Showing posts with label Kristine Mills. Show all posts
Showing posts with label Kristine Mills. Show all posts

Monday, May 20, 2024

Kristine Mills - Looking Back - Moving Forward

Styles: Vocal
Year: 2021
Time: 25:30
File: MP3 @ 320K/s
Size: 58,5 MB
Art: Front

(4:33) 1. Blue Isn't Blue Anymore
(3:55) 2. Go Fly Away
(4:08) 3. Reach Out To Me
(4:12) 4. Infinite Love
(3:56) 5. Hold Fast
(4:43) 6. Dip My Toe in the Waters

Winner of the Houston Press Music Awards, Best Female Vocalist and Best Songwriter, Mills was also nominated for Best Pop Artist, Best Jazz, and Musician of the Year. She was among the 2013 Houston Press Rocks of 100 - Houston’s Most Distinguished Artists and a 2012 Houston Arts Alliance for Established Individual Artists Grant Recipient. Mills wrote the soundtrack for the Gold REMI award-winning documentary film Collector’s Waltz. A member of the Recording Academy, Mills has been recognized for Grammy nomination consideration in several categories.

In addition to many New York City appearances at the Metropolitan Room, Duplex and Zinc Bar, Kristine played sold-out shows as a guest vocalist with the Duke Ellington Orchestra and as a headliner for the Brazilian International Jazz Festival tour in Sao Paolo, Recife, Rio, and Belo Horizonte. She also performed at New Orleans's Snug Harbor, The Miami Music Festival, Houston's Cezanne’s and House of Blues. Mills was Artist-In-Residence at Hotel ZaZa Houston, and Music Director and featured performer at Giorgio's Hotel Granduca Houston. She now includes Pizza Express, Piano Smithfield in London as well as Bert's Jazz Bar at the Merchant Hotel, Belfast among her regular venues.

Since her move to London in the summer of 2021, Kristine has had the pleasure of working with acclaimed pianist, writer and producer Janette Mason in performances along with other fabulous musicians, Darren Beckett, Tom Mason, Simon Little, Sophie Alloway to name a few.

"I just love London!" said Kristine Mills. "I’m enjoying performing and collaborating with a new coterie of London-based jazz and world music musicians for a fresh perspective. The city and its musicians are inspiring."

Mills is known in Houston as being a constant and persistent voice in the jazz scene. With her latest album project, a key moment in her three-decade-long career, she received critical acclaim and media support back. She premiered the single “Hold Fast” with Houston CityBook (see here for the premiere) and celebrated with a sold-out show at Warehouse 72.

"Both songs hold true to the infectiously jazzy sound that has propelled Mills into headliner gigs at events like the Brazilian International Jazz Festival and allowed her to play sold-out shows in theaters and performing arts centers around the world from Houston to Sao Paolo," said Houston CityBook.

She followed up with two EP release concerts, in Austin, Texas at Parker Jazz Club with the critically-acclaimed house band, led by Kris Kimura, and back to Houston at Warehouse 72 with a band led by Chad Wesselkamper.

The new album, as well as her other releases, are available on Spotify, Apple Music and all streaming platforms.

“Looking Back. Moving Forward." EP is the retrospective of my songwriting career,” expressed Kristine Mills. “It encompasses songs written at different times in my life, but they share universal truths about love, life, and death that we all can relate to. Many of the songs are collaborations with other artists which then pull from their experiences to enrich the writing and feelings found in the songs.”

This album was different for Kristine, as she pulled from previously unreleased recordings. Songs on “Looking Back. Moving Forward.” were conceived in pairs from various “sessions” recorded in 2008 to the present. The first set of songs, “The HOUSTON Sessions,” was co-produced by Gabriel Santiago, recorded in Houston then mixed and mastered in Brazil. Kristine’s first two singles are a contrast in love - “Hold Fast” was written in honor of her new husband, whereas “Dip My Toe In The Water” was written amidst the ending of a long marriage. Additional "sessions" recorded in New York and Austin included many well-known musicians such as GRAMMY-nominated American songwriter Jeff Franzel, prolific writer and producer Askold Buk, Sade's touring drummer, Steve Williams, Dave Byrne's tour bassist Paul Frasier, cellist Dave Eggar and Austin-based writer/producer David Rice.

Raul da Gama with World Music Reports says, “Kristine Mills’ talent for songwriting goes well beyond that realm. She is a fine writer of The Song, an even better writer of The Ballad and best of all she writes a compelling narrative. In short, Mills may be considered a complete musician." https://www.kristinemillsmusic.com/bio

Looking Back. Moving Forward.

Wednesday, October 28, 2015

Kristine Mills - Kristine Mills Music

Styles: Vocal Jazz
Year: 2007
File: MP3@320K/s
Time: 20:50
Size: 47,9 MB
Art: Front

(2:12)  1. All of Me
(2:40)  2. Vivo Sonhando
(3:00)  3. Everytime We Say Goodbye
(2:29)  4. Blue Skies
(2:29)  5. You'd Be So Nice To Come Home To
(2:35)  6. Route 66
(2:54)  7. Bônus: Vivo Sonhando - Trio
(2:28)  8. Bônus: You'd Be So Nice To Come Home To - Trio

This, my first cd, is a brief glimpse into the songs and styles that have made me the musician I am today. You'll find a touch of Texas-style blues in each of the tracks whether they are heart-wrenching Cole Porter songs from the Great American Songbook to lush renditions, sung in Portuguese, of a Bossa Nova classic by Antonio Carlos Jobim. I believe that the voice is simply another instrument in the ensemble  just one among the others from the piano to the bass and even the drums. They all speak all work together communicating in our unique language music. https://www.cdbaby.com/cd/kristinemills

Kristine Mills Music

Saturday, June 21, 2014

Kristine Mills - Kristine Mills Playing With The Big Boys Live!

Styles: Vocal Jazz
Year: 2007
File: MP3@320K/s
Time: 68:50
Size: 158,5 MB
Art: Front

(5:15)  1. I Love Paris
(5:38)  2. Lullaby Of Birdland
(7:48)  3. How Long Has This Been Going On
(7:29)  4. Do Nothing Till You Hear From Me
(4:35)  5. Bye Bye Blackbird
(7:19)  6. If You Never Come To Me (Intuil Passagim)
(7:46)  7. Norwegian Wood
(3:28)  8. Mountain Greenery
(5:35)  9. They Can't Take That Away From Me
(4:20) 10. Tennesse Waltz
(4:48) 11. How High The Moon
(4:43) 12. One For My Baby (...And One More For Lee)

Vocalist Kristine Mills is doing something almost no one else in Houston is doing these days: singing jazz. Not watered-down jazz lite, but real, actual jazz with nuance, improvisation, interplay between her and her musicians, and respect for the art form. Mills's new CD, Playing with the Big Boys Live!, recorded live at Cezanne in April 2007, is filled with her fresh takes on standards including "They Can't Take That Away from Me," "How Long Has This Been Going On?" and especially "Do Nothing Till You Hear from Me." She's sassy, smart and smoldering on that Duke Ellington classic; if it's not her signature song, it should be. On "One for My Baby," she's both fantastically forlorn and somehow hopeful. 

Accompanied by the Ken Ward Trio and guests Barry Lee Hall Jr. and Rocky White, Mills is technically flawless, and her performance seems effortless. Pianist Ward does a good job supporting Mills, while bassist David Craig is less helpful, but thankfully stays out of the way for the most part. Paul Chester's guitar adds a melancholy sound to tunes like "How Long...," and Big Boys stands as a memorial to White, a longtime drummer in the Duke Ellington Orchestra who recently died after a long illness. His brushwork, especially on "Do Nothing...," adds just the right touch, fluidly going from delicate to bold. The interplay between Mills and Hall, on trumpet and flugelhorn, makes "Bye Bye Blackbird" another bright spot. But without taking anything away from her band, Mills is clearly the star here. As well she should be. ~ Olivia Flores Alvarez  http://www.houstonpress.com/2008-09-25/music/kristine-mills-playing-with-the-big-boys-mdash-live/full/

Wednesday, May 21, 2014

Kristine Mills - Bossanovafied

Bitrate: 320K/s
Time: 34:23
Size: 78.7 MB
Styles: Bossa Nova
Year: 2009
Art: Front

[4:03] 1. I Wish
[3:45] 2. That Was Yesterday
[4:34] 3. Sweet Sorrow 2
[5:06] 4. Sasha's Lullaby
[4:51] 5. Burden Of Choice
[3:33] 6. Fallin' In Love
[4:24] 7. You Are
[4:05] 8. Inspiracao

Brazil has a very special allure—not only for the Bacchanalian enjoyment of its Carnival in Rio, but for artists as well. Swinging musicians from all over North America have found the rhythmic seduction of the samba and the urbane swish and sway of bossa nova quite irresistible for decades. Lately, however, North American musicians appear to have discovered that seduction alone is not the prerequisite for making music in an authentic Brazilian idiom, even in the most popular one of all: the bossa nova.

Houston-born vocalist Kristine Mills is one of those North American musicians who has shown she can sashay with the best, with a moving record soaking in the spirit of Brazil's most popular urban export: bossa nova. The appropriately entitled Bossanovafied is a short yet beautiful collection of songs done in the rhythm of this urban mélange of jazz and samba, made internationally popular by Joao Gilberto, Vinicius de Moraes and Antonio Carlos Jobim. Mills and musicians like her appear to have also been influenced by a slew of other more contemporary musicians from Brazil's tropicalia movement.

Mills sings with child-like charm, recalling the guileless wonder of Blossom Dearie's annunciation and phrasing. Despite a flatter, slightly oblique attack, Mills' lyrical approach is to soak the words and phrases in the emotion of their poetry. Her sense of tone is sharp, and she can make subtle changes in inflection to alter the color of the song, with minute changes in breath or dallying over end-words or phrases to create just the effect she wants. ~Raul D'Gama Rose

Bossanovafied