music talent emerged. In early childhood, Carol loved nothing better than to share the piano bench with her beloved grandmother. "My grandmother lost an arm to cancer, so she played the bass with her left hand and taught me to play the treble with my right. She also composed songs in her sleep and taught them to me. In sharing her melodies, my grandmother imparted her love for me as well as her love of music." As her music appreciation grew, so did Carol's aptitude for classical piano. She earned her Bachelor of Music degree from Georgia State University, and then embarked on a career in which she has left her mark nationally and internationally.

Internationally, Carol has toured four separate times in Europe, performing in Sweden, Germany, France, England, Ireland and Spain. Her CD's have also been quite popular overseas. Innovative Communications, her German Record Label, named Carol's Tides of Change among their "Best of Instrumental Music." Along with Tides of Change, Carol has produced four other CDs: Love In Your Eyes, Christmas Impressions, Morning Music and Night Music. Her works showcase original compositions along with Carol's interpretations of selected popular music.

Carol's many performance venues have been in cities across the US; San Francisco, Texas, Florida, North Carolina, Kentucky and Virginia. Carol has provided entertainment for a variety of trade shows, corporations, organizations and public venues. Carol performed at the US Cable & Film Convention in Atlanta, NARM Convention in San Francisco and Southern Gardening Association Convention. Additionally, Carol has performed for numerous corporations such as the Masters Golf Tournament at Augusta National, Olympics Hospitality Suite for Nations Band/German House, Arthur Anderson, AT&T, BellSouth Cellular, Coca-Cola Executives, Dean Witter, Dow Chemical, Georgia Baptist Hospital, Hilton Managers Association, IBM, NASCAR Association, Motorola, ReMax Associates, Southern Nursing Association and SuperValue to name a few. Private organizations have hired her to perform for such events as Party honoring Henry Kissinger and Party for Muhammed Ali. A small sampling of her appearances in her home city of Atlanta, GA includes the JW Marriott, Marriott Marquis, Four Seasons, Capital City Country Club, Country Club of the South, Garbo's, Peachtree Plaza, Banks and Shane and SwissHotel. Additionally, Carol has enhanced the mood at weddings and other momentous occasions as well.

Formerly a staff accompanist for the Georgia State University Music Department, Agnes Scott College and the Atlanta Ballet, Carol uniquely draws from her classical training to create a blend of smooth, contemporary jazz and easy instrumental rhythms. Her Atlanta area concert appearances include the Fox Theatre Keyboard Colossus, Blue Sky Concert Series, Dogwood Festival, Georgia Music Festival, Piedmont Arts Festival, Dekalb College Concert Hall, Taste of Atlanta Festival, New Sout Music Showcase, WPBA TV Jazz Series and Good Day Atlanta. Carol has also performed for the Jerry Lewis Muscular Dystrophy Telethon, WSB-TV's Walk for Hunger and WAVA TV5's Arthritis Telethon.

In 1991 she received an Emmy Nomination for Outstanding Achievement and Individual Excellence as a Composer for original theme music. Carol also took First Place for the Atlanta Songwriters Association's award in the Professional Category for Jazz. She is a professional member of N.A.R.A.S. (National Academy of Recording Arts & Sciences) and ASCAP (American Society of Composers, Authors and Publishers). Carol welcomes you to Contact her to learn specific details regarding her availability.
https://www.allaboutjazz.com/musicians/carol-albert/

Awards:

Global Peace Song Award Winner, New Age Category Emmy nomination for Outstanding Achievement and Individual Excellence/Composer Atlanta Songwriter’s Association 1st and 3rd Place Professional Jazz Division NARAS Member 25 year Certificate

Tides of Change

Dutch Swing College Band - Johnny Meyer Goes Dixie

Styles: Big Band, Swing
Year: 1974
Time: 38:40
File: MP3 @ 320K/s
Size: 88,5 MB
Art: Front

(2:37) 1. Chigago
(3:05) 2. At A Georgia Camp Meeting
(3:17) 3. Out Of Nowhere
(3:00) 4. Melancholy Baby
(3:00) 5. Johnny's Habits
(3:00) 6. Avalon
(2:44) 7. Deed I Do
(3:30) 8. (Up A) Lazy River
(2:08) 9. I'm Gonna Sit Right Down And Write Myself A Letter
(2:11) 10. Ain't Misbehavin'
(2:53) 11. Is You Is Or Or Is You Ain't My Baby
(3:25) 12. If I Could Be With You
(3:46) 13. Indiana (Way Back Home In)

During World War 2, the Nazis banned jazz music in the Netherlands. Several youngsters wanted to preserve this music against all odds. They practised secretly, copied illegal radio broadcasts and were determined to found a school for jazz music when the war was over: the Swing College.

On Liberation Day, May 5th 1945, the Orchestra of the Dutch Swing College had its first public performance. Their members gave lectures, organised jazz meetings and started to teach jazz music. The name soon changed into Dutch Swing College Band. In 1960 the DSCBand (in the field of traditional jazz in the Netherlands) became professional and still performs worldwide to this day.http://www.dscband.nl

Dutch Swing College Band - Johnny Goes Dixie

Tomasz Stanko New York Quartet - December Avenue

Styles: Trumpet Jazz
Year: 2017
Time: 64:21
File: MP3 @ 320K/s
Size: 154,1 MB
Art: Front

(4:13) 1. Cloud
(2:01) 2. Conclusion
(8:52) 3. Blue Cloud
(7:19) 4. Bright Moon
(5:05) 5. Burning Hot
(1:30) 6. David and Reuben
(6:26) 7. Ballad for Bruno Schulz
(4:05) 8. Sound Space
(6:33) 9. December Avenue
(6:08) 10. The Street of Crocodiles
(6:07) 11. Yankiels Lid
(5:58) 12. Young Girl in Flower

The elder statesman of modern Polish jazz, trumpeter and composer Tomasz Stańko has more than a forty year history with ECM. Dating back to his 1976 label debut, Balladyna, Stańko sounds to have arrived fully-formed, and in the company of Dave Holland and Finnish percussionist Edward Vesala. Stańko's trademark atmospheric and cerebral style is fully intact on December Avenue, his twelth album for Manfred Eicher's label.

Stańko's New York Quartet includes ECM artists David Virelles, whose Mbókò (2016) and Antenna (2016), amassed high praise, and Gerald Cleaver who has appeared on a number of the label's releases including those of Michael Formanek, Tim Berne, Roscoe Mitchell and Miroslav Vitous. Both were part of Stańko's Wisława project while bassist Thomas Morgan has been replaced by Reuben Rogers. The bassist's ties to the label are with Charles Lloyd on Rabo de Nube (2007), Mirror (2010) and Athens Concert (2011).

Stańko has long surrounded himself with a younger generation of top-rate musicians, helping to keep his own, introspective-leaning style, more open. Historically notably among those supporting players was the Lontano (ECM, 2006) group where the trumpeter was backed by the Marcin Wasilewski Trio who went on to substantial success. The New York Quartet has similarly brought out Stańko's considerable free improvisational skills but to a limited extent.

Virelles' meloncholy piano opens "Cloud," joined quickly by Stańko on a languid ballad that sets up the more spirited "Conclusion." On the latter we hear Rogers crafty introduction and Stańko's more animated playing but at just two- minutes, the piece doesn't quite live up to its energetic beginning. The pace doesn't accelerate again until "Burning Hot" where relative to the reflective stroll of the opening numbers the title is representative of Stańko's more inventive playing and the complex interaction with Virelles. "Ballad for Bruno Schulz" is essentially a Stańko/Virelles duo and the most appealling of the quiet compositions on December Avenue.

The minimal "Sound Space" leads to the energetic, boppish title track featuring a standout solo from Rogers and engaging contributions from both Stańko and Virelles, held together with some intricate and sophisticated work by Cleaver. "Yankiels Lid" is the most open of the twelve pieces and sees Virelles and Rogers at their most imaginative, while Stańko takes an accompanying role. "Young Girl In Flower" closes the album much as it began-a gentle ballad highlighted by Stańko's breathy signature style.

Stańko has been long been regarded for his ability to cover a wide range of emotions with his instrument and he can make the trumpet speak in tongues when he wishes to do so. But the avant-garde Stańko of circa Bluish (Power Bros., 1991) has long since been supplanted by the lyrically sophisticated minimalist of recent years. That mind-set works well in making his more visionary arrangements pop in the context of an entire album. December Avenue is strikingly balanced and tastefully performed by this well synergized quartet.By Karl Ackerman https://www.allaboutjazz.com/december-avenue-tomasz-stako-new-york-quartet-ecm-records-review-by-karl-ackermann

Personnel: Tomasz Stanko, trumpet; David Virelles, piano; Reuben Rogers; bass; Gerald Clayton, drums.

December Avenue

Something Else! - Soul Jazz

Styles: Bop
Year: 2024
Time: 50:54
File: MP3 @ 320K/s
Size: 117,1 MB
Art: Front

(4:56) 1. Filthy McNasty
(7:55) 2. Too Blue
(4:05) 3. Mean Greens
(4:57) 4. The Chicken
(7:05) 5. Driftin'
(7:23) 6. Slow Drag
(5:34) 7. Strasbourg/St. Denis
(8:57) 8. Naima (Bonus Track)

Jazz supergroup Something Else! is led by Vincent Herring, featuring some of the very best musicians today, playing some of the most iconic toe-tapping Soul Jazz songs ever created. This era of fantastic, rhythmic and soul warming music will be presented with new arrangements plus original compositions in the same genre.

The septet lineups draw from a pool of talented artists whose combined talents make for exciting, danceable and hugely enjoyable shows.

Alto Sax: Vincent Herring
Trumpet: Jeremy Pelt / Randy Brecker / Freddie Hendrix
Tenor sax: James Carter / Eric Alexander
Guitar: Paul Bollenback / Russell Malone
Piano: David Kikoski / Mike LeDonne
Bass: Essiet Essiet / Yasushi Nakamura
Drums: Lewis Nash / Jeff Watts / Johnathan Blake

"The jazz supergroup Something Else!, …then followed with top-shelf soul-jazz and swing… Every one of these musicians is elite it was an extraordinary set. “ ~ Glide Magazine

“…the band wears its hard-bop heart on its sleeve …It practically dares audiences to sit still and remain on their best behavior.” By Steve Futterman, The New Yorker
https://atljazzfest.com/artists/something-else/

Soul Jazz